Modern Jazz Archive: Barney Kessel

~ Release by Barney Kessel (see all versions of this release, 1 available)

Tracklist

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1CD: Salute To Charly Christian
#TitleRatingLength
1Seven Come Eleven
recording of:
Seven Come Eleven
composer:
Charlie Christian and Benny Goodman (clarinetist and bandleader)
3:54
2Night And Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:41
3Long Ago And Far Away
recording of:
Long Ago (and Far Away)
lyricist:
Ira Gershwin
composer:
Jerome Kern
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and T.B. Harms Co. (in 1944)
part of:
The 17th Academy Award for Best Original Song (number: 2)
included in:
Cover Girl (1944)
3:46
4Somebody Loves Me3:22
5Strike Up The Band
recording of:
Strike Up the Band (1927 Gershwin song)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
3:15
6'S Wonderful
recording of:
’S Wonderful
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Ira Gershwin Music, New World Music Company Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and WB Music Corp. (1929–2019)
included in:
An American in Paris (2015 Broadway musical)
part of:
Funny Face (1927 musical)
part of:
My One and Only (1983 Broadway musical)
2:38
7I Got Rhythm
recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:17
8Love Walked In
recording of:
Love Walked In
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell & Co Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Gershwin Publishing Corp (in 1938)
part of:
The Goldwyn Follies
3:07
9Tenderly
recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:14
10Bernardo
recording of:
Bernardo
composer:
Barney Kessel
2:34
11Vicky's Dream
recording of:
Vicky's Dream
composer:
Barney Kessel
2:51
12Just Squeeze Me
recording of:
Just Squeeze Me (but Don’t Tease Me)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
2:59
13What Is There To Say?3:33
14Salute To Charlie Christian3:16
15I Let A Song Go Out Of My Heart
recording of:
I Let a Song Go Out of My Heart
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, volume I)
3:37
2CD: Barney's Blues
#TitleRatingLength
1Lullaby Of Birdland
engineer and audio engineer:
Val Valentin
producer:
Lester Koenig
alto saxophone, flute and woodwind:
Bud Shank (on 1953-12-19)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
double bass [bass]:
Harry Babasin (on 1953-12-19)
drums (drum set):
Mel Lewis (American jazz drummer) and Shelly Manne (US jazz drummer) (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Jimmy Rowles and Arnold Ross (on 1953-12-19)
tenor saxophone:
Harold Land (US jazz tenor saxophonist)
trumpet:
Pete Candoli
vibraphone:
Larry Bunker
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1953-12-19) and Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-19)
instrumental recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1953-12-19)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
3:09
2Barney's Blues
3:00
364 Bars On Wilshire
recorded in:
Los Angeles, California, United States (on 1954-07-01)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-07-01)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-07-01)
guitar:
Barney Kessel (on 1954-07-01)
piano:
Claude Williamson (on 1954-07-01)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-07-01)
recording of:
64 Bars on Wilshire (on 1954-07-01)
composer:
Barney Kessel
3:18
4My Old Flame
bass:
Monty Budwig
instrumental recording of:
My Old Flame
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:37
5Speak Low
recorded in:
Los Angeles, California, United States (on 1954-06-04)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-06-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-06-04)
guitar:
Barney Kessel (on 1954-06-04)
piano:
Claude Williamson (on 1954-06-04)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-06-04)
instrumental cover recording of:
Speak Low (from "One Touch of Venus") (Fox Trot Arrangement (Beguine Tempo)) (on 1954-06-04)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
arranger:
Jack Mason (classical arranger)
arrangement of:
Speak Low (One Touch of Venus)
2:43
6Prelude To A Kiss
recorded in:
Los Angeles, California, United States (on 1954-06-04)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-06-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-06-04)
guitar:
Barney Kessel (on 1954-06-04)
piano:
Claude Williamson (on 1954-06-04)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-06-04)
instrumental cover recording of:
Prelude to a Kiss (on 1954-06-04)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
3:11
7Jeepers Creepers
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-09-12)
drums (drum set):
Chuck Thompson (1940s–50s US jazz drummer) (on 1955-09-12)
piano:
Hampton Hawes (on 1955-09-12)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1955-09-12)
instrumental recording of:
Jeepers Creepers (on 1955-09-12)
lyricist:
Johnny Mercer (in 1938)
writer:
Richard A. Whiting (composer)
composer:
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
The 11th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1938 nominee)
3:49
8Love Is Here To Stay
recorded in:
Los Angeles, California, United States (on 1954-07-01)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-07-01)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-07-01)
guitar:
Barney Kessel (on 1954-07-01)
piano:
Claude Williamson (on 1954-07-01)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-07-01)
instrumental cover recording of:
Love Is Here to Stay (on 1954-07-01)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
3:26
9How Long Has This Been Going On?
recorded in:
Los Angeles, California, United States (on 1954-07-01)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-07-01)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-07-01)
guitar:
Barney Kessel (on 1954-07-01)
piano:
Claude Williamson (on 1954-07-01)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-07-01)
instrumental cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1954-07-01)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
3:18
10You Stepped Out Of A Dream
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-09-12)
drums (drum set):
Chuck Thompson (1940s–50s US jazz drummer) (on 1955-09-12)
guitar:
Barney Kessel (on 1955-09-12)
piano:
Hampton Hawes (on 1955-09-12)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1955-09-12)
instrumental cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (on 1955-09-12)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
2:50
11I Didn't Know What Time It Was
3:56
12A Foggy Day
recorded in:
Los Angeles, California, United States (on 1954-06-04)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-06-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-06-04)
guitar:
Barney Kessel (on 1954-06-04)
piano:
Claude Williamson (on 1954-06-04)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-06-04)
instrumental cover recording of:
A Foggy Day (in London Town) (on 1954-06-04)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:10
13On A Slow Boat To China
recorded in:
Los Angeles, California, United States (on 1954-06-04)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-06-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-06-04)
guitar:
Barney Kessel (on 1954-06-04)
piano:
Claude Williamson (on 1954-06-04)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-06-04)
instrumental cover recording of:
On a Slow Boat to China (on 1954-06-04)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:15
14That's All
4:09
15April In Paris
2:45
16North Of The Border
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Shelly Manne (US jazz drummer)
flute:
Buddy Collette
piano accordion:
Claude Williamson
recording of:
North of the Border
composer:
Barney Kessel
2:42

Credits

Release

part of:Modern Jazz Archive (number: 221957) (order: 13)
Discogs:https://www.discogs.com/release/15135560 [info]
ASIN:DE: B01K8NUEGS [info]