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~ Release by Lee Ann Womack (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1You’ve Got to Talk to Me
producer:
Mark Wright (country music producer & songwriter)
piano:
Tony Brown (US producer, pianist and keyboardist)
recording of:
You’ve Got to Talk to Me
lyricist and composer:
Jamie O’Hara
publisher:
Magic Knee (from 1996 to present) and Sony/ATV Songs LLC (from 1996 to present)
13:34
2The Fool
producer:
Mark Wright (country music producer & songwriter)
recording of:
The Fool
writer:
Maria Cannon, Charlie Stefl and Gene Ellsworth
publisher:
Castle Bound Music, Inc. (from 1997 to present), Major Bob Music Co., Inc. (from 1997 to present), St. Myrna Music (from 1997 to present) and Wild Mountain Thyme Music (from 1997 to present)
23:33
3A Little Past Little Rock
producer:
Mark Wright (country music producer & songwriter)
acoustic guitar:
Mark Casstevens and Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Glenn Worf
drums (drum set):
Chad Cromwell (drummer)
electric guitar:
Brent Mason
fiddle and mandolin:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
harmonica:
Jelly Roll Johnson (harmonica player Kirk Johnson)
percussion:
Tom Roady
piano, synthesizer and Wurlitzer electric piano [Wurlitzer]:
Tony Harrell
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
background vocals:
Lisa Cochran, D. Bergen White (American arranger, producer, conductor, musician, composer and singer), Jason Sellers and Lisa Silver
recording of:
A Little Past Little Rock
writer:
Jess Brown, Brett Jones (Songwriter) and Tony Lane
publisher:
Sony/ATV Harmony, Almo Music Corp. (USA, affiliated with ASCAP) (from 1998 to present), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (from 1998 to present), Jess Brown Music (from 1998 to present), Mo Fuzzy Dice Music (from 1998 to present) and Twin Creeks Music, Inc. (from 1998 to present)
24:16
4I’ll Think of a Reason Later
producer:
Mark Wright (country music producer & songwriter)
acoustic guitar:
Biff Watson (American country producer and guitarist.) and Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Glenn Worf
drums (drum set):
Lonnie Wilson (drummer, songwriter, and producer)
electric guitar:
Brent Mason
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
piano:
Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
Lisa Cochran, D. Bergen White (American arranger, producer, conductor, musician, composer and singer), Liana Manis, Lisa Silver and Curtis Young (country singer)
recording of:
I’ll Think of a Reason Later
writer:
Tony Martin (US country music songwriter) and Tim Nichols
publisher:
Baby Mae Music (from 1998 to present), EMI Blackwood Music Inc. (from 1998 to present), Hamstein Cumberland Music (from 1998 to present) and Ty Land Music (from 1998 to present)
3.653:37
5(Now You See Me) Now You Don’t
producer:
Mark Wright (country music producer & songwriter)
acoustic guitar:
Biff Watson (American country producer and guitarist.) and Mark Casstevens
bass guitar:
Glenn Worf
drums (drum set):
Chad Cromwell (drummer)
electric guitar:
Brent Mason
Hammond organ [B-3]:
Steve Nathan
mandolin:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
Liana Manis and Curtis Young (country singer)
recording of:
(Now You See Me) Now You Don’t
writer:
Jess Brown, David Lee (country singer & songwriter) and Tony Lane
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (from 1998 to present), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (from 1998 to present), Jess Brown Music (from 1998 to present) and Ken-Ten Publishing (from 1998 to present)
12:40
6I Hope You Dance
recording engineer:
Jeff Balding
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
accordion:
Michael Omartian
acoustic guitar:
Mark Casstevens and Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Michael Rhodes
drums (drum set):
Chad Cromwell (drummer)
electric guitar:
Brent Mason
keyboard:
Steve Nathan
percussion:
Eric Darken
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
background vocals:
Lisa Cochran, Lisa Silver and Bergen White (American arranger, producer, conductor, musician, composer and singer)
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
guest performer:
Sons of the Desert (US country band)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
recorded at:
Javelina Recording Studio in Nashville, Tennessee, United States
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
part of:
Rolling Stone: The 200 Greatest Country Songs of All Time (number: 75)
recording of:
I Hope You Dance
writer:
Mark D. Sanders (American Country Music songwriter) and Tia Sillers
publisher:
Choice is Tragic Music (from 2000 to present), Ensign Music Corporation (from 2000 to present), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (from 2000 to present) and Soda Creek Songs (from 2000 to present)
4.254:54
7Why They Call It Falling
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
acoustic guitar:
Mark Casstevens and Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Glenn Worf
drums (drum set):
Lonnie Wilson (drummer, songwriter, and producer)
electric guitar:
Brent Mason
keyboard:
Steve Nathan
mandolin:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
slide guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
background vocals [harmony vocals]:
Jason Sellers and Lee Ann Womack
conductor:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
recording of:
Why They Call It Falling
writer:
Roxie Dean and Don Schlitz
publisher:
Maverick Music Co. (from 2000 to present), New Don Songs (from 2000 to present), New Hayes Music (from 2000 to present) and WB Music Corp. (1929–2019) (from 2000 to present)
13:36
8Ashes by Now
producer:
Mark Wright (country music producer & songwriter)
mixer:
Greg Droman (American producer, mixing and audio engineer)
acoustic guitar:
Mark Casstevens and Pat Flynn (US bluegrass/country guitarist)
bass guitar:
Glenn Worf
drums (drum set):
Lonnie Wilson (drummer, songwriter, and producer)
electric guitar:
Brent Mason
fiddle:
Larry Franklin (US fiddler, mandolin and guitar player, and composer)
keyboard:
Steve Nathan
percussion:
Eric Darken
steel guitar:
Paul Franklin (steel guitarist)
background vocals:
Bekka Bramlett (American singer), Lisa Cochran, Tabitha Fair and MaraBeth Jordan
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
part of:
Holler's Best 2000s Country Songs (number: 81)
cover recording of:
Ashes By Now
lyricist and composer:
Rodney Crowell
publisher:
Tessa Publishing Company (BMI) (from 1976 to present) and Jolly Cheeks Music (publisher) (from 1981 to present)
24:11
9Something Worth Leaving Behind
additional recording engineer:
Todd Gunnerson
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Greg Droman (American producer, mixing and audio engineer)
producer:
Lee Ann Womack and Mark Wright (country music producer & songwriter)
acoustic guitar:
B. James Lowry (session guitarist) and Randy Scruggs
banjo and mandolin:
Bryan Sutton
bass guitar:
Michael Rhodes
classical guitar [gut string guitar]:
Brent Mason
drums (drum set):
Shannon Forrest
electric guitar:
Kenny Greenberg, Brent Mason and Brent Rowan
fiddle:
Aubrey Haynie
Hammond organ [B-3] and synthesizer:
Steve Nathan
percussion:
Eric Darken
piano:
Chuck Leavell and Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
strings:
Nashville String Machine
tiple:
Brent Rowan
background vocals:
Bob Bailey (gospel singer), Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller (US AOR singer, member of Fake I.D. & The LA Crew), Chris Rodriguez (Contemporary Christian singer), Keith Sewell and Bergen White (American arranger, producer, conductor, musician, composer and singer)
strings arranger:
David Campbell (US‐based Canadian violinist, composer, conductor and arranger)
additionally recorded at:
House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
recorded at and mixed at:
The Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
Something Worth Leaving Behind
writer:
Brett Beavers (American songwriter, producer, guitarist) and Tom Douglas
publisher:
Sony/ATV Songs LLC (from 2001 to present)
53:49
10Forever Everyday
additional recording engineer:
Todd Gunnerson
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Greg Droman (American producer, mixing and audio engineer)
producer:
Lee Ann Womack and Mark Wright (country music producer & songwriter)
acoustic guitar:
B. James Lowry (session guitarist) and Randy Scruggs
banjo and mandolin:
Bryan Sutton
bass guitar:
Michael Rhodes
classical guitar [gut string guitar]:
Brent Mason
drums (drum set):
Shannon Forrest
electric guitar:
Kenny Greenberg, Brent Mason and Brent Rowan
fiddle:
Aubrey Haynie
Hammond organ [B-3] and synthesizer:
Steve Nathan
percussion:
Eric Darken
piano:
Chuck Leavell and Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
tiple:
Brent Rowan
background vocals:
Bob Bailey (gospel singer), Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller (US AOR singer, member of Fake I.D. & The LA Crew), Chris Rodriguez (Contemporary Christian singer), Keith Sewell and Bergen White (American arranger, producer, conductor, musician, composer and singer)
additionally recorded at:
House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
recorded at and mixed at:
The Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
Forever Everyday
writer:
Devon O'Day and Kim Patton-Johnson
publisher:
Devon's Farm Music (from 2002 to present), Driversed Music (from 2002 to present), Sony/ATV Cross Keys Music (from 2002 to present) and Worley World Music (from 2002 to present)
3:51
11I Saw Your Light
additional recording engineer:
Todd Gunnerson
assistant recording engineer:
Chad Brown (Recording engineer), David Bryant (US recording engineer), Brian Graben and Leslie Richter
recording engineer and mixer:
Greg Droman (American producer, mixing and audio engineer)
producer:
Lee Ann Womack and Mark Wright (country music producer & songwriter)
acoustic guitar:
B. James Lowry (session guitarist) and Randy Scruggs
banjo and mandolin:
Bryan Sutton
bass guitar:
Michael Rhodes
classical guitar [gut string guitar]:
Brent Mason
drums (drum set):
Shannon Forrest
electric guitar:
Kenny Greenberg, Brent Mason and Brent Rowan
fiddle:
Aubrey Haynie
Hammond organ [B-3] and synthesizer:
Steve Nathan
percussion:
Eric Darken
piano:
Chuck Leavell and Steve Nathan
steel guitar:
Paul Franklin (steel guitarist)
tiple:
Brent Rowan
background vocals:
Bob Bailey (gospel singer), Lisa Cochran, Kim Fleming, Vicki Hampton, MaraBeth Jordan, Kim Keys, Gene Miller (US AOR singer, member of Fake I.D. & The LA Crew), Chris Rodriguez (Contemporary Christian singer), Keith Sewell and Bergen White (American arranger, producer, conductor, musician, composer and singer)
additionally recorded at:
House of Gain Studios in Nashville, Tennessee, United States and Javelina Studios in Nashville, Tennessee, United States
recorded at and mixed at:
The Sound Kitchen Studios in Franklin, Tennessee, United States
recording of:
I Saw Your Light
lyricist and composer:
Gretchen Peters
publisher:
Sony/ATV Tunes LLC (ASCAP) (from 2002 to present)
6:03
12I May Hate Myself in the Morning
additional recording engineer:
Julie Brakey, Jesse Chrisman, Jason Gantt, Sara Lesher and Erik Lutkins
assistant recording engineer:
David Bryant (US recording engineer)
recording engineer:
Julian King
miscellaneous support:
Ann Callis (task: production coordination)
producer:
Byron Gallimore
mixer:
Greg Droman (American producer, mixing and audio engineer)
additionally recorded at:
Essential Sound in Houston, Texas, United States and Sound Kitchen in Franklin, Tennessee, United States
recorded at:
Blackbird Studio in Nashville, Tennessee, United States and Ocean Way Nashville in Nashville, Tennessee, United States
mixed at:
The Sound Kitchen in Franklin, Tennessee, United States
part of:
Holler's Best 2000s Country Songs (number: 54)
recording of:
I May Hate Myself in the Morning
lyricist and composer:
Odie Blackmon
24:32