Sex Machine

~ Release by Philippe Manœuvre & Jean-Pierre Dionnet (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Get Up (I Feel Like Being a) Sex Machine
recording of:
Get Up (I Feel Like Being Like a) Sex Machine
writer:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown5:18
2Endicott
Kid Creole and the Coconuts4:29
3Mama Used to Say
Junior3:38
4Upside Down
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1980) and Motown Records (not for label use; use “Motown” instead) (in 1980)
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 89)
recording of:
Upside Down
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC and Tommy Jymi Inc.
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Diana Ross3.754:08
5Let’s Groove
producer:
Maurice White (Earth, Wind & Fire)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981)
recording of:
Let’s Groove
writer:
Wayne Vaughn and Maurice White (Earth, Wind & Fire)
publisher:
Campbell Connelly, EMI Songs, EMI Songs Australia Pty. Ltd. and EMI Songs Ltd.
Earth, Wind & Fire4.455:35
6Le Freak
producer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
conductor:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
part of:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (number: 10) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 391)
recording of:
Le Freak
writer:
Bernard Edwards (American bassist and record producer) and Nile Rodgers
publisher:
Bernard’s Other Music, Sony Songs Inc., Tommy Jymi Inc., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic3.25:32
7Let’s All Chant
The Michael Zager Band3:04
8Can You Feel It
engineer:
Tom Perry (engineer)
associate producer:
Greg Phillinganes
producer:
The Jacksons (formerly “The Jackson 5”)
bass guitar:
Nathan Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
guitar:
Tito Jackson and David Williams (session guitarist and songwriter)
keyboard:
Ronnie Foster, Greg Phillinganes and Bill Wolfer (record producer, songwriter, musician and synthesizer programmer from USA)
vibraphone:
Gary Coleman (US percussionist)
choir vocals:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Lewis Price, Bob Mack, Arnold McCuller, Paulette McWilliams, Lisa Roberts, Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade (vocalist) and Gregory Wright
lead vocals:
Michael Jackson (“King of Pop”) and Randy Jackson (brother of Michael and Janet)
chorus master:
Stephanie Spruill (American soul/disco singer, songwriter, and percussionist)
strings arranger:
Tom Tom 84
arranger:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1980)
recorded at:
Hollywood Sound Studios in Los Angeles, California, United States (from 1980-01 until 1980-07) and Sound City Studios in Van Nuys, California, United States (from 1980-01 until 1980-07)
recording of:
Can You Feel It
writer:
Jackie Jackson (member of the Jackson 5) and Michael Jackson (“King of Pop”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
MJ: The Musical
The Jacksons46:02
9Fresh
recording of:
Fresh
writer:
Ronald Bell, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Bonnefond, Sandy Linzer, Robert Bell, Claydes Smith and James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
Kool & the Gang4.44:27
10I Feel for You
bass, drum machine and guitar:
Reggie Griffin (in 1984)
chromatic harmonica:
Stevie Wonder (in 1984)
drums (drum set):
Steve Ferrone (in 1984)
keyboard and synthesizer:
Robbie Buchanan (Canadian producer) (in 1984), David Frank (American keyboardist, producer, writer; The System) (in 1984), Reggie Griffin (in 1984) and Philippe Saisse (in 1984)
background vocals and lead vocals:
Chaka Khan (in 1984)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 395)
cover recording of:
I Feel for You (in 1984)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan3.755:48
11Atomic Dog
producer:
George Clinton (US funk musician) and Ted Currier
arranger:
David Chong, Garry Shider and David Spradley
recording of:
Atomic Dog
writer:
George Clinton (US funk musician), Garry Shider and David Spradley
part of:
10 Things I Hate About You
George Clinton4.24:48
12Party Train
executive producer:
Lonnie Simmons (producer, songwriter)
producer:
Lonnie Simmons (producer, songwriter) and Ronnie Wilson (Gap Band member)
recording of:
Party Train
writer:
Lonnie Simmons (producer, songwriter), Rudy Taylor (vocalist and songwriter), Charlie Wilson (R&B singer) and Ronnie Wilson (Gap Band member)
The Gap Band45:47
13Papa Was a Rollin’ Stone
cover recording of:
Papa Was a Rollin’ Stone
lyricist and composer:
Barrett Strong and Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
The Temptations6:56
14Just a Gigolo / Ain’t Got Nobody
engineer:
Jeff Hendrickson (sound engineer)
producer:
Ted Templeman
bass guitar:
Willie Weeks (US bass player)
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
Eddie Martinez (guitar) and Sid McGinnis (American musician and guitarist)
keyboard, saxophone and background vocals:
Edgar Winter
percussion:
Sammy Figueroa
synthesizer:
Brian Mann (keyboardist, accordionist, composer)
lead vocals:
David Lee Roth
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
cover recording of:
Just a Gigolo / I Ain’t Got Nobody (Louis Prima medley)
lyricist:
Julius Brammer and Roger Graham
composer:
Leonello Casucci and Spencer Williams (US jazz composer, pianist & singer)
arranger:
Louis Prima (in 1956)
translator:
Irving Caesar
publisher:
Campbell Connelly & Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Eschig Max. Soc., Warner/Chappell North America and Wiener Bohème Verlag GmbH
medley of:
Just a Gigolo (English version)
medley of:
I Ain’t Got Nobody
David Lee Roth3.34:43
15Sexual Healing
assistant engineer:
Henri Van Durme and Didier Leonard
engineer:
Dan Bates (wind instruments [horns]), Mike Butcher (recording engineer and guitarist) and John Kovorak
executive producer:
Larkin Arnold
producer:
Marvin Gaye
mixer and editor:
Harvey Fuqua
bell [bells], bell [orchestra bells], bongos, congas, drums (drum set), electric piano [Fender Rhodes], finger cymbals, glockenspiel, organ and synthesizer:
Marvin Gaye
guitar:
Gordon Banks
wind instruments [horns]:
The L.A. Horn Section and David Stout (American trombonist)
background vocals:
Gordon Banks, Harvey Fuqua and Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (wind instruments [horns])
wind instruments [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recorded at:
Arco Studios in München (Munich), Bayern (Bavaria), Germany (lead vocals, background vocals), Kendun Recorders in Burbank, California, United States (wind instruments [horns]), Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium and Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium (lead vocals, background vocals)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Walloon Brabant), Wallonie (Wallonia), Belgium
edited at and remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California, United States
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 198) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 231)
recording of:
Sexual Healing
writer:
Odell Brown, Marvin Gaye and David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. and April Music Inc. (in 1982)
Marvin Gaye3.653:58
2CD
#TitleArtistRatingLength
1Beat It
recording of:
Beat It
lyricist and composer:
Michael Jackson (“King of Pop”)
publisher:
Mijac Music and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
MJ: The Musical
Michael Jackson4:20
2She Works Hard for the Money
guitar [guitars]:
Marty Walsh
saxophone [sax]:
Gary Herbig
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1983)
recording of:
She Works Hard for the Money (in 1983)
writer:
Michael Omartian and Donna Summer (soul/disco diva)
publisher:
Warner Chappell, See This House Music (from 1983 to present) and Sweet Summer Night Music (from 1983 to present)
Donna Summer4.355:22
3It’s Raining Men
The Weather Girls3:34
4I’m So Excited
recorded in:
Los Angeles, California, United States (in 1983)
synthesizer programming:
Michael Boddicker
engineer:
Gabe Veltri
associate producer:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
bass:
Nathan Watts (in 1983)
drums (drum set):
John “JR” Robinson (session drummer) (in 1983)
guitar:
George Doering (in 1983) and Lee Ritenour (in 1983)
organ:
William D. “Smitty” Smith (organist/keyboardist) (in 1983)
percussion:
Paulinho da Costa (Brazilian percussionist) (in 1983)
piano:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) (in 1983)
reeds:
Gary Herbig (in 1983) and Jim Horn (saxophonist, hornist, flutist and oboist) (in 1983)
synthesizer:
Greg Phillinganes (in 1983)
trombone:
Dick Hyde (in 1983)
trumpet:
Chuck Findley (trumpet, trombone, horn player) (in 1983) and Gary Grant (brass) (in 1983)
lead vocals:
Anita Pointer (in 1983)
horn arranger:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
remix of:
I’m So Excited (single remix) by The Pointer Sisters
recording of:
I’m So Excited (in 1983)
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, Braintree Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Songs, EMI Songs Ltd. and SBK Blackwood Music Inc. (1987-12-30–1989-07-14)
sub-publisher:
Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
The Pointer Sisters54:56
5Living in AmericaJames Brown6:00
6Jungle Love
assistant engineer:
Peggy Mac (on 1983-03-26, on 1984-01-15)
engineer:
Prince (“The Artist Formerly Known as…”) (on 1984-01-15)
producer:
Prince (“The Artist Formerly Known as…”) (from 1983-03-26 until 1984-01-15)
bass guitar and synthesizer [Oberheim OB-8]:
Prince (“The Artist Formerly Known as…”) (from 1983-03-26 until 1984-01-15)
drum machine [Linn LM-1]:
Morris Day
electric guitar:
Jesse Johnson (original guitarist for The Time) (from 1983-03-26 until 1984-01-15)
background vocals:
Jesse Johnson (original guitarist for The Time), Prince (“The Artist Formerly Known as…”), Morris Day (from 1983-03-26 until 1984-01-15) and Jill Jones (American singer, songwriter, and actress) (from 1983-03-26 until 1984-01-15)
lead vocals:
Morris Day (from 1983-03-26 until 1984-01-15)
recording of:
Jungle Love (from 1983-03-26 until 1984-01-15)
writer:
Morris Day, Jesse Johnson (original guitarist for The Time) and Prince (“The Artist Formerly Known as…”)
The Time55:35
71999
assistant engineer:
Don Batts
engineer:
Peggy McCreary
producer:
Prince (“The Artist Formerly Known as…”)
cowbell, cymbal, drum machine [Linn LM-1], electric bass guitar, electric guitar, electronic drum set [Pearl SY-1 Syncussion], handclaps, synthesizer [ARP Omni-2], synthesizer [Oberheim OB-Xa] and tambourine:
Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
drum machine [Pearl SY-1 Syncussion]:
Bobby Z.
background vocals:
Jesse Johnson (original guitarist for The Time)
lead vocals:
Lisa Coleman (US pianist/keyboardist & composer) (from 1982-07 until 1982-08), Dez Dickerson (from 1982-07 until 1982-08), Jill Jones (American singer, songwriter, and actress) (from 1982-07 until 1982-08) and Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
performer:
Prince (“The Artist Formerly Known as…”) (from 1982-07 until 1982-08)
arranger:
Prince (“The Artist Formerly Known as…”)
recorded at:
Kiowa Trail Home Studio in Chanhassen, Minnesota, United States (from 1982-07 until 1982-08)
recording of:
1999 (from 1982-07 until 1982-08)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Prince4.456:18
8The Glamorous Life
recording of:
The Glamorous Life
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Girlsongs (publisher)
Sheila E.4.356:37
9Annie, I’m Not Your Daddy
Kid Creole and the Coconuts3:50
10It Doesn’t Really Matter
Zapp5:29
11Dynamite
Jermaine Jackson6:04
12Flesh for Fantasy
engineer:
Michael Frondelli
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Dave Wittman
bass guitar:
Steve Webster (Canadian bassist, producer, composer, arranger & orchestrator)
drums (drum set):
Thommy Price
guitar:
Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer‐songwriter)
arranger:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1999)
recorded at and mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Flesh for Fantasy by Billy Idol (English rock singer‐songwriter)
recording of:
Flesh for Fantasy
writer:
Billy Idol (English rock singer‐songwriter) and Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music and Sitting Pretty Music
translated version of:
F.F.F. (Flesh for Fantasy) (German Version)
Billy Idol4.254:39
13Relax
engineer:
Stephen Lipson
additional producer:
Stephen Lipson
producer:
Trevor Horn
bass guitar:
Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983)
drums (drum set):
Peter Gill (UK drummer for Frankie Goes to Hollywood) (in 1983)
guest keyboard:
Andrew Richards (Strawbs keyboard player/record producer) (in 1983) and Anne Dudley (English score composer) (in 1983)
guest percussion:
Luís Jardim (in 1983)
guitar:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) (in 1983)
lead vocals:
Holly Johnson (in 1983), Mark O’Toole (former bassist of Frankie Goes to Hollywood) (in 1983) and Paul Rutherford (member of Frankie Goes to Hollywood) (in 1983)
phonographic copyright (℗) by:
ZTT Records Ltd. (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1983) and Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1983)
karaoke version of:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) by DJ Schmolli
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 10) and Paste: The 50 Greatest One-Hit Wonders of All Time (number: 44)
recording of:
Relax (in 1983)
lyricist:
Holly Johnson
composer:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson and Mark O’Toole (former bassist of Frankie Goes to Hollywood)
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) and SPZ Music, Inc. (BMI affiliated)
Frankie Goes to Hollywood4.053:59
14Super Freak
Rick James3:27
15Walk This Way
engineer:
Steve Ett
co-producer:
Jason Mizell and Joseph Simmons (US rapper Rev. Run of Run-D.M.C)
producer:
Rick Rubin (US record producer, former co‐president of Columbia Records) and Russell Simmons
guest guitar:
Joe Perry (guitarist for Aerosmith)
keyboard and percussion:
Jason Mizell
guest background vocals:
Steven Tyler
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1986, in 1989) and Sony BMG Music Entertainment Inc. (in 1986)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 9), New York Post: 100 Greatest Covers (2007) (number: 30) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 287)
recording of:
Walk This Way
writer:
Joe Perry (guitarist for Aerosmith) and Steven Tyler
publisher:
Daksel LLC, Daksel Music Corp., Music of Stage Three, Music of Stage Three Aerosmith Account, Song and Dance Music, Sony/ATV Music Publishing, Sony/ATV Music Publishing Ltd., Stage Three Music Ltd., Stage Three Music Publishing Limited and Vindaloo Productions, Inc.
Run‐D.M.C. feat. Aerosmith4.055:10