Classic Rock: 1969: The Beat Goes On

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1She Came in Through the Bathroom Window
assistierende(r) Techniker(in):
David Gallo (engineer) und David Roberts (engineer)
Techniker(in):
Guy Charbonneau
Produzent(in):
Michael Lang (Producer)
Mix:
Chris Lord‐Alge
Sologesang:
Joe Cocker
cover recording of:
She Came In Through the Bathroom Window
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Tunes LLC (ASCAP)
Joe Cocker32:40
2Games People Play
vocals:
Joe South (in 1968)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Games People Play (in 1968)
Texter und Komponist(in):
Joe South
publisher:
Bike Music
sub-publisher:
Sweden Music (publisher, founded in 1960) (in 1988)
Joe South33:35
3Take a Letter Maria
recorded in:
Muscle Shoals, Alabama, Vereinigte Staaten (am 1969-08-19)
Produzent(in):
Ahmet Ertegun (US songwriter/producer)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-08-19)
vocals:
R.B. Greaves (am 1969-08-19)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1969-08-19)
conductor:
Arif Mardin (am 1969-08-19)
arranger:
Arif Mardin
recording of:
Take a Letter Maria (am 1969-08-19)
Texter und Komponist(in):
R.B. Greaves
publisher:
PolyGram Music Publishing
R.B. Greaves42:43
4Sugar, Sugar
Musikvideos:
Sugar, Sugar von The Archies
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 6), Rolling Stone: The 50 Best Tunes by Made-Up Musicians (Nummer: 18), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 90) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 155)
recording of:
Sugar, Sugar (in 1969)
Verfasser(in):
Jeff Barry und Andy Kim (pop singer & songwriter)
publisher:
Don Kirshner Music Inc., Kirshner CBS Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner/Chappell Music Ltd. (1996–2019)
The Archies3.52:49
5Polk Salad Annie
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1969)
recording of:
Polk Salad Annie
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Blackwood Music Inc.
Tony Joe White3:46
6My Whole World Ended (The Moment You Left Me)
Produzent(in):
Johnny Bristol und Harvey Fuqua
recording of:
My Whole World Ended (the Moment You Left Me) (am 1968-11-20)
Verfasser(in):
Johnny Bristol, Harvey Fuqua, Jimmy Roach und Pam Sawyer (British‐born American lyricist and songwriter)
publisher:
Jobete Music Co., Inc., Stone Agate Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
David Ruffin3:30
7I Want to Take You Higher
Bassgitarre:
Larry Graham (US bassist & singer)
Gitarre:
Freddie Stone
Gitarre und Keyboard:
Sly Stone
Keyboard:
Rose Stone
membranophone:
Greg Errico
Saxophon:
Jerry Martini
Trompete:
Cynthia Robinson
vocals:
Larry Graham (US bassist & singer), Jerry Martini, Freddie Stone, Rose Stone und Sly Stone
recording of:
I Want to Take You Higher (in 1969)
Texter und Komponist(in):
Sylvester Stewart
publisher:
Daly City Music und Mijac Music
basiert auf:
Higher
Sly & the Family Stone4.53:01
8Spinning Wheel
Techniker(in):
Fred Catero und Roy Halee
Produzent(in):
James William Guercio
alto saxophone und Klavier:
Fred Lipsius (von 1968-10-07 bis 1968-10-22)
Bass:
Jim Fielder (Bassist with Blood, Sweat & Tears) (von 1968-10-07 bis 1968-10-22)
Flügelhorn und Trompete:
Al Rubin (von 1968-10-07 bis 1968-10-22) und Lew Soloff (von 1968-10-07 bis 1968-10-22)
flute, Orgel, Klavier und Posaune:
Dick Halligan (von 1968-10-07 bis 1968-10-22)
Gitarre und Mundharmonika:
Steve Katz (guitarist for Blood, Sweat & Tears) (von 1968-10-07 bis 1968-10-22)
recorder und Posaune:
Jerry Hyman (trombone player) (von 1968-10-07 bis 1968-10-22)
Schlagzeug und Perkussion:
Bobby Colomby (von 1968-10-07 bis 1968-10-22)
Sologesang:
David Clayton‐Thomas (von 1968-10-07 bis 1968-10-22)
vocals:
Bobby Colomby (von 1968-10-07 bis 1968-10-22), Dick Halligan (von 1968-10-07 bis 1968-10-22) und Steve Katz (guitarist for Blood, Sweat & Tears) (von 1968-10-07 bis 1968-10-22)
arranger:
Blood, Sweat & Tears und Fred Lipsius
aufgenommen bei:
CBS 30th Street Studio in Manhattan, New York, New York, Vereinigte Staaten (von 1968-10-07 bis 1968-10-22)
recording of:
Spinning Wheel (von 1968-10-07 bis 1968-10-22)
Texter und Komponist(in):
David Clayton‐Thomas
publisher:
EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Minnesingers Publishers, フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Blood, Sweat & Tears44:08
9Sweet Cherry Wine
recording of:
Sweet Cherry Wine
Verfasser(in):
Richard Grasso und Tommy James (American musician, singer, songwriter and record producer)
publisher:
EMI Longitude Music
Tommy James & the Shondells4:04
10Time Is Tight
recording of:
Time Is Tight
Komponist(in):
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) und Booker T. Jones
publisher:
Al Jackson Jr. Music und Irving Music (BMI)
Booker T. & the MG’s33:19
11Everybody's Talkin'
phonographisches Urheberrecht (℗) von:
BMG Music (in 1967)
früheste Veröffentlichung:
Everybody’s Talkin’ von Nilsson (US singer-songwriter)
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 51)
cover recording of:
Everybody’s Talkin’
Texter und Komponist(in):
Fred Neil
publisher:
Carlin Music Corporation, Coconut Grove Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Third Palm Music und Third Story Music, Inc.
Nilsson3.92:45
12In the Year 2525 (Exordium & Terminus)
Produzent(in):
Zager & Evans
recording of:
In the Year 2525 (Exordium and Terminus) (in 1968)
Texter und Komponist(in):
Rick Evans (US singer, songwriter and guitarist)
publisher:
ATV Music, Chelsea Music Publishing, Zelad Music und Zerlad Music Enterprises Ltd.
Zager & Evans43:16
13Run Away Child, Running WIld
Produzent(in):
Norman Whitfield
Sologesang:
Dennis Edwards (US soul & R’n’B singer) und The Temptations (Motown soul vocal group)
recording of:
Runaway Child, Running Wild
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music und Stone Agate Music Division
The Temptations14:51
14I Got a Line on You
recording of:
I Got a Line on You
Texter und Komponist(in):
Randy California
publisher:
Hollenbeck Music und Rondor Music (London) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!)
Spirit32:42
15Going Up the Country
Produzent(in):
Canned Heat und Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (von 1968-08-06 bis 1968-08-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
aufgenommen bei:
I.D. Sound in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1968-08-06 bis 1968-08-07)
recording of:
Going Up the Country (von 1968-08-06 bis 1968-08-07)
Texter, Verfasser(in) und Komponist(in):
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. und United Artists Music Ltd.
Version von:
Bull Doze Blues
Canned Heat32:52
16Backfield in Motion
recording of:
Backfield in Motion
Texter und Komponist(in):
Eddy Grant
Mel & Tim2:34
17Israelites
Produzent(in):
Leslie Kong
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1968)
recording of:
Israelites
Verfasser(in):
Desmond Dacres und Leslie Kong
publisher:
Ackee Music Inc., Gambi Music, Twenty Nine Black Music (BMI) und Sparta Music (publisher) (in 1978)
Desmond Dekker & the Aces42:38
18Rock Me
recording of:
Rock Me
Texter und Komponist(in):
John Kay (lead singer of Steppenwolf)
publisher:
Universal Duchess Music Corporation
sub-publisher:
Universal Music Publishing France (not for release label use!)
Steppenwolf3.853:38
19Too Busy Thinking About My Baby
Produzent(in):
Norman Whitfield
phonographisches Urheberrecht (℗) von:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
cover recording of:
Too Busy Thinking About My Baby
Verfasser(in):
Janie Bradford, Barrett Strong und Norman Whitfield
publisher:
Jobete Music (UK) Ltd. und Stone Agate Music
Marvin Gaye2.52:59
20Jam Up Jelly Tight
Tommy Roe2:21
21Can I Change My Mind
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1968-11-11)
Produzent(in):
Carl Davis (record producer)
Gitarre:
Carl Wolff (guitarist) (am 1968-11-11) und Mighty Joe Young (US blues guitarist) (am 1968-11-11)
Klavier:
Floyd Morris (am 1968-11-11)
Schlagzeug [drums]:
Quinton Joseph (am 1968-11-11)
vocals:
Tyrone Davis (“Wonder Boy”) (am 1968-11-11)
conductor:
Willie Henderson (am 1968-11-11)
arranger:
Willie Henderson
recording of:
Can I Change My Mind (am 1968-11-11)
Verfasser(in):
Barry Despenza und Carl Wolfolk
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Tyrone Davis2:47
22Oh Happy Day
recording of:
Oh Happy Day (Hawkins’ 1967 gospel arrangement)
Texter:
Philip Doddridge
Komponist(in):
Edward Francis Rimbault (in 1854)
arranger:
Edwin Hawkins (in 1967)
publisher:
Edwin R Hawkins Music Co, EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Arrangement von:
Oh Happy Day
Version von:
O Happy Day, That Fixed My Choice (mid‐19th century version, with new melody and a chorus by Rimbault)
Edwin Hawkins Singers45:06

Nennungen

Veröffentlichung

Discogs:https://www.discogs.com/release/581726 [Info]