Mercury Living Presence: The Collector's Edition

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD: Moussorgsky / Ravel: Pictures at an Exhibition / Bartók: Music for Strings, Percussion and Celesta
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1Pictures at an Exhibition: Promenade
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: Promenade (1st) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:25
2Pictures at an Exhibition: Gnomus
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: I. Gnomus (Pictures at an Exhibition: I. Gnomus, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 1 “Gnomus” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel2:10
3Pictures at an Exhibition: Promenade
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza, orchestrated by Ravel, 2nd promenade) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 1st) (original piano version, often called Promenade 2)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel0:54
4Pictures at an Exhibition: Il Vecchio Castello
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: II. Il vecchio castello (Pictures at an Exhibition: II. Il vecchio castello, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 2 “Il vecchio castello” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel4:01
5Pictures at an Exhibition: Promenade
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Moderato non tanto, pesante, orchestrated by Ravel, 3rd promenade) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 2nd) (original piano version, often called Promenade 3)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel0:26
6Pictures at an Exhibition: Tuileries
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: III. Tuileries (Pictures at an Exhibition: III. Tuileries, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 3 “Tuileries” (Dispute d’enfants après jeux) (Pictures at an Exhibition: Tuileries (Children Quarreling at Play), original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:09
7Pictures at an Exhibition: Bydlo
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: IV. Bydlo (Pictures at an Exhibition: IV. Bydło, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 4 “Bydło” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel2:31
8Pictures at an Exhibition: Promenade
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Tranquillo, orchestrated by Ravel, 4th promenade) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: [Untitled] (Interlude, Promenade theme, 3rd) (original piano version, often called Promenade 4)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel0:40
9Pictures at an Exhibition: Ballet des poussins dans leurs coques
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: V. Ballet des poussins dans leurs coques (Pictures at an Exhibition: V. Ballet of the Unhatched Chicks, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 5 “Балетъ невылупившихся птенцовъ” [Balet nevylupivshikhsya ptentsov] (Pictures at an Exhibition: IX. No. 5 "Ballet of the Unhatched Chicks", original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:10
10Pictures at an Exhibition: Samuel Goldenberg and Schmuyle
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: VI. Samuel Goldenberg und Schmuyle (Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 6 “Samuel” Goldenberg und “Schmuÿle” (Pictures at an Exhibition: Samual Goldenberg and Schmuÿle, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:55
11Pictures at an Exhibition: Limoges—Le marché
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: VII. Limoges – le marché (Pictures at an Exhibition: VII. Limoges – le marché, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 7 “Limoges”, le marché (La grande nouvelle) (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:19
12Pictures at an Exhibition: Catacombae (Sepulchrum Romanum)
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: VIII. Catacombae (Sepulchrum romanum) (Pictures at an Exhibition: VIII. Catacombae (Sepulchrum romanum), orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:40
13Pictures at an Exhibition: Cum mortis in lingua mortua
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: Cum Mortuis in lingua mortua (Pictures at an Exhibition: Cum Mortuis in lingua mortua, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 8 “Catacombæ” (Sepulcrum romanum) and “Cum mortuis in lingua mortua” (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel1:51
14Pictures at an Exhibition: La cabane sur des pattes de poule
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: IX. La cabane sur des pattes de poules (Baba-Yaga) (Pictures at an Exhibition: XIV. The Hut on Fowl’s Legs (Baba-Yaga), orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 9 “Избушка на курьихъ ножкахъ” (Баба-Яга) [Izbushka na kuryikh nozhkakh (Baba-Yagá)] (original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel3:05
15Pictures at an Exhibition: La grande porte de Kiev
recorded in:
United States (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Tableaux d’une exposition: X. La grande porte de Kiev (Pictures at an Exhibition: X. The Great Gate of Kiev, orchestrated by Ravel) (in 1951-04)
orchestrator:
Maurice Ravel (French composer) (in 1922)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer) (from 1874-06-02 until 1874-06-22)
orchestration of:
Pictures at an Exhibition: No. 10 “Богатырскія ворота” (Въ стольномъ городѣ Кіевѣ) (Pictures at an Exhibition: The great gate at Kiev, original piano version)
part of:
Tableaux d’une exposition (Pictures at an Exhibition, orchestrated by Ravel)
Modeste Moussorgsky / Maurice Ravel4:37
16Music for Strings, Percussion and Celesta: I. Andante tranquillo
recorded in:
United States (in 1951-04)
celesta:
Irwin Fischer (in 1951-04)
percussion:
Thomas Glenecke (in 1951-04), Allan Graham (in 1951-04) and Lionel Sayers (in 1951-04)
piano:
George Schick (in 1951-04)
timpani:
Edward Metzenger (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: I. Andante tranquillo (in 1951-04)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók9:02
17Music for Strings, Percussion and Celesta: II. Allegro
recorded in:
United States (in 1951-04)
celesta:
Irwin Fischer (in 1951-04)
percussion:
Thomas Glenecke (in 1951-04), Allan Graham (in 1951-04) and Lionel Sayers (in 1951-04)
piano:
George Schick (in 1951-04)
timpani:
Edward Metzenger (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: II. Allegro (in 1951-04)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:15
18Music for Strings, Percussion and Celesta: III. Adagio
recorded in:
United States (in 1951-04)
celesta:
Irwin Fischer (in 1951-04)
percussion:
Thomas Glenecke (in 1951-04), Allan Graham (in 1951-04) and Lionel Sayers (in 1951-04)
piano:
George Schick (in 1951-04)
timpani:
Edward Metzenger (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: III. Adagio (in 1951-04)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók7:19
19Music for Strings, Percussion and Celesta: IV. Allegro molto
recorded in:
United States (in 1951-04)
celesta:
Irwin Fischer (in 1951-04)
percussion:
Thomas Glenecke (in 1951-04), Allan Graham (in 1951-04) and Lionel Sayers (in 1951-04)
piano:
George Schick (in 1951-04)
timpani:
Edward Metzenger (in 1951-04)
orchestra:
Chicago Symphony Orchestra (in 1951-04)
conductor:
Rafael Kubelík (conductor) (in 1951-04)
recording of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114: IV. Allegro molto (in 1951-04)
composer:
Bartók Béla (Béla Bartók, composer) (in 1936)
part of:
Music for Strings, Percussion and Celesta, Sz. 106, BB 114
Béla Bartók6:49
2▼CD: Má vlast
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1Má vlast: Vyšehrad "The High Castle"
recorded in:
United States (in 1952-12)
orchestra:
Chicago Symphony Orchestra (in 1952)
conductor:
Rafael Kubelík (conductor) (in 1952)
recording of:
Má vlast: I. Vyšehrad, JB 1:112/1
composer:
Bedřich Smetana (composer) (from 1872 until 1874-11-18)
part of:
B. number catalogue by František Bartoš (number: B. 110)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana14:49
2Má vlast: Vltava "The Moldau"
recorded in:
United States (in 1952-12)
orchestra:
Chicago Symphony Orchestra (in 1952)
conductor:
Rafael Kubelík (conductor) (in 1952)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana11:54
3Má vlast: Šárka
recorded in:
United States (in 1952-12)
orchestra:
Chicago Symphony Orchestra (in 1952)
conductor:
Rafael Kubelík (conductor) (in 1952)
recording of:
Má vlast: III. Šárka, JB 1:112/3
composer:
Bedřich Smetana (composer) (in 1875)
part of:
B. number catalogue by František Bartoš (number: B. 113)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana9:26
4Má vlast: Z českých luhů a hájů "From Bohemia's Meadows and Forests"
recorded in:
United States (in 1952-12)
orchestra:
Chicago Symphony Orchestra (in 1952)
conductor:
Rafael Kubelík (conductor) (in 1952)
recording of:
Má vlast: IV. Z českých luhů a hájů, JB 1:112/4 (My Country: IV. From Bohemia's Woods and Fields, From Bohemia's Woods and Fields)
composer:
Bedřich Smetana (composer) (in 1875)
part of:
B. number catalogue by František Bartoš (number: B. 114)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:46
5Má vlast: Tábor
recorded in:
United States (in 1952-12)
orchestra:
Chicago Symphony Orchestra (in 1952)
conductor:
Rafael Kubelík (conductor) (in 1952)
recording of:
Má vlast: V. Tábor, JB 1:112/5
composer:
Bedřich Smetana (composer) (in 1878)
part of:
B. number catalogue by František Bartoš (number: B. 120)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana13:28
6Má vlast: Blaník
recorded in:
United States (in 1952-12)
orchestra:
Chicago Symphony Orchestra (in 1952)
conductor:
Rafael Kubelík (conductor) (in 1952)
recording of:
Má vlast: VI. Blaník, JB 1:112/6
composer:
Bedřich Smetana (composer) (on 1879-03-09)
part of:
B. number catalogue by František Bartoš (number: B. 121)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana13:56
3▼CD: Fiesta in Hi-Fi
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1Mexican Rhapsody
recorded in:
United States (in 1956-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Mexican Rhapsody
composer:
Robert McBride (American composer)
Robert McBride11:16
2Savannah River Holiday
recorded in:
United States (in 1956-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Savannah River Holiday
composer:
Ron Nelson (American composer)
Ron Nelson8:44
3Kentucky Mountain Portraits: Cindy
recorded in:
United States (in 1956-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Kentucky Mountain Portraits: I. Cindy
composer:
Lyndol Mitchell
part of:
Kentucky Mountain Portraits
Lyndol Mitchell5:00
4Kentucky Mountain Portraits: Ballad
recorded in:
United States (in 1956-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Kentucky Mountain Portraits: II. Ballad
composer:
Lyndol Mitchell
part of:
Kentucky Mountain Portraits
Lyndol Mitchell4:39
5Kentucky Mountain Portraits: Shivaree
recorded in:
United States (in 1956-05)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Kentucky Mountain Portraits: III. Shivaree
composer:
Lyndol Mitchell
part of:
Kentucky Mountain Portraits
Lyndol Mitchell4:24
6Joe Clark Steps Out
recorded in:
United States (in 1956-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Joe Clark Steps Out
composer:
Charles Gildersleeve Vardell
Charles G. Vardell, Jr.3:34
7Sahdji (Ballet): Part 1
recorded in:
United States (in 1959-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
partial recording of:
Sahdji
composer:
William Grant Still (American composer)
William Grant Still11:30
8Sahdji (Ballet): Part 2
recorded in:
United States (in 1959-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
partial recording of:
Sahdji
composer:
William Grant Still (American composer)
William Grant Still9:01
9Overture to the Creole "Faust"
recorded in:
United States (in 1959-10)
orchestra:
Rochester Philharmonic Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.)
conductor:
Howard Hanson (American composer and conductor)
recording of:
Obertura para el "Fausto" criollo, op. 9
composer:
Alberto Ginastera (Argentinean composer) (in 1943)
part of:
Works of Alberto Ginastera by opus number (number: op. 9)
Alberto Ginastera8:02
4▼CD: Antal Dorati Conducts Kodály and Bartók
#TitleArtistRatingLength
1"Háry János" Suite: I. Prelude. The Fairy Tale Begins
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Háry János Suite: I. Prelude: The Fairy Tale Begins: Con moto
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály3:26
2"Háry János" Suite: II. Viennese Musical Clock
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Háry János Suite: II. Viennese Musical Clock: Allegretto
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály2:10
3"Háry János" Suite: III. Song
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Háry János Suite: III. Song: Andante, poco rubato
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály4:56
4"Háry János" Suite: IV. The Battle and Defeat of Napoleon
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Háry János Suite: IV. The Battle and Defeat of Napoleon: Alla marcia
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály3:33
5"Háry János" Suite: V. Intermezzo
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Háry János Suite: V. Intermezzo: Andante maestoso, ma con fuoco
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály4:41
6"Háry János" Suite: VI. Entrance of the Emperor and his Court
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Háry János Suite: VI. Entrance of the Emperor and His Court: Alla marcia
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer)
part of:
Háry János Suite (Suite from the opera)
Zoltán Kodály3:08
7Hungarian Sketches
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Hungarian Sketches, Sz. 97, BB 103
orchestrator:
Bartók Béla (Béla Bartók, composer)
composer:
Bartók Béla (Béla Bartók, composer) (in 1931)
part of:
Béla Bartók's Works (BB) (number: BB 103) and Bartók Béla válogatott zenei írásai (number: Sz. 97)
Béla Bartók11:04
8Roumanian Folk Dances
recorded in:
United States (in 1956-11)
orchestra:
Minnesota Orchestra
conductor:
Antal Doráti (conductor)
recording of:
Romanian Folk Dances, Sz. 56, BB 68
composer:
Bartók Béla (Béla Bartók, composer) (in 1915)
part of:
Bartók Béla válogatott zenei írásai (number: Sz. 56) and Béla Bartók's Works (BB) (number: BB 68)
Béla Bartók6:04
9Marosszék Dances
recorded in:
Austria (in 1958-02)
orchestra:
Philharmonia Hungarica
conductor:
Antal Doráti (conductor)
recording of:
Dances of Marosszék (for orchestra)
orchestrator:
Kodály Zoltán (Zoltán Kodály, Hungarian composer) (in 1929)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer) (from 1923 until 1927)
orchestration of:
Dances of Marosszék (for piano)
Zoltán Kodály13:43
10Dances of Galánta
recorded in:
Austria (in 1958-02)
orchestra:
Philharmonia Hungarica
conductor:
Antal Doráti (conductor)
recording of:
Galántai táncok (Dances of Galánta)
composer:
Kodály Zoltán (Zoltán Kodály, Hungarian composer) (in 1933)
dedicated to:
Budapesti Filharmóniai Társaság (Budapest Philharmonic Society)
premiered at:
[concert] (1933-10-23) (premiere concert for Kodaly's Galántai táncok)
publisher:
Universal Edition (publisher; do NOT use as release label) (in 1934)
Zoltán Kodály15:09
5▼CD: Violin Concerto no. 2 / Second Suite
#TitleArtistRatingLength
1Violin Concerto no. 2: I. Allegro non troppo
recorded in:
United States (in 1957-02)
violin:
Yehudi Menuhin (violinist)
orchestra:
Minneapolis Symphony Orchestra (in 1957-02)
conductor:
Antal Doráti (conductor) (in 1957-02)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1957-02)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: I. Allegro non troppo (in 1957-02)
composer:
Bartók Béla (Béla Bartók, composer) (from 1937 until 1938)
part of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
Béla Bartók15:31
2Violin Concerto no. 2: II. Andante tranquillo
recorded in:
United States (in 1957-02)
violin:
Yehudi Menuhin (violinist)
orchestra:
Minneapolis Symphony Orchestra (in 1957-02)
conductor:
Antal Doráti (conductor) (in 1957-02)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1957-02)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: II. Andante tranquillo (in 1957-02)
composer:
Bartók Béla (Béla Bartók, composer) (from 1937 until 1938)
part of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
Béla Bartók9:09
3Violin Concerto no. 2: III. Allegro molto
recorded in:
United States (in 1957-02)
violin:
Yehudi Menuhin (violinist) (in 1957-02)
orchestra:
Minneapolis Symphony Orchestra (in 1957-02)
conductor:
Antal Doráti (conductor) (in 1957-02)
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (in 1957-02)
recording of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117: III. Allegro molto (in 1957-02)
composer:
Bartók Béla (Béla Bartók, composer) (from 1937 until 1938)
part of:
Violin Concerto no. 2 in B minor, Sz. 112, BB 117
Béla Bartók11:08
4Second Suite (revised 1943 version): I. Comodo
recorded in:
United States (in 1955-11)
orchestra:
Minneapolis Symphony Orchestra (in 1955-11)
conductor:
Antal Doráti (conductor) (in 1955-11)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (in 1955-11)
recording of:
Suite no. 2, op. 4, Sz. 34, BB 40: I. Comodo
composer:
Bartók Béla (Béla Bartók, composer) (from 1905 until 1907)
revised by:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Suite no. 2, op. 4, Sz. 34, BB 40 (for orchestra)
Béla Bartók7:58
5Second Suite (revised 1943 version): II. Allegro scherzando
recorded in:
United States (in 1955-11)
orchestra:
Minneapolis Symphony Orchestra (in 1955-11)
conductor:
Antal Doráti (conductor) (in 1955-11)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (in 1955-11)
recording of:
Suite no. 2, op. 4, Sz. 34, BB 40: II. Allegro scherzando
composer:
Bartók Béla (Béla Bartók, composer) (from 1905 until 1907)
revised by:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Suite no. 2, op. 4, Sz. 34, BB 40 (for orchestra)
Béla Bartók8:26
6Second Suite (revised 1943 version): III. Andante
recorded in:
United States (in 1955-11)
orchestra:
Minneapolis Symphony Orchestra (in 1955-11)
conductor:
Antal Doráti (conductor) (in 1955-11)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (in 1955-11)
recording of:
Suite no. 2, op. 4, Sz. 34, BB 40: III. Andante
composer:
Bartók Béla (Béla Bartók, composer) (from 1905 until 1907)
revised by:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Suite no. 2, op. 4, Sz. 34, BB 40 (for orchestra)
Béla Bartók7:47
7Second Suite (revised 1943 version): IV. Comodo
recorded in:
United States (in 1955-11)
orchestra:
Minneapolis Symphony Orchestra (in 1955-11)
conductor:
Antal Doráti (conductor) (in 1955-11)
recorded at:
Northrop Auditorium in Minneapolis, Minnesota, United States (in 1955-11)
recording of:
Suite no. 2, op. 4, Sz. 34, BB 40: IV. Comodo
composer:
Bartók Béla (Béla Bartók, composer) (from 1905 until 1907)
revised by:
Bartók Béla (Béla Bartók, composer) (in 1943)
part of:
Suite no. 2, op. 4, Sz. 34, BB 40 (for orchestra)
Béla Bartók7:45
6▼CD: Hi-Fi a la Española and Popovers
#TitleArtistRatingLength
1Brazilian Sleigh Bells
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Brazilian Sleigh Bells (in 1957-03)
composer:
Percy Faith
Percy Faith3:13
2Andalucia
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Andalucía (Suite española): II. Andaluza (in 1957-03)
composer:
Ernesto Lecuona
part of:
Andalucía (Suite española) (for solo piano)
Ernesto Lecuona2:43
3Malagueña
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Andalucía (Suite española): VI. Malagueña (for solo piano) (in 1957-03)
composer:
Ernesto Lecuona
publisher:
Marks Music
part of:
Andalucía (Suite española) (for solo piano)
Ernesto Lecuona4:11
4Intermezzo from "Goyescas"
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Goyescas, H.65: Cuadro I. Intermedio (for orchestra) (in 1957-03)
composer:
Enrique Granados (composer)
part of:
Goyescas, H.65 (opera)
Enrique Granados4:47
5Jamaican Rumba
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Jamaican Rumba (for orchestra) (in 1957-03)
composer:
Arthur Benjamin (Australian composer / pianist / conductor) (in 1938)
part of:
Two Jamaican Pieces (for orchestra)
Arthur Benjamin2:11
6Batuque
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Reisado do pastoreio: III. Batuque (in 1957-03)
composer:
Oscar Lorenzo Fernández (Brazilian composer) (in 1930)
part of:
Reisado do pastoreio (A Pastoral Epiphany)
Oscar Lorenzo Fernández3:34
7Amparito Roca
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Amparito Roca (in 1957-03)
composer:
Jaime Texidor (in 1925)
Jaime Texidor2:26
8Ritual Fire Dance from "El Amor Brujo"
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
El amor brujo: VIII. Danza ritual del fuego (in 1957-03)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla4:02
9The Bullfighter's Prayer
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
La oración del torero, op. 34 (for string orchestra) (in 1957-03)
composer:
Joaquín Turina (Spanish composer) (from 1925-03-31 until 1925-05-06)
arranger:
Joaquín Turina (Spanish composer) (in 1926-12)
arrangement of:
La oración del torero, op. 34 (for lute quartet)
Joaquin Turina8:10
10Brazilian Dance
recorded in:
United States (in 1957-03)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1957-03)
conductor:
Frederick Fennell (conductor) (in 1957-03)
recording of:
Dansa Brasileira (Brazilian Dance, for orchestra) (in 1957-03)
composer:
M. Camargo Guarnieri (Brazilian composer) (in 1928)
version of:
Dansa Brasileira (for piano)
Camargo Mozart Guarnieri2:11
11Hora Staccato
recorded in:
United States (in 1959-05)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recording of:
Hora Staccato (for violin and orchestra, Heifetz) (in 1959-05)
orchestrator:
Jascha Heifetz (violinist)
composer:
Grigoraș Dinicu (Romanian violin virtuoso and composer)
arrangement of:
Hora Staccato (for violin and piano, arr. Heifetz)
Gheorghe Dinicu2:18
12Liebestraum
recorded in:
United States (in 1959-05)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recording of:
Liebestraum As-Dur “Oh Lieb, so lang du lieben kannst”, S. 541 Nr. 3 (catch-all for arrangements) (in 1959-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
arrangement of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Franz Liszt4:25
13Love's Dream After the Ball
recorded in:
United States (in 1959-05)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recording of:
Love's Dream After the Ball, op. 356 (in 1959-05)
composer:
Alphons Czibulka
Alphons Czibulka4:06
14Finlandia
recorded in:
United States (in 1959-05)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recording of:
Finlandia, op. 26 (for orchestra) (in 1959-05)
premiered in:
Helsinki, Uusimaa, Finland (on 1900-07-02)
composer:
Jean Sibelius (Finnish composer) (in 1899)
revised by:
Jean Sibelius (Finnish composer) (in 1900)
premiered at:
Konsertti (1900-07-02)
publisher:
Breitkopf & Härtel (in 1905)
part of:
Works of Jean Sibelius by opus number (number: op. 26)
version of:
Sanomalehdistön päivien musiikki, op. 25/26: VII. Tableau 6. Finland Awakes
Jean Sibelius8:15
15Clair de Lune
recorded in:
United States (in 1959-05)
producer:
Wilma Cozart Fine
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recorded at:
Eastman Theatre in Rochester, New York, United States (in 1959-05)
recording of:
Clair de lune from Suite bergamasque (orch. Mouton) (in 1959-05)
orchestrator:
Henri Mouton (composer)
composer:
Claude Debussy (French composer) (from 1890 until 1905)
orchestration of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano)
Claude Debussy4:33
16Polka from "The Golden Age"
recorded in:
United States (in 1959-05)
orchestra:
Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.) (in 1959-05)
conductor:
Frederick Fennell (conductor) (in 1959-05)
recording of:
Suite from "The Age of Gold", op. 22a: III. Polka (in 1959-05)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
part of:
Suite from "The Age of Gold", op. 22a
Dmitri Shostakovich2:21
7▼CD: Scythian Suite / Suite from "The Love for Three Oranges" / Symphony no. 5
#TitleArtistRatingLength
1Scythian Suite, op. 20: I. Invocation to Veles and Ala
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: I. Поклонение Велесу и Але (Scythian Suite, op. 20: I. The Adoration of Veles and Ala) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Serge Prokofiev5:47
2Scythian Suite, op. 20: II. The Evil God and Dance of the Pagan Monsters
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: II. Чужбог и пляска нечисти (Scythian Suite, op. 20: II. The Enemy God and the Dance of the Spirits of Darkness) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Serge Prokofiev3:09
3Scythian Suite, op. 20: III. Night
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: III. Ночь (Scythian Suite, op. 20: III. Night) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Serge Prokofiev5:46
4Scythian Suite, op. 20: IV. Lolli's Pursuit of the Evil God, and Sunrise
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Скифская сюита, соч. 20: IV. Поход Лоллия и шествие Солнца (Scythian Suite, op. 20: IV. The Glorious Departure of Lolly and Procession of the Sun) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1915)
part of:
Скифская сюита, соч. 20 (Scythian Suite, op. 20)
Serge Prokofiev4:50
5Suite from "The Love for Three Oranges", op. 33a: I. Les ridicules
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: I. Les ridicules (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Serge Prokofiev3:04
6Suite from "The Love for Three Oranges", op. 33a: II. Scène infernale
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: II. Scène infernale (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Serge Prokofiev3:33
7Suite from "The Love for Three Oranges", op. 33a: III. Marche
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from “Love for Three Oranges”, op. 33A: III. Marche (original for orchestra) (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Serge Prokofiev1:36
8Suite from "The Love for Three Oranges", op. 33a: IV. Scherzo
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: IV. Scherzo (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Serge Prokofiev1:36
9Suite from "The Love for Three Oranges", op. 33a: V. Le prince et la princesse
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: V. Le prince et la princesse (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Serge Prokofiev3:47
10Suite from "The Love for Three Oranges", op. 33a: VI. La fuite
engineer:
C. Robert Fine (on 1957-07-04)
producer:
Wilma Cozart
orchestra:
London Symphony Orchestra (on 1957-07-04)
conductor:
Antal Doráti (conductor) (on 1957-07-04)
phonographic copyright (℗) by:
Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1959)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (on 1957-07-04)
recording of:
Suite from "Love for Three Oranges", op. 33A: VI. La fuite (on 1957-07-04)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1919)
part of:
Suite from "Love for Three Oranges", op. 33A
Serge Prokofiev2:17
11Symphony no. 5, op. 100: I. Andante
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
recording of:
Symphony no. 5 in B-flat major, op. 100: I. Andante (in 1959-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Serge Prokofiev11:04
12Symphony no. 5, op. 100: II. Allegro marcato
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
recording of:
Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato (in 1959-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Serge Prokofiev7:53
13Symphony no. 5, op. 100: III. Adagio
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
recording of:
Symphony no. 5 in B-flat major, op. 100: III. Adagio (in 1959-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Serge Prokofiev10:11
14Symphony no. 5, op. 100: IV. Allegro giocoso
recorded in:
United States (in 1959-11)
orchestra:
Minnesota Orchestra (in 1959-11)
conductor:
Antal Doráti (conductor) (in 1959-11)
recording of:
Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso (in 1959-11)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1944)
part of:
Symphony no. 5 in B-flat major, op. 100
Serge Prokofiev10:09
8▶CD: Howard Hanson: The Composer and His Orchestra
9▶CD: Tchaikovsky: 1812 Festival Overture, op. 49 / Capriccio Italien / Beethoven: Wellington's Victory
10▶CD: Slavonic Dances, op. 46 and 72 (Complete)
11▶CD: Grofé: Grand Canyon Suite / Mississippi Suite / Herbert: Cello Concerto no. 2
12▶CD: British and American Band Classics
13▶CD: Petrouchka / Le sacre du printemps / Four Etudes for Orchestra
14▶CD: Suppé: Overtures / Auber: The Bronze Horse / Fra Diavolo / Masaniello
15▶CD: Symphonie Fantastique / Marches / Roman Carnival Overture
16▶CD: Fennell Conducts Sousa: "Sound Off!" and "Sousa on Review", 24 Favorite Marches
17▶CD: Enesco: Roumanian Rhapsody no. 1 / Liszt: Hungarian Rhapsodies nos. 1–6
18▶CD: Khachaturian: Gayne Ballet / Shostakovich: Symphony no. 5
19▶CD: Enesco: Roumanian Rhapsody no. 2 / Brahms: Hungarian Dances / Variations on a Theme of Haydn
20▶CD: The Civil War: Its Music and Its Sounds, Part 1: Fort Sumter to Gettysburg
21▶CD: The Civil War: Its Music and Its Sounds, Part 2: Gettysburg to Appomattox
22▶CD: Piano Concerto no. 2 / Piano Concerto no. 3
23▶CD: Appalachian Spring / Billy the Kid / Danzón Cubano / El Salón México
24▶CD: Byron Janis Plays Moussorgsky: Pictures at an Exhibition
25▶CD: Prokofiev: Romeo and Juliet / Moussorgsky: A Night on Bald Mountain
26▶CD: Schumann: Piano Concerto in A minor, op. 54 / Tchaikovsky: Piano Concerto no. 1 in B-flat minor, op. 23
27▶CD: Flamenco!
28▶CD: The Romeros: The Royal Family of the Spanish Guitar
29▶CD: Screamers, Circus Marches / March Time
30▶CD: Balalaika Favorites
31▶CD: Liszt: Piano Concertos nos. 1 and 2 / Byron Janis: Encores
32▶CD: Prokofiev: Piano Concerto no. 3 / Rachmaninoff: Piano Concerto no. 1
33▶CD: Dvořák: Cello Concerto in B minor, op. 104 / Bruch: Kol Nidrei / Tchaikovsky: Variations on a Rococo Theme
34▶CD: Schumann: Cello Concerto in A minor, op. 129 / Lalo: Cello Concerto in D minor / Saint-Saëns: Cello Concerto in A minor, op. 33
35▶CD: The Nutcracker, op. 71 / Serenade in C major, op. 48, Part 1
36▶CD: The Nutcracker, op. 71 / Serenade in C major, op. 48, Part 2
37▶CD: Brahms: Violin Concerto in D major / Khachaturian: Violin Concerto (1940)
38▶CD: Bluebeard's Castle
39▶CD: Brahms: Piano Concerto no. 2 / Variations on a Theme by Paganini, Book 2 / Liszt: Hungarian Rhapsody no. 12 / Beethoven: Sonata, op. 14 no. 1
40▶CD: Szeryng Plays Kreisler and Other Treasures for the Violin
41▶CD: Suites for Solo Cello / Sonatas in G & D Major, Part 1
42▶CD: Suites for Solo Cello / Sonatas in G & D Major, Part 2
43▶CD: Piano Concerto no. 4 / Piano Concerto no. 5 "Emperor"
44▶CD: Piano Concertos 1 and 2
45▶CD: Ravel: Gaspard de la nuit / Debussy: Three Preludes / Pour le piano / Stravinsky: 3 Movements From Petrouchka
46▶CD: Brahms: Cello Sonatas 1 and 2 / Mendelssohn: Cello Sonata no. 2
47▶CD: Schumann: Violin Concerto in D minor / Mendelssohn: Violin Concerto in E minor
48▶CD: The Firebird
49▶CD: Janos Starker Plays Boccherini, Bach, Vivaldi, Corelli, Locatelli, Valentini
50▶CD: Rodrigo: Concierto de Aranjuez / Concierto Andaluz / Vivaldi: Guitar Concertos
51▶CD: Recording "Pictures at an Exhibition" and "Ma Vlast" / An Interview with Wilma Cozart Fine
52▶CD: Vaughan Williams Delius Piano Concertos
53▶CD: A Sea Symphony

Credits

Release group

includes:Antal Dorati conducts Kodály & Bartók by Kodály (Zoltán Kodály, Hungarian composer), Bartók (Béla Bartók, composer); Antal Doráti (conductor)
Balalaika Favorites by Rudolf Belov, Osipov State Russian Folk Orchestra (Ossipov Russian Folk Orchestra), Vitaly Gnutov
Bluebeard's Castle / Wozzeck (excerpts) by Béla Bartók (composer), Alban Berg (Austrian composer); London Symphony Orchestra, Antal Doráti (conductor)
Brahms: Piano Concerto no. 2 / Variations on a Theme by Paganini, Book 2 / Liszt: Hungarian Rhapsody no. 12 / Beethoven: Sonata, op. 14 no. 1 by Johannes Brahms (German composer), Franz Liszt (Hungarian composer, pianist and conductor), Ludwig van Beethoven (German composer); London Symphony Orchestra, Stanisław Skrowaczewski (conductor), Gina Bachauer (pianist)
Dvořák: Cello Concerto in B minor, op. 104 / Bruch: Kol Nidrei / Tchaikovsky: Variations on a Rococo Theme by Dvořák (Antonín Dvořák, composer), Bruch (composer and conductor), Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Janos Starker (Hungarian-American cellist), London Symphony Orchestra, Antal Doráti (conductor)
Enesco: Roumanian Rhapsody no. 1 / Liszt: Hungarian Rhapsodies by Enesco (Romanian composer, violinist, conductor and teacher), Liszt (Hungarian composer, pianist and conductor); London Symphony Orchestra, Antal Doráti (conductor)
Enesco: Roumanian Rhapsody no. 2 / Brahms: Hungarian Dances / Variations on a Theme of Haydn by Enesco (Romanian composer, violinist, conductor and teacher), Brahms (Johannes Brahms, German composer); London Symphony Orchestra, Antal Doráti (conductor)
Fennell Conducts Sousa Marches by John Philip Sousa (conductor and composer); Eastman Wind Ensemble, Frederick Fennell (conductor)
Flamenco! by Pepe Romero (classical and flamenco guitarist)
Fritz Kreisler Violin Favourites and Other Treasures for the Violin by Henryk Szeryng (violinist) & Charles Reiner (pianist)
Grofé: Grand Canyon Suite / Mississippi Suite / Herbert: Cello Concerto no. 2 by Ferde Grofé (pianist, arranger, conductor and composer), Victor Herbert (American composer); Eastman-Rochester Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.), Howard Hanson (American composer and conductor), Georges Miquelle (cellist)
Hi-Fi a la Española and Popovers by Eastman-Rochester Pops Orchestra (use for Rochester Pops, Eastman-Rochester Orchestra, etc.), Frederick Fennell (conductor)
Janos Starker plays Italian Cello Sonatas
Khachaturian: Gayne Ballet / Shostakovich: Symphony no. 5 by Khachaturian (Aram Khachaturian, Soviet-Armenian composer), Shostakovich (Dmitri Shostakovich, composer); Antal Doráti (conductor), London Symphony (London Symphony Orchestra), Stanisław Skrowaczewski (conductor), Minneapolis Symphony
Love for Three Oranges Suite / Scythian Suite by Prokofiev (Sergei Prokofiev, Russian composer); Antal Dorati (conductor), London Symphony Orchestra
Má Vlast by Smetana (Bedřich Smetana, composer); Chicago Symphony Orchestra, Rafael Kubelík (conductor)
Mussorgsky: Pictures at an Exhibition / Bartók: Music for Strings, Percussion and Celesta by Мussorgsky (Modest Mussorgsky, composer), Bartók (Béla Bartók, composer); Chicago Symphony Chorus, Rafael Kubelík (conductor)
Overtures by Suppé (Franz von Suppè, composer), Auber (composer); Detroit Symphony Orchestra, Paul Paray (French conductor and composer)
Petrouchka (Complete) / Le sacre du printemps / Four Etudes for Orchestra by Igor Stravinsky (Russian composer); Minneapolis Symphony Orchestra, Antal Doráti (conductor)
Piano Concerto no. 2 / Piano Concerto no. 3 / Prelude in C-sharp minor / Prelude in E-flat major by Rachmaninoff (Sergei Rachmaninoff, Russian composer); Minneapolis Symphony Orchestra, London Symphony Orchestra, Antal Doráti (conductor), Byron Janis (pianist)
Piano Concerto no. 4 / Piano Concerto no. 5 "Emperor" by Ludwig van Beethoven (German composer); London Symphony Orchestra, Antal Doráti (conductor), Stanisław Skrowaczewski (conductor), Gina Bachauer (pianist)
Piano Concertos by Schumann (Robert Schumann, German classical composer), Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Byron Janis (pianist), Minneapolis Symphony Orchestra, London Symphony Orchestra, Stanisław Skrowaczewski (conductor), Herbert Menges (conductor)
Piano Concertos 1 and 2 by Frédéric Chopin (composer); London Symphony Orchestra, Antal Doráti (conductor), Gina Bachauer (pianist)
Piano Concertos nos. 1 & 2 by Franz Liszt (Hungarian composer, pianist and conductor); Byron Janis (pianist)
Pictures at an Exhibition by Mussorgsky (Modest Mussorgsky, composer); Byron Janis (pianist), Minneapolis Symphony Orchestra, Antal Doráti (conductor)
Prokofiev: Piano Concerto no. 3 / Rachmaninoff: Piano Concerto no. 1 by Prokofiev (Sergei Prokofiev, Russian composer), Rachmaninoff (Sergei Rachmaninoff, Russian composer); Byron Janis (pianist), Moscow Philharmonic Orchestra, Kyril Kondrashin (Kirill Kondrashin, conductor)
Prokofiev: Romeo and Juliet / Moussorgsky: A Night on Bald Mountain by Prokofiev (Sergei Prokofiev, Russian composer), Moussorgsky (Modest Mussorgsky, composer); Minneapolis Symphony Orchestra, Stanisław Skrowaczewski (conductor), London Symphony Orchestra, Antal Doráti (conductor)
Ravel: Gaspard de la nuit / Debussy: Three preludes / Pour le piano / Stravinsky: 3 movements from Petrouchka by Maurice Ravel (French composer), Claude Debussy (French composer), Igor Stravinsky (Russian composer); Gina Bachauer (pianist), Sir John Gielgud (actor)
Rodrigo: Concierto de Aranjuez and Concierto Andaluz / Vivaldi: Guitar Concertos by Rodrigo (Joaquín Rodrigo, Spanish composer and virtuoso pianist), Vivaldi (Antonio Vivaldi, Italian baroque composer and violinist); The Romeros (quartet of Spanish guitarists), San Antonio Symphony, Victor Alessandro (conductor)
Schumann: Cello Concerto in A minor, op. 129 / Lalo: Cello Concerto in D minor / Saint-Saëns: Cello Concerto in A minor, op. 33 by Schumann (Robert Schumann, German classical composer), Lalo (French composer), Saint‐Saëns (composer); János Starker (Hungarian-American cellist), London Symphony Orchestra, Stanisław Skrowaczewski (conductor), Antal Doráti (conductor)
Schumann: Violin Concerto in D minor / Mendelssohn: Violin Concerto in E minor / Other solo pieces by Schumann (Robert Schumann, German classical composer), Mendelssohn (Felix Mendelssohn, composer); Henryk Szeryng (violinist), Antal Doráti (conductor), London Symphony Orchestra
Screamers (Circus Marches) / March Time by Edwin Franko Goldman; Frederick Fennell (conductor), Eastman Wind Ensemble
Slavonic Dances by Dvořák (Antonín Dvořák, composer); Minneapolis Symphony Orchestra, Antal Doráti (conductor)
Suites for Solo Cello / Sonatas in G & D Major by Bach (Johann Sebastian Bach, German Baroque period composer & musician); János Starker (Hungarian-American cellist), György Sebök (pianist)
Symphonie fantastique / Hungarian March / Trojan March / Corsair Overture / Roman Carnival Overture by Berlioz (Hector Berlioz, French composer); Detroit Symphony Orchestra, Paul Paray (French conductor and composer)
Tchaikovsky: 1812 Festival Overture / Capriccio Italien / Beethoven: Wellington’s Victory by Pyotr Ilyich Tchaikovsky (Russian romantic composer), Ludwig van Beethoven (German composer); Antal Doráti (conductor), Minneapolis Symphony Orchestra
The Civil War: Its Music and Its Sounds by Frederick Fennell (conductor), Eastman Wind Ensemble
The Firebird (Complete Ballet) / Fireworks / Song of the Nightingale by Stravinsky (Igor Stravinsky, Russian composer); London Symphony Orchestra, Antal Doráti (conductor)
The Nutcracker, op. 71 (Complete Ballet) / Serenade in C major, op. 48 by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); London Symphony Orchestra, Philharmonia Hungarica, Antal Doráti (conductor)
The Royal Family of the Spanish Guitar by The Romeros (quartet of Spanish guitarists)
Violin Concerto no. 2 / Second Suite by Bartók (Béla Bartók, composer); Yehudi Menuhin (violinist), Minneapolis Symphony Orchestra, Antal Doráti (conductor)
Violin Concertos by Brahms (Johannes Brahms, German composer), Khachaturian (Aram Khachaturian, Soviet-Armenian composer); London Symphony Orchestra, Antal Doráti (conductor), Henryk Szeryng (violinist)
Discogs:https://www.discogs.com/master/711445 [info]