Smokin' in Seattle: Live at the Penthouse

~ Release by Wynton Kelly Trio & Wes Montgomery (see all versions of this release, 4 available)

Annotation

Recorded in Seattle, Washington at The Penthouse on April 14 and 21, 1966.

CD comes in a 4 panel digipak.

40-page booklet included.

Chuck Stewart's photography provided by Fireball Entertainment Group.

℗ © 2017 Rising Stars, Inc.
℗ © 2017 Resonance Records, a division of Rising Stars Inc.

Made in the USA

Other Identifiers
Rights Society (Tracks 1, 4, 7): ASCAP
Rights Society (Tracks 2, 3, 6, 8 to 10): BMI
Matrix / Runout: EMS/CA RESONANCE RECORDS-WES MONTGOMERY-SMOKIN’IN SEATTLE(HCD-2029) 7780-0947 C17030997
Mastering SID Code: IFPI LW44
Mould SID Code: IFPI ALJ06
Matrix / Runout (Variant Without SID Codes): EMS/CA RESONANCE RECORDS-WES MONTGOMERY-SMOKIN’IN SEATTLE(HCD-2029) 7780-0947 C17030997

Annotation last modified on 2025-12-09 10:33 UTC.

Tracklist

1▼CD
#TitleRatingLength
1There Is No Greater Love
engineer:
Jim Wilke
co-producer:
George Klabin (engineer and producer) and Zev Feldman (producer and author)
double bass:
Ron McClure (from 1966-04-14 until 1966-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1966-04-14 until 1966-04-21)
piano:
Wynton Kelly (from 1966-04-14 until 1966-04-21)
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966-04-14 until 1966-04-21)
live recording of:
There Is No Greater Love (from 1966-04-14 until 1966-04-21)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
8:19
2Not a Tear
engineer:
Jim Wilke
co-producer:
George Klabin (engineer and producer) and Zev Feldman (producer and author)
double bass:
Ron McClure (from 1966-04-14 until 1966-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1966-04-14 until 1966-04-21)
piano:
Wynton Kelly (from 1966-04-14 until 1966-04-21)
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966-04-14 until 1966-04-21)
live recording of:
Not A Tear (from 1966-04-14 until 1966-04-21)
composer:
Rudy Stevenson
6:32
3Jingle
engineer:
Jim Wilke
co-producer:
George Klabin (engineer and producer) and Zev Feldman (producer and author)
double bass:
Ron McClure (from 1966-04-14 until 1966-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1966-04-14 until 1966-04-21)
guitar:
Wes Montgomery (from 1966-04-14 until 1966-04-21)
piano:
Wynton Kelly (from 1966-04-14 until 1966-04-21)
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966-04-14 until 1966-04-21)
live recording of:
Jingles (from 1966-04-14 until 1966-04-21)
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
4:32
4What's New?
engineer:
Jim Wilke
co-producer:
George Klabin (engineer and producer) and Zev Feldman (producer and author)
double bass:
Ron McClure (from 1966-04-14 until 1966-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1966-04-14 until 1966-04-21)
guitar:
Wes Montgomery (from 1966-04-14 until 1966-04-21)
piano:
Wynton Kelly (from 1966-04-14 until 1966-04-21)
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966-04-14 until 1966-04-21)
live recording of:
What’s New? (from 1966-04-14 until 1966-04-21)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Bob Haggart
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Warner Bros., Inc. (not for release label use!)
4:51
5Blues in F
engineer:
Jim Wilke
co-producer:
George Klabin (engineer and producer) and Zev Feldman (producer and author)
double bass:
Ron McClure (from 1966-04-14 until 1966-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1966-04-14 until 1966-04-21)
guitar:
Wes Montgomery (from 1966-04-14 until 1966-04-21)
piano:
Wynton Kelly (from 1966-04-14 until 1966-04-21)
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966-04-14 until 1966-04-21)
live recording of:
Blues in F (from 1966-04-14 until 1966-04-21)
composer:
Wes Montgomery
2:47
6Sir John
engineer:
Jim Wilke
co-producer:
George Klabin (engineer and producer) and Zev Feldman (producer and author)
double bass:
Ron McClure (from 1966-04-14 until 1966-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1966-04-14 until 1966-04-21)
piano:
Wynton Kelly (from 1966-04-14 until 1966-04-21)
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966-04-14 until 1966-04-21)
live recording of:
Sir John (from 1966-04-14 until 1966-04-21)
composer:
Blue Mitchell (American trumpet player)
8:39
7If You Could See Me Now
engineer:
Jim Wilke
co-producer:
George Klabin (engineer and producer) and Zev Feldman (producer and author)
double bass:
Ron McClure (from 1966-04-14 until 1966-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1966-04-14 until 1966-04-21)
piano:
Wynton Kelly (from 1966-04-14 until 1966-04-21)
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966-04-14 until 1966-04-21)
live recording of:
If You Could See Me Now (jazz standard) (from 1966-04-14 until 1966-04-21)
lyricist:
Carl Sigman (in 1946)
composer:
Tadd Dameron (in 1946)
publisher:
EMI Full Keel Music, EMI Robbins Catalog Inc. (ASCAP), Music Sales Corporation (American copyright holder in both popular and classical music) and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
5:57
8West Coast Blues
engineer:
Jim Wilke
co-producer:
George Klabin (engineer and producer) and Zev Feldman (producer and author)
double bass:
Ron McClure (from 1966-04-14 until 1966-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1966-04-14 until 1966-04-21)
guitar:
Wes Montgomery (from 1966-04-14 until 1966-04-21)
piano:
Wynton Kelly (from 1966-04-14 until 1966-04-21)
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966-04-14 until 1966-04-21, from 1996-04 to present)
live recording of:
West Coast Blues (from 1966-04-14 until 1966-04-21)
composer:
Wes Montgomery
publisher:
Taggie Music Co. (publisher)
4:02
9O Morro Não Tem Vez
engineer:
Jim Wilke
co-producer:
George Klabin (engineer and producer) and Zev Feldman (producer and author)
double bass:
Ron McClure (from 1966-04-14 until 1966-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1966-04-14 until 1966-04-21)
guitar:
Wes Montgomery (from 1966-04-14 until 1966-04-21)
piano:
Wynton Kelly (from 1966-04-14 until 1966-04-21)
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966-04-14 until 1966-04-21)
live recording of:
O morro não tem vez (Favela) (from 1966-04-14 until 1966-04-21)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
publisher:
Leeds Music
6:16
10Oleo
engineer:
Jim Wilke
co-producer:
George Klabin (engineer and producer) and Zev Feldman (producer and author)
double bass:
Ron McClure (from 1966-04-14 until 1966-04-21)
drums (drum set):
Jimmy Cobb (US jazz drummer) (from 1966-04-14 until 1966-04-21)
guitar:
Wes Montgomery (from 1966-04-14 until 1966-04-21)
piano:
Wynton Kelly (from 1966-04-14 until 1966-04-21)
recorded at:
The Penthouse in Seattle, Washington, United States (from 1966-04-14 until 1966-04-21)
live recording of:
Oleo (from 1966-04-14 until 1966-04-21)
composer:
Sonny Rollins (American saxophonist)
publisher:
Jazz Horn Music Corporation, Prestige Music (US drum & bass) and Sony/ATV Songs (SOCAN)
2:10

Credits

Release

art direction and design:Burton Yount
photography:Joe Alpert (photographer; performs with Wynton Kelly Trio, Wes Montgomery) (task: back cover photos by; task: photo by)
Tom Copi (photographer) (task: photo by)
CTSIMAGES (photographic archive of historical jazz, rock and blues artists)
Phillip Harrington (photographer) (task: back cover photo (ron McClure) by)
Bill Klewitz (task: photo by)
Raymond Ross Archives (photography)
Lee Tanner (photographer) (task: photo by; task: cover photos by)
liner notes:Paul De Barros
Ron McClure
Pat Metheny
Charlie Puzzo, Jr. (producer and liner notes related; aka. Charlie Puzzo Jr.)
Jim Wilke
miscellaneous support:Alex Carrillo (product manager and project manager) (task: project manager / project assistance)
Zev Feldman (producer and author) (task: research / photo research)
Fran Gala (sound engineer) (task: restoration / sound restoration)
Heidi Tokheim Kalison (task: project manager / project assistance)
George Klabin (engineer and producer) (task: restoration / sound restoration)
Zak Shelby-Szyszko (task: production manager)
engineer:Jim Wilke (task: original recording engineer)
associate producer:Robert Montgomery (producer and liner notes related)
Charlie Puzzo, Jr. (producer and liner notes related; aka. Charlie Puzzo Jr.)
Jim Wilke
producer:Zev Feldman (producer and author) (task: produced for release by)
George Klabin (engineer and producer) (task: produced for release by)
editor:John Koenig
mastering:Fran Gala (sound engineer)
bass:Ron McClure
manufactured by:EMS, CA (undetermined pressing plant)
publisher:Bantam Music Publishing Co.
Corcovado Music Corp.
Marke Music Publishing Co., Inc.
My Dad's Songs, Inc.
Pocketful of Dreams Music
Prestige Music Co. (US, affiliated with BMI)
Reganesque Music Co.
Rudy Stevenson Music
V.M. Enterprises Inc.
copyrighted (©) by and phonographic copyright (℗) by:Resonance Records (jazz)
Rising Jazz Stars, Inc.
photography:Chuck Stewart Photography, LLC
mastered at:Resonance Records Studios in Beverly Hills, California, United States
Discogs:https://www.discogs.com/release/10324681 [info]