Drive! An Hour of Cruisin’ Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

Free with Q Magazine 109, October 1995.

Anmerkung zuletzt geändert am 2021-03-23 21:06 UTC.

Titelliste

1▼Kassette
Nr.TitelKünstlerBewertungLänge
A1We Gotta Get Out of This Place
Produzent(in):
Mickie Most (English record producer)
vocals:
Eric Burdon
phonographisches Urheberrecht (℗) von:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (in 1965) und Columbia Pictures Industries, Inc. (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 233)
recording of:
We Gotta Get Out of This Place
Texter:
Cynthia Weil
Komponist(in):
Barry Mann
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) und Francis, Day & Hunter (in 1979)
sub-publisher:
EMI Music Publishing Japan, Fujipacific Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Animals3.8?:??
A2Unbelievable
Produzent(in) und Mix:
Ralph Jezzard
E-Bass:
Zac Foley (in 1990)
E-Gitarre, Gitarre und Keyboard:
Ian Dench (in 1990)
Sampler [samples]:
Derry Brownson (in 1990)
Schlagzeug:
Mark Decloedt (in 1990)
Hintergrundgesang:
Claudia Fontaine (vocals, background vocals) (in 1990)
Sologesang:
James Atkin (in 1990)
vocals:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (in 1990)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1990)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 421)
recording of:
Unbelievable (in 1990)
Verfasser(in):
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench und Zac Foley
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell Music Canada Ltd.
EMF3.65?:??
A3Running Up That Hill
assistierende(r) Techniker(in):
Pearse Dunne
Techniker(in):
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench und Nigel Walker (UK producer/engineer/guitarist)
Produzent(in):
Kate Bush
Mix:
Brian Tench
Balalaika:
Paddy Bush
Bass:
Del Palmer
Gitarre:
Alan Murphy (UK session guitarist)
Schlagzeug:
Stuart Elliott (session drummer, member of Cockney Rebel)
vocals:
Kate Bush
phonographisches Urheberrecht (℗) von:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) und Noble & Brite Ltd (in 2018)
aufgenommen bei:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, Vereinigtes Königreich
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Irland
Musikvideos:
Running Up That Hill (music video) von Kate Bush
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 7), Billboard Year-End Hot 100 singles of 2022 (Nummer: 23), Billboard Hot 100: 2026-01-17 (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 60), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 279)
recording of:
Running Up That Hill
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.95?:??
A4Make Me Smile (Come Up and See Me)
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Cockney Rebel4?:??
A5Ever Fallen in Love (with Someone You Shouldn’t ’ve)
Techniker(in):
Doug Bennett (producer, engineer) und Martin Rushent
Produzent(in) und Mix:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1989)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
Texter und Komponist(in):
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.4?:??
A6She’s So High
Produzent(in):
Damon Albarn, Alex James (UK bassist for Blur/Fat Les), Steve Lovell (record producer and musical director; aka Bernard Gazda) und Steve Power
Bassgitarre:
Alex James (UK bassist for Blur/Fat Les)
Gitarre:
Damon Albarn und Graham Coxon
Keyboard und Sologesang:
Damon Albarn
Schlagzeug:
Dave Rowntree
Hintergrundgesang:
Graham Coxon
phonographisches Urheberrecht (℗) von:
Food Ltd. (in 1990) und Food Records Ltd. (in 1990)
recording of:
She’s So High
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
publisher:
MCA Music Ltd. und MCA Music Publishing Ltd.
Blur3.55?:??
A7Union City Blue
Techniker(in):
Peter Coleman (British engineer & producer) und David Tickle
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1979-05 bis 1979-06)
Gitarre:
Frank Infante (von 1979-05 bis 1979-06) und Chris Stein (von 1979-05 bis 1979-06)
Keyboard:
Jimmy Destri (von 1979-05 bis 1979-06)
Schlagzeug:
Clem Burke (von 1979-05 bis 1979-06)
Sologesang:
Deborah Harry (von 1979-05 bis 1979-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Blondie Music, Inc. (in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06), Mediasound Studios in New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06) und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (von 1979-05 bis 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California (Kalifornien), Vereinigte Staaten
recording of:
Union City Blue (von 1979-05 bis 1979-06)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
BMG Blue, BMG Monarch, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated) und Monster Island Music Publishing Corporation
Blondie3.2?:??
A8On the Road Again
recording of:
On the Road Again
Texter und Komponist(in):
Floyd Jones (blues performer and songwriter) und Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) und United Partnership Ltd.
Canned Heat?:??
B1Burn It Down
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Burn It Down
Texter und Komponist(in):
Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners?:??
B2The Model
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978)
recording of:
The Model (Kraftwerk)
Texter:
Ralf Hütter und Emil Schult
Komponist(in):
Karl Bartos und Ralf Hütter
zusätzlich Übersetzer:
Ralf Hütter und Emil Schult
publisher:
Edition Positive Songs (publisher), Kling Klang Musik GmbH (Germany-based licensing and publishing entity controlled by Ralf Hütter), No Hassle Music, Sony/ATV Music Publishing (UK) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
übersetzte Version von:
Das Modell
Kraftwerk4.15?:??
B3Nice ’n’ Sleazy
Techniker(in):
Alan Winstanley (English record producer) (in 1978-02)
Produzent(in):
Martin Rushent (in 1978-02)
Bass:
Jean‐Jacques Burnel (in 1978-02)
Gitarre:
Hugh Cornwell (English rock musician) (in 1978-02)
Keyboard:
Dave Greenfield (in 1978-02)
Perkussion und Schlagzeug:
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (in 1978-02)
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
Nice ’n’ Sleazy (in 1978-02)
Texter und Komponist(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Albion Music Ltd. und CBS Songs
The Stranglers4.5?:??
B4Jet
recording engineer:
Geoff Emerick (British recording engineer) (in 1973-10)
assistierende(r) Techniker(in):
Monday (engineer) (in 1973-10) und Pete Swettenham (in 1973-10)
Produzent(in):
Paul McCartney (The Beatles) (in 1973-10)
Mix:
Geoff Emerick (British recording engineer) (von 1973-10 bis 1973-11)
Bassgitarre, Moog und Klavier, Schlagzeug und Sologesang:
Paul McCartney (The Beatles) (in 1973-10)
E-Gitarre:
Denny Laine (in 1973-10) und Paul McCartney (The Beatles) (in 1973-10)
Keyboard und Moog:
Linda McCartney (in 1973-10)
Klavier:
Denny Laine (in 1973-10)
Saiteninstrumente:
Beaux Arts Orchestra (in 1973-10)
Saxophon:
Howie Casey (in 1973-10)
Hintergrundgesang:
Denny Laine (in 1973-10), Linda McCartney (in 1973-10) und Paul McCartney (The Beatles) (in 1973-10)
Orchestrator(in):
Tony Visconti
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1973-10)
mixed at:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1973-10 bis 1973-11)
recording of:
Jet (in 1973-10)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
ATV Music Corp. und McCartney Music, Inc.
Paul McCartney & Wings3.3?:??
B5Interesting Drug
Produzent(in):
Stephen Street (famous producer, songwriter)
vocals:
Kirsty MacColl
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recording of:
Interesting Drug
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Stephen Street (famous producer, songwriter)
publisher:
Bona Relations (publisher for Morrissey), SBS Productions Ltd., Virgin Music (Publishers) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Morrissey5?:??
B6(You Gotta Walk) Don’t Look Back
Sologesang:
Mick Jagger (The Rolling Stones) und Peter Tosh
cover recording of:
Don’t Look Back
Verfasser(in):
Smokey Robinson und Ronald White (soul singer, founding member of The Miracles)
publisher:
Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
Peter Tosh?:??
B7Letter From America
recording of:
Letter From America
Verfasser(in):
Charlie Reid und Craig Reid
The Proclaimers?:??

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