Die Fledermaus

~ Release by Johann Strauss II (see all versions of this release, 4 available)

Annotation

This is just the London release of Decca's ee727067-17fa-4674-8a21-a2cf013181a7

Annotation last modified on 2014-11-13 17:19 UTC.

Tracklist

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1▼CD
#TitleRatingLength
1Die Fledermaus: Akt I. Ouvertüre
producer:
John Culshaw and Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Ouvertüre (Die Fledermaus: Overture) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus
part of:
Die Fledermaus (English version, lyrics by Mandel/Sachs)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus (english; unknown version)
8:02
2Die Fledermaus: Akt I. „Täubchen, das entflattert ist” (Alfred)
producer:
John Culshaw and Christopher Raeburn (producer)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. Nr. 1a Introduktion „Täubchen, das entflattert ist“ (Alfred, Adele) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
1:05
3Die Fledermaus: Akt I. „Da schreibt meine Schwester Ida” (Adele)
producer:
John Culshaw and Christopher Raeburn (producer)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. Dialog „Ha-ha-ha-ha! Da schreibt meine Ida“ (Adele) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Dialog „Ich muß mir für heute Abend Ausgang erschwindeln!“ …„Meine arme Tante“ (Adele, Rosalinde) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Dialog „Wie glücklich die alte Tante ist…“ (Rosalinde, Alfred) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 1b Duett „Ach, ich darf nicht hin zu dir!…Du darfst heut' nicht zu ihr“ (Adele, Rosalinde) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
5:40
4Die Fledermaus: Akt I. „Nein, mit solchen Advokaten” (Eisenstein)
producer:
John Culshaw and Christopher Raeburn (producer)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Blind]:
Peter Klein (tenor) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. „Beruh’ge endlich diese Wut“ (Rosalinde, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Dialog „Also, noch verschärft die Strafe?“ (Rosalinde, Eisenstein, Adele, Falke) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 2 Terzett „Nein, mit solchen Advokaten“ (Eisenstein, Rosalinde, Blind) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 2b „Rekurrieren - Appellieren“ (Eisenstein, Rosalinde, Blind) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
4:59
5Die Fledermaus: Akt I. „Komm mit mir zum Souper” (Falke)
producer:
John Culshaw and Christopher Raeburn (producer)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. Dialog „Ja, was ist denn los? Ihr tanzt und singt“ / „Seid ihr verrückt geworden?“ (Rosalinde, Eisenstein, Falke) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 3 Duett „Komm mit mir zum Souper“ (Falke, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
4:49
6Die Fledermaus: Akt I. „So muß allein ich bleiben” (Rosalinde)
producer:
John Culshaw and Christopher Raeburn (producer)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. Dialog „Ach… Diese Männer“ / „Er weint und tanzt zugleich“ (Rosalinde, Alfred) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
recording of:
Die Fledermaus: Akt I. Nr. 4 Terzett „So muß ich allein bleiben“ … „Oh je, oh je, wie rührt mich dies” (Rosalinde, Eisenstein, Adele) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
4:08
7Die Fledermaus: Akt I. „Trinke, Liebchen, trinke schnell” (Alfred)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
partial recording of:
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ … „Glücklich ist, wer vergisst” (Alfred, Rosalinde, Frank) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
3:00
8Die Fledermaus: Akt I. „Ich höre Stimmen; man spricht unten!” (Rosalinde)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
partial recording of:
Die Fledermaus: Akt I. Nr. 5 Finale „Trinke, Liebchen, trinke schnell“ … „Glücklich ist, wer vergisst” (Alfred, Rosalinde, Frank) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
2:03
9Die Fledermaus: Akt I. „Mein Herr, was dächten Sie von mir” (Rosalinde)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. Nr. 5b Couplets „Mein Herr, was dächten Sie von mir“ (Rosalinde, Alfred, Frank) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
2:32
10Die Fledermaus: Akt I. „Nein, nein, ich zweifle gar nicht mehr” (Frank)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt I. Nr. 5c Terzett „Nein, nein, ich zweifle gar nicht mehr“ … „Mein schönes, grosses Vogelhaus” (Frank, Rosalinde, Alfred) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt I
3:13
11Die Fledermaus: Akt II. „Ein Souper heut' uns winkt” (Gäste)
producer:
John Culshaw and Christopher Raeburn (producer)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
spoken vocals [Ivan]:
B. Fasolt (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Dialog „Amüsement! Amüsement!“ … „Adele, wer hat dich denn hierher eingeladen?” (Ida, Adele, Falke, Orlofsky, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Nr. 6 Chor und Ensemble „Ein Souper heut' uns winkt“ (Chor) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
4:07
12Die Fledermaus: Akt II. „Ich lade gern mir Gäste ein” (Orlofsky)
producer:
John Culshaw and Christopher Raeburn (producer)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Dialog „Das sind allerdings … Aber heute möchte ich herzlich lachen“ … „Durchlaucht, hier ist ihre Brieftasche wieder” … „Das ist ja Adele” (Eisenstein, Orlofsky, Ida, Adele, Falke) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Nr. 7 Couplet „Ich lade gern mir Gäste ein“ (Orlofsky) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
4:14
13Die Fledermaus: Akt II. „Ach, meine Herr'n und Damen” (Orlofsky)
producer:
John Culshaw and Christopher Raeburn (producer)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Nr. 8a „Ach, meine Herren und Damen, hier gibt es einen Spaß!“ (Orlofsky, Falke, Chor, Adele, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
1:10
14Die Fledermaus: Akt II. „Mein Herr Marquis” (Adele)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
spoken vocals [Ivan]:
B. Fasolt (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Dialog „Es ist also wirklich wahr…“ (Falke, Rosalinde, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Dialog „Hoheit, ein Chevalier Chagrin ist da” … „Na, Herr Marquis“ (Ivan, Ida, Falke, Orlofsky, Frank, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Nr. 8b „Mein Herr Marquis, ein Mann wie Sie…“ (Adele, Chor) (Laughing song) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
7:30
15Die Fledermaus: Akt II. „Dieser Anstand so manierlich” (Eisenstein)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Orlofsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Dialog „Haha, lieber Marquis“ … „Ah, da ist ja die schöne Unbekannte” (Frank, Adele, Orlofsky, Rosalinde, alle) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Nr. 9 Duett „Dieser Anstand, so manierlich“ (Eisenstein, Rosalinde) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
5:21
16Die Fledermaus: Akt II. „Klänge der Heimat” (Rosalinde)
producer:
John Culshaw and Christopher Raeburn (producer)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Dialog: „Ausgezeichnet, bravo!“ (Ida, Rosalinde, Orlofsky, Falke, Eisenstein, alle) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
recording of:
Die Fledermaus: Akt II. Nr. 10 Csárdás „Klänge der Heimat“ (Rosalinde) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
5:49
17Die Fledermaus: Akt II. „Im Feuerstrom der Reben” (Orlofsky)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Nr. 11a Finale „Im Feuerstrom der Reben“ (Orlofsky, Eisenstein, Rosalinde, Frank, Falke, Adele, Ida, Chor) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
2:18
2▼CD
#TitleArtistRatingLength
1Die Fledermaus: Akt II. „Herr Chevalier, ich grüße Sie!” (Eisenstein)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Finale „Herr Chevalier, ich grüße Sie“ … „Brüderlein, Brüderlein und Schwesterlein“ (Eisenstein, Frank, Falke, Rosalinde, Adele, Chor, Orlofsky) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II6:44
2Die Lustige Witwe: Vilja-Lied
producer:
John Culshaw and Christopher Raeburn (producer)
soprano vocals:
Renata Tebaldi (soprano) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die lustige Witwe: Akt II. N°12a. Entr'act. Vilja-Lied (in 1960-06)
composer:
Franz Lehár (composer)
part of:
Die lustige Witwe: Akt II
Franz Lehár5:03
3Domino
producer:
John Culshaw and Christopher Raeburn (producer)
bass vocals:
Fernando Corena (operatic bass) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Domino (André Claveau song) (in 1960-06)
lyricist:
Jacques Plante
composer:
Louis Ferrari (musette accordionist and composer)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Louis Ferrari2:14
4I Could Have Danced All Night (from "My Fair Lady")
producer:
John Culshaw and Christopher Raeburn (producer)
vocals:
Birgit Nilsson (soprano) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
I Could Have Danced All Night (My Fair Lady) (in 1960-06)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
Frederick Loewe2:49
5Passione
producer:
John Culshaw and Christopher Raeburn (producer)
tenor vocals:
Mario Del Monaco (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Passione (in 1960-06)
lyricist:
Libero Bovio (in 1934)
composer:
Ernesto Tagliaferri (composer) (in 1934) and Nicola Valente (in 1934)
Nicola Valente2:37
6Lullaby
producer:
John Culshaw and Christopher Raeburn (producer)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1960-06)
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
phonographic copyright (℗) by:
Decca Record Company Limited (The Decca Record Company Limited, not a release label; for copyrights use only)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Lullaby (in 1960-06)
composer:
Félix Lavilla
Félix Lavilla1:56
7Il bacio
producer:
John Culshaw and Christopher Raeburn (producer)
soprano vocals:
Joan Sutherland (soprano) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Il bacio (in 1960-06)
lyricist:
Gottardo Aldighieri (operatic baritone, librettist)
composer:
Luigi Arditi
Luigi Arditi4:07
8Das Land des Lächelns: Dein ist mein ganzes Herz
producer:
John Culshaw and Christopher Raeburn (producer)
tenor vocals:
Jussi Björling (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Das Land des Lächelns: Akt II. Nr. 11 „Dein ist mein ganzes Herz” (Sou-Chong) (in 1960-06)
lyricist:
Ludwig Herzer and Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
publisher:
Glocken Verlag
part of:
Das Land des Lächelns: Akt II
Franz Lehár4:08
9Summertime (from "Porgy & Bess")
producer:
John Culshaw and Christopher Raeburn (producer)
soprano vocals:
Leontyne Price (soprano) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (in 1960-06)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Gershwin3:10
10Anything You Can Do (from "Annie Get Your Gun")
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals:
Ettore Bastianini (baritone) (in 1960-06)
mezzo-soprano vocals:
Giulietta Simionato (mezzo-soprano) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Anything You Can Do (from “Annie Get Your Gun”) (in 1960-06)
lyricist and composer:
Irving Berlin
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) (ended) and Irving Berlin Music Corp.
part of:
Annie Get Your Gun
Irving Berlin3:49
11Wien, Wien, nur du allein
producer:
John Culshaw and Christopher Raeburn (producer)
soprano vocals:
Ljuba Welitsch (soprano) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Wien, du Stadt meiner Träume (Wien, Wien, nur du allein) (in 1960-06)
lyricist and composer:
Rudolf Sieczyński (in 1914)
publisher:
Adolf Robitschek Musikverlag
Rudolf Sieczyński1:38
12Die Fledermaus: Akt II. „Genug damit, genug!” (Orlofsky)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt II. Nr. 11c Finale „Genug, damit, genug!“ (Orlofsky, Eisenstein, Frank, Rosalinde, Falke, Adele, Ida, Chor) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt II
Johann Strauss II4:29
13Die Fledermaus: Akt III. Entr' acte
producer:
John Culshaw and Christopher Raeburn (producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt III. Nr. 12 Entreakt (in 1960-06)
lyricist:
Howard Dietz (librettist)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus (English version, lyrics by Dietz)
part of:
Die Fledermaus: Akt III
Johann Strauss II0:56
14Die Fledermaus: Akt III. „Herr Direktor! Wo is er denn?” (Frosch)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
spoken vocals [Frosch]:
Erich Kunz (baritone) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt III. Dialog „Ah, der Herr Direktor ist schon da!“ (Frosch, Frank, Adele, Ida) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss II8:41
15Die Fledermaus: Akt III. „Spiel' ich die Unschuld vom Lande” (Adele)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
spoken vocals [Frosch]:
Erich Kunz (baritone) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
tenor vocals [Blind]:
Peter Klein (tenor) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt III. Dialog „Bravo, ganz entzückend!“ … „Herr Direktor!” (Frank, Frosch, Adele, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
recording of:
Die Fledermaus: Akt III. Nr. 14 Couplets „Spiel’ ich die Unschuld vom Lande“ (Adele, Ida, Frank) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss II9:44
16Die Fledermaus: Akt III. „Ich stehe voll Zagen” (Rosalinde)
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
bass-baritone vocals:
Walter Berry (bass‐baritone) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
spoken vocals [Frosch]:
Erich Kunz (baritone) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt III. „Da sie alles wissen nun“ … „Ja ich bin's den ihr betrogen” (Rosalinde, Alfred, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
recording of:
Die Fledermaus: Akt III. Dialog „Du wagst es mir Vorwürfe zu machen“ (Rosalinde, Eisenstein, Alfred, Frank, Frosch) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
recording of:
Die Fledermaus: Akt III. Nr. 15 Terzett „Ich steh’ voll Zagen“ (Rosalinde, Alfred, Eisenstein) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss II7:58
17Die Fledermaus: Akt III. „O Fledermaus, o Fledermaus”
producer:
John Culshaw and Christopher Raeburn (producer)
baritone vocals [Frank]:
Eberhard Wächter (baritone) (in 1960-06)
bass-baritone vocals [Falke]:
Walter Berry (bass‐baritone) (in 1960-06)
choir vocals:
Chor der Wiener Staatsoper (Wiener Staatsoper Choir) (in 1960-06)
mezzo-soprano vocals [Ida]:
Hedwig Schubert (soprano) (in 1960-06)
mezzo-soprano vocals [Orlovsky]:
Regina Resnik (soprano, mezzo-soprano, alto) (in 1960-06)
soprano vocals [Adele]:
Erika Köth (soprano) (in 1960-06)
soprano vocals [Rosalinde]:
Hilde Güden (soprano) (in 1960-06)
tenor vocals [Alfred]:
Giuseppe Zampieri (tenor) (in 1960-06)
tenor vocals [Blind]:
Peter Klein (tenor) (in 1960-06)
tenor vocals [Eisenstein]:
Waldemar Kmentt (tenor) (in 1960-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1960-06)
conductor:
Herbert von Karajan (conductor) (in 1960-06)
balance engineer:
James Brown (Decca engineer, 1960s) and Gordon Parry (engineer)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1960-06)
recording of:
Die Fledermaus: Akt III. Nr. 16 Finale „O Fledermaus, o Fledermaus!“ … „Champagner hat’s verschuldet” (Eisenstein, Falke, Orlofsky, Adele, Alfred, Rosalinde, Frank, Ida, Blind, Chor) (in 1960-06)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Die Fledermaus: Akt III
Johann Strauss II2:46