Big Bands of the Swinging Years

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Elenco tracce

1Supporto
#TitoloArtistaValutazioneDurata
1Woodchopper's Ball
registrazione di:
Woodchopper’s Ball
compositore:
Joe Bishop e Woody Herman
parte di:
The Real Book (compilation of jazz standards, volume I)
Woody Herman?:??
2Let's Dance
basso :
George Duvivier (dal 1954-11-08 al 1954-11-17)
batteria :
Bobby Donaldson (dal 1954-11-08 al 1954-11-17)
chitarra :
Steve Jordan (guitar) (dal 1954-11-08 al 1954-11-17)
clarinetto :
Benny Goodman (clarinetist and bandleader) (dal 1954-11-08 al 1954-11-17)
pianoforte :
Mel Powell (American composer and jazz pianist) (dal 1954-11-08 al 1954-11-17)
sassofono baritono :
Sol Schlinger (saxophone, jazz) (dal 1954-11-08 al 1954-11-17)
sassofono contralto :
Paul Ricci (American big-band jazz saxophonist and clarinetist, 1914–2001) (dal 1954-11-08 al 1954-11-17) e Hymie Shertzer (dal 1954-11-08 al 1954-11-17)
sassofono tenore :
Boomie Richman (dal 1954-11-08 al 1954-11-17) e Al Klink (dal 1954-11-08 al 1954-11-17)
tromba :
Ruby Braff (US trumpet & cornet player) (dal 1954-11-08 al 1954-11-17), Chris Griffin (Gordon Claude Griffin, trumpeter) (dal 1954-11-08 al 1954-11-17), Carl Poole (US trumpeter) (dal 1954-11-08 al 1954-11-17) e Bernie Privin (dal 1954-11-08 al 1954-11-17)
trombone :
Will Bradley (US boogie woogie trombonist & bandleader) (dal 1954-11-08 al 1954-11-17), Vernon Brown (dal 1954-11-08 al 1954-11-17) e Cutty Cutshall (dal 1954-11-08 al 1954-11-17)
orchestra:
Benny Goodman and His Orchestra (dal 1954-11-08 al 1954-11-17)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti (dal 1954-11-08 al 1954-11-17)
registrazione di:
Let’s Dance (Benny Goodman’s theme song) (dal 1954-11-08 al 1954-11-17)
paroliere:
Fanny May Baldridge
compositore:
Joseph Bonime, Gregory Stone e Carl Maria von Weber (composer)
Benny Goodman?:??
3Cherokee
registrazione di:
Cherokee
paroliere e compositore:
Ray Noble
editore:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) e Shapiro, Bernstein & Co., Inc.
Charlie Barnet?:??
4Opus No. 1
registrazione di:
Opus One (1943 song)
paroliere:
Sidney Reginald Garris
compositore:
Sy Oliver
editore:
Embassy Music Corp. (il 1943-06-23)
parte di:
New York, New York (1977 musical film soundtrack)
Tommy Dorsey?:??
5Begin the Beguine
registrazione di:
Begin the Beguine
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
Artie Shaw?:??
6When the Saints Go Marching In
registrazione di:
When the Saints Go Marching In (Louis Armstrong’s version)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Louis Armstrong
versione di:
When the Saints Go Marching In
Louis Armstrong?:??
7One O'Clock Jump
registrazione di:
One O’Clock Jump
compositore:
Count Basie (pianist) (nel 1937)
editore:
EMI Feist Catalog Inc.
Count Basie4:22
8That Old Black Magic
registrazione cover di:
That Old Black Magic
paroliere:
Johnny Mercer (nel 1942)
compositore:
Harold Arlen (nel 1942)
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
Ella Fitzgerald?:??
9So Rare
registrazione di:
So Rare
paroliere:
Jack Sharpe (American songwriter)
compositore:
Jerry Herst
editore:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Jimmy Dorsey?:??
10Ain't Misbehavin'
registrazione di:
Ain’t Misbehavin’
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
Duke Ellington & His Orchestra?:??
11Lover Man
registrazione di:
Lover Man
paroliere:
Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
compositore:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (nel 1942) e Jimmy Sherman (pianist, arranger and songwriter) (nel 1942)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (conclusa) e Universal Music Corp. (USA, affiliated with ASCAP)
Billie Holiday?:??
12Glen Miller's in the Mood
registrazione di:
In the Mood
paroliere:
Andy Razaf
compositore:
Wingy Manone
editore:
Shapiro Bernstein and Co. Limited e Shapiro, Bernstein & Co., Inc.
sub-editore:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
si basa su:
Tar Paper Stomp
parte di:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller?:??