Classic FM: Smooth Classics - Do Not Disturb

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Packaging is 4 x Slim Jewel Cases in a stiff card slip-case.

Cat. no. is the same for the set and for all four discs.

Annotation last modified on 2017-11-17 15:44 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Piano Concerto no. 5, op. 73: II. Adagio un poco mosso
piano:
Emanuel Ax (pianist)
orchestra:
Royal Philharmonic Orchestra
conductor:
André Previn (pianist, conductor, composer, arranger)
recording of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”: II. Adagio un poco mosso
composer:
Ludwig van Beethoven (German composer) (in 1809)
part of:
Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 “Emperor”
Ludwig van Beethoven7:07
2Agnus Dei: Requiem
choir vocals:
Choir of King’s College, Cambridge
orchestra:
London Musici
conductor:
Richard Marlow (English choral conductor and organist)
recording of:
Messa da requiem: V. Agnus Dei (soprano, mezzo-soprano, coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1874)
part of:
Messa da requiem (Manzoni requiem)
Gabriel Fauré5:55
3Cello Suite no. 1: Prelude
cello:
Guido Schiefen (cellist) (from 1999-01-25 until 1999-01-27)
phonographic copyright (℗) by:
Arte Nova Musikproduktions GmbH (in 1996)
recorded at:
Tonstudio Teije van Geest in Sandhausen, Baden-Württemberg, Germany (from 1999-01-25 until 1999-01-27)
recording of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007: I. Prélude (Cello Suite No. 1 in G major, BWV 1007: I. Prélude) (from 1999-01-25 until 1999-01-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 1 G-Dur, BWV 1007 (Cello Suite No. 1 in G major, BWV 1007)
Johann Sebastian Bach3:00
4Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
orchestra:
Philadelphia Orchestra (The Philadelphia Orchestra) (from 1968-05-25 until 1968-05-28)
conductor:
Eugene Ormandy (conductor) (from 1968-05-25 until 1968-05-28)
recorded at:
Academy of Music in Philadelphia, Pennsylvania, United States (from 1968-05-25 until 1968-05-28)
recording of:
Symphony no. 6 in B minor, op. 74 “Pathétique”: II. Allegro con grazia (from 1968-05-25 until 1968-05-28)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1893-02 until 1893-08)
part of:
Symphony no. 6 in B minor, op. 74 “Pathétique”
Пётр Ильич Чайковский8:11
5I Giorni
recording engineer:
Gemma Marchegiani (in 2001-10) and Michael Seberich (Italian engineer and producer) (in 2001-10)
editor:
Gemma Marchegiani
piano:
Ludovico Einaudi (Italian composer and pianist) (in 2001-10)
recorded at:
Villa Medici-Giulini in Briosco, Monza e Brianza, Lombardia, Italy (in 2001-10)
recording of:
I giorni (for piano) (in 2001-10)
composer:
Ludovico Einaudi (Italian composer and pianist)
part of:
Classic 100: Piano (2025) (number: 29)
Ludovico Einaudi16:04
6Thais: Meditation
violin:
Anne Akiko Meyers (violinist)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Andrew Litton (conductor)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra)
composer:
Jules Massenet (French Romantic composer) (in 1894)
part of:
Classic 100: Music of France (2012) (number: 14)
part of:
Thaïs: Acte II
Jules Massenet5:27
7Carmina Burana: In Trutina
choir vocals:
Mozarteum Chor Salzburg and Russian State Chorus
soprano vocals:
Gerda Harman (soprano)
orchestra:
Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Russian State Symphony Orchestra (“New Russia” State Symphony Orchestra) and Государственный академический симфонический оркестр России (State Academic Symphony Orchestra of Russia “Evgeny Svetlanov”, “Evgeny Svetlanov” / GASO)
conductor:
Kurt Prestel (conductor, chorus master) and Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related)
phonographic copyright (℗) by:
Selcor Ltd. (for copyrights use only) (in 1989)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:19
8Minuet (String Quartet in E major)
orchestra:
City of London Sinfonia (chamber orchestra)
conductor:
Andrew Watkinson (violinist/conductor)
Luigi Boccherini3:23
9Vocalise
orchestra:
St. Petersburg Philharmonic Orchestra (founded in 1882; read the annotation to avoid incorrect use)
conductor:
Yuri Temirkanov (conductor)
recording of:
Vocalise, op. 34 no. 14 (catch-all for unknown arrangements)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1912)
arrangement of:
14 Romances, op. 34 no. 14: Vocalise (Vocalise, for voice and piano, original version)
Сергей Васильевич Рахманинов8:56
10Recuerdos de la Alhambra
classical guitar:
Simon Dinnigan
recording of:
Recuerdos de la Alhambra (Memories of the Alhambra)
composer:
Francisco Tárrega (Spanish composer and guitarist)
arrangement of:
FINE ON THE OUTSIDE
Francisco Tárrega4:00
11Che Faro Senza Euridice?
mezzo-soprano vocals:
Marjana Lipovšek (mezzo soprano)
orchestra:
Munich Radio Symphony Orchestra (The Munich Radio Orchestra)
conductor:
Leopold Hager (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:46
2▼CD
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1Romance (The Gadfly)
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Libor Pešek (conductor)
recording of:
The Gadfly Suite, op. 97a: VIII. Romance
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (in 1955)
arranger:
Левон Атовмьян (Lev Atovmyan, Russian composer, arranger, editor, and administrator)
part of:
The Gadfly Suite, op. 97a
Дмитрий Дмитриевич Шостакович6:29
2On Hearing The First Cuckoo In Spring
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
On Hearing the First Cuckoo in Spring, RT VI/19 no. 1
composer:
Frederick Delius (English composer) (in 1912)
dedicated to:
Balfour Gardiner
part of:
2 Pieces for Small Orchestra, RT VI/19
Frederick Delius6:23
3The Bluebird
engineer:
John Taylor (classical producer/engineer, often associated with Naxos recordings)
producer:
Judy Lieber (producer)
choir vocals:
Oxford Camerata (English chamber choir) (from 1994-03-21 until 1994-03-22)
soprano vocals:
Carys-Anne Lane (soprano) (from 1994-03-21 until 1994-03-22)
vocals:
Oxford Camerata (English chamber choir)
conductor:
Jeremy Summerly (conductor) (from 1994-03-21 until 1994-03-22)
recorded at:
Chapel of Hertford College, Oxford in Oxford, Oxfordshire, England, United Kingdom (from 1994-03-21 until 1994-03-22)
recording of:
Eight Partsongs, op. 119: No. 3. The blue bird (from 1994-03-21 until 1994-03-22)
lyricist:
Mary Elizabeth Coleridge
composer:
Sir Charles Villiers Stanford (Irish composer)
publisher:
Stainer & Bell Ltd.
part of:
Eight Partsongs, op. 119
John Stanford3:46
4Nocturne in E-flat major, op. 9 no. 2
piano:
Ricardo Castro (Brazilian pianist)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3), Classic 100: Piano (2004) (number: 18) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 109)
part of:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin4:30
5Prelude A L’apres-Midi D’un Faune
engineer:
Jo Tavernier (Belgian sound engineer) (from 1989-11-16 until 1989-11-18)
producer:
Günter Appenheimer (producer/engineer)
orchestra:
BRT Philharmonic Orchestra, Brussels (Brussels Philharmonic) (from 1989-11-16 until 1989-11-18)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1989-11-16 until 1989-11-18)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1993)
recorded at:
Concert Hall of the Belgian Radio and Television in Brussels (Brussels-Capital Region), Belgium (from 1989-11-16 until 1989-11-18)
recording of:
Prélude à l’après‐midi d’un faune, L. 86, CD 87 (Prelude to the Afternoon of a Faun, L. 86, CD 87, original version for orchestra) (from 1989-11-16 until 1989-11-18)
composer:
Claude Debussy (French composer) (from 1891 until 1894-09)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
premiered at:
[concert] (1894-12-22)
publisher:
Eugène Fromont (in 1895-10)
part of:
Classic 100: Music of France (2012) (number: 6), Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 86) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 87)
Claude Debussy10:33
6The Mission - Gabriel’s Oboe
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Paul Bateman (conductor)
cover recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
recording of:
Gabriel’s Oboe (The Mission, main theme)
publisher:
Ennio Morricone (Italian classical and score composer)
orchestrator and composer:
Ennio Morricone (Italian classical and score composer)
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) and Virgin Music (Publishers) Ltd.
part of:
The Mission
Ennio Morricone2:25
7Piano Concerto no. 21 in C major, K. 467: II. Andante
piano:
Alicia de Larrocha (pianist) (from 1991-02-09 until 1991-02-11)
orchestra:
English Chamber Orchestra (from 1991-02-09 until 1991-02-11)
conductor:
Sir Colin Davis (English conductor) (from 1991-02-09 until 1991-02-11)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (from 1991-02-09 until 1991-02-11)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (from 1991-02-09 until 1991-02-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:41
8Contacta 140: Wachet Auf
orchestra:
City of London Sinfonia (chamber orchestra)
conductor:
Andrew Watkinson (violinist/conductor)
Johann Sebastian Bach4:28
9Symphony no. 5 in B-flat major, D. 485: II. Andante con moto
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (from 1994-02-15 until 1994-02-18)
conductor:
Sir Colin Davis (English conductor) (from 1994-02-15 until 1994-02-18)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (from 1994-02-15 until 1994-02-18)
recording of:
Symphony no. 5 in B-flat major, D. 485: II. Andante con moto (from 1994-02-15 until 1994-02-18)
composer:
Franz Schubert (composer) (in 1816)
part of:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert9:32
10Lute Concerto In D major (2nd Movement)
recording engineer:
Bob Auger (Robert Auger, engineer)
producer:
James Burnett (producer)
editor:
Julian Bream
cello:
Marilyn Sansom (cellist) (on 1975-06-03)
guitar:
Julian Bream
lute:
Julian Bream (on 1975-06-03)
theorbo [chittarone]:
Robert Spencer (English lutenist, guitarist & musicologist) (on 1975-06-03)
orchestra:
Monteverdi Orchestra (on 1975-06-03)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 1975-06-03)
arranger:
Julian Bream
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1975)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (on 1975-06-03)
recording of:
Concerto for Lute and Strings in D major, RV 93: II. Largo (orch. Bream)
orchestrator:
Julian Bream
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
orchestration of:
Concerto for Lute in D major, RV 93: II. Largo
part of:
Concerto for Lute and Strings in D major, RV 93 (orch. Bream)
Antonio Vivaldi3:53
11Lux Aeterna
bass:
Laurie Cottle
keyboard:
Richard Cottle
percussion:
Miles Bould
vocals:
Amici Forever
orchestra:
The Budapest Film Orchestra
conductor:
Nick Ingman
arranger:
Nick Ingman and Nick Patrick
recording of:
Light Eternal (Lux aeterna)
lyricist:
[anonymous] (special purpose artist)
composer:
Edward Elgar (composer)
arranger:
John Cameron (British composer, arranger and conductor)
version of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio)
Sir Edward Elgar4:19
3▼CD
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1Gymnopedie No 1
piano:
John Lenehan (classical pianist)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
composer:
Erik Satie (French composer) (from 1888-02 until 1888-04)
part of:
Classic 100: Piano (2004) (number: 4)
part of:
Gymnopédies
Erik Satie3:12
2Violin Concerto in D major, op. 35: II. Canzonetta. Andante
violin:
Erick Friedman (violinist)
orchestra:
London Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1878)
part of:
Concerto for Violin and Orchestra in D major, op. 35
Пётр Ильич Чайковский6:41
3Miserere
choir vocals:
The Sixteen (UK choir) (in 1989-11)
conductor:
Harry Christophers (conductor) (in 1989-11)
recorded at:
St Jude’s Church in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 1989-11)
recording of:
Miserere mei, Deus (in 1989-11)
composer:
Gregorio Allegri (composer)
part of:
ABC Classic 100 (2001) (number: 9)
quotes lyrics from:
Miserere mei (words from Psalm 51)
Gregorio Allegri12:12
4Chanson de Matin
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
Chanson de matin, op. 15 no. 2 (for orchestra)
orchestrator and composer:
Edward Elgar (composer)
publisher:
Public Domain (refers to works that are in the public domain)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1901-09-14)
arrangement of:
Chanson de matin, op. 15 no. 2 (for violin and piano)
Sir Edward Elgar3:01
5Clarinet Quintet in A major (2nd movement)
cello:
Jonathan Aasgaard (cellist)
clarinet:
Nicholas Cox (clarinetist)
viola:
David Greenlees (violist)
violin:
Lesley Gwyther (violinist) and Thelma Handy (violinist)
recording of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet": II. Larghetto
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Quintet for Clarinet, 2 Violins, Viola & Cello in A major, K. 581 "Stadler Quintet"
Wolfgang Amadeus Mozart6:17
6Pavane
orchestra:
Royal Liverpool Philharmonic Orchestra
conductor:
Libor Pešek (conductor)
recorded at:
Philharmonic Hall (Liverpool) in Liverpool, Merseyside, England, United Kingdom
recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus)
lyricist:
Robert de Montesquiou
composer:
Gabriel Fauré (French composer) (in 1887)
arrangement of:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré6:06
7Requiem (Pie Jesu)
engineer:
Eleanor Thomason (engineer) (in 2002-07)
producer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945)
instruments:
Members of the City of London Sinfonia (chamber orchestra) (in 2002-07)
choir vocals:
Choir of Clare College, Cambridge (in 2002-07)
soprano vocals:
Elin Manahan Thomas (soprano) (in 2002-07)
conductor:
Timothy Brown (English classical choral conductor) (in 2002-07)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 2003)
recorded at:
Douai Abbey in Reading, England, United Kingdom (in 2002-07)
recording of:
Requiem: III. Pie Jesu (in 2002-07)
composer:
John Rutter (English choral music composer, conductor, arranger and producer, born 1945) (in 1985)
publisher:
Oxford University Press
part of:
Requiem
John Rutter3:37
8Serenade for Strings, op. 22: I. Moderato
orchestra:
Royal Philharmonic Orchestra
conductor:
Claus Peter Flor
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák4:47
9Violin Concerto in D minor (2nd movement)
engineer:
Anthony Salvatore (engineer) (on 1966-12-21)
producer:
Richard Mohr (producer)
violin:
Itzhak Perlman (violinist and conductor) (on 1966-12-21)
orchestra:
Boston Symphony Orchestra (on 1966-12-21)
conductor:
Erich Leinsdorf (conductor) (on 1966-12-21)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1966-12-21)
recording of:
Violin Concerto in D minor, op. 47: II. Adagio di molto (on 1966-12-21)
composer:
Jean Sibelius (Finnish composer) (from 1903 until 1905)
part of:
Violin Concerto in D minor, op. 47
Jean Sibelius7:19
10To A Wild Rose
clarinet:
Emma Johnson (UK clarinettist)
piano:
Julius Drake (pianist)
recording of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (catch-all for arrangements)
composer:
Edward MacDowell (American composer, pianist) (in 1896)
arrangement of:
10 Woodland Sketches, op. 51: No. 1. To a Wild Rose (original for solo piano)
Edward MacDowell2:20
11Air on the G String (Suite No 3)
orchestra:
City of London Sinfonia (chamber orchestra)
conductor:
Andrew Watkinson (violinist/conductor)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:58
4▼CD
#TitleArtistRatingLength
1String Quartet no. 1, op. 11: II. Andante cantabile
engineer:
Rimantas Motiejūnas (from 1998-02 until 1999-03)
producer:
Rimantas Pupeikis
cello:
Vytautas Sondeckis (Lithuanian cellist) (from 1998-02 until 1999-03)
orchestra:
Lithuanian Chamber Orchestra (from 1998-02 until 1999-03)
conductor:
David Geringas (Lithuanian cellist) (from 1998-02 until 1999-03)
recorded at:
Vilnius Recording Studio in Vilnius, Vilniaus Apskritis (Vilnius County), Lithuania (from 1998-02 until 1999-03)
recording of:
Andante cantabile, TH 63, ČW 348 (for cello and string orchestra) (from 1998-02 until 1999-03)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1888)
premiered at:
Home of Marie de Benardaky in Paris, Île-de-France, France (on 1888-02-28)
part of:
The Tchaikovsky Handbook (number: TH 63) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 348)
arrangement of:
String Quartet no. 1 in D major, op. 11: II. Andante cantabile
Пётр Ильич Чайковский6:22
2Lascia ch’io pianga - Rinaldo
soprano vocals:
Ingrid Kertesi (soprano)
orchestra and performer:
Camerata Budapest
conductor:
Kovács László (conductor)
recording of:
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
composer:
George Frideric Handel (German‐British baroque composer) (in 1711)
librettist:
Giacomo Rossi
part of:
Rinaldo, HWV 7a: Atto II
Georg Friedrich Händel3:50
3Sarabande - Holberg Suite
orchestra:
Polish Radio Symphony Orchestra (Polish National Radio Symphony Orchestra, revived in 1945 in Katowice)
conductor:
Tadeusz Wojciechowski (conductor)
recording of:
Fra Holbergs tid, op. 40: II. Sarabande (Andante) (Holberg Suite, Op. 40: II. Sarabande (Andante), for string orchestra)
composer:
Edvard Grieg (composer) (in 1884)
part of:
Fra Holbergs tid, op. 40 (Holberg Suite, op. 40, for string orchestra)
Edvard Grieg4:13
4Violin Concerto no. 1 in G minor, op. 26: II. Adagio
recorded in:
Los Angeles, California, United States (on 1977-12-05)
violin:
Pinchas Zukerman (violinist/conductor) (on 1977-12-05)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (on 1977-12-05)
conductor:
Zubin Mehta (conductor) (on 1977-12-05)
recording of:
Violin Concerto no. 1 in G minor, op. 26: II. Adagio (on 1977-12-05)
composer:
Max Bruch (composer and conductor) (from 1866 until 1867)
part of:
Violin Concerto no. 1 in G minor, op. 26
Max Bruch9:07
5Salut d’amour
producer:
Günter Appenheimer (producer/engineer) (in 1989-01)
orchestra:
Czecho‐Slovak Radio Symphony Orchestra (Bratislava) (Slovak Radio Symphony Orchestra) (from 1989-01-09 until 1989-01-15)
conductor:
Adrian Leaper (conductor) (from 1989-01-09 until 1989-01-15)
phonographic copyright (℗) by:
Naxos and HNH International Ltd. (not for release label use!) (in 1989)
recorded at:
Concert Hall of the Slovak Radio in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-01-09 until 1989-01-15)
recording of:
Salut d’amour, op. 12 (for orchestra) (from 1989-01-09 until 1989-01-15)
composer and arranger:
Edward Elgar (composer) (in 1888)
premiered at:
The Crystal Palace in London (Greater London), England, United Kingdom (on 1889-11-11)
arrangement of:
Salut d’amour, op. 12 (for violin and piano)
Sir Edward Elgar3:29
6Dances With Wolves - John Dunbar Theme
producer:
James Fitzpatrick and Mike Ross‐Trevor (engineer)
choir vocals:
Crouch End Festival Chorus
orchestra:
The City of Prague Philharmonic Orchestra
conductor:
Nic Raine
chorus master:
David Temple
arranger and orchestrator:
Nic Raine
phonographic copyright (℗) by:
Silva Screen Records Ltd. (not for release label use! for ©/℗ rights use only) (in 1996)
cover recording of:
John Dunbar Theme (Dances With Wolves)
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) and EMI Virgin Music Publishing
part of:
Dances With Wolves
John Barry2:35
7Piano Concerto in F major: II.
piano:
Michael Boriskin (pianist) (from 1997-10-22 until 1998-02-09)
trumpet:
Neil Balm (trumpet player)
orchestra:
Eos Orchestra (from 1997-10-22 until 1998-02-09)
conductor:
Jonathan Sheffer (from 1997-10-22 until 1998-02-09)
recorded at:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, United States (from 1997-10-22 until 1998-02-09)
recording of:
Concerto for Piano and Orchestra in F major: II. Adagio - Andante con moto (from 1997-10-22 until 1998-02-09)
composer:
George Gershwin (composer) (in 1925)
publisher:
Chappell Music Ltd.
part of:
Concerto for Piano and Orchestra in F major
George Gershwin12:23
8Berceuse - Dolly Suite
engineer:
Edwin Begley (sound engineer in RCA Victor) (in 1978-10)
producer:
Peter Dellheim (producer for RCA) (in 1978-10)
classical guitar:
Julian Bream (in 1978-10) and John Williams (classical guitarist) (in 1978-10)
recording of:
Dolly Suite, op. 56: I. Berceuse (catch-all for arrangements) (in 1978-10)
composer:
Gabriel Fauré (French composer)
arrangement of:
Dolly, op. 56 : I. Berceuse (for piano four hands)
part of:
Dolly Suite, op. 56 (catch-all for arrangements)
Gabriel Fauré3:20
9Requiem "How Lovely Are Thy Dwellings"
producer:
Martin Sauer (engineer/producer) (in 1992-06)
choir vocals:
Slovak Philharmonic Choir (from 1992-06-14 until 1992-06-18)
vocals:
Slovak Philharmonic Choir (from 1992-06-14 until 1992-06-18)
orchestra:
Czecho-Slovak Radio Symphony Orchestra (Slovak Radio Symphony Orchestra) (from 1992-06-14 until 1992-06-18)
conductor:
Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari) (from 1992-06-14 until 1992-06-18)
recorded at:
Concert Hall of the Czecho-Slovak Radio (Concert Hall of the Slovak Radio) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-06-14 until 1992-06-18)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1992-06-14 until 1992-06-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms4:48
10The Lark Ascending
violin:
Pauline Lowbury
orchestra:
Britten Sinfonia
conductor:
Nicholas Cleobury (conductor)
recording of:
The Lark Ascending (for violin and orchestra)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams13:51

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ASIN:UK: B0000D8IK0 [info]