| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Cantate, BWV 170: "Vergnügte Ruh, beliebte Seelenlust " | Johann Sebastian Bach | | 4:26 |
| 2 | Rondo in A voor piano vierhandig, D 951, op. 107 | Franz Schubert | | 7:16 |
| 3 | Adagio for Strings | Samuel Barber | | 8:45 |
| 4 | Fantasía para un gentilhombre: Villano | Joaquín Rodrigo | | 2:31 |
| 5 | Ständchen, D 920 | Franz Schubert | | 6:01 |
| 6 | Le Nozze di Figaro: Ouverture | Wolfgang Amadeus Mozart | | 3:57 |
| 7 | Serenade in D, KV 239, Serenata notturna: Marcia: Maestoso | Wolfgang Amadeus Mozart | | 4:18 |
| 8 | Klänge aus Mähren: op. 32: Ich schwimm’ dir davon | Antonín Dvořák | | 2:24 |
| 9 | La rondine: Atto I. “Ch’il bel sogno di Doretta” | Giacomo Puccini | | 2:55 |
| 10 | Tabula Rasa: Ludus: Con moto | Arvo Pärt | | 9:47 |
| 11 | Lamentations of Jeremiah I | Thomas Tallis | | 8:39 |
| 12 | Sibi-la Mallorquina: Aprés se badarà molt fort | [anonymous] | | 2:14 |
| 13 | Like an Angel Passing Through My Room- Mix:
- Benny Andersson und Elvis Costello
- Bratsche / Viola:
- Örjan Högberg
- Cello:
- Mattias Helldén
- Geige / Violine:
- Jonas Lindgren
- Klavier und Synclavier:
- Benny Andersson
- Mezzosoprangesang:
- Anne Sofie von Otter (in 2000-10)
- arranger:
- Elvis Costello
- aufgenommen bei:
- Atlantis Grammofon AB in Stockholm, Stockholms län , Schweden (von 2000-10-09 bis 2001-01)
- cover recording of:
- Like an Angel Passing Through My Room
- Verfasser(in):
- Benny Andersson und Björn Ulvaeus
- publisher:
- Union Songs AB , Universal , Bocu Music Ltd. (in 1980), Universal Music Ltd. (in 1980) und Artwork Music Co., Inc. (in 1981)
- recording of:
- Like an Angel Passing Through My Room
- Verfasser(in):
- Benny Andersson und Björn Ulvaeus
- publisher:
- Union Songs AB , Universal , Bocu Music Ltd. (in 1980), Universal Music Ltd. (in 1980) und Artwork Music Co., Inc. (in 1981)
| Björn Ulvaeus & Benny Andersson | 3.5 | 5:03 |
| 14 | Há palavras que nos beijam- Assistent recording engineer:
- Pablo Vitório
- recording engineer und Sound-Engineering:
- Marcelo Sabóia
- Produzent(in):
- Jaques Morelenbaum
- assistierende(r) Mix:
- Bruno Stehling
- Bratsche / Viola:
- Jesuina Passoroto, Marie Springuell und Ricardo Taboada
- Cello:
- Marcio Mallard , Marcus de Oliveira und Yura Ranevski
- Geige / Violine:
- José Alves , Ricardo Amado, Bernardo Bessler, Michel Bessler, Daniel Guedes, Walter Hack, João Daltro, Antonella Pareschi, Paschoal Perrota und Rogério Rosa
- Kontrabass:
- Denner Campolina
- Waldhorn:
- Ismael Oliveira
- vocals:
- Mariza
- conductor:
- Jaques Morelenbaum (Saiteninstrumente)
- arranger:
- Jaques Morelenbaum
- phonographisches Urheberrecht (℗) von:
- EMI‐Valentim de Carvalho, Música Lda. (in 2005)
- aufgenommen bei:
- Estúdio AR in Rio de Janeiro, Rio de Janeiro, Brasilien
- recording of:
- Há palavras que nos beijam
- Texter:
- Alexandre O’Neill
- Komponist(in):
- Mário Pacheco
- basiert auf:
- Há palavras que nos beijam
| Mariza | | 2:57 |
| 15 | Requiem: Introit | Karl Jenkins | | 6:46 |