Perfect Peterson: The Best of the Pablo and Telarc Recordings

~ Release by Oscar Peterson (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleRatingLength
1Tenderly
recording of:
Tenderly
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
4:56
2How High the Moon
recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:20
3Nuages
live recording of:
Nuages (instrumental) (on 1979-07-06)
composer:
Django Reinhardt (French jazz guitarist and composer)
publisher:
EMI Blackwood Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
8:05
4Blues Etude
producer:
Norman Granz
double bass:
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist)
guitar:
Joe Pass (jazz guitarist)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recorded at:
London House in Chicago, Illinois, United States (in 1973)
live recording of:
Blues Etude
composer:
Oscar Peterson (Canadian jazz pianist and composer)
5:26
5Caravan
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1974-11-28 until 1974-11-29)
trumpet:
Dizzy Gillespie (from 1974-11-28 until 1974-11-29)
recorded at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom (from 1974-11-28 until 1974-11-29)
instrumental cover recording of:
Caravan (from 1974-11-28 until 1974-11-29)
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
7:02
6I’m Getting Sentimental Over You
double bass [bass]:
Ray Brown (jazz bassist) (on 1974-12-07)
guitar:
Joe Pass (jazz guitarist) (on 1974-12-07)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1974-12-07)
recorded at:
MGM Studios (NYC) in New York, New York, United States (on 1974-12-07)
instrumental recording of:
I’m Getting Sentimental Over You (on 1974-12-07)
lyricist:
Ned Washington
composer:
George Bassman
publisher:
Catharine Hinen Music, EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
7:22
7Summertime
guitar:
Joe Pass (jazz guitarist)
piano:
Oscar Peterson (Canadian jazz pianist and composer)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
4:31
8If I Were a Bell
recording engineer:
Mountain Recordings Studios (on 1977-07-14)
producer:
Norman Granz
double bass:
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (on 1977-07-14)
drums (drum set):
Bobby Durham (on 1977-07-14)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (on 1977-07-14)
tenor saxophone:
Eddie “Lockjaw” Davis (jazz saxophonist) (on 1977-07-14)
trumpet:
Dizzy Gillespie (on 1977-07-14) and Clark Terry (American swing trumpeter) (on 1977-07-14)
remixer:
Val Valentin
recorded at:
Montreux Jazz Festival 1977 (1977-07-01 – 1977-07-25)
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Casino de Montreux (2nd incarnation, 1975–present) in Montreux, Vaud (Canton of Vaud), Switzerland (on 1977-07-14)
live instrumental recording of:
If I Were a Bell (Guys and Dolls) (on 1977-07-14)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
10:52
9Back Home Again in Indiana
recording of:
Indiana (Back Home Again in Indiana)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
3:23
10I’m Confessin’ (That I Love You)
double bass:
John Heard (in 1978-02)
drums (drum set):
Louie Bellson (in 1978-02)
piano:
Count Basie (pianist) (in 1978-02) and Oscar Peterson (Canadian jazz pianist and composer) (in 1978-02)
instrumental recording of:
I’m Confessin’ (That I Love You) (in 1978-02)
lyricist:
Al J. Neiburg (lyricist) (in 1930)
composer:
Doc Daugherty (in 1930) and Ellis Reynolds (in 1930)
publisher:
Bourne Music Ltd.
version of:
Lookin’ for Another Sweetie
4:51
11Nigerian Marketplace
recording of:
Nigerian Marketplace
composer:
Oscar Peterson (Canadian jazz pianist and composer)
7:16
12On the Trail
recording of:
On the Trail
lyricist:
Harold Adamson
composer:
Ferde Grofé (pianist, arranger, conductor and composer)
6:59
2▼CD
#TitleRatingLength
1Honeysuckle Rose
8:53
2Kelly’s Blues
recording of:
Kelly's Blues
composer:
Oscar Peterson (Canadian jazz pianist and composer)
12:12
3Wheatland
recording of:
Wheatland
composer:
Oscar Peterson (Canadian jazz pianist and composer)
publisher:
Tomi Music Corp. (BMI affiliated)
8:59
4In a Mellow Tone
recording engineer:
Jack Renner (engineer for Telarc) (from 1995-01-15 until 1995-01-16)
producer:
Elaine Martone (engineer)
editor:
James Bonney (editor for Telarc)
alto saxophone:
Benny Carter (from 1995-01-15 until 1995-01-16)
double bass:
Ray Brown (jazz bassist) (from 1995-01-15 until 1995-01-16)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1995-01-15 until 1995-01-16)
flugelhorn and trumpet:
Clark Terry (American swing trumpeter) (from 1995-01-15 until 1995-01-16)
guitar:
Lorne Lofsky (from 1995-01-15 until 1995-01-16)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1995-01-15 until 1995-01-16)
phonographic copyright (℗) by:
TELARC (in 1995)
recorded at:
Manta / Eastern Sound in Toronto, Ontario, Canada (from 1995-01-15 until 1995-01-16)
instrumental recording of:
In a Mellow Tone (from 1995-01-15 until 1995-01-16)
lyricist:
Milt Gabler (in 1939)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1939)
publisher:
EMI Robbins and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
4:53
5Tin Tin Deo
recording engineer:
Jack Renner (engineer for Telarc) (from 1996-06-11 until 1996-06-12)
assistant engineer:
Jo Rossi (engineer) (in 1996)
producer:
Elaine Martone (engineer) (in 1996) and Robert Woods (classical music producer, founder of TELARC) (in 1996)
editor:
Scott Burgess (producer, engineer, sound editor, bassoonist, and singer) (in 1996)
double bass [bass]:
Niels‐Henning Ørsted Pedersen (Danish jazz upright bassist) (from 1996-06-11 until 1996-06-12)
drums (drum set):
Lewis Nash (American jazz drummer) (from 1996-06-11 until 1996-06-12)
piano:
Oscar Peterson (Canadian jazz pianist and composer) (from 1996-06-11 until 1996-06-12)
tenor saxophone:
Ralph Moore (jazz tenor saxophonist) (from 1996-06-11 until 1996-06-12)
trumpet:
Roy Hargrove (from 1996-06-11 until 1996-06-12)
phonographic copyright (℗) by:
Craft Recordings (US jazz label; reissue division of Concord) (in 1996) and TELARC® (in 1996)
recorded at:
Manta / Eastern Studio A in Toronto, Ontario, Canada (from 1996-06-11 until 1996-06-12)
recording of:
Tin Tin Deo (from 1996-06-11 until 1996-06-12)
composer:
Walter “Gil” Fuller (jazz composer & arranger) and Chano Pozo
publisher:
Consolidated Music (a division of Music Sales Corp.), EMI Robbins Catalog Inc. (ASCAP) and Music Sales Corp. (American copyright holder in both popular and classical music)
5:48
6Night Time
recording of:
Nighttime
composer:
Oscar Peterson (Canadian jazz pianist and composer)
8:51
7Reunion Blues
recording engineer:
Michael Bishop (Telarc engineer/producer) and Jack Renner (engineer for Telarc)
producer:
Elaine Martone (engineer) and Robert Woods (classical music producer, founder of TELARC)
mixer:
Tom Young (engineer)
editor:
Thomas Moore (multiple Grammy Award-winning recording producer, editor)
double bass:
Ray Brown (jazz bassist) (on 1996-10-01)
drums (drum set):
Lewis Nash (American jazz drummer) (on 1996-10-01)
guitar:
Herb Ellis (jazz guitarist) (on 1996-10-01)
piano:
Benny Green (jazz pianist) (on 1996-10-01) and Oscar Peterson (Canadian jazz pianist and composer) (on 1996-10-01)
phonographic copyright (℗) by:
Telarc
recorded at:
Town Hall, New York in Theater District, New York, New York, United States (on 1996-10-01)
mixed at:
Javelina Recording Studios in Nashville, Tennessee, United States
recording of:
Reunion Blues
composer:
Milt Jackson
6:27
8Satin Doll
live instrumental recording of:
Satin Doll (on 1998-07-22)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
8:30
9Ja-Da
recorded at:
Blue Note Jazz Club (NYC, 1981-) in New York, New York, United States (from 1998-11-24 until 1998-11-26)
7:31
10Morning in Newfoundland
3:47