Magic 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1The Banana Splits (The Tra La La Song) [Aka One Banana Two Banana]
The Banana Splits1:26
2Bad Case of Loving You (Doctor, Doctor)
tecnico di registrazione e tecnico di missaggio:
Karl Pitterson
produttore:
Robert Palmer (English singer‐songwriter)
assistente tecnico di missaggio:
Benjamin Armbrister e Kendal Stubbs
basso elettrico :
Pierre Brock
batteria :
Dony Wynn
chitarra :
Eddie Martinez (guitar) e Kenny Mazur
tastiera :
Steve Robbins (US keyboardist) e Jack Waldman
voce:
Robert Palmer (English singer‐songwriter)
remixer:
Eric Thorngren
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione cover di:
Bad Case of Lovin’ You
paroliere e compositore:
Moon Martin
editore:
Bug Music Ltd. e Sony/ATV Songs LLC
Robert Palmer4.653:13
3Baby, I Love Your Way
registrazione di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
Peter Frampton4:44
4I've Got the Music in Me
The Kiki Dee Band5:01
5Is She Really Going Out With Him?
tecnico:
Rod Hewison
produttore:
David Kershenbaum
batteria :
David Houghton (nel 1978-08)
chitarra :
Gary Sanford (nel 1978-08)
chitarra basso :
Graham Maby (nel 1978-08)
voce principale:
Joe Jackson (English musician) (nel 1978-08)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1979)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 438)
registrazione di:
Is She Really Going Out With Him? (nel 1978-08)
paroliere e compositore:
Joe Jackson (English musician)
editore:
Kobalt Music (publisher) e Pokazuka Limited
Joe Jackson4.43:36
6Shake Your Groove Thing
Peaches & Herb5:33
7Gold
John Stewart4:19
8Welcome Home
registrazione di:
Welcome Home (English version of “Vivre”)
compositore:
Stanislas Beldone (French songwriter)
traduttore:
Bryan Blackburn
versione tradotta di:
Vivre (1970s French song)
Peters & Lee3:31
9After Midnight
registrazione di:
After Midnight
paroliere e compositore:
J.J. Cale
editore:
Mijac Music, Robert Stigwood Organisation Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Australia Pty. Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
J.J. Cale2:23
10I'm On Fire
registrazione di:
I’m on Fire
paroliere e compositore:
T. Eyers
editore:
Hensley Music (publisher), Intersong Music, MCS Music Ltd., Pocket Full of Tunes, Inc. e Intersong Musikverlag (publisher) (nel 1989)
5000 Volts2:41
11Higher & Higher
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1977)
registrazione cover di:
(Your Love Keeps Lifting Me) Higher and Higher
autore:
Gary Jackson (songwriter), Raynard Miner e Carl Smith (US country music singer)
editore:
Chevis Publishing Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
Rita Coolidge53:58
12Baby Come Back
tecnico:
Matt Hyde (engineer, active in the 1970s–80s), Jay Lewis (producer/engineer/guitarist) e Joe Sidore
produttore:
Dennis Lambert e Brian Potter (US songwriter & producer)
batteria , congas e maracas :
John Friesen (drummer)
chitarra :
Peter Beckett (lead singer of Player)
chitarra basso :
Ronn Moss
clavinet , pianoforte elettrico e sintetizzatore :
Wayne Cook
voce:
Peter Beckett (lead singer of Player) e Ronn Moss
voce di accompagnamento e voce principale:
J.C. Crowley
diritti fonografici (℗) detenuti da:
PolyGram International Music B.V. (not for release label use!) (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 7) e Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 24)
registrazione di:
Baby Come Back (Player song)
autore:
Peter Beckett (lead singer of Player) e John Charles Crowley II
editore:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 大洋音楽 (Taiyō Music)
Player4.354:08
2▼CD
#TitoloArtistaValutazioneDurata
1Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.1?:??
2Na Na Hey Hey Kiss Him Goodbye
registrazione di:
Na Na Hey Hey Kiss Him Goodbye (nel 1969)
autore:
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson e Graham Turner
editore:
Warner Chappell North America e Warner/Chappell North America
parte di:
Goodbye
Steam5?:??
3Three Times a Lady
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1976)
registrazione di:
Three Times a Lady
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3?:??
4I'd Like to Teach the World To
registrazione di:
I’d Like to Teach the World to Sing
autore:
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis e Roger Greenaway
editore:
PolyGram Music Publishing
versione di:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3?:??
5You Make Me Feel Brand New
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
registrazione di:
You Make Me Feel Brand New
autore:
Thom Bell (keyboards, songwriter, producer) e Linda Creed
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics3.5?:??
6Get Down
registrazione di:
Get Down
paroliere e compositore:
James Allen Thompson, Jr. (songwriter)
Gene Chandler?:??
7Don't Leave Me This Way
produttore:
Hal Davis
voce:
Thelma Houston (nel 1976)
arrangiatore:
Art Wright (guitar)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1976)
edit di:
Don’t Leave Me This Way di Thelma Houston
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 355) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 432)
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.4?:??
8I Will Survive
produttore:
Dino Fekaris
produttore associato:
Freddie Perren
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978) e Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979)
edit di:
I Will Survive (12″ single version) di Gloria Gaynor
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 251) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 489)
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.95?:??
9Ladies Night
produttore:
Eumir Deodato e Kool & the Gang
registrazione di:
Ladies’ Night
autore:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens e Claydes Smith
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.15?:??
10Heart on My Sleeve
assistente tecnico:
Jon Kelly (engineer at Air London Studios)
tecnico:
Geoff Emerick (British recording engineer)
produttore:
David Kershenbaum
voce aggiuntiva:
Andy Fairweather‐Low
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1976)
registrazione di:
Heart on My Sleeve
autore:
Benny Gallagher e Graham Lyle
editore:
Concord Songs Ltd., Goodsingle Ltd. (publisher), Rondor Music (London) Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) e Concord Music Publishing Sàrl
Gallagher & Lyle?:??
11You Ain't Seen Nothing Yet
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.5?:??
12Bad Girls
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
voce:
Donna Summer (soul/disco diva)
remixer:
Dj Iraí Campos
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), UMG Recordings Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2003, nel 2013) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2003)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 2)
registrazione di:
Bad Girls
autore:
Donna Summer (soul/disco diva), Joe Esposito, Eddie Hokenson e Bruce Sudano
editore:
Earborne Music, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Donna Summer4.75?:??
13I Was Made for Dancing
produttore:
Michael Lloyd (US guitarist/singer producer)
arrangiatore:
John D’Andrea
diritti fonografici (℗) detenuti da:
All American Music Group (nel 1978) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
è stato produttore per:
Mike Curb Productions Inc.
registrazione di:
I Was Made for Dancin’
paroliere e compositore:
Michael Lloyd (US guitarist/singer producer)
editore:
BMG Songs, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Michael's Music (publisher) (nel 1978) e Scot Music (publisher) (nel 1978)
Leif Garrett?:??
3▼CD
#TitoloArtistaValutazioneDurata
1Love Will Keep Us Together
Captain & Tennille?:??
2I Want You Back
produttore:
The Corporation (Motown songwriters)
batteria :
Gene Pello e Johnny Jackson (drummer for Jackson 5) (nel 1969-07)
chitarra :
Donald Peake, David T. Walker e Tito Jackson (nel 1969-07)
chitarra [lead guitar] :
Louis Shelton (nel 1969-07)
chitarra basso :
Wilton Felder (nel 1969-07)
percussione :
Sandra Crouch e Marlon Jackson (nel 1969-07)
pianoforte :
Fonce Mizell, Freddie Perren, Joe Sample e Ronnie Rancifer (nel 1969-07)
tastiera :
Clarence McDonald e Ronnie Rancifer (nel 1969-07)
voce:
Jackie Jackson (member of the Jackson 5) (nel 1969-07)
voce di accompagnamento:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (nel 1969-07), Marlon Jackson (nel 1969-07) e Tito Jackson (nel 1969-07)
voce principale:
Michael Jackson (“King of Pop”) (nel 1969-07)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
The Sound Factory West in West Hollywood, California, Stati Uniti (nel 1969-07, dal 1969-07 al 1969-09)
video musicali:
I Want You Back di The Jackson 5 (The Jacksons, formerly “The Jackson 5”)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 23), Billboard Year-End Hot 100 singles of 1970 (numero: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 104) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 120)
registrazione di:
I Want You Back (nel 1969-07)
paroliere e compositore:
The Corporation (Motown songwriters)
editore:
EMI April Music Inc. e Jobete Music Co., Inc.
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
MJ: The Musical
Jackson 54.15?:??
3Hot Stuff
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979)
registrazione di:
Hot Stuff
autore:
Pete Bellotte (English lyricist and producer), Harold Faltermeyer e Keith Forsey (drummer, producer and songwriter)
editore:
Warner Chappell, WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Donna Summer3?:??
4The More I See You
registrazione cover di:
The More I See You
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) e Warner/Chappell Music International Ltd.
versione tradotta di:
The More I See You (Valli’s version with french lyrics)
Peter Allen?:??
5Stuff Like That
registrazione di:
Stuff Like That
paroliere e compositore:
Nickolas Ashford, Steve Gadd (drummer), Eric Gale, Quincy Jones, Ralph MacDonald, Valerie Simpson e Richard Tee
Quincy Jones4?:??
6Fooled Around and Fell in Love
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1975)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 22) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 32)
registrazione di:
Fooled Around and Fell in Love
paroliere e compositore:
Elvin Bishop
Elvin Bishop3.65?:??
7So Into You
registrazione di:
So in to You
autore:
Buddy Buie, Dean Daughtry e Robert Nix (drummer)
editore:
Low-Sal, Inc.
Atlanta Rhythm Section?:??
8Hang on in There Baby
registrazione di:
Hang on in There Baby
paroliere e compositore:
Johnny W. Bristol
editore:
Bushka Music (publishing) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Johnny Bristol?:??
9You Wear It Well
produttore:
Rod Stewart
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1972)
registrazione di:
You Wear It Well
autore:
Martin Quittenton (guitarist for Steamhammer) e Rod Stewart
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), G.H. Music Ltd, Three Bridges Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Windswept Pacific Music Ltd. (publishing company)
Rod Stewart4.5?:??
10We’re All Alone
produttore:
David Anderle
diritti fonografici (℗) detenuti da:
A&M Records (nel 1977) e A&M Records, Inc. (Los Angeles) (nel 1977)
registrazione cover di:
We’re All Alone
paroliere e compositore:
Boz Scaggs
editore:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) e Boz Scaggs Music (publisher) (dal 1975 a oggi)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Rita Coolidge4?:??
11Shadow Dancing
Andy Gibb?:??
12Whatever You Want
registrazione di:
Whatever You Want
scritta a:
Jersey
autore:
Andy Bown e Rick Parfitt (UK guitarist for Status Quo)
editore:
Birchwood Music Ltd., Eaton Music Limited, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton e Shawbury Music Ltd. (publisher)
Status Quo?:??
13You Are Everything
registrazione cover di:
You Are Everything
autore:
Linda Creed e Thom Bell (keyboards, songwriter, producer)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Diana Ross & Marvin Gaye?:??
4▼Supporto
#TitoloArtistaValutazioneDurata
1The Hustle
registrazione di:
The Hustle
paroliere e compositore:
Van McCoy
editore:
Van McCoy Music, Warner Bros. Music Co. Ltd. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Van McCoy3:38
2Pearl's a Singer
registrazione cover di:
Pearl’s a Singer
autore:
Ralph Dino, Jerry Leiber, John Sembello e Mike Stoller
editore:
Sony/ATV Songs LLC
Elkie Brooks43:35
3Get Up (I Feel Like Being a) Sex Machine
produttore:
James Brown (The Godfather of Soul)
batteria :
John Starks
chitarra :
Catfish Collins
chitarra basso :
Bootsy Collins (US funk musician & songwriter)
organo :
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
pianoforte :
James Brown (The Godfather of Soul)
sassofono tenore :
Robert McCollough
tromba :
Clayton Gunnells e Darryl Hassan Jamison
voce:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group)
voce principale:
James Brown (The Godfather of Soul) (il 1970-04-25)
esecutore:
The J.B.’s
diritti fonografici (℗) detenuti da:
Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1970)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 196) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 326)
registrazione di:
Get Up (I Feel Like Being Like a) Sex Machine (il 1970-04-25)
autore:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) e Ron Lenhoff
editore:
Dynatone Publishing Co. e Intersong Music Ltd.
James Brown45:17
4Rocket Man
tecnico:
Ken Scott (UK record producer & engineer)
produttore:
Gus Dudgeon
batteria :
Nigel Olsson
chitarra :
Davey Johnstone
chitarra basso :
Dee Murray
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
sintetizzatore :
David Hentschel
voce di accompagnamento:
Davey Johnstone, Dee Murray e Nigel Olsson
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1972)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 92), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 149) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 242)
registrazione di:
Rocket Man (I Think It’s Going to Be a Long, Long Time)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal–Songs of PolyGram International, Inc.
Elton John3.84:37
5Ben
produttore:
The Corporation (Motown songwriters)
voce principale:
Michael Jackson (“King of Pop”) (nel 1972)
arrangiatore:
The Corporation (Motown songwriters)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label)
registrazione di:
Ben (nel 1972)
paroliere:
Don Black (English lyricist)
compositore:
Walter Scharf
editore:
Jobette Music (nel 1972)
parte di:
The 45th Academy Award for Best Original Song (numero: 2)
Michael Jackson3.852:45
6Music
John Foster Black Dyke Mills Band5:53
7Maybe
Thom Pace2:36
8I Don't Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats44:17
9I'm Your Puppet
registrazione cover di:
I’m Your Puppet
autore:
Spooner Oldham e Dan Penn (songwriter, soul singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music Ltd. (1996–2019), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Australia Pty. Ltd.
Bobby Purify3:14
10War
esecutore:
Edwin Starr
registrazione cover di:
War (il 1970-05-15)
autore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
Edwin Starr4.23:22
11Ain't No Mountain High Enough
registrazione cover di:
Ain’t No Mountain High Enough
autore:
Nickolas Ashford e Valerie Simpson
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) e Jobete Music Co., Inc.
sub-editore:
EMI Songs Australia Pty. Ltd. e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross3:40
12Disco Duck
Rick Dees & His Cast of Idiots3:15
13Can't Get Enough of Your Love Baby
diritti fonografici (℗) detenuti da:
PolyGram Records (nel 1974)
registrazione di:
Can’t Get Enough of Your Love Babe
paroliere e compositore:
Barry White
editore:
January Music Corp., Sa‐Vette Music Co., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White44:01
5▼CD
#TitoloArtistaValutazioneDurata
1Cool for Cats
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1979)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 81)
registrazione di:
Cool for Cats
paroliere:
Chris Difford
compositore:
Glenn Tilbrook
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Squeeze3.5?:??
2Montego Bay
Bobby Bloom?:??
3I Love the Nightlife
registrazione di:
I Love the Nightlife
autore:
Alicia Bridges e Susan Hutcheson
editore:
Lowery Music Co. Inc., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Alicia Bridges5?:??
4My Baby Loves Lovin’
White Plains?:??
5Love’s Theme
L.T.D.?:??
6Love Me
produttore:
Freddie Perren
registrazione di:
Love Me
autore:
Barry Gibb e Robin Gibb
editore:
Gibb Brothers Music
Yvonne Elliman?:??
7Oh Lori
Alessi Brothers?:??
8Saturday Night’s Alright for Fighting
tecnico:
David Hentschel
produttore:
Gus Dudgeon
batteria :
Nigel Olsson (nel 1973-05)
chitarra basso :
Dee Murray (nel 1973-05)
chitarra elettrica :
Davey Johnstone (nel 1973-05)
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer) (nel 1973-05)
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1973)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia (nel 1973-05)
registrazione di:
Saturday Night’s Alright for Fighting (nel 1973-05)
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Elton John3.75?:??
9Let’s Get It On
produttore:
Marvin Gaye e Ed Townsend
percussione :
Emil Richards
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (nel 1973) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1973)
remix di:
Let’s Get It On (album version) di Marvin Gaye
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 46)
registrazione di:
Let’s Get It On
autore:
Marvin Gaye e Ed Townsend
editore:
Cherritown Music Co., Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd e Stone Diamond Music Corporation
Marvin Gaye3.5?:??
10The Tears of a Clown
chitarra :
Marvin Tarplin (il 1966-09-26)
strumenti:
The Funk Brothers (il 1966-09-26)
voce di accompagnamento:
Warren “Pete” Moore (il 1966-09-26), Claudette Robinson (il 1966-09-26), Bobby Rogers (il 1966-09-26) e Ronald White (soul singer, founding member of The Miracles) (il 1966-09-26)
voce principale:
Smokey Robinson (il 1966-09-26)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1967) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1970)
registrata presso:
Hitsville (Motown recording and mastering studios in Detroit, Michigan) in Detroit, Michigan, Stati Uniti (il 1966-09-26)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 190) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 313)
registrazione di:
The Tears of a Clown (il 1966-09-26)
paroliere:
Smokey Robinson
compositore:
Henry Cosby, Smokey Robinson e Stevie Wonder
editore:
Black Bull Music, Inc., Jobete Music Ltd e Jobette Music (UK) Ltd.
Smokey Robinson and the Miracles3.9?:??
11Don’t Let Me Be Misunderstood
diritti fonografici (℗) detenuti da:
Casablanca (label that Tommy Mottola founded circa 2003, part of UMG) (nel 1977)
registrazione cover di:
Don’t Let Me Be Misunderstood
autore:
Bennie Benjamin, Gloria Caldwell, Sol Marcus e Horace Ott
editore:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) e Unichappell Music, Inc. (nel 1981)
Santa Esmeralda?:??
12You Are the Sunshine of My Life
programmazione degli strumenti e produttore associato:
Malcolm Cecil e Robert Margouleff
tecnico:
Malcolm Cecil e Robert Margouleff
produttore:
Stevie Wonder
chitarra basso :
Scott Edwards (bassist) (nel 1972)
congas :
Daniel Ben Zebulon (nel 1972)
voce di accompagnamento:
Gloria Barley (nel 1972), Jim Gilstrap (nel 1972) e Lani Groves (nel 1972)
voce principale:
Stevie Wonder (nel 1972)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 83), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 183) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 281)
registrazione di:
You Are the Sunshine of My Life (nel 1972)
paroliere e compositore:
Stevie Wonder
editore:
Black Bull Music, Inc., Jobete Music Co., Inc. (nel 1972) e Stein & Van Stock, Inc. (nel 1972)
parte di:
The Real Book (compilation of jazz standards, volume I)
Stevie Wonder4.2?:??
13Funky Town
Lipps, Inc.?:??

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