Massive Hits: Eighties

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1Venus
partecipazioni in video:
Andreas Wisniewski
regista video:
Peter Care
video musicale per:
Venus (album version) di Bananarama
registrazione cover di:
Venus (Shocking Blue (I’m Your Venus))
paroliere e compositore:
Robbie van Leeuwen
editore:
ATV Music Ltd., Dayglow Music (publisher) e The International Music Network
si basa su:
The Banjo Song
Bananarama3:49
2Take On Me
programmazione degli strumenti:
Magne Furuholmen
produttore:
Alan Tarney
tecnico di missaggio:
a‐ha (Norwegian synth‐pop band) e John Ratcliff
chitarra e drum machine :
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
tastiera :
Magne Furuholmen
voce di accompagnamento:
Magne Furuholmen e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
voce principale:
Morten Harket
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1985) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1985, nel 2004)
video musicali:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) di a‐ha (Norwegian synth‐pop band) e Take On Me (official music video, 1985 Steve Barron version) di a‐ha (Norwegian synth‐pop band)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 26), The Downloader’s Music Source Book (numero: 284) e BILLIONS CLUB
registrazione di:
Take On Me
autore:
Magne Furuholmen, Morten Harket e Paul Waaktaar-Savoy (guitarist, songwriter and singer)
editore:
ATV Music Ltd. e EMI Music Publishing (do not use as a release label!)
versione di:
Miss Eerie
a‐ha4.253:37
3Talk Talk
tecnico di registrazione e produttore:
Colin Thurston
tecnico di missaggio:
Mike Robinson (engineer)
batteria :
Lee Harris (drummer, member of Talk Talk and .O.Rang)
chitarra basso :
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
tastiera :
Simon Brenner (UK musician, member of Talk Talk)
voce principale:
Mark Hollis
registrazione di:
Talk Talk (Talk Talk)
paroliere e compositore:
Ed Hollis (British songwriter and producer) e Mark Hollis
Talk Talk33:20
4Vienna
registrazione di:
Vienna
autore:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie e Midge Ure
editore:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox4:57
5Hungry Like the Wolf
tecnico e produttore:
Colin Thurston
diritti fonografici (℗) detenuti da:
Tritec Music Ltd. (publisher and copyrights holder) (dal 1982 a oggi) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2009)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 3) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 196)
registrazione di:
Hungry Like the Wolf
autore:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) e Roger Taylor (Duran Duran drummer)
editore:
EMI Songs, EMI Songs Australia Pty. Ltd. e Tritec Music Ltd. (publisher and copyrights holder)
adattamenti:
Hungry Like a Pig
Duran Duran4.153:40
6True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1983) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Native Tongue Music Publishing, Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:31
7If You Don’t Know Me by Now
assistente tecnico:
Clark Germain e Karl Lever
tecnico e tecnico di missaggio:
Daren Klein (American sound/mixing engineer)
produttore:
Stewart Levine (record producer and saxophonist)
produttore aggiunto:
Mick Hucknall (lead singer of Simply Red)
basso :
Tony Bowers
batteria :
Chris Joyce (drummer for Simply Red)
chitarra :
Heitor T. P.
percussione :
Lennie Castro
sassofono :
Ian Kirkham
tastiera :
Tim Kellett e Fritz McIntyre
tromba :
Tim Kellett
voce di accompagnamento:
Fritz McIntyre e Stephanie Spruell (American soul/disco singer, songwriter, and percussionist)
voce principale:
Mick Hucknall (lead singer of Simply Red)
esecutore:
Simply Red (English soul and pop band)
diritti fonografici (℗) detenuti da:
Eastwest Records (for copyrights, manufacturing, distributing use only!) (nel 1989), Warner Music UK Ltd. (not for release label use!) (nel 1989) e WEA Records Ltd. (holding company based in the UK) (nel 1989)
è stato produttore per:
Oliverea Productions Ltd
registrazione cover di:
If You Don’t Know Me by Now
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
registrazione di:
If You Don’t Know Me by Now
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Island Music Ltd., Mighty Three Music, Sony/ATV Music Publishing Australia Pty Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner/Chappell Music Australia Pty. Ltd.
Simply Red3.43:24
8Our Lips Are Sealed
produttore:
David Byrne (Talking Heads)
remixer:
Fun Boy Three e Jeremy Green
registrazione cover di:
Our Lips Are Sealed
paroliere e compositore:
Terry Hall e Jane Wiedlin
editore:
BMG Music Pty Ltd, Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music, Matthews Music Pty. Ltd. e Plangent Visions Music
Fun Boy Three3.22:52
9Somewhere in My Heart
produttore:
Michael Jonzun
registrazione di:
Somewhere in My Heart
paroliere e compositore:
Roddy Frame
editore:
Complete Music Ltd.
Aztec Camera3.653:55
10Love Changes (Everything)
tecnico:
Mike Ging e Bob Kraushaar
produttore:
Stephen Hague
chitarra :
Neil Taylor (guitarist)
percussione aggiunto:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
tastiera :
Rob Fisher (UK keyboardist, in Naked Eyes)
voce:
Simon Climie
voce di accompagnamento:
Coral Gordon e Soultanas
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987)
registrazione di:
Love Changes (Everything)
autore:
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) e Dennis Morgan (US songwriter)
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:27
11Living on the Ceiling
produttore:
Mike Howlett
sitar :
Deepak
tabla :
Dinesh
remixer:
John Williams (English A&R executive, producer, songwriter...) e Dennis Weinreich
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1982)
registrazione di:
Living on the Ceiling
autore:
Neil Arthur (singer, songwriter, producer) e Stephen Luscombe
editore:
Complete Music Ltd.
Blancmange54:00
12Blow the House Down
produttore:
Dan Hartman e Tom Lord‐Alge
tecnico di missaggio:
Tom Lord‐Alge
registrazione di:
Blow the House Down
autore:
Albert Hammond e Marcus Vere
Living in a Box24:17
13French Kissin’ in the USA
produttore:
Seth Justman
tecnico di missaggio:
Bill Scheniman
arrangiatore:
Seth Justman
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1986) e Chrysalis Records, Inc. (not for release label use!) (nel 1986)
è stato produttore per:
Rag Top Music (BMI)
registrazione di:
French Kissin’ in the USA
paroliere e compositore:
Chuck Lorre (US TV director, writer, producer & composer)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Home Grown Music (formerly Home Grown Music Network), Home Grown Music, Inc. (work publisher) e Theodello Profunct Publishers
Debbie Harry3.55:10
14Things Can Only Get Better
tecnico di registrazione e tecnico di missaggio:
Stephen W. Tayler (UK engineer)
programmazione:
Howard Jones (English singer, songwriter)
produttore:
Rupert Hine
ottoni :
The TKO Horns
strumenti:
Howard Jones (English singer, songwriter)
voce di accompagnamento:
Claudia Fontaine (vocals, background vocals), Naomi Thompson e Caron Wheeler (English singer, songwriter, and record producer)
voce principale:
Howard Jones (English singer, songwriter)
registrata presso e mixata presso:
Farmyard Studios in Amersham, Buckinghamshire, England, Regno Unito
registrazione di:
Things Can Only Get Better
paroliere e compositore:
Howard Jones (English singer, songwriter)
editore:
Howard Jones Music Ltd.
Howard Jones53:55
15All Right
tecnico di registrazione e tecnico di missaggio:
Chet Himes
assistente tecnico:
Stuart Gitlin e Margaret Gwynne (engineer)
tecnico aggiunto:
John Guess, Lee Herschberg, Mark Linett e Richard Mullen
assistente produttore:
Rob Meurer e Michael Ostin
produttore:
Michael Omartian
chitarra solista :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
voce aggiuntiva:
Michael McDonald (R&B & soul singer)
voce principale:
Christopher Cross (US singer‐songwriter)
direttore d'orchestra:
Michael Omartian
arrangiatore archi :
Michael Omartian
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
primo violino:
Assa Drori
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1983) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1983)
è stato produttore per:
Free Flow Productions
registrata presso:
Pop ’n’ Roll Studios in Santa Monica, California, Stati Uniti, Studio South in Austin, Texas, Stati Uniti, The Aspen Studios in Aspen, Colorado, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
All Right
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
Pop ’n’ Roll Music (US work publisher), Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross54:14
16I’m Not the Man I Used to Be
tecnico:
Robin Goodfellow e Richard Manwaring (Producer)
produttore:
Andy Cox (of The Beat), Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
basso, drum machine e tastiera :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, chitarra e tamburello :
Andy Cox (of The Beat)
voce:
Roland Gift
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) e London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (nel 1988)
campionamenti:
Funky Drummer (remix) di James Brown (The Godfather of Soul)
registrazione di:
I’m Not the Man I Used to Be
autore:
Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
editore:
Virgin Music (Pubs) Ltd.
Fine Young Cannibals34:19
17No Regrets
registrazione cover di:
No Regrets
paroliere e compositore:
Tom Rush
editore:
BMG Bumblebee (BMI) (a BMI‐affiliated publishing entity of BMG Rights Management), Essex International, Tubbs Hill Music e Westminster Music Ltd.
Midge Ure34:02
2CD
#TitoloArtistaValutazioneDurata
1Respectable
produttore:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mark McGuire (UK producer/engineer) e Stock Aitken Waterman
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only) (nel 1987), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1987) e The Supreme Record Company Ltd. (nel 1987)
video musicali:
Respectable di Mel & Kim (Appleby sisters)
registrazione di:
Respectable
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music, All Boys Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Musik GmbH, Matt Aitken Publishing, MCA Gilbey, Mike Stock Publishing Limited, Mushroom Music (Mushroom label’s publishing company), Sony/ATV Music Publishing (UK) Ltd. e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Mel & Kim2.53:21
2Hallelujah (MacColl mix)
tecnico:
Laurence Diana
voce:
Kirsty MacColl
voce di accompagnamento:
Kirsty MacColl
remixer:
Steve Lillywhite
registrazione di:
Hallelujah
compositore:
Paul Davis (UK keyboardist for Happy Mondays), Mark Day (from Happy Mondays), Paul Ryder, Shaun Ryder e Gary Whelan
editore:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
Happy Mondays42:38
3Fine Time
editor:
Michael Johnson (UK recording engineer and producer) e New Order (UK synth pop band)
registrazione di:
Fine Time
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
New Order3:08
4I Feel Love
Bronski Beat6:01
5Dancin’ in the Key of LifeSteve Arrington4:54
6Candy Girl
co-produttore:
Arthur Baker (American record producer and DJ) e Michael Jonzun
percussione :
Bashiri Johnson
diritti fonografici (℗) detenuti da:
London Records Ltd. (not release label) (nel 1983), Streetwise Records (company credits for Streetwise ('80s US R&B/disco); do NOT use as release label) (nel 1983) e Warlock Records (nel 2003)
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 77) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 350)
registrazione di:
Candy Girl
compositore:
Michael Jonzun e Maurice Starr
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs Australia Pty. Ltd. e Universal‐MCA Music Publishing (US)
New Edition43:55
7Hooked on You
Sweet Sensation5:08
8RespectAdeva2.354:00
9What Do I Do?
registrazione di:
What Do I Do
paroliere e compositore:
Phil Fearon
Phil Fearon & Galaxy53:28
10Jump to the BeatStacy Lattisaw3:26
11Pink Sunshine
Fuzzbox53:44
12What’s the Colour of Money?
diritti fonografici (℗) detenuti da:
WEA Records Ltd. (holding company based in the UK) (nel 1986)
registrazione di:
What's the Colour of Money?
autore:
Mark Rogers (Hollywood Beyond) e Jamie B. Rose
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Hollywood Beyond43:24
13Gloria
tecnico di registrazione:
Jürgen Koppers (engineer, producer) (dal 1981 al 1982) e John Kovarek (dal 1981 al 1982)
produttore:
Greg Mathieson e Jack White (German producer Horst Nußbaum)
tecnico di missaggio:
Jürgen Koppers (engineer, producer)
voce principale:
Laura Branigan (dal 1981 al 1982)
arrangiatore:
Greg Mathieson
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1982)
registrata presso:
Rusk Sound Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1981 al 1982)
video musicali:
Gloria (music video) di Laura Branigan
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 448)
registrazione di:
Gloria (English version) (dal 1981 al 1982)
paroliere e compositore:
Giancarlo Bigazzi, Umberto Tozzi e Trevor Veitch
editore:
Ed. Melodi s.r.l. Casa Editrice, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), S.I.A.E. Direzione Generale, Songs of Universal, Inc. (BMI) e Sugar Song Publications, Inc.
versione tradotta di:
Gloria (original Italian version)
Laura Branigan54:49
14Best Years of Our Lives
registrazione di:
Best Years of Our Lives
paroliere aggiunto:
Rick Carey e Marvin Prosper
autore:
Geoff Deane e David Jaymes
editore:
Business Art Prod Ltd, Chrysalis Music Ltd. (music publisher, affiliated with PRS), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Modern Romance2:34
15The Harder I TryBrother Beyond13:28
16Round and Around
registrazione di:
Round and Around
autore:
Derek Bramble
Jaki Graham4:19
17It Started With a Kiss
produttore:
Mickie Most (English record producer)
voce principale:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (nel 1982)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2011)
video musicali:
It Started With a Kiss di Hot Chocolate (70s and 80s British soul band)
registrazione di:
It Started With a Kiss (nel 1982)
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate34:02
3CD
#TitoloArtistaValutazioneDurata
1Let’s Dance
tecnico:
Justin Shirley‐Smith
produttore:
Jon Kelly (engineer at Air London Studios) e Chris Rea
registrazione di:
Let’s Dance
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea34:15
2Come On, Let’s Go
produttore:
Steve Berlin
esecutore:
Los Lobos (Chicano rock band)
diritti fonografici (℗) detenuti da:
FFRR Records Ltd. (company name, NOT a label!) (nel 1987)
registrazione cover di:
Come On, Let’s Go
paroliere e compositore:
Ritchie Valens
editore:
Tro-Essex Music Ltd.
Los Lobos22:00
3Veronica
registrazione di:
Veronica
autore:
Declan Patrick MacManus e Paul McCartney (The Beatles)
Elvis Costello3:07
4Back on the Chain Gang
tecnico:
Steve Churchyard
produttore:
Chris Thomas (UK record producer / remixer)
batteria :
Martin Chambers (drummer for The Pretenders)
chitarra :
Billy Bremner e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
chitarra basso :
Tony Butler (English rock bassist with Big Country)
voce di accompagnamento:
Tony Butler (English rock bassist with Big Country), Martin Chambers (drummer for The Pretenders) e Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
voce principale:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1982) e WEA Records Ltd. (holding company based in the UK) (nel 1982)
registrata presso:
Air Studios (located at Oxford Street 1970–1991) in London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 486)
registrazione di:
Back on the Chain Gang
paroliere e compositore:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
dedicata a:
James Honeyman‐Scott
editore:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Pretenders4.53:48
5Chequered Love
tecnico:
Steve Stewart (engineer, guitarist of The Enid)
produttore:
Ricky Wilde
batteria :
Chris North (UK drummer of The Enid) (dal 1980 al 1981)
chitarra :
Francis Lickerish (dal 1980 al 1981), Steve Stewart (engineer, guitarist of The Enid) (dal 1980 al 1981), James Stevenson (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
chitarra basso :
Martin Russell (recording engineer, producer, composer & musician) (dal 1980 al 1981)
tastiera :
Robert John Godfrey (member of The Enid) (dal 1980 al 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (dal 1980 al 1981) e Ricky Wilde (dal 1980 al 1981)
voce di accompagnamento:
Ricky Wilde (dal 1980 al 1981)
voce principale:
Kim Wilde (dal 1980 al 1981)
diritti fonografici (℗) detenuti da:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (nel 1993), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1996, nel 2001) e EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrata presso:
The Lodge Recording Studio in Northampton, Northamptonshire, England, Regno Unito (dal 1980 al 1981)
mixata presso:
RAK Studios in London (Greater London), England, Regno Unito
registrazione di:
Chequered Love (dal 1980 al 1981)
autore:
Marty Wilde e Ricky Wilde
Kim Wilde53:21
6You’re HistoryShakespears Sister4:26
7Fisherman’s Blues
tecnico di registrazione:
Pearse Dunne, John Grimes (Recording engineer) e Pat McCarthy
produttore:
Mike Scott (The Waterboys)
tecnico di missaggio:
Phil Tennant
batteria :
Peter McKinney (il 1986-01-23)
chitarra :
Mike Scott (The Waterboys) (il 1986-01-23)
chitarra basso [bass] :
Trevor Hutchinson (il 1986-01-23)
mandolino :
Anthony Thistlethwaite (il 1986-01-23)
violino folk :
Steve Wickham (il 1986-01-23)
voce:
Mike Scott (The Waterboys) (il 1986-01-23)
registrata presso:
Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda (il 1986-01-23)
mixata presso:
RAK Studios in London (Greater London), England, Regno Unito, Rockfield Studios in Monmouth, Monmouthshire, Wales, Regno Unito e Windmill Lane Studios (original location, until 1990) in Dublin, County Dublin, Leinster, Irlanda
registrazione di:
Fisherman’s Blues (il 1986-01-23)
autore:
Mike Scott (The Waterboys) e Steve Wickham
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
versione tradotta di:
Blues del pescador
The Waterboys3.854:23
8Twist and Shout
registrazione cover di:
Twist and Shout
autore:
Bert Russell (nel 1961-02) e Phil Medley (nel 1961-02)
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. e Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
David Lindley2:43
9When You Walk in the Room
produttore:
Christopher Neil
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH (nel 1987) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1987)
registrazione cover di:
When You Walk in the Room
paroliere e compositore:
Jackie DeShannon
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (nel 1987) e United Partnership Ltd. (nel 1987)
Paul Carrack2.653:31
10Loving You Is Sweeter Than EverNick Kamen23:46
11Broken Land
tecnico:
Rafe McKenna
parte di:
The Downloader’s Music Source Book (numero: 214)
registrazione di:
Broken Land
paroliere e compositore:
Pat Gribben
The Adventures54:58
12Give Me Back My Heart
registrazione di:
Give Me Back My Heart
paroliere e compositore:
Simon Darlow (songwriter, keyboardist & guitarist) e Trevor Horn
editore:
Island Music Ltd. (nel 1982) e Perfect Songs (UK publisher, affiliated with BMI) (nel 1982)
Dollar4:59
13Lost in Your Eyes
tecnico di registrazione:
Phil Castellano (brother of John, uncle of Richie) e Don Feinberg
programmazione degli strumenti:
Fred Zarr
tecnico:
Bill Esses, Jim Goatley e Matt Malles
produttore:
Debbie Gibson
tecnico di missaggio:
Debbie Gibson, Bob Rosa e Tom Vercillo
chitarra elettrica :
Tommy Williams (former Debbie Gibson musical director)
percussione :
Bashiri Johnson
pianoforte e voce di accompagnamento:
Debbie Gibson
tastiera :
Fred Zarr
arrangiatore:
Debbie Gibson e Fred Zarr
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1989) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1989)
registrazione di:
Lost in Your Eyes
paroliere e compositore:
Debbie Gibson
editore:
Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:32
14Thinking of You
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 50)
registrazione di:
Thinking of You
autore:
Terry Hall e Toby Lyons
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
The Colour Field33:28
15Could It Be I’m Falling in Love
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1985)
video musicali:
Could It Be I’m Falling in Love di David Grant (pop singer) & Jaki Graham
registrazione cover di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
registrazione di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
David Grant & Jaki Graham4.354:19
16Twist in My Sobriety
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) e WEA Records Ltd. (holding company based in the UK) (nel 1988)
registrazione di:
Twist in My Sobriety (nel 1988)
paroliere e compositore:
Tanita Tikaram
editore:
Brogue Music, Warner Basart (publisher) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tanita Tikaram4.454:50

Accreditamenti