Na Na Hey Hey 30 Great Sing‐Along Hits of the ’60s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Sunny
producer:
Jerry Ross (Philadelphia soul composer/producer)
recorded at:
Bell Sound Studios in New York, New York, United States (in 1966)
recording of:
Sunny (in 1966)
lyricist and composer:
Bobby Hebb
publisher:
MRC Music Corp., Portable Music Co., Inc., Unichappell Music and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Bobby Hebb42:43
2Stormy
recording of:
Stormy
writer:
Buddy Buie and J. R. Cobb
publisher:
Low‐Sal Music, Inc.
Classics IV2:47
3Sunday Will Never Be the Same
producer:
Jerry Ross Production (production)
recording of:
Sunday Will Never Be the Same
writer:
Terry Cashman and Eugene Pistilli
Spanky & Our Gang3:02
4The Look of Love
cover recording of:
The Look of Love (on 1967-01-29)
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
recording of:
The Look of Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Colgems Music Corp., Colgems-EMI Music Inc. and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
part of:
The 40th Academy Award for Best Original Song (number: 2)
Dusty Springfield53:35
5It’s Not Unusual
recording engineer:
Bill Price (UK producer/engineer)
producer:
Peter Sullivan (UK producer)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1965) and The Decca Record Company Limited (not a release label; for copyrights use only) (in 1965)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 393)
recording of:
It’s Not Unusual
writer:
Gordon Mills (60s/70s UK producer and songwriter) and Les Reed
publisher:
Leeds Music (ended), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) and Universal Duchess Music Corp. (in 1964)
Tom Jones4.52:01
6Hold Me, Thrill Me, Kiss Me
recording of:
Hold Me, Thrill Me, Kiss Me
lyricist and composer:
Harry Noble (in 1952)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated)
Mel Carter2:29
7This Magic Moment
cover recording of:
This Magic Moment
lyricist and composer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Unichappell Music, Inc.
recording of:
This Magic Moment
lyricist and composer:
Doc Pomus and Mort Shuman (US singer, pianist & songwriter)
publisher:
Unichappell Music, Inc.
Jay & the Americans2:59
8This Diamond Ring
cover recording of:
This Diamond Ring
lyricist:
Bob Brass (American songwriter, collaborated with Irwin Levine, and also Al Kooper) and Irwin Levine
composer:
Al Kooper
publisher:
Warner/Chappell Music Ltd. (1996–2019)
recording of:
This Diamond Ring
lyricist:
Bob Brass (American songwriter, collaborated with Irwin Levine, and also Al Kooper) and Irwin Levine
composer:
Al Kooper
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Gary Lewis & the Playboys2:15
9Double Shot (of My Baby’s Love)
cover recording of:
Double Shot (of My Baby’s Love)
lyricist and composer:
Don Smith (Songwriter) and Cyril Vetter (songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Swingin’ Medallions2:17
10Wooly Bully
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 24)
recording of:
Wooly Bully (in 1965)
lyricist and composer:
Domingo Samudio
publisher:
Beckie Publ. Co., Inc., Intersong GmbH (publisher; do NOT use as release label) and Melodie der Welt (publisher)
Sam the Sham & the Pharaohs3.752:21
11Wild Thing
producer:
Colin Frechter (British pianist, arranger, music director, producer, vocalist)
drums (drum set):
Ronnie Bond (The Troggs) (in 1966)
electric guitar:
Chris Britton (The Troggs) (in 1966)
ocarina and lead vocals:
Reg Presley (in 1966)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 257)
cover recording of:
Wild Thing (in 1966)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH and April Music (in 1981)
The Troggs4.42:37
12Surf City
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1963)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1963 (number: 32)
recording of:
Surf City
writer:
Jan Berry and Brian Wilson (Beach Boys co‐founder)
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jan & Dean32:32
13Little Bit o’ Soul
producer:
Jerry Kasenetz and Jeff Katz (music producer)
recording of:
Little Bit o’ Soul
lyricist and composer:
Carter-Lewis (British songwriter duo)
writer:
John Carter (songwriter & producer, b. 1942) (in 1964) and Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (in 1964)
The Music Explosion32:21
14Do You Love Me
recording of:
Do You Love Me
lyricist and composer:
Berry Gordy
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Contours2:54
15Na Na Hey Hey Kiss Him Goodbye
recording of:
Na Na Hey Hey Kiss Him Goodbye (in 1969)
writer:
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson and Graham Turner
publisher:
Warner Chappell North America and Warner/Chappell North America
part of:
Goodbye
Steam34:11
2▼CD
#TitleArtistRatingLength
1Dedicated to the One I Love
producer:
Lou Adler
phonographic copyright (℗) by:
Dunhill Records Inc. (in 1967)
produced for:
Dunhill Records USA
cover recording of:
Dedicated to the One I Love
writer:
Ralph Bass and Lowman Pauling
publisher:
Carlin Music Corporation, Duchess Music Corporation (BMI-affiliated), Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Mamas & the Papas4.22:59
2You Were on My Mind
recorded in:
San Francisco, California, United States (in 1965-04)
producer:
Frank Werber
bass:
Peter Fullerton (in 1965-04)
drums (drum set):
Jerry Granelli (in 1965-04)
guitar:
Jerry Burgan (in 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1965-04) and Michael Stewart (US producer/guitarist from California, 1945–2002) (in 1965-04)
background vocals:
Jerry Burgan (in 1965-04), Peter Fullerton (in 1965-04), Bob Jones (singer, drummer and arranger & US guitarist for We Five) (in 1965-04) and Michael Stewart (US producer/guitarist from California, 1945–2002) (in 1965-04)
lead vocals:
Beverly Bivens (in 1965-04)
cover recording of:
You Were on My Mind (in 1965-04)
lyricist and composer:
Sylvia Tyson
recording of:
You Were on My Mind
lyricist and composer:
Sylvia Tyson
We Five22:37
3Different Drum
engineer:
Peter Abbott (US recording engineer) and John Krause (1950s US engineer)
producer:
Nick Venet
acoustic guitar:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt), Bernie Leadon and Al Viola
bass:
Lyle Ritz
drums (drum set):
Jimmy Gordon (US drummer with Derek and the Dominos)
harpsichord:
Don Randi
performer:
Linda Ronstadt
cover recording of:
Different Drum
lyricist and composer:
Michael Nesmith
publisher:
EMI Music Publishing (do not use as a release label!) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Stone Poneys4.352:38
4Wouldn’t It Be Nice
engineer:
Larry Levine (on 1966-01-22) and Ralph Valentin (from 1966-03 until 1966-04)
producer:
Mark Linett and Brian Wilson (Beach Boys co‐founder)
mixer:
Mark Linett (in 1996)
accordion:
Carl Fortina (on 1966-01-22) and Frank Marocco (on 1966-01-22)
baritone saxophone:
Jay Migliori (on 1966-01-22)
bell, percussion and timpani:
Frank Capp (on 1966-01-22)
double bass:
Lyle Ritz (on 1966-01-22)
drums (drum set):
Hal Blaine (U.S. studio drummer and percussionist) (on 1966-01-22)
electric bass guitar:
Carol Kaye (on 1966-01-22)
electric bass guitar [Dano Bass]:
Ray Pohlman (on 1966-01-22)
guitar:
Jerry Cole (on 1966-01-22), Barney Kessel (on 1966-01-22) and Bill Pitman (on 1966-01-22)
piano:
Al De Lory (on 1966-01-22)
tack piano:
Larry Knechtel (on 1966-01-22)
tenor saxophone:
Steve Douglas (American saxophonist, flautist and clarinetist) (on 1966-01-22) and Plas Johnson (on 1966-01-22)
trumpet:
Roy Caton (trumpet player) (on 1966-01-22)
lead vocals:
Brian Wilson (Beach Boys co‐founder) (from 1966-03 until 1966-04)
arranger:
Brian Wilson (Beach Boys co‐founder)
recorded at:
Gold Star Studios in Hollywood, Los Angeles, California, United States (on 1966-01-22) and Columbia Studios (Hollywood, 1961–1972) in Hollywood, Los Angeles, California, United States (from 1966-03 until 1966-04)
mixed at:
Your Place or Mine Recording in Glendale, California, United States (in 1996)
remix of:
Wouldn’t It Be Nice (mono) by The Beach Boys (American rock band)
recording of:
Wouldn’t It Be Nice (from 1966-01-22 until 1966-04)
lyricist:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) and Brian Wilson (Beach Boys co‐founder)
composer:
Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.72:33
5One
cover recording of:
One
lyricist and composer:
Harry Nilsson (US singer-songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and Warner/Chappell Music Australia Pty. Ltd.
Three Dog Night4.753:05
6Goin’ Up the Country
producer:
Canned Heat and Skip Taylor
flute:
Jim Horn (saxophonist, hornist, flutist and oboist) (from 1968-08-06 until 1968-08-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1968) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2005)
recorded at:
I.D. Sound in Los Angeles, California, United States (from 1968-08-06 until 1968-08-07)
recording of:
Going Up the Country (from 1968-08-06 until 1968-08-07)
lyricist, writer and composer:
Alan Wilson (Canned Heat member)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Unart Catalog Inc., Metric Music Co (publisher), SBK United Partnership Ltd. and United Artists Music Ltd.
version of:
Bull Doze Blues
Canned Heat32:52
7The Mighty Quinn
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1967)
cover recording of:
Quinn the Eskimo (The Mighty Quinn) (in 1967)
lyricist and composer:
Bob Dylan (in 1967)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), Neue Welt Musikverlag GmbH (2017 – present), Sony Music Holding and Dwarf Music (in 1968)
Manfred Mann4.52:51
8Nobody but Me
producer:
Alexis de Azevedo (Lex DeAzevedo)
cover recording of:
Nobody but Me
writer:
O’Kelly Isley (in 1963), Ronald Isley (a.k.a. Mr. Biggs) (in 1963) and Rudolph Isley (in 1963)
publisher:
Full Keel Music Co. (Publishing company - affiliated to ASCAP)
sub-publisher:
EMI Music Publishing France
The Human Beinz52:20
9Reach Out of the Darkness
Friend & Lover3:10
10Incense and Peppermints
producer:
Frank Slay
recording of:
Incense and Peppermints
additional writer:
Ed King (US guitarist, bassist & songwriter) and Mark Weitz (keyboardist)
writer:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) and Tim Gilbert
publisher:
MCA Music Ltd.
Strawberry Alarm Clock4.52:48
11Hair
live recording of:
Hair (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
The Cowsills33:31
12The Weight
engineer:
Don Hahn (engineer) and Tony May (engineer)
producer:
The Band (Canadian-American rock band) and John Simon (US producer, arranger, composer, songwriter and musician)
acoustic guitar:
Robbie Robertson (on 1968-01-12)
bass guitar:
Rick Danko (on 1968-01-12)
drums (drum set):
Levon Helm (on 1968-01-12)
piano:
Garth Hudson (on 1968-01-12)
background vocals:
Rick Danko (on 1968-01-12), Levon Helm (on 1968-01-12) and Richard Manuel (on 1968-01-12)
lead vocals:
Rick Danko (on 1968-01-12) and Levon Helm (on 1968-01-12)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1968, in 2005)
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1968-01-12)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 6), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 41), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 58), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 80) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
The Weight (on 1968-01-12)
lyricist and composer:
Robbie Robertson
publisher:
Dwarf Music, Sony/ATV Music Publishing Australia Pty Ltd. and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Band4.154:36
13Games People Play
vocals:
Joe South (in 1968)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1969)
recording of:
Games People Play (in 1968)
lyricist and composer:
Joe South
publisher:
Bike Music
sub-publisher:
Sweden Music (publisher, founded in 1960) (in 1988)
Joe South33:30
14What the World Needs Now is Love
recording of:
What the World Needs Now Is Love
lyricist:
Hal David
composer:
Burt Bacharach
publisher:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use! see annotation) (in 1965), Songs of Fujimusic (in 1965, in 1993) and BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1993)
Jackie DeShannon3.63:07
15Abraham, Martin and John
producer:
Phil Gernhard (songwriter and producer)
arranger:
John Abbott (American arranger)
cover recording of:
Abraham, Martin and John
lyricist and arranger:
Dick Holler
composer:
Dick Holler (in 1968)
publisher:
Regent Music (BMI) and TJ Musicservice GmbH
Dion43:21