A Giant Among the Giants: The Best LPs 1950 to 1961

~ Release by Duke Ellington (see all versions of this release, 1 available)

Tracklist

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1▼CD: Duke Ellington & Billy Strayhorn: Great Times / Ellington Uptown
#TitleArtistRatingLength
1Cottontail
double bass:
Wendell Marshall (in 1950-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1950-11) and Billy Strayhorn (in 1950-11)
recording of:
Cotton Tail (in 1950-11)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & Billy Strayhorn2:55
2C Jam Blues
double bass:
Wendell Marshall (in 1950-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1950-11) and Billy Strayhorn (in 1950-11)
recording of:
“C” Jam Blues (in 1950-11)
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
Duke Ellington & Billy Strayhorn2:59
3Flamingo
double bass:
Wendell Marshall (in 1950-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1950-11) and Billy Strayhorn (in 1950-11)
recording of:
Flamingo (in 1950-11)
lyricist:
Edmund Anderson
composer:
Ted Grouya
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) and Grouya Publishing Int.
Duke Ellington & Billy Strayhorn3:00
4Bang-Up Blues
double bass:
Wendell Marshall (in 1950-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1950-11) and Billy Strayhorn (in 1950-11)
Duke Ellington & Billy Strayhorn3:08
5Tonk
double bass:
Joe Shulman (on 1950-10-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1950-10-03) and Billy Strayhorn (on 1950-10-03)
recording of:
Tonk (on 1950-10-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington & Billy Strayhorn3:00
6Johnny Come Lately
double bass:
Joe Shulman (on 1950-10-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1950-10-03) and Billy Strayhorn (on 1950-10-03)
Duke Ellington & Billy Strayhorn3:01
7In a Blue Summer Garden
double bass:
Joe Shulman (on 1950-10-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1950-10-03) and Billy Strayhorn (on 1950-10-03)
Duke Ellington & Billy Strayhorn4:06
8Great Times
double bass:
Joe Shulman (on 1950-10-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1950-10-03) and Billy Strayhorn (on 1950-10-03)
Duke Ellington & Billy Strayhorn2:56
9Perdido
cello:
Oscar Pettiford (on 1950-09-13)
double bass:
Lloyd Trotman (US jazz bassist) (on 1950-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1950-09-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1950-09-13)
recording of:
Perdido (original instrumental version) (on 1950-09-13)
composer:
Juan Tizol
Duke Ellington & Billy Strayhorn2:57
10Take the "A" Train
celesta:
Billy Strayhorn (on 1950-09-13)
cello:
Oscar Pettiford (on 1950-09-13)
double bass:
Lloyd Trotman (US jazz bassist) (on 1950-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1950-09-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1950-09-13)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1950-09-13)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington & Billy Strayhorn2:21
11Oscalypso
celesta:
Billy Strayhorn (on 1950-09-13)
cello:
Oscar Pettiford (on 1950-09-13)
double bass:
Lloyd Trotman (US jazz bassist) (on 1950-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1950-09-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1950-09-13)
recording of:
Oscalypso (on 1950-09-13)
composer:
Oscar Pettiford
Duke Ellington & Billy Strayhorn2:44
12Blues for Blanton
cello:
Oscar Pettiford (on 1950-09-13)
double bass:
Lloyd Trotman (US jazz bassist) (on 1950-09-13)
drums (drum set):
Jo Jones (US jazz drummer) (on 1950-09-13)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1950-09-13)
Duke Ellington & Billy Strayhorn2:40
13Skin Deep
recording engineer:
Bert Porter (on 1952-02-29)
producer:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1952-02-29) and Mercer Ellington (on 1952-02-29)
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1952-02-29)
alto saxophone and clarinet:
Russell Procope (on 1952-02-29)
baritone saxophone and bass clarinet:
Harry Carney (on 1952-02-29)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1952-02-29)
double bass:
Wendell Marshall (on 1952-02-29)
drums (drum set):
Louie Bellson (on 1952-02-29)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1952-02-29) and Billy Strayhorn (on 1952-02-29)
tenor saxophone:
Paul Gonsalves (on 1952-02-29)
trombone:
Quentin Jackson (on 1952-02-29) and Britt Woodman (on 1952-02-29)
trumpet:
William “Cat” Anderson (on 1952-02-29), Willie Cook (US jazz trumpeter) (on 1952-02-29), Ray Nance (on 1952-02-29) and Clark Terry (American swing trumpeter) (on 1952-02-29)
valve trombone:
Juan Tizol (on 1952-02-29)
recording of:
Skin Deep (on 1952-02-29)
composer:
Louie Bellson
Duke Ellington and His Orchestra6:50
14The Mooche
alto saxophone:
Hilton Jefferson (on 1952-07-01)
alto saxophone and clarinet:
Russell Procope (on 1952-07-01)
baritone saxophone:
Harry Carney (on 1952-07-01)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1952-07-01)
double bass:
Wendell Marshall (on 1952-07-01)
drums (drum set):
Louie Bellson (on 1952-07-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1952-07-01) and Billy Strayhorn (on 1952-07-01)
tenor saxophone:
Paul Gonsalves (on 1952-07-01)
trombone:
Quentin Jackson (on 1952-07-01) and Britt Woodman (on 1952-07-01)
trumpet:
William “Cat” Anderson (on 1952-07-01), Willie Cook (US jazz trumpeter) (on 1952-07-01), Ray Nance (on 1952-07-01) and Clark Terry (American swing trumpeter) (on 1952-07-01)
valve trombone:
Juan Tizol (on 1952-07-01)
recording of:
The Mooche (on 1952-07-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
Duke Ellington and His Orchestra6:37
15Take the "A" Train
alto saxophone:
Hilton Jefferson (on 1952-06-30)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1952-06-30)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington and His Orchestra8:03
16A Tone Parallel to Harlem (The Harlem Suite)
alto saxophone:
Russell Procope (on 1951-12-07) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1951-12-07)
baritone saxophone and bass clarinet:
Harry Carney (on 1951-12-07)
double bass:
Wendell Marshall (on 1951-12-07)
drums (drum set):
Louie Bellson (on 1951-12-07)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1951-12-07)
reeds:
Harry Carney (on 1951-12-07) and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1951-12-07)
saxophone:
Paul Gonsalves (on 1951-12-07), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1951-12-07), Russell Procope (on 1951-12-07) and Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1951-12-07)
tenor saxophone:
Paul Gonsalves (on 1951-12-07)
trombone:
Quentin Jackson (on 1951-12-07), Juan Tizol (on 1951-12-07) and Britt Woodman (on 1951-12-07)
trumpet:
Willie Cook (US jazz trumpeter) (on 1951-12-07), Harold Baker (on 1951-12-07), Ray Nance (on 1951-12-07), Clark Terry (American swing trumpeter) (on 1951-12-07), Dick Vance (US jazz trumpeter and arranger) (on 1951-12-07) and Francis Williams (trumpeter) (on 1951-12-07)
recording of:
A Tone Parallel to Harlem (The Harlem Suite) (on 1951-12-07)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1951)
Duke Ellington and His Orchestra13:49
17Perdido
alto saxophone:
Hilton Jefferson (on 1952-06-30)
recording of:
Perdido (original instrumental version) (on 1952-07-01)
composer:
Juan Tizol
Duke Ellington and His Orchestra8:23
2▼CD: The Duke Plays Ellington / Duke Ellington at the Bal Masque
#TitleRatingLength
1In a Sentimental Mood
recording of:
In a Sentimental Mood (on 1953-04-14)
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
2:33
2Things Ain’t What They Used to Be
recorded in:
Los Angeles, California, United States (on 1953-04-14)
bass and double bass:
Wendell Marshall (on 1953-04-14)
drums (drum set):
Butch Ballard (on 1953-04-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1953-04-14)
recording of:
Things Ain’t What They Used to Be (on 1953-04-14)
lyricist:
Ted Persons
composer:
Mercer Ellington (in 1942)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
2:59
3Reflections in D
recording of:
Reflections in D (on 1953-04-13)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
publisher:
Duke Ellington Music and Tempo Music, Inc. (Duke Ellington’s music publishing company)
3:38
4Who Knows?
recording of:
Who Knows? (on 1953-04-13)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
2:40
5Melancholia
recording of:
Melancholia (on 1953-04-13)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
3:24
6All Too Soon
recorded in:
Los Angeles, California, United States (on 1953-04-14)
double bass:
Wendell Marshall (on 1953-04-14)
drums (drum set):
Butch Ballard (on 1953-04-14)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1953-04-14)
recording of:
All Too Soon (on 1953-04-14)
lyricist:
Carl Sigman (in 1940)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
3:09
7Prelude to a Kiss
recording of:
Prelude to a Kiss (on 1953-04-13)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
3:05
8B Sharp Blues
recording of:
B Sharp Blues (on 1953-04-13)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
2:49
9Passion Flower
recording of:
Passion Flower (on 1953-04-13)
composer:
Billy Strayhorn
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
3:06
10Janet
recording of:
Janet (on 1953-04-14)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
2:16
11Retrospection
recording of:
Retrospection (on 1953-04-13)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
3:59
12Dancers in Love
recording of:
Dancers in Love (on 1953-04-13)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
The Perfume Suite
1:59
13Alice Blue Gown
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-31)
baritone saxophone:
Harry Carney (on 1958-03-31)
bass:
Jimmy Woode (on 1958-03-31)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-31)
drums (drum set):
Sam Woodyard (on 1958-03-31)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-31)
tenor saxophone:
Paul Gonsalves (on 1958-03-31)
trombone:
Quentin Jackson (on 1958-03-31) and Britt Woodman (on 1958-03-31)
trumpet:
William “Cat” Anderson (on 1958-03-31), Harold “Shorty” Baker (on 1958-03-31), Willie Cook (US jazz trumpeter) (on 1958-03-31), Ray Nance (on 1958-03-31) and Clark Terry (American swing trumpeter) (on 1958-03-31)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-31)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-31)
recording of:
Alice Blue Gown (on 1958-03-31)
lyricist:
Joseph McCarthy (lyricist, 1885–1943)
composer:
Harry Tierney
part of:
Irene (the musical)
3:04
14Who’s Afraid of the Big Bad Wolf?
engineer and producer:
Bill Putnam
alto saxophone:
Johnny Hodges (on 1958-04-01)
alto saxophone and clarinet:
Russell Procope (on 1958-04-01)
baritone saxophone:
Harry Carney (on 1958-04-01)
bass and double bass:
Jimmy Woode (on 1958-04-01)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-04-01)
drums (drum set):
Sam Woodyard (on 1958-04-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-04-01)
reeds:
Harry Carney (on 1958-04-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-04-01) and Russell Procope (on 1958-04-01)
tenor saxophone:
Paul Gonsalves (on 1958-04-01)
trombone:
Quentin Jackson (on 1958-04-01), John Sanders (US jazz trombonist) (on 1958-04-01) and Britt Woodman (on 1958-04-01)
trumpet:
William “Cat” Anderson (on 1958-04-01), Harold “Shorty” Baker (on 1958-04-01), Willie Cook (US jazz trumpeter) (on 1958-04-01), Ray Nance (on 1958-04-01) and Clark Terry (American swing trumpeter) (on 1958-04-01)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-04-01)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-01)
recording of:
Who’s Afraid of the Big Bad Wolf? (from “Three Little Pigs”) (on 1958-04-01)
additional lyricist:
Ann Ronell
lyricist and composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:54
15Got a Date With an Angel
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-20)
baritone saxophone:
Harry Carney (on 1958-03-20)
bass:
Jimmy Woode (on 1958-03-20)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-20)
drums (drum set):
Sam Woodyard (on 1958-03-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-20)
tenor saxophone:
Paul Gonsalves (on 1958-03-20)
trombone:
Quentin Jackson (on 1958-03-20) and Britt Woodman (on 1958-03-20)
trumpet:
William “Cat” Anderson (on 1958-03-20), Harold “Shorty” Baker (on 1958-03-20), Willie Cook (US jazz trumpeter) (on 1958-03-20), Ray Nance (on 1958-03-20) and Clark Terry (American swing trumpeter) (on 1958-03-20)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-20)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-20)
recording of:
Got a Date with an Angel (on 1958-03-20)
lyricist:
Clifford Grey and Sonny Miller (1930s lyricist)
composer:
Joseph Tunbridge and Jack Waller
2:28
16Poor Butterfly
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-24)
baritone saxophone:
Harry Carney (on 1958-03-24)
bass:
Jimmy Woode (on 1958-03-24)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-24)
drums (drum set):
Sam Woodyard (on 1958-03-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-24)
tenor saxophone:
Paul Gonsalves (on 1958-03-24)
trombone:
Quentin Jackson (on 1958-03-24) and Britt Woodman (on 1958-03-24)
trumpet:
William “Cat” Anderson (on 1958-03-24), Harold “Shorty” Baker (on 1958-03-24), Willie Cook (US jazz trumpeter) (on 1958-03-24), Ray Nance (on 1958-03-24) and Clark Terry (American swing trumpeter) (on 1958-03-24)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-24)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-24)
recording of:
Poor Butterfly (on 1958-03-24)
lyricist:
John L. Golden (in 1916)
composer:
John Raymond Hubbell (composer, co-founder of ASCAP) (in 1916)
publisher:
Harms, Inc.
3:42
17Satan Takes a Holiday
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-20)
baritone saxophone:
Harry Carney (on 1958-03-20)
bass:
Jimmy Woode (on 1958-03-20)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-20)
drums (drum set):
Sam Woodyard (on 1958-03-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-20)
tenor saxophone:
Paul Gonsalves (on 1958-03-20)
trombone:
Quentin Jackson (on 1958-03-20) and Britt Woodman (on 1958-03-20)
trumpet:
William “Cat” Anderson (on 1958-03-20), Harold “Shorty” Baker (on 1958-03-20), Willie Cook (US jazz trumpeter) (on 1958-03-20), Ray Nance (on 1958-03-20) and Clark Terry (American swing trumpeter) (on 1958-03-20)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-20)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-20)
recording of:
Satan Takes a Holiday (on 1958-03-20)
lyricist and composer:
Larry Clinton
3:16
18The Peanut Vendor
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-24)
baritone saxophone:
Harry Carney (on 1958-03-24)
bass:
Jimmy Woode (on 1958-03-24)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-24)
drums (drum set):
Sam Woodyard (on 1958-03-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-24)
tenor saxophone:
Paul Gonsalves (on 1958-03-24)
trombone:
Quentin Jackson (on 1958-03-24) and Britt Woodman (on 1958-03-24)
trumpet:
William “Cat” Anderson (on 1958-03-24), Harold “Shorty” Baker (on 1958-03-24), Willie Cook (US jazz trumpeter) (on 1958-03-24), Ray Nance (on 1958-03-24) and Clark Terry (American swing trumpeter) (on 1958-03-24)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-24)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-24)
recording of:
The Peanut Vendor (on 1958-03-24)
lyricist:
L. Wolfe Gilbert and Marion Sunshine
composer:
Moisés Simons
translated version of:
El manisero
3:31
19Satin Doll
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-31)
baritone saxophone:
Harry Carney (on 1958-03-31)
bass:
Jimmy Woode (on 1958-03-31)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-31)
drums (drum set):
Sam Woodyard (on 1958-03-31)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-31)
tenor saxophone:
Paul Gonsalves (on 1958-03-31)
trombone:
Quentin Jackson (on 1958-03-31) and Britt Woodman (on 1958-03-31)
trumpet:
William “Cat” Anderson (on 1958-03-31), Harold “Shorty” Baker (on 1958-03-31), Willie Cook (US jazz trumpeter) (on 1958-03-31), Ray Nance (on 1958-03-31) and Clark Terry (American swing trumpeter) (on 1958-03-31)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-31)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-31)
recording of:
Satin Doll (on 1958-03-31)
lyricist:
Johnny Mercer (in 1953)
additional composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
composer:
Billy Strayhorn (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) and WB Music Corp. (1929–2019)
3:51
20Lady in Red
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-31)
baritone saxophone:
Harry Carney (on 1958-03-31)
bass:
Jimmy Woode (on 1958-03-31)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-31)
drums (drum set):
Sam Woodyard (on 1958-03-31)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-31)
tenor saxophone:
Paul Gonsalves (on 1958-03-31)
trombone:
Quentin Jackson (on 1958-03-31) and Britt Woodman (on 1958-03-31)
trumpet:
William “Cat” Anderson (on 1958-03-31), Harold “Shorty” Baker (on 1958-03-31), Willie Cook (US jazz trumpeter) (on 1958-03-31), Ray Nance (on 1958-03-31) and Clark Terry (American swing trumpeter) (on 1958-03-31)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-31)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-31)
recording of:
The Lady in Red (on 1958-03-26)
lyricist:
Mort Dixon
composer:
Allie Wrubel (US composer and songwriter)
2:50
21Indian Love Call
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-26)
baritone saxophone:
Harry Carney (on 1958-03-26)
bass:
Jimmy Woode (on 1958-03-26)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-26)
drums (drum set):
Sam Woodyard (on 1958-03-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-26)
tenor saxophone:
Paul Gonsalves (on 1958-03-26)
trombone:
Quentin Jackson (on 1958-03-26) and Britt Woodman (on 1958-03-26)
trumpet:
William “Cat” Anderson (on 1958-03-26), Harold “Shorty” Baker (on 1958-03-26), Willie Cook (US jazz trumpeter) (on 1958-03-26), Ray Nance (on 1958-03-26) and Clark Terry (American swing trumpeter) (on 1958-03-26)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-26)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-26)
recording of:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”) (on 1958-03-26)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach
composer:
Rudolf Friml and Herbert Stothart (composer)
publisher:
Bill-Bob Publ. Company, Chappell Music Ltd. and Harms, Inc. (on 1924-09-02)
part of:
Rose-Marie (1924 operetta-style musical)
part of:
Rose-Marie (1936 musical film)
3:40
22The Donkey Serenade
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-31)
baritone saxophone:
Harry Carney (on 1958-03-31)
bass:
Jimmy Woode (on 1958-03-31)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-31)
drums (drum set):
Sam Woodyard (on 1958-03-31)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-31)
tenor saxophone:
Paul Gonsalves (on 1958-03-31)
trombone:
Quentin Jackson (on 1958-03-31) and Britt Woodman (on 1958-03-31)
trumpet:
William “Cat” Anderson (on 1958-03-31), Harold “Shorty” Baker (on 1958-03-31), Willie Cook (US jazz trumpeter) (on 1958-03-31), Ray Nance (on 1958-03-31) and Clark Terry (American swing trumpeter) (on 1958-03-31)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-31)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-31)
recording of:
The Donkey Serenade (on 1958-03-31)
writer:
George Forrest (American composer and lyricist) and Robert Wright (US stage & screen composer & lyricist)
composer:
Rudolf Friml and Herbert Stothart (composer)
part of:
The Firefly (Rudolf Friml operetta)
2:15
23Gyspy Love Song
engineer and producer:
Bill Putnam
alto saxophone:
Johnny Hodges (on 1958-04-01)
alto saxophone and clarinet:
Russell Procope (on 1958-04-01)
baritone saxophone:
Harry Carney (on 1958-04-01)
bass and double bass:
Jimmy Woode (on 1958-04-01)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-04-01)
drums (drum set):
Sam Woodyard (on 1958-04-01)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-04-01)
reeds:
Harry Carney (on 1958-04-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-04-01) and Russell Procope (on 1958-04-01)
tenor saxophone:
Paul Gonsalves (on 1958-04-01)
trombone:
Quentin Jackson (on 1958-04-01), John Sanders (US jazz trombonist) (on 1958-04-01) and Britt Woodman (on 1958-04-01)
trumpet:
William “Cat” Anderson (on 1958-04-01), Harold “Shorty” Baker (on 1958-04-01), Willie Cook (US jazz trumpeter) (on 1958-04-01), Ray Nance (on 1958-04-01) and Clark Terry (American swing trumpeter) (on 1958-04-01)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-04-01)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-04-01)
3:59
24Laugh, Clown, Laugh
engineer and producer:
Bill Putnam
alto saxophone and clarinet:
Russell Procope (on 1958-03-20)
baritone saxophone:
Harry Carney (on 1958-03-20)
bass:
Jimmy Woode (on 1958-03-20)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-03-20)
drums (drum set):
Sam Woodyard (on 1958-03-20)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-03-20)
tenor saxophone:
Paul Gonsalves (on 1958-03-20)
trombone:
Quentin Jackson (on 1958-03-20) and Britt Woodman (on 1958-03-20)
trumpet:
William “Cat” Anderson (on 1958-03-20), Harold “Shorty” Baker (on 1958-03-20), Willie Cook (US jazz trumpeter) (on 1958-03-20), Ray Nance (on 1958-03-20) and Clark Terry (American swing trumpeter) (on 1958-03-20)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-03-20)
remixer:
Ken Robertson (sound engineer)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1958-03-20)
recording of:
Laugh! Clown! Laugh! (on 1958-03-20)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Ted Fio Rito
3:01
3▼CD: Such Sweet Thunder / Black, Brown and Beige
#TitleArtistRatingLength
1Such Sweet Thunder
alto saxophone:
Johnny Hodges (on 1957-04-24)
baritone saxophone:
Harry Carney (on 1957-04-24)
double bass:
Jimmy Woode (on 1957-04-24)
drums (drum set):
Sam Woodyard (on 1957-04-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-04-24)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-04-24) and Russell Procope (on 1957-04-24)
trombone:
Quentin Jackson (on 1957-04-24), John Sanders (US jazz trombonist) (on 1957-04-24) and Britt Woodman (on 1957-04-24)
trumpet:
William “Cat” Anderson (on 1957-04-24), Willie Cook (US jazz trumpeter) (on 1957-04-24), Ray Nance (on 1957-04-24) and Clark Terry (American swing trumpeter) (on 1957-04-24)
recording of:
Such Sweet Thunder (on 1957-04-24)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra3:18
2Sonnet for Caesar
alto saxophone:
Johnny Hodges (on 1957-04-15)
baritone saxophone:
Harry Carney (on 1957-04-15)
double bass:
Jimmy Woode (on 1957-04-15)
drums (drum set):
Sam Woodyard (on 1957-04-15)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-04-15)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-04-15) and Russell Procope (on 1957-04-15)
trombone:
Quentin Jackson (on 1957-04-15), John Sanders (US jazz trombonist) (on 1957-04-15) and Britt Woodman (on 1957-04-15)
trumpet:
William “Cat” Anderson (on 1957-04-15), Willie Cook (US jazz trumpeter) (on 1957-04-15), Ray Nance (on 1957-04-15) and Clark Terry (American swing trumpeter) (on 1957-04-15)
recording of:
Sonnet for Caesar (on 1957-04-15)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra3:01
3Sonnet to Hank Cinq
alto saxophone:
Johnny Hodges (on 1957-05-03)
baritone saxophone:
Harry Carney (on 1957-05-03)
double bass:
Jimmy Woode (on 1957-05-03)
drums (drum set):
Sam Woodyard (on 1957-05-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-05-03)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-05-03) and Russell Procope (on 1957-05-03)
trombone:
Quentin Jackson (on 1957-05-03), John Sanders (US jazz trombonist) (on 1957-05-03) and Britt Woodman (on 1957-05-03)
trumpet:
William “Cat” Anderson (on 1957-05-03), Willie Cook (US jazz trumpeter) (on 1957-05-03), Ray Nance (on 1957-05-03) and Clark Terry (American swing trumpeter) (on 1957-05-03)
recording of:
Sonnet to Hank Cinq (on 1957-05-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra1:22
4Lady Mac
alto saxophone:
Johnny Hodges (on 1957-04-24)
baritone saxophone:
Harry Carney (on 1957-04-24)
double bass:
Jimmy Woode (on 1957-04-24)
drums (drum set):
Sam Woodyard (on 1957-04-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-04-24)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-04-24) and Russell Procope (on 1957-04-24)
trombone:
Quentin Jackson (on 1957-04-24), John Sanders (US jazz trombonist) (on 1957-04-24) and Britt Woodman (on 1957-04-24)
trumpet:
William “Cat” Anderson (on 1957-04-24), Willie Cook (US jazz trumpeter) (on 1957-04-24), Ray Nance (on 1957-04-24) and Clark Terry (American swing trumpeter) (on 1957-04-24)
recording of:
Lady Mac (on 1957-04-24)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra3:44
5Sonnet in Search of a Moor
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-04-15)
Duke Ellington and His Orchestra2:23
6The Telecasters
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-05-03)
Duke Ellington and His Orchestra3:04
7Up and Down, Up and Down (I Will Lead Them Up and Down)
alto saxophone:
Johnny Hodges (on 1957-04-24)
baritone saxophone:
Harry Carney (on 1957-04-24)
double bass:
Jimmy Woode (on 1957-04-24)
drums (drum set):
Sam Woodyard (on 1957-04-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-04-24)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-04-24) and Russell Procope (on 1957-04-24)
trombone:
Quentin Jackson (on 1957-04-24), John Sanders (US jazz trombonist) (on 1957-04-24) and Britt Woodman (on 1957-04-24)
trumpet:
William “Cat” Anderson (on 1957-04-24), Willie Cook (US jazz trumpeter) (on 1957-04-24), Ray Nance (on 1957-04-24) and Clark Terry (American swing trumpeter) (on 1957-04-24)
recording of:
Up and Down, Up and Down (I Will Lead Them Up and Down) (on 1957-04-24)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra3:08
8Sonnet for Sister Kate
alto saxophone:
Johnny Hodges (on 1957-04-15)
baritone saxophone:
Harry Carney (on 1957-04-15)
double bass:
Jimmy Woode (on 1957-04-15)
drums (drum set):
Sam Woodyard (on 1957-04-15)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-04-15)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-04-15) and Russell Procope (on 1957-04-15)
trombone:
Quentin Jackson (on 1957-04-15), John Sanders (US jazz trombonist) (on 1957-04-15) and Britt Woodman (on 1957-04-15)
trumpet:
William “Cat” Anderson (on 1957-04-15), Willie Cook (US jazz trumpeter) (on 1957-04-15), Ray Nance (on 1957-04-15) and Clark Terry (American swing trumpeter) (on 1957-04-15)
recording of:
Sonnet for Sister Kate (on 1957-04-15)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra2:24
9The Star-Crossed Lovers
alto saxophone:
Johnny Hodges (on 1957-05-03)
baritone saxophone:
Harry Carney (on 1957-05-03)
double bass:
Jimmy Woode (on 1957-05-03)
drums (drum set):
Sam Woodyard (on 1957-05-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-05-03)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-05-03) and Russell Procope (on 1957-05-03)
trombone:
Quentin Jackson (on 1957-05-03), John Sanders (US jazz trombonist) (on 1957-05-03) and Britt Woodman (on 1957-05-03)
trumpet:
William “Cat” Anderson (on 1957-05-03), Willie Cook (US jazz trumpeter) (on 1957-05-03), Ray Nance (on 1957-05-03) and Clark Terry (American swing trumpeter) (on 1957-05-03)
recording of:
The Star-Crossed Lovers (on 1957-05-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra4:03
10Madness in Great Ones
alto saxophone:
Johnny Hodges (on 1957-05-03)
baritone saxophone:
Harry Carney (on 1957-05-03)
double bass:
Jimmy Woode (on 1957-05-03)
drums (drum set):
Sam Woodyard (on 1957-05-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-05-03)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-05-03) and Russell Procope (on 1957-05-03)
trombone:
Quentin Jackson (on 1957-05-03), John Sanders (US jazz trombonist) (on 1957-05-03) and Britt Woodman (on 1957-05-03)
trumpet:
William “Cat” Anderson (on 1957-05-03), Willie Cook (US jazz trumpeter) (on 1957-05-03), Ray Nance (on 1957-05-03) and Clark Terry (American swing trumpeter) (on 1957-05-03)
recording of:
Madness in Great Ones (on 1957-05-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra3:24
11Half the Fun (Also Known as "Lately")
alto saxophone:
Johnny Hodges (on 1956-08-07)
baritone saxophone:
Harry Carney (on 1956-08-07)
double bass:
Jimmy Woode (on 1956-08-07)
drums (drum set):
Sam Woodyard (on 1956-08-07)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-08-07)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-08-07) and Russell Procope (on 1956-08-07)
trombone:
Quentin Jackson (on 1956-08-07), John Sanders (US jazz trombonist) (on 1956-08-07) and Britt Woodman (on 1956-08-07)
trumpet:
William “Cat” Anderson (on 1956-08-07), Willie Cook (US jazz trumpeter) (on 1956-08-07), Ray Nance (on 1956-08-07) and Clark Terry (American swing trumpeter) (on 1956-08-07)
recording of:
Half the Fun (a.k.a. Lately) (on 1956-08-07)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra4:21
12Circle of Fourths
alto saxophone:
Johnny Hodges (on 1957-05-03)
baritone saxophone:
Harry Carney (on 1957-05-03)
double bass:
Jimmy Woode (on 1957-05-03)
drums (drum set):
Sam Woodyard (on 1957-05-03)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-05-03)
reeds:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-05-03) and Russell Procope (on 1957-05-03)
trombone:
Quentin Jackson (on 1957-05-03), John Sanders (US jazz trombonist) (on 1957-05-03) and Britt Woodman (on 1957-05-03)
trumpet:
William “Cat” Anderson (on 1957-05-03), Willie Cook (US jazz trumpeter) (on 1957-05-03), Ray Nance (on 1957-05-03) and Clark Terry (American swing trumpeter) (on 1957-05-03)
recording of:
Circle of Fourths (on 1957-05-03)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra1:49
13Part I
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-04)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part I (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson8:15
14Part II
alto saxophone:
Bill Graham (US jazz saxophonist) (from 1958-02-04 until 1958-02-12)
baritone saxophone:
Harry Carney (from 1958-02-04 until 1958-02-12)
bass:
Jimmy Woode (from 1958-02-04 until 1958-02-12)
drums (drum set):
Sam Woodyard (from 1958-02-04 until 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (from 1958-02-04 until 1958-02-12)
tenor saxophone:
Paul Gonsalves (from 1958-02-04 until 1958-02-12)
trombone:
Quentin Jackson (from 1958-02-04 until 1958-02-12) and Britt Woodman (from 1958-02-04 until 1958-02-12)
trumpet:
William “Cat” Anderson (from 1958-02-04 until 1958-02-12), Harold “Shorty” Baker (from 1958-02-04 until 1958-02-12), Ray Nance (from 1958-02-04 until 1958-02-12) and Clark Terry (American swing trumpeter) (from 1958-02-04 until 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (from 1958-02-04 until 1958-02-12)
recording of:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (from 1958-02-04 until 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part II (part of the 1958 revised "Black, Brown, and Beige" suite) (in 1958-02)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson6:13
15Part III (aka Light)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1958-02-12)
baritone saxophone:
Harry Carney (on 1958-02-12)
double bass:
Jimmy Woode (on 1958-02-12)
drums (drum set):
Sam Woodyard (on 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-12)
tenor saxophone:
Paul Gonsalves (on 1958-02-12)
trombone:
Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
trumpet:
William “Cat” Anderson (on 1958-02-12), Harold “Shorty” Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (American swing trumpeter) (on 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-12)
recording of:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-04)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part III (Light) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson6:25
16Part IV (aka Come Sunday)
recorded in:
New York, New York, United States (on 1958-02-11)
producer:
Irving Townsend
alto saxophone:
Russell Procope and Bill Graham (US jazz saxophonist) (on 1958-02-11)
baritone saxophone:
Harry Carney (on 1958-02-11)
bass:
Jimmy Woode (on 1958-02-11)
clarinet:
Russell Procope and Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1958-02-11)
drums (drum set) [drums]:
Sam Woodyard (on 1958-02-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-11)
reeds:
Russell Procope
tenor saxophone:
Paul Gonsalves (on 1958-02-11)
trombone:
Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
trumpet:
Cat Anderson (on 1958-02-11), Harold Baker (on 1958-02-11) and Clark Terry (American swing trumpeter) (on 1958-02-11)
trumpet and violin:
Ray Nance (on 1958-02-11)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-11)
vocals:
Mahalia Jackson (on 1958-02-11)
recording of:
Come Sunday (1958 revision with lyrics) (on 1958-02-05)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Come Sunday (1958 revision with lyrics) (on 1958-02-11)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Come Sunday (1958 revision with lyrics) (in 1958-02)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
version of:
Black, Brown, and Beige: I. Black: Come Sunday (part of the 1943 original "Black, Brown, and Beige" suite)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson7:58
17Part V (aka Come Sunday)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1958-02-12)
baritone saxophone:
Harry Carney (on 1958-02-12)
double bass:
Jimmy Woode (on 1958-02-12)
drums (drum set):
Sam Woodyard (on 1958-02-12)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-12)
solo violin:
Ray Nance (on 1958-02-12)
tenor saxophone:
Paul Gonsalves (on 1958-02-12)
trombone:
Quentin Jackson (on 1958-02-12) and Britt Woodman (on 1958-02-12)
trumpet:
William “Cat” Anderson (on 1958-02-12), Harold “Shorty” Baker (on 1958-02-12), Ray Nance (on 1958-02-12) and Clark Terry (American swing trumpeter) (on 1958-02-12)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-12)
recording of:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-12)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
recording of:
Black, Brown, and Beige, Part V (Come Sunday Interlude) (part of the 1958 revised "Black, Brown, and Beige" suite) (in 1958-02)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson3:45
18Part VI (23rd Psalm)
alto saxophone:
Bill Graham (US jazz saxophonist) (on 1958-02-11)
baritone saxophone:
Harry Carney (on 1958-02-11)
double bass:
Jimmy Woode (on 1958-02-11)
drums (drum set):
Sam Woodyard (on 1958-02-11)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1958-02-11)
tenor saxophone:
Paul Gonsalves (on 1958-02-11)
trombone:
Quentin Jackson (on 1958-02-11) and Britt Woodman (on 1958-02-11)
trumpet:
William “Cat” Anderson (on 1958-02-11), Harold “Shorty” Baker (on 1958-02-11), Ray Nance (on 1958-02-11) and Clark Terry (American swing trumpeter) (on 1958-02-11)
valve trombone:
John Sanders (US jazz trombonist) (on 1958-02-11)
vocals:
Mahalia Jackson (on 1958-02-11)
recording of:
Black, Brown, and Beige, Part VI (23rd Psalm) (part of the 1958 revised "Black, Brown, and Beige" suite) (on 1958-02-11)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
part of:
Black, Brown, and Beige (1958 revised version of the "Black, Brown, and Beige" suite)
Duke Ellington and His Orchestra featuring Mahalia Jackson3:05
4▼CD: Anatomy of a Murder / Swinging Suites by Edward E. And Edward G.
#TitleArtistRatingLength
1Main Title / Anatomy of a Murder
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
Duke Ellington and His Orchestra3:52
2Flirtibird
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-06-01)
recording of:
Flirtibird (on 1959-06-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra2:13
3Way Early Subtone
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
Duke Ellington and His Orchestra4:01
4Hero to Zero
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
Duke Ellington and His Orchestra2:14
5Low Key Lightly
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-06-02)
recording of:
Low Key Lightly (on 1959-06-02)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra3:40
6Happy Anatomy (Band-Movie version)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-06-01)
recording of:
Happy Anatomy (on 1959-06-01)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra2:31
7Midnight Indigo
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
recording of:
Midnight Indigo (in 1959-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra2:43
8Almost Cried (studio)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-06-01)
Duke Ellington and His Orchestra2:28
9Sunswept Sunday
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1959-05-29)
Duke Ellington and His Orchestra1:54
10Grace Valse
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
Duke Ellington and His Orchestra2:31
11Happy Anatomy (P.I. Five version)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
recording of:
Happy Anatomy (in 1959-06)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra1:27
12Upper and Outest
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1959-06)
Duke Ellington and His Orchestra2:25
13Morning Mood
Duke Ellington and His Orchestra4:23
14In the Hall of the Mountain King
recording of:
Peer Gynt, op. 23: 2. akt: I Dovregubbens hall (on 1960-06-30)
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Duke Ellington and His Orchestra2:35
15Solvejg's Song
recording of:
Solvejg's Song (op. 23, no. 1) (orchestrated version) (on 1960-06-29)
composer:
Edvard Grieg (composer)
translator:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
is based on:
Peer Gynt, op. 23: 4. akt: Solveigs sang
Duke Ellington and His Orchestra4:00
16Ase’s Death
recording of:
Ase's Death (on 1960-06-29)
composer:
Edvard Grieg (composer)
version of:
Peer Gynt Suite no. 1, op. 46: II. Åses død (Peer Gynt Suite no. 1, op. 46: II. Åse’s Death)
Duke Ellington and His Orchestra3:49
17Anitra’s Dance
recording of:
Anitra’s Dance (catch-all for arrangements) (on 1960-06-28)
composer:
Edvard Grieg (composer)
arrangement of:
Peer Gynt, op. 23: 4. akt: Anitras dans
Duke Ellington and His Orchestra2:57
18Misfit Blues
recording of:
Misfit Blues (on 1960-10-10)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra4:07
19Schwiphti
recording of:
Schwiphti (on 1960-10-10)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra3:04
20Zweet Zurzday
recording of:
Zweet Zurzday (on 1960-10-10)
composer:
Billy Strayhorn
Duke Ellington and His Orchestra3:51
21Lay-By
recording of:
Lay-By (on 1960-10-10)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Duke Ellington and His Orchestra4:54
5▼CD: Piano in the Background
#TitleArtistRatingLength
1Happy Go Lucky Local
bass:
Aaron Bell (jazz double bassist)
membranophone:
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
saxophone:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges and Russell Procope
trombone:
Lawrence Brown (jazz trombonist), Juan Tizol, Booty Wood and Britt Woodman
trumpet:
Willie Cook (US jazz trumpeter), Andres Meringuito, Ray Nance and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
Happy Go Lucky Local (on 1960-06-30)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1946) and Billy Strayhorn (in 1946)
Duke Ellington and His Orchestra3:00
2What Am I Here For
bass:
Aaron Bell (jazz double bassist)
membranophone:
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
saxophone:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges and Russell Procope
trombone:
Lawrence Brown (jazz trombonist), Juan Tizol, Booty Wood and Britt Woodman
trumpet:
Willie Cook (US jazz trumpeter), Andres Meringuito, Ray Nance and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
What Am I Here For (on 1960-06-29)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra4:06
3Medley: Inda Dukish / Rockin’ in Rhythm
bass:
Aaron Bell (jazz double bassist)
membranophone:
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
saxophone:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges and Russell Procope
trombone:
Lawrence Brown (jazz trombonist), Juan Tizol, Booty Wood and Britt Woodman
trumpet:
Willie Cook (US jazz trumpeter), Andres Meringuito, Ray Nance and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
medley including a recording of:
Kinda Dukish (on 1960-06-20)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
medley including a recording of:
Rockin’ in Rhythm (on 1960-06-20)
composer:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
is based on:
Kinda Dukish
recording of:
Kinda Dukish
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
recording of:
Rockin’ in Rhythm
composer:
Harry Carney, Duke Ellington (US composer, pianist & jazz bandleader) and Irving Mills
is based on:
Kinda Dukish
Duke Ellington and His Orchestra5:52
4Perdido
bass:
Aaron Bell (jazz double bassist)
membranophone:
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
saxophone:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges and Russell Procope
trombone:
Lawrence Brown (jazz trombonist), Juan Tizol, Booty Wood and Britt Woodman
trumpet:
Willie Cook (US jazz trumpeter), Andres Meringuito, Ray Nance and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
Perdido (original instrumental version) (on 1960-05-31)
composer:
Juan Tizol
Duke Ellington and His Orchestra6:50
5I’m Beginning to See the Light
bass:
Aaron Bell (jazz double bassist)
membranophone:
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
saxophone:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges and Russell Procope
trombone:
Lawrence Brown (jazz trombonist), Juan Tizol, Booty Wood and Britt Woodman
trumpet:
Willie Cook (US jazz trumpeter), Andres Meringuito, Ray Nance and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
I’m Beginning to See the Light (on 1960-05-31)
lyricist:
Don George (US songwriter/composer, 1909–1987) (in 1944)
writer:
Duke Ellington (US composer, pianist & jazz bandleader)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1944), Johnny Hodges (in 1944) and Harry James (US big band leader, trumpeter & actor) (in 1944)
publisher:
Anne-Rachel Music Corp.
Duke Ellington and His Orchestra2:09
6Midriff
bass:
Aaron Bell (jazz double bassist)
membranophone:
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
saxophone:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges and Russell Procope
trombone:
Lawrence Brown (jazz trombonist), Juan Tizol, Booty Wood and Britt Woodman
trumpet:
Willie Cook (US jazz trumpeter), Andres Meringuito, Ray Nance and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
Midriff (on 1960-06-28)
composer:
Billy Strayhorn and Gerald Valentine (trombone, aka Jerry Valentine)
Duke Ellington and His Orchestra4:30
7It Don’t Mean a Thing (If It Ain’t Got That Swing)
bass:
Aaron Bell (jazz double bassist)
membranophone:
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
saxophone:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges and Russell Procope
trombone:
Lawrence Brown (jazz trombonist), Juan Tizol, Booty Wood and Britt Woodman
trumpet:
Willie Cook (US jazz trumpeter), Andres Meringuito, Ray Nance and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1960-06-02)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington and His Orchestra4:28
8Main Stem
bass:
Aaron Bell (jazz double bassist)
membranophone:
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
saxophone:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges and Russell Procope
trombone:
Lawrence Brown (jazz trombonist), Juan Tizol, Booty Wood and Britt Woodman
trumpet:
Willie Cook (US jazz trumpeter), Andres Meringuito, Ray Nance and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
Main Stem (on 1960-06-22)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington and His Orchestra4:15
9Take the "A" Train
bass:
Aaron Bell (jazz double bassist)
membranophone:
Sam Woodyard
piano:
Duke Ellington (US composer, pianist & jazz bandleader)
saxophone:
Harry Carney, Paul Gonsalves, Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer), Johnny Hodges and Russell Procope
trombone:
Lawrence Brown (jazz trombonist), Juan Tizol, Booty Wood and Britt Woodman
trumpet:
Willie Cook (US jazz trumpeter), Andres Meringuito, Ray Nance and Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (on 1960-06-28)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington and His Orchestra5:33
6▼CD: Blue Rose
#TitleArtistRatingLength
1Hey Baby
alto saxophone:
Johnny Hodges (on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1956-01-27)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
drums (drum set):
Sam Woodyard (on 1956-01-27)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-27)
tenor saxophone:
Paul Gonsalves (on 1956-01-27)
trombone:
Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
William “Cat” Anderson (on 1956-01-27), Willie Cook (US jazz trumpeter) (on 1956-01-27), Ray Nance (on 1956-01-27) and Cootie Williams (on 1956-01-27)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
recording of:
Hey Baby (on 1956-01-27)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Rosemary Clooney and Duke Ellington and His Orchestra3:49
2Sophisticated Lady
recorded in:
New York, New York, United States (on 1956-01-23)
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (US jazz trumpeter) (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
orchestra:
Duke Ellington and His Orchestra (on 1956-01-23)
recording of:
Sophisticated Lady (on 1956-01-23)
lyricist:
Mitchell Parish and Irving Mills (in 1932)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (ended), Mills Music, Inc. (ended), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (until 2007-05) and Sony/ATV Harmony (from 2007-05 to present)
part of:
Sophisticated Ladies (1981 musical)
part of:
The Real Book (compilation of jazz standards, volume I)
Rosemary Clooney and Duke Ellington and His Orchestra3:01
3Me and You
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (US jazz trumpeter) (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
recording of:
Me and You (on 1956-01-23)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Rosemary Clooney and Duke Ellington and His Orchestra2:31
4Passion Flower
alto saxophone:
Johnny Hodges (on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1956-01-27)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
drums (drum set):
Sam Woodyard (on 1956-01-27)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-27)
tenor saxophone:
Paul Gonsalves (on 1956-01-27)
trombone:
Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
William “Cat” Anderson (on 1956-01-27), Willie Cook (US jazz trumpeter) (on 1956-01-27), Ray Nance (on 1956-01-27) and Cootie Williams (on 1956-01-27)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-27)
recording of:
Passion Flower (on 1956-01-27)
composer:
Billy Strayhorn
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Rosemary Clooney and Duke Ellington and His Orchestra4:36
5I Let a Song Go Out of My Heart
alto saxophone:
Johnny Hodges (on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1956-01-27)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
drums (drum set):
Sam Woodyard (on 1956-01-27)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-27)
tenor saxophone:
Paul Gonsalves (on 1956-01-27)
trombone:
Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
William “Cat” Anderson (on 1956-01-27), Willie Cook (US jazz trumpeter) (on 1956-01-27), Ray Nance (on 1956-01-27) and Cootie Williams (on 1956-01-27)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
recording of:
I Let a Song Go Out of My Heart (on 1956-01-27)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, volume I)
Rosemary Clooney and Duke Ellington and His Orchestra2:41
6It Don’t Mean a Thing (If It Ain’t Got That Swing)
alto saxophone:
Johnny Hodges (on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1956-01-27)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
drums (drum set):
Sam Woodyard (on 1956-01-27)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-27)
tenor saxophone:
Paul Gonsalves (on 1956-01-27)
trombone:
Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
William “Cat” Anderson (on 1956-01-27), Willie Cook (US jazz trumpeter) (on 1956-01-27), Ray Nance (on 1956-01-27) and Cootie Williams (on 1956-01-27)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (on 1956-01-27)
lyricist:
Irving Mills (in 1931)
composer:
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music and EMI Mills Music (ASCAP-affiliated)
part of:
The Real Book (compilation of jazz standards, volume I)
Rosemary Clooney and Duke Ellington and His Orchestra2:55
7Grievin’
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (US jazz trumpeter) (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
recording of:
Grievin' (on 1956-01-23)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Rosemary Clooney and Duke Ellington and His Orchestra4:11
8Blue Rose
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (US jazz trumpeter) (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
recording of:
Blue Rose (on 1956-01-23)
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Rosemary Clooney and Duke Ellington and His Orchestra2:25
9I’m Checking Out - Goombye
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (US jazz trumpeter) (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
recording of:
I'm Checking Out, Go'om Bye (on 1956-01-23)
writer:
Duke Ellington (US composer, pianist & jazz bandleader) and Billy Strayhorn
Rosemary Clooney and Duke Ellington and His Orchestra3:13
10I Got It Bad (And That Ain’t Good)
recorded in:
New York, New York, United States (on 1956-01-27)
alto saxophone:
Otto Hardwick (on 1941-06-26) and Johnny Hodges (on 1941-06-26, on 1956-01-27)
alto saxophone and clarinet:
Russell Procope (on 1956-01-27)
baritone saxophone:
Harry Carney (on 1941-06-26, on 1956-01-27)
clarinet:
Barney Bigard (on 1941-06-26)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-27)
double bass:
Jimmy Woode (on 1956-01-27)
double bass [bass]:
Jimmy Blanton (on 1941-06-26)
drums (drum set):
Sonny Greer (on 1941-06-26) and Sam Woodyard (on 1956-01-27)
guitar:
Fred Guy (on 1941-06-26)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1941-06-26, on 1956-01-27)
tenor saxophone:
Ben Webster (on 1941-06-26) and Paul Gonsalves (on 1956-01-27)
trombone:
Lawrence Brown (jazz trombonist) (on 1941-06-26), Joe "Tricky Sam" Nanton (on 1941-06-26), Juan Tizol (on 1941-06-26), Quentin Jackson (on 1956-01-27) and Britt Woodman (on 1956-01-27)
trumpet:
Wallace Jones (on 1941-06-26), Rex Stewart (on 1941-06-26), Cootie Williams (on 1941-06-26, on 1956-01-27), William “Cat” Anderson (on 1956-01-27), Willie Cook (US jazz trumpeter) (on 1956-01-27) and Ray Nance (on 1956-01-27)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-27)
lead vocals:
Rosemary Clooney (on 1956-01-27)
orchestra:
Duke Ellington and His Orchestra (on 1956-01-23)
recording of:
I Got It Bad (and That Ain’t Good) (on 1956-01-27)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony and Webster Music Co.
part of:
The Real Book (compilation of jazz standards, volume I)
Rosemary Clooney and Duke Ellington and His Orchestra3:11
11Mood Indigo
alto saxophone:
Johnny Hodges (on 1956-01-23)
alto saxophone and clarinet:
Russell Procope (on 1956-01-23)
baritone saxophone:
Harry Carney (on 1956-01-23)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1956-01-23)
double bass:
Jimmy Woode (on 1956-01-23)
drums (drum set):
Sam Woodyard (on 1956-01-23)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1956-01-23)
tenor saxophone:
Paul Gonsalves (on 1956-01-23)
trombone:
Quentin Jackson (on 1956-01-23) and Britt Woodman (on 1956-01-23)
trumpet:
William “Cat” Anderson (on 1956-01-23), Willie Cook (US jazz trumpeter) (on 1956-01-23), Ray Nance (on 1956-01-23) and Cootie Williams (on 1956-01-23)
valve trombone:
John Sanders (US jazz trombonist) (on 1956-01-23)
lead vocals:
Rosemary Clooney (on 1956-01-23)
recording of:
Mood Indigo (1930 jazz composition and song) (on 1956-01-23)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
Rosemary Clooney and Duke Ellington and His Orchestra6:31
7▶CD: Louis Armstrong & Duke Ellington: Recording Together for the First Time / Duke Ellington & Count Basie: First Time! The Count Meets the Duke
8▶CD: Newport 1958
9▶CD: A Drum Is a Woman
10▶CD: Duke Ellington & Johnny Hodges: Side by Side