The Chart Show: Ultimate Rock 2

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Where the Streets Have No Name
recording of:
Where the Streets Have No Name
lyricist:
Bono (singer of U2)
composer:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International (SESAC)
U24:49
2Suicide Blonde
programming:
Jon and Kirk
assistant engineer:
Brendan Morley and Andy Strange
engineer:
David Nicholas (Australian recording engineer and producer)
producer:
Chris Thomas (UK record producer / remixer)
editor:
Tim Young (mastering engineer)
bass and electric bass guitar [bass]:
Garry Gary Beers
drums (drum set) [drums]:
Jon Farris
drums (drum set) and keyboard [keyboards]:
Jon Farriss
electric guitar [guitar] and guitar:
Andrew Farriss (in band INXS), Tim Farriss and Kirk Pengilly
keyboard [keyboards]:
Andrew Farriss (in band INXS) and Jon Farris
saxophone and background vocals [vocals]:
Kirk Pengilly
lead vocals [vocals]:
Michael Hutchence
vocals:
Michael Hutchence and Kirk Pengilly
phonographic copyright (℗) by:
INXS (in 1990)
phonographic copyright (℗) by:
INXS (label and copyrights holder for INXS) (in 1990)
recorded at:
Rhinoceros Studio 2 in Sydney, New South Wales, Australia and Rhinoceros Studio 2 in Sydney, New South Wales, Australia
mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
recording of:
Suicide Blonde
lyricist:
Michael Hutchence
composer:
Andrew Farriss (in band INXS)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and Tol Muziek (in 1990)
INXS4.13:52
3Walking by Myself
assistant engineer and assistant mixer:
Haydn Bendall (producer and engineer), Stuart Day, Markus Dravs, Steve Fitzmaurice (Irish mixer, songwriter and producer), Noel Harris and Greg Muden
engineer and mixer:
Ian Taylor (rock producer/engineer)
producer:
Gary Moore (Thin Lizzy, blues guitar) and Ian Taylor (rock producer/engineer)
bass guitar:
Andy Pyle
drums (drum set):
Graham Walker (UK drummer)
guitar:
Gary Moore (Thin Lizzy, blues guitar)
harmonica:
Frank Mead
piano:
Mick Weaver
vocals:
Gary Moore (Thin Lizzy, blues guitar)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1990)
cover recording of:
Walking by Myself
lyricist and composer:
Jimmy Rogers (blues artist)
publisher:
Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs US and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Gary Moore4.252:58
4She Sells Sanctuary
recording engineer:
"Syco" Steve Williams (UK recording engineer, aka Syco)
engineer:
Steve Brown (engineer/music producer) and Mark Stent (producer, engineer)
producer:
Steve Brown (engineer/music producer)
bass guitar, keyboard and strings:
Jamie Stewart (bassist with The Cult) (from 1985-07 until 1985-08)
guest drums (drum set):
Nigel Preston (British drummer) (from 1985-07 until 1985-08)
guitar:
William H Duffy (from 1985-07 until 1985-08)
vocals:
Ian Astbury (vocalist for The Cult) (from 1985-07 until 1985-08)
phonographic copyright (℗) by:
Beggars Banquet Ltd. (publisher, copyright company) (in 1985)
recorded at:
Jacobs Studios in Farnham, Surrey, England, United Kingdom (from 1985-07 until 1985-08) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1985-07 until 1985-08)
mixed at:
Dean St. Studios in Soho, Westminster, London (Greater London), England, United Kingdom
music videos:
She Sells Sanctuary by The Cult (British rock band)
part of:
TV Cream: Real 100 Best Singles Ever (number: 25)
recording of:
She Sells Sanctuary (from 1985-07 until 1985-08)
writer:
Ian Astbury (vocalist for The Cult) and Billy Duffy
publisher:
Chappell Music Ltd.
The Cult4.154:19
5Won't Get Fooled Again
engineer:
Glyn Johns
associate producer:
Glyn Johns
producer:
The Who
phonographic copyright (℗) by:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (in 1971)
recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1971-04 until 1971-05)
recording of:
Won’t Get Fooled Again (from 1971-04 until 1971-05)
lyricist and composer:
Pete Townshend (of The Who)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Towser Tunes, Inc.
The Who3.653:39
6Big Log
producer:
Benji Lefevre, Pat Moran (UK male singer, keyboardist sound engineer and producer) and Robert Plant (of Led Zeppelin)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1983) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983)
recording of:
Big Log
composer:
Robbie Blunt, Robert Plant (of Led Zeppelin) and Gerald Woodruffe
publisher:
Bay Music Co., Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) and Talk Time Music, Inc.
Robert Plant4.25:04
7The Boys Are Back in Town
assistant recording engineer:
Neil Hornby
engineer:
Will Reid-Dick
producer:
John Alcock (producer)
acoustic guitar and bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
vocals:
Brian Robertson (Thin Lizzy & Motörhead)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1976), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 272) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 499)
recording of:
The Boys Are Back in Town
lyricist and composer:
Phil Lynott
publisher:
Pippin the Friendly Ranger Music Co. Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and PolyGram Music Publishing (in 1989)
Thin Lizzy4.14:29
8Wind of Change
assistant engineer:
Shay Baby, Attie Bauw, Albert Boekholt and Tom Fletcher (engineer)
engineer:
Erwin Musper and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer) and Scorpions (German rock band)
mixer:
Shay Baby, Erwin Musper and Keith Olsen (US producer and engineer)
acoustic guitar:
Rudolf Schenker (in 1990)
bass guitar:
Francis Buchholz (in 1990)
drums (drum set) and percussion:
Herman Rarebell (drummer, Germany) (in 1990)
electric guitar [lead guitar] and electric guitar [rhythm guitar]:
Matthias Jabs (in 1990) and Rudolf Schenker (in 1990)
guest keyboard:
Koen van Baal (in 1990)
slide guitar:
Matthias Jabs (in 1990)
background vocals:
Francis Buchholz (in 1990), Matthias Jabs (in 1990), Klaus Meine (in 1990), Herman Rarebell (drummer, Germany) (in 1990) and Rudolf Schenker (in 1990)
lead vocals:
Klaus Meine (in 1990)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1990, in 1991) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1990)
recorded at:
Goodnight LA Studios in Van Nuys, California, United States (in 1990) and Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1990)
mixed at:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Wind of Change (in 1990)
lyricist and composer:
Klaus Meine
publisher:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions3.45:14
9Can't Get Enough
recording engineer and mixer:
Ron Nevison
engineer:
Ron Fawcus (task: tape operator)
producer:
Bad Company (British blues-rock supergroup)
bass:
Boz Burrell (English musician) (in 1973-11)
drums (drum set):
Simon Kirke (in 1973-11)
guitar:
Mick Ralphs (in 1973-11)
guitar [second guitar] and lead vocals:
Paul Rodgers (in 1973-11)
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1974)
recorded at:
Headley Grange (Grade II listed building, best known for its use as a recording and rehearsal venue in the 1960s–70s) in Hampshire, England, United Kingdom (in 1973-11)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Can’t Get Enough (in 1973-11)
lyricist and composer:
Mick Ralphs
publisher:
Badco Music, Inc.
Bad Company3.654:16
10Crazy
engineer:
Robin Hancock (UK music engineer/remixer/producer), Tony Phillips (engineer, mix, remix credits) and Ren Swan
producer:
Trevor Horn
mixer:
Trevor Horn and Tony Phillips (engineer, mix, remix credits)
lead vocals:
Seal (English‐born singer and songwriter)
recorded at and mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
music videos:
Crazy by Seal (English‐born singer and songwriter)
recording of:
Crazy (Seal song)
writer:
Seal (English‐born singer and songwriter) and Guy Sigsworth
publisher:
Beethoven Street Music Ltd and Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Seal3.754:32
11Higher Love
mixer:
Tom Lord‐Alge
guitar:
Nile Rodgers
keyboard:
David Frank (American keyboardist, producer, writer; The System)
vocals:
Chaka Khan
recording of:
Higher Love
writer:
Will Jennings and Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America and Willin' David Music
Steve Winwood4.55:50
12Proud Mary
producer:
John Fogerty
bass guitar:
Stu Cook (in 1968)
drums (drum set):
Doug Clifford (in 1968)
guitar:
John Fogerty (in 1968) and Tom Fogerty (in 1968)
vocals:
John Fogerty (in 1968)
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy, Inc. (not for release label use!) (in 1969) and Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 152) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 155)
recording of:
Proud Mary (in 1968)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (on 1968-12-27) and Jondora Musikverlag (publisher) (in 1970)
Creedence Clearwater Revival4.33:09
13My Brother Jake
recording of:
My Brother Jake
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
Free42:56
14Cuddly Toy
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1988)
recording of:
Cuddly Toy
lyricist and composer:
Andrew Roachford
publisher:
Kassner Associated Publishers, PolyGram Music Publishing Ltd. and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Roachford3.63:51
15Black Magic Woman
cover recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
Santana3:35
16Hocus Pocus
recording engineer:
Jerry Boys (from 1971-04-13 until 1971-05-14)
performer:
Focus (Dutch progressive rock group) (from 1971-04-13 until 1971-05-14)
recording of:
Hocus Pocus (from 1971-04-13 until 1971-05-14)
composer:
Jan Akkerman and Thijs van Leer
Focus4.756:40
2CD
#TitleArtistRatingLength
1Saturday Night's Alright for Fighting
engineer:
David Hentschel
producer:
Gus Dudgeon
bass guitar:
Dee Murray (in 1973-05)
drums (drum set):
Nigel Olsson (in 1973-05)
electric guitar:
Davey Johnstone (in 1973-05)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (in 1973-05)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder) (in 1973)
recorded at:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, France (in 1973-05)
recording of:
Saturday Night’s Alright for Fighting (in 1973-05)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Elton John3.754:57
2Show Me the Way
recording of:
Show Me the Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and United Artists Music Co., Inc.
Peter Frampton3.53:36
3All Fired Up
cover recording of:
All Fired Up
lyricist and composer:
Kerryn Tolhurst (Australian musician)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Pat Benatar4:12
4I Love the Sound of Breaking Glass
recording engineer:
Barry Farmer
producer:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
mixer:
Roger Bechirian
bass guitar:
Andrew Bodnar (bass player)
drums (drum set):
Steve Goulding (English drummer for the Rumour, Mekons, etc.)
guitar:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
piano:
Bob Andrews (keyboardist and producer)
tambourine:
Roger Bechirian
background vocals:
Roger Bechirian and Nick Lowe (UK singer/songwriter/instrumentalist/producer)
recording of:
I Love the Sound of Breaking Glass
lyricist:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
composer:
Andrew Bodnar (bass player), Steve Goulding (English drummer for the Rumour, Mekons, etc.) and Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Nick Lowe43:13
5Battleship Chains (Kick 'n' Lick remix)
engineer, producer and mixer:
Jeff Glixman
remixer:
Jeff Glixman
recorded at:
Cheshire Sound Studios in Atlanta, Georgia, United States
cover recording of:
Battleship Chains
lyricist and composer:
Terry Anderson
publisher:
Funzalo (BMI-affiliated)
The Georgia Satellites2:58
6JessicaThe Allman Brothers Band4:05
7All the Young Dudes
producer:
David Bowie (English singer‐songwriter)
lead vocals:
Ian Hunter (Mott the Hoople)
arranger:
David Bowie (English singer‐songwriter)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1972), CBS, Inc. (US broadcasting company; file no releases here!) (in 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972, in 1976)
part of:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 166) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 253)
recording of:
All the Young Dudes
lyricist and composer:
David Bowie (English singer‐songwriter)
publisher:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Tintoretto Music
sub-publisher:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Mott the Hoople4.23:31
8You Ain't Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. and Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:34
9Days of No Trust
recording of:
Days of No Trust
writer:
Tony Clarkin
publisher:
Tritec Songs Ltd. (publisher) (in 1988)
Magnum3:45
10Rocky Mountain Way
producer:
Bill Szymczyk and Joe Walsh (Eagles/James Gang)
bass guitar and guitar:
Kenny Passarelli (Bass, piano) (from 1972 until 1973) and Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
drums (drum set), electric piano, percussion and piano:
Joe Vitale (from 1972 until 1973)
keyboard:
Rocke Grace (from 1972 until 1973), Joe Vitale (from 1972 until 1973) and Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
synthesizer and lead vocals:
Joe Walsh (Eagles/James Gang) (from 1972 until 1973)
background vocals:
Rocke Grace (from 1972 until 1973) and Kenny Passarelli (Bass, piano) (from 1972 until 1973)
phonographic copyright (℗) by:
Geffen Records (in 1973)
recording of:
Rocky Mountain Way (from 1972 until 1973)
writer:
Rocke Grace, Kenny Passarelli (Bass, piano), Joe Vitale and Joe Walsh (Eagles/James Gang)
publisher:
Songs of Universal, Inc. (BMI)
Joe Walsh3.75:17
11I Want You to Want Me
engineer:
Antonio Reale
producer:
Tom Werman
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Kendun Recorders in Burbank, California, United States (in 1977)
mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1977)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 266)
recording of:
I Want You to Want Me (in 1977)
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
part of:
10 Things I Hate About You
Cheap Trick4.153:07
12Down Under
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
bass:
John Rees
drums (drum set):
Jerry Speiser (drummer for Men at Work)
guitar:
Ron Strykert
keyboard and woodwind:
Greg Ham (member of Men at Work)
vocals:
Colin Hay
phonographic copyright (℗) by:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) and Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
part of:
triple j’s Hottest 100 of Australian Songs (number: 21) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
lyricist:
Colin Hay
composer:
Colin Hay and Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Men at Work3.953:43
13Live It Up
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
phonographic copyright (℗) by:
Syray Pty. Limited (Australian record company copyright holder and distributor) (in 1984), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1986) and Festival Records (Australian) (in 1999)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia
recording of:
Live It Up
lyricist and composer:
Greedy Smith (Australian musician and songwriter with Mental As Anything)
publisher:
Syray Music and Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything3.253:50
14FreebirdLynyrd Skynyrd3:33