Angel Eyes

~ Release by Chris Connor with Hank Jones Trio (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Unforgettable
engineer:
Jim Anderson (engineer)
producer:
Todd Barkan (producer) and 木全信
performer:
Chris Connor (jazz singer) (in 1991), Keith Copeland (in 1991), Hank Jones (piano) (in 1991) and George Mraz (jazz bassist) (in 1991)
arranger:
Sir Richard Rodney Bennett (English composer)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (in 1991)
recording of:
Unforgettable (in 1991)
lyricist and composer:
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) and Bourne Music Ltd.
3:55
2It Might As Well Be Spring
engineer:
Jim Anderson (engineer)
producer:
Todd Barkan (producer) and 木全信
performer:
Chris Connor (jazz singer) (in 1991), Keith Copeland (in 1991), Hank Jones (piano) (in 1991) and George Mraz (jazz bassist) (in 1991)
arranger:
Sir Richard Rodney Bennett (English composer)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (in 1991)
cover recording of:
It Might as Well Be Spring (State Fair) (in 1991)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
3:35
3Angel Eyes
engineer:
Jim Anderson (engineer)
producer:
Todd Barkan (producer) and 木全信
performer:
Chris Connor (jazz singer) (in 1991), Keith Copeland (in 1991), Hank Jones (piano) (in 1991) and George Mraz (jazz bassist) (in 1991)
arranger:
Sir Richard Rodney Bennett (English composer)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (in 1991)
recording of:
Angel Eyes (1946 jazz standard) (in 1991)
lyricist:
Earl Brent (in 1946)
composer:
Matt Dennis (American singer, pianist, band leader) (in 1946)
publisher:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) and Onyx Music Corporation
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
7:10
4You Make Me Feel So Young
engineer:
Jim Anderson (engineer)
producer:
Todd Barkan (producer) and 木全信
performer:
Chris Connor (jazz singer) (in 1991), Keith Copeland (in 1991), Hank Jones (piano) (in 1991) and George Mraz (jazz bassist) (in 1991)
arranger:
Sir Richard Rodney Bennett (English composer)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (in 1991)
recording of:
You Make Me Feel So Young (in 1991)
lyricist:
Mack Gordon
composer:
Josef Myrow
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
version of:
E bi eit barn med deg
4:23
5The Nearness Of You
engineer:
Jim Anderson (engineer)
producer:
Todd Barkan (producer) and 木全信
performer:
Chris Connor (jazz singer) (in 1991), Keith Copeland (in 1991), Hank Jones (piano) (in 1991) and George Mraz (jazz bassist) (in 1991)
arranger:
Sir Richard Rodney Bennett (English composer)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (in 1991)
cover recording of:
The Nearness of You (in 1991)
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
6:02
6I Get A Kick Out Of You
engineer:
Jim Anderson (engineer)
producer:
Todd Barkan (producer) and 木全信
performer:
Chris Connor (jazz singer) (in 1991), Keith Copeland (in 1991), Hank Jones (piano) (in 1991) and George Mraz (jazz bassist) (in 1991)
arranger:
Sir Richard Rodney Bennett (English composer)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (in 1991)
recording of:
I Get a Kick Out of You (in 1991)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
4:32
7All Alone~What’ll I Do
engineer:
Jim Anderson (engineer)
producer:
Todd Barkan (producer) and 木全信
performer:
Chris Connor (jazz singer) (in 1991), Keith Copeland (in 1991), Hank Jones (piano) (in 1991) and George Mraz (jazz bassist) (in 1991)
arranger:
Sir Richard Rodney Bennett (English composer)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (in 1991)
4:59
8This Can’t Be Love
engineer:
Jim Anderson (engineer)
producer:
Todd Barkan (producer) and 木全信
performer:
Chris Connor (jazz singer) (in 1991), Keith Copeland (in 1991), Hank Jones (piano) (in 1991) and George Mraz (jazz bassist) (in 1991)
arranger:
Sir Richard Rodney Bennett (English composer)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (in 1991)
cover recording of:
This Can’t Be Love (in 1991)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Warner/Chappell (Warner/Chappell Music, Inc.)
2:42
9That Old Devil Called Love
engineer:
Jim Anderson (engineer)
producer:
Todd Barkan (producer) and 木全信
performer:
Chris Connor (jazz singer) (in 1991), Keith Copeland (in 1991), Hank Jones (piano) (in 1991) and George Mraz (jazz bassist) (in 1991)
arranger:
Sir Richard Rodney Bennett (English composer)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (in 1991)
recording of:
That Ole Devil Called Love (in 1991)
lyricist:
Doris Fisher (in 1944)
composer:
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) and Universal/MCA Music Ltd. (not for release label use!)
4:13
10Lover
engineer:
Jim Anderson (engineer)
producer:
Todd Barkan (producer) and 木全信
performer:
Chris Connor (jazz singer) (in 1991), Keith Copeland (in 1991), Hank Jones (piano) (in 1991) and George Mraz (jazz bassist) (in 1991)
arranger:
Sir Richard Rodney Bennett (English composer)
recorded at:
Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States (in 1991)
cover recording of:
Lover (in 1991)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:46