Groundhog Day

~ Veröffentlichung von George Fenton (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1CD
Nr.TitelKünstlerBewertungLänge
1Weatherman
Techniker(in):
John Richards (engineer)
Produzent(in):
George Fenton (English score composer)
Editing:
Sally Boldt
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Weatherman
Orchestrator(in):
Jeff Atmajian
Komponist(in):
George Fenton (English score composer)
Delbert McClinton4:17
2Clouds
Techniker(in):
John Richards (engineer)
Produzent(in):
George Fenton (English score composer)
Editing:
Sally Boldt
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Clouds
Orchestrator(in):
Jeff Atmajian
Komponist(in):
George Fenton (English score composer)
George Fenton1:10
3I Got You Babe
vocals:
Sonny Bono (in 1965) und Cher (in 1965)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1965)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 331) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 444)
recording of:
I Got You Babe (in 1965)
Texter und Komponist(in):
Sonny Bono
publisher:
Carlin Music, Chris Marc Music, Cotillion Music (BMI) und Warner/Chappell Music Ltd. (1996–2019)
Sonny & Cher43:12
4The Groundhog
Techniker(in):
John Richards (engineer)
Produzent(in):
George Fenton (English score composer)
Editing:
Sally Boldt
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
The Groundhog
Orchestrator(in):
Jeff Atmajian
Komponist(in):
George Fenton (English score composer)
George Fenton2:07
5Take Me Round Again
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
Susie Stevens3:05
6Drunks
Techniker(in):
John Richards (engineer)
Produzent(in):
George Fenton (English score composer)
Editing:
Sally Boldt
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Drunks
Orchestrator(in):
Jeff Atmajian
Komponist(in):
George Fenton (English score composer)
George Fenton2:18
7Pennsylvania Polka
Frankie Yankovic and His Yanks2:24
8You Like Boats but Not the Ocean
Techniker(in):
John Richards (engineer)
Produzent(in):
George Fenton (English score composer)
Editing:
Sally Boldt
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
You Like Boats but Not the Ocean
Orchestrator(in):
Jeff Atmajian
Komponist(in):
George Fenton (English score composer)
George Fenton1:40
9Phil Gets the Girl
Techniker(in):
John Richards (engineer)
Produzent(in):
George Fenton (English score composer)
Editing:
Sally Boldt
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Phil Gets the Girl
Orchestrator(in):
Jeff Atmajian
Komponist(in):
George Fenton (English score composer)
George Fenton3:31
10Phil Steals the Money
Techniker(in):
John Richards (engineer)
Produzent(in):
George Fenton (English score composer)
Editing:
Sally Boldt
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Phil Steals the Money
Orchestrator(in):
Jeff Atmajian
Komponist(in):
George Fenton (English score composer)
George Fenton1:20
11You Don't Know Me
Ottmar Liebert & Luna Negra4:12
12The Kidnap and the Quarry
Techniker(in):
John Richards (engineer)
Produzent(in):
George Fenton (English score composer)
Editing:
Sally Boldt
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
The Kidnap and the Quarry
Orchestrator(in):
Jeff Atmajian
Komponist(in):
George Fenton (English score composer)
George Fenton2:50
13Sometimes People Just Die
Techniker(in):
John Richards (engineer)
Produzent(in):
George Fenton (English score composer)
Editing:
Sally Boldt
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
Sometimes People Just Die
Orchestrator(in):
Jeff Atmajian
Komponist(in):
George Fenton (English score composer)
George Fenton1:39
14Eighteenth Variation From Rhapsodie on a Theme of Paganini
George Fenton3:34
15Medley: Phil's Piano Solo
George Fenton1:49
16The Ice Sculpture
Techniker(in):
John Richards (engineer)
Produzent(in):
George Fenton (English score composer)
Editing:
Sally Boldt
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
The Ice Sculpture
Orchestrator(in):
Jeff Atmajian
Komponist(in):
George Fenton (English score composer)
George Fenton2:05
17A New Day
Techniker(in):
John Richards (engineer)
Produzent(in):
George Fenton (English score composer)
Editing:
Sally Boldt
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
aufgenommen bei:
The Burbank Studios in Burbank, California (Kalifornien), Vereinigte Staaten
recording of:
A New Day
Orchestrator(in):
Jeff Atmajian
Komponist(in):
George Fenton (English score composer)
George Fenton1:26
18Almost Like Being in Love
Bongos:
Jack Costanzo (am 1953-01-28)
Gitarre:
John Collins (US jazz guitarist) (am 1953-01-28)
Klavier:
Buddy Cole (am 1953-01-28) und Nat King Cole (am 1953-01-28)
Kontrabass:
Charlie Harris (jazz bassist) (am 1953-01-28)
Posaune:
Milt Bernhart (am 1953-01-28), Ed Kusby (am 1953-01-28), Jimmy Priddy (am 1953-01-28) und Si Zentner (am 1953-01-28)
Saxophon:
Jack Dumont (am 1953-01-28), Skeets Herfurt (am 1953-01-28), Joe Koch (am 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1953-01-28) und Buck Skalak (am 1953-01-28)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1953-01-28)
Trompete:
Pete Candoli (am 1953-01-28), Manny Klein (am 1953-01-28), Shorty Sherock (am 1953-01-28) und Rubin "Zeke" Zarchy (am 1953-01-28)
vocals:
Nat King Cole (am 1953-01-28)
Orchester:
Nelson Riddle and His Orchestra (am 1953-01-28)
conductor:
Nelson Riddle (am 1953-01-28)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-01-28)
recording of:
Almost Like Being in Love (from “Brigadoon”) (am 1953-01-28)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
Nat King Cole1:52