Mod: The Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

| |
1▼CD
#TitoloArtistaValutazioneDurata
1Green Onions
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1962-06)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (nel 1962-06)
chitarra :
Steve Cropper (nel 1962-06)
chitarra basso [bass] :
Lewie Steinberg (nel 1962-06)
organo Hammond :
Booker T. Jones (nel 1962-06)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 181) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 418)
registrazione di:
Green Onions (nel 1962-06)
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s3.852:53
2Here I Go Again
registrata a:
Philadelphia, Pennsylvania, Stati Uniti (il 1969-05-16)
archi :
Don Renaldo and His String Section (il 1969-05-16)
basso [electric bass] :
Ronnie Baker (bass) (il 1969-05-16)
batteria :
Earl Young (il 1969-05-16)
chitarra :
Roland Chambers (il 1969-05-16) e Norman Harris (American Philly Soul guitarist, producer, and songwriter) (il 1969-05-16)
corno :
Sam Reed and His Horn Section (il 1969-05-16)
organo :
Thom Bell (keyboards, songwriter, producer) (il 1969-05-16)
pianoforte :
Leon Huff (Philly soul producer, of Gamble & Huff) (il 1969-05-16)
vibrafono :
Bobby Martin (US soul/R&B producer/arranger) (il 1969-05-16)
voce:
Archie Bell (vocals, of Archie Bell & the Drells) (il 1969-05-16)
arrangiatore:
Thom Bell (keyboards, songwriter, producer) e Leon Huff (Philly soul producer, of Gamble & Huff)
Archie Bell & the Drells52:05
3Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (publisher; do NOT use as release label)
adattamenti:
Verlga norih
Aretha Franklin4.252:41
4Something Good (Is Going to Happen to You)
voce:
Carla Thomas
Carla Thomas2:29
5Last Night
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1961-09)
produttore:
Chips Moman e Jim Stewart (US producer, founder for Stax & Volt Records)
basso [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1961-09)
batteria :
Terry Johnson (drums) (nel 1961-09)
chitarra :
Steve Cropper (nel 1961-09)
organo :
Booker T. Jones (nel 1961-09)
sassofono baritono :
Don Nix (nel 1961-09)
sassofono tenore :
Charles Axton (nel 1961-09)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1961-09)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 28)
registrazione di:
Last Night (nel 1961-09)
autore:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith e Floyd Newman
compositore:
The Mar‐Keys
The Mar‐Keys42:33
6Looking for a Fox
tecnico di registrazione e produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
basso :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1967-11-10)
batteria :
Roger Hawkins (drummer and producer) (il 1967-11-10)
chitarra :
Clarence Carter (il 1967-11-10)
organo :
Barry Beckett (il 1967-11-10)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-11-10), Andrew Love (il 1967-11-10) e Aaron Varnell (il 1967-11-10)
tromba :
Gene Miller (American trumpeter) (il 1967-11-10) e Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1967-11-10)
voce:
Clarence Carter (il 1967-11-10)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-11-10)
registrazione di:
Looking for a Fox
autore:
Clarence Carter, Marcus Daniel, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) e Wilbur Terrell
Clarence Carter2:13
7Satisfied
Ben Aiken2:35
8Cool Jerk
The Capitols2:29
9Respect
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-07-09)
tecnico di registrazione:
Tom Dowd
produttore:
Steve Cropper e Jim Stewart (US producer, founder for Stax & Volt Records)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (il 1965-07-09)
chitarra :
Steve Cropper (il 1965-07-09)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-07-09)
sassofono baritono :
Floyd Newman (il 1965-07-09)
sassofono tenore :
Andrew Love (il 1965-07-09)
tastiera :
Booker T. Jones (nel 1965-07) e Isaac Hayes (il 1965-07-09)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (nel 1965-07) e Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-07-09)
voce di accompagnamento:
Earl Sims (il 1965-07-09)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (dal 1965-07-09 al 1965-07-10)
registrazione di:
Respect (nel 1965-07)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Otis Redding3.852:03
10You’re Ready Now
Frankie Valli2:14
11Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke (American singer and songwriter, “King of Soul”) e Otis Redding
editore:
ABKCO Music e Rondor
si basa su:
Yeah Man
Arthur Conley42:17
12B‐A‐B‐Y
registrazione di:
B-A-B-Y (nel 1966)
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner/Chappell North America
Carla Thomas4.252:52
13Walkin’ Up a One Way Street
Willie Tee2:40
14I Can’t Break the News to Myself
registrazione di:
I Can’t Break the News to Myself
autore:
Larry Harrison e Jimmy Williams (50s/60s US funk/soul songwriter)
Ben E. King42:28
15I’m Gonna Run Away From You
registrazione di:
I’m Gonna Run Away From You
paroliere e compositore:
Bert Russell Berns
Tami Lynn2:44
16Beggin’
produttore:
Bob Crewe
direttore d'orchestra:
Bob Crewe
arrangiatore:
Artie Schroeck
registrazione di:
Beggin’ (nel 1967)
autore:
Peggy Farina e Bob Gaudio
editore:
EMI Longitude Music, Saturday Music, Inc. e Seasons Four Music Corp.
The Four Seasons2:43
17Me and My Baby
registrazione di:
Me and My Baby
autore:
Sonny Sanders e Barrett Strong
Mary Wells2:00
18Stupidity
produttore:
Bert Russell Berns
voce:
Solomon Burke
registrazione di:
Stupidity
autore:
Solomon Burke
editore:
Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Solomon Burke1:51
19You Got to Pay Your Dues
The Drifters2:31
20Baby Help Me
registrazione di:
Baby Help Me
paroliere e compositore:
Bobby Womack
Percy Sledge2:26
21Mr. Creator
registrazione di:
Mr. Creator
autore:
Nickolas Ashford e Valerie Simpson
The Apollas2:37
22Hold On, I’m Coming
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-03-08)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Sam & Dave (il 1966-03-08)
registrazione di:
Hold On, I’m Comin’ (il 1966-03-08)
autore:
Isaac Hayes, Hayes, Porter e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:33
23You Forgot How to Love
Patti LaBelle & The Bluebelles2:22
24What’cha Gonna Do About It
registrazione di:
Whatcha Gonna Do About It
autore:
Gregory Carroll, Rex Garvin e Doris Payne
editore:
Rachel Music Ltd.
Doris Troy1:50
25Walk On By
voce:
Dionne Warwick
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 70), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 129)
registrazione di:
Walk On By
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., BMG Rights Management (UK) Ltd. (Hal David), Carlin Music Corporation, Casa David, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), JAC Music Co., Inc., New Hidden Valley Music Co., Rondor Music (Australia) Pty Ltd, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music, Inc., Windswept Music (London) Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dionne Warwick4.752:55
2▼CD
#TitoloArtistaValutazioneDurata
1Seven Days Too Long
Chuck Wood2:18
2Open the Door to Your Heart
Darrell Banks2:33
3Knock on Wood
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-07-13)
produttore:
Steve Cropper
batteria [drums] :
Al Jackson (Booker T & The MGs drummer) (il 1966-07-13)
chitarra :
Steve Cropper (il 1966-07-13)
chitarra basso [bass] :
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1966-07-13)
organo :
Booker T. Jones (il 1966-07-13)
pianoforte :
Isaac Hayes (il 1966-07-13) e Booker T. Jones (il 1966-07-13)
sassofono baritono :
probably Floyd Newman
sassofono tenore :
probably Andrew Love (il 1966-07-13)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1966-07-13)
voce:
Eddie Floyd (il 1966-07-13)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrazione di:
Knock on Wood (il 1966-07-13)
autore:
Steve Cropper e Eddie Floyd
editore:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
adattamenti:
Potkraj na les
Eddie Floyd43:04
4Somebody (Somewhere) Needs Me
registrazione di:
Somebody, Somewhere Needs You
autore:
Marc Gordon (soul songwriter, producer, and manager) e Frank Wilson (Motown singer/songwriter)
editore:
EMI Music Publishing (do not use as a release label!)
Ike & Tina Turner2:33
5You’ve Got That Something Wonderful
Percy Sledge2:21
6In the Midnight Hour
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-05-12)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records) e Jerry Wexler
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-05-12)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-05-12)
chitarra :
Steve Cropper (il 1965-05-12)
pianoforte :
Joe Hall (Memphis pianist) (il 1965-05-12)
sassofono baritono :
Floyd Newman (il 1965-05-12)
sassofono tenore :
Charles “Packy” Axton (il 1965-05-12) e Andrew Love (il 1965-05-12)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-05-12)
voce:
Wilson Pickett (il 1965-05-12)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965, nel 1992) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (il 1965-05-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 134) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 218)
registrazione di:
In the Midnight Hour (il 1965-05-12)
autore:
Steve Cropper e Wilson Pickett
editore:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. e Irving Music, Inc.
Wilson Pickett32:33
7Respect
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
basso :
Tommy Cogbill (il 1967-02-14)
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
pianoforte :
Dewey "Spooner" Oldham (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
tromba :
Melvin Lastie (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin42:24
8I’ll Be Loving You
Soul Brothers Six2:16
9Ooh Baby
Deon Jackson2:34
10Just One Look
registrata a:
New York, New York, Stati Uniti (il 1963-03-05)
produttore:
Artie Ripp
basso :
Barney Richmond (il 1963-03-05)
batteria :
Bruno Carr (il 1963-03-05)
chitarra :
Napoleon "Snags" Allen (il 1963-03-05)
pianoforte :
Horace Ott (il 1963-03-05)
voce:
Doris Troy (il 1963-03-05)
voce di accompagnamento [harmony vocals] e voce principale:
Doris Troy (il 1963-03-05)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 7) e Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 29)
registrazione di:
Just One Look (il 1963-03-05)
autore:
Gregory Carroll e Doris Payne
editore:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:27
11Crazy Baby
The Coasters1:58
12Slip Away
tecnico di registrazione e produttore:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
basso :
David Hood (Muscle Shoals, AL guitarist and trombonist) (il 1968-04-08)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-08)
chitarra :
Clarence Carter (il 1968-04-08)
organo :
Barry Beckett (il 1968-04-08)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-08), Andrew Love (il 1968-04-08) e Aaron Varnell (il 1968-04-08)
tromba :
Gene Miller (American trumpeter) (il 1968-04-08) e Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-08)
voce:
Clarence Carter (il 1968-04-08)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (il 1968-04-08)
registrazione di:
Slip Away (il 1968-04-08)
autore:
William Armstrong, Marcus Daniel e Wilbur Terrell
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.52:28
13Things Get Better
registrazione di:
Things Get Better
autore:
Steve Cropper, Eddie Floyd e Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
editore:
Irving Music (BMI), Rondor Music (London) Ltd. e Warner/Chappell North America
Eddie Floyd2:20
14Kiss My Love Goodbye
registrazione di:
Kiss My Love Goodbye
autore:
Tony Bell (American 1970s musician, songwriter & engineer) e Phil Hurtt
Bettye Swann3:18
15You Hit Me (Right Where It Hurt Me)
Alice Clark2:50
16Just Say Goodbye
registrazione cover di:
Just Say Goodbye (il 1965-12-22)
compositore:
Ruth Grant e Rogers Grant
Esther Phillips2:15
17Philly Dog
registrata a:
New York, New York, Stati Uniti (il 1966-05-26)
produttore:
Nesuhi Ertegun
flauto :
Herbie Mann (il 1966-05-26)
direttore d'orchestra:
Jimmy Wisner (pianist, producer and songwriter) (il 1966-05-26)
arrangiatore:
Jimmy Wisner (pianist, producer and songwriter)
registrazione strumentale di:
Philly Dog (il 1966-05-26)
autore:
Rufus Thomas (US blues & funk singer & songwriter)
Herbie Mann2:25
18The Return of the Prodigal Son
produttore:
Arif Mardin
basso :
Bob Cunningham (il 1966-10-19)
batteria :
Otis Ray Appleton (il 1966-10-19)
flicorno soprano e tromba :
Freddie Hubbard (il 1966-10-19)
percussione :
Ray Barretto (il 1966-10-19)
pianoforte :
Albert Dailey (il 1966-10-19)
sassofono contralto e flauto :
James Spaulding (jazz) (il 1966-10-19)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1966-10-19)
registrazione di:
Return of the Prodigal Son (il 1966-10-19)
compositore:
Harold Ousley
Freddie Hubbard45:39
19Dance Dance Dance
registrazione di:
Dance, Dance, Dance (Casualeers song)
autore:
John Giametta e Rod McBrien
The Casualeers2:39
20Memphis Soul Stew
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-07-05)
produttore:
King Curtis (saxophonist)
batteria [drums] :
Gene Chrisman (il 1967-07-05)
chitarra :
R.F. Taylor (guitarist) (il 1967-07-05) e Reggie Young (guitarist and songwriter) (il 1967-07-05)
chitarra basso [bass] :
Tommy Cogbill (il 1967-07-05)
organo :
Bobby Emmons (il 1967-07-05)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1967-07-05)
sassofono baritono :
Floyd Newman (il 1967-07-05)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-07-05), King Curtis (saxophonist) (il 1967-07-05) e Jimmy Mitchell (saxophone) (il 1967-07-05)
tromba :
Bowlegs Miller (American trumpeter) (il 1967-07-05)
voce:
King Curtis (saxophonist) (il 1967-07-05)
registrazione di:
Memphis Soul Stew (il 1967-07-05)
autore:
Curtis Ousley
editore:
Kilynn Music Publishing, Inc. e Pronto Music (publisher)
King Curtis2:55
21Knucklehead
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1967)
armonica (a bocca) :
Booker T. Jones (nel 1967)
basso [electric bass] :
James Alexander (US soul bassist, singer and songwriter) (nel 1967)
batteria :
Carl Cunningham (drummer for The Bar‐Kays) (nel 1967)
chitarra :
Jimmy King (US guitarist for The Bar‐Kays) (nel 1967)
organo :
Ronnie Caldwell (nel 1967)
sassofono tenore :
Phalon Jones (nel 1967)
tromba :
Ben Cauley (nel 1967)
The Bar‐Kays2:19
22Mama Soul
registrazione di:
Mama Soul
autore:
Charlie Ingui e Richie Ingui
The Soul Survivors2:35
23Seventh Son (live)
Mose Allison2:34
24I’m the One Who Loves You
produttore:
Ron Richards
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1964-06-11)
registrazione cover di:
I’m the One Who Loves You
autore:
Curtis Mayfield
editore:
EMI Music Publishing (do not use as a release label!) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Paramounts2:06
25What’d I Say (Part 1)
produttore:
Ahmet Ertegun (US songwriter/producer) e Jerry Wexler
basso :
Edgar Willis (bass) (il 1959-02-18)
batteria :
Milt Turner (il 1959-02-18)
pianoforte elettrico :
Ray Charles (soul musician, singer and songwriter) (il 1959-02-18)
sassofono baritono :
Hank Crawford (il 1959-02-18)
sassofono contralto e sassofono tenore :
David “Fathead” Newman (American jazz saxophonist) (il 1959-02-18)
tromba :
Marcus Belgrave (il 1959-02-18)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1959-02-18)
voce di accompagnamento:
The Raelettes (il 1959-02-18)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1959-02-18)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 1)
registrazione parziale di:
What’d I Say (il 1959-02-18)
paroliere e compositore:
Ray Charles (soul musician, singer and songwriter)
editore:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles53:10
3▼CD
#TitoloArtistaValutazioneDurata
1Tainted Love
tecnico:
Mike Stavrou (producer/engineer) e Gary Ulmer
produttore:
Marc Bolan e Gloria Jones (US singer/songwriter, known for “Tainted Love”)
registrazione di:
Tainted Love (nel 1976)
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Gloria Jones32:40
2Somebody (Somewhere Needs You)
Darrell Banks2:27
3Soul Finger
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1967)
produttore:
The Stax Staff
basso elettrico [electric bass] :
James Alexander (US soul bassist, singer and songwriter) (nel 1967)
batteria :
Carl Cunningham (drummer for The Bar‐Kays) (nel 1967)
chitarra :
Jimmy King (US guitarist for The Bar‐Kays) (nel 1967)
organo :
Ronnie Caldwell (nel 1967)
sassofono tenore :
Phalon Jones (nel 1967)
tromba :
Ben Cauley (nel 1967)
registrazione di:
Soul Finger (nel 1967)
autore:
Ronnie Caldwell, Ben Cauley, Carl Cunningham (drummer for The Bar‐Kays), James Alexander (US soul bassist, singer and songwriter), Phalon Jones e Jimmy King (US guitarist for The Bar‐Kays)
The Bar‐Kays4.52:18
4Comin’ Home Baby
Mel Tormé2:37
5Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1992) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1992)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
registrazione di:
Land of 1000 Dances
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd., Thursday Music Corp. e Tune-Kel
Wilson Pickett42:22
6Angel Baby (Don’t You Ever Leave Me)
Darrell Banks2:52
7Philly Dog
registrazione di:
Philly Dog
autore:
Rufus Thomas (US blues & funk singer & songwriter)
The Mar‐Keys2:14
8Hold On (I’m Coming)
registrazione cover di:
Hold On, I’m Comin’
autore:
Isaac Hayes, Hayes, Porter e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Cliff Bennett & the Rebel Rousers2:16
9Keep On Talking
registrazione cover di:
Keep on Talking
autore:
Dewey Oldham e Dan Penn (songwriter, soul singer)
editore:
Fame Publishing Company LLC (affiliated to BMI) e Screen Gems–EMI Music Ltd.
sub-editore:
Warner Chappell Music France
Arthur Conley2:28
10Mr. Pitiful
registrazione di:
Mr. Pitiful
paroliere e compositore:
Steve Cropper e Otis Redding
editore:
Irving Music, Inc.
Otis Redding2:30
11The Sidewinder
registrazione di:
The Sidewinder
compositore:
Lee Morgan (jazz trumpeter / composer)
editore:
Windswept Pacific Music Ltd.
Herbie Mann & Tamiko Jones3:02
12Both Ends Against the Middle
Jackie Moore2:26
13The Watusi: Killer Joe
Killer Joe Piro2:11
14Go for Yourself
Larry Laster2:32
15Something New to Do
Bobby Sheen2:29
16I Can’t Stop Lovin’ My Baby
Linda Jones2:02
17Big Bird
produttore:
Booker T. Jones
registrazione di:
Big Bird
paroliere e compositore:
Eddie Floyd e Booker T. Jones
Eddie Floyd2:56
18I’m Getting Weaker
The Soul Shakers2:30
19Got to Find a Way
Cajun Hart3:04
20Just Can’t Get Enough of You
produttore:
Dick Glasser
arrangiatore:
Gene Page (conductor, composer, arranger and record producer)
registrazione di:
Just Can’t Get Enough of You
autore:
Jo Armstead, Nickolas Ashford e Valerie Simpson
The Apollas2:23
21Mean It Baby
Carl Hall2:34
22If You Don’t Come Back
registrata a:
New York, New York, Stati Uniti (il 1963-04-12)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1963-04-12)
voce di baritono:
Eugene Pearson (il 1963-04-12)
voce di basso:
Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (il 1963-04-12)
voce di tenore:
Rudy Lewis (il 1963-04-12), Johnny Moore (soul/rnb vocalist for The Drifters) (il 1963-04-12) e Charlie Thomas (The Drifters) (il 1963-04-12)
registrazione di:
If You Don’t Come Back
autore:
Jerry Leiber e Mike Stoller
editore:
Jerry Leiber Music e Mike Stoller Music (ASCAP)
The Drifters2:34
23A Good Thing (Is Hard to Come By)
registrata a:
New York, New York, Stati Uniti (il 1966-11-23)
tecnico di registrazione:
Tom Dowd
produttore:
Ahmet Ertegun (US songwriter/producer)
basso :
Victor Gaskin (il 1966-11-23)
batteria :
Roy McCurdy (jazz drummer for Cannonball Adderly) (il 1966-11-23)
chitarra basso :
Everett Barksdale (il 1966-11-23)
flauto :
Herbie Mann (il 1966-11-23)
percussione :
Carlos “Patato” Valdés (il 1966-11-23)
pianoforte :
Joe Zawinul (jazz and fusion keyboard player) (il 1966-11-23)
vibrafono :
Roy Ayers (il 1966-11-23)
voce:
Tamiko Jones (il 1966-11-23)
direttore d'orchestra:
Herbie Mann (il 1966-11-23)
arrangiatore:
Joe Zawinul (jazz and fusion keyboard player)
Herbie Mann2:09
24Blues in the Night
Johnnie Taylor3:13
25My Girl Sloopy
The Vibrations3:12
4▼CD
#TitoloArtistaValutazioneDurata
1Some Kind of Wonderful
Soul Brothers Six2:38
2Walking the Dog
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Rufus Thomas (US blues & funk singer & songwriter)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 24)
registrazione di:
Walking the Dog (nel 1963)
paroliere e compositore:
Rufus Thomas (US blues & funk singer & songwriter)
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e East/Memphis Music
Rufus Thomas32:33
3Don’t You Even Care
Leslie Uggams2:00
4Tighten Up
registrazione di:
Tighten Up
paroliere:
Billy Butler (60-70s R&B singer)
compositore:
Archie Bell (vocals, of Archie Bell & the Drells)
Archie Bell & the Drells3:09
5Number One in Your Heart
registrazione cover di:
Number One in Your Heart
autore:
Wilburt Jackson e Clyde Wilson (R&B singer and songwriter)
Herbie Goins & The Night-Timers2:42
6La La La La La
The Blendells2:54
7You Said You Loved Me
registrazione di:
You Said You Loved Me
paroliere e compositore:
Deon Jackson
Deon Jackson2:31
8Man With the Golden Touch
Charles Thomas52:30
9Bring Your Love Back to Me
Linda Lyndell2:06
10I Got My Baby Back
Lorraine Ellison2:15
11You’re Absolutely Right
registrazione cover di:
You’re Absolutely Right (nel 1965)
autore:
Jo Armstead, Nickolas Ashford e Valerie Simpson
The Apollas2:18
12Can’t You See (You’re Losing Me)
registrazione di:
Can’t You See (You’re Losing Me)
autore:
Barrett Strong e Nolan Strong
Mary Wells2:43
13In the Twilight Zone
The Astors2:40
14Frantic Escape
Innocent Bystanders2:14
15Keep On Striving
Moses Smith2:42
16The Reason Why
The Dolls2:21
17Making Love After Hours
tecnico di registrazione:
Phil Iehle e Robert Wright (engineer)
basso :
Major Holley (il 1965-03-14)
batteria :
Charles Crosby (drums) (il 1965-03-14)
pianoforte :
Lonnie Smith (il 1965-03-14)
strumenti a fiato [tenor sax, manzello, stritch, clarinet, flute] :
Roland Kirk (il 1965-03-14)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1965-03-14)
Rahsaan Roland Kirk4:32
18Sho’ Nuff
J.J. Jackson3:02
19Come On, Let Me Love You
Moses Smith3:08
20Everybody Needs Somebody to Love
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 429)
registrazione di:
Everybody Needs Somebody to Love
autore:
Bert Russell Berns, Solomon Burke e Jerry Wexler
editore:
BERT RUSSELL MUSIC L L C 301, EMI Music Publishing Ltd. (PRS‐affiliated), Franco London Music Publishing Corp., Fujipacific Music, Inc., KEETCH CAESAR AND DINO MUSIC INC e Musical Lights Tokyo
Solomon Burke52:42
21Where Did I Go Wrong?
The Embers2:16
22Skiing in the Snow
registrazione cover di:
Skiing in the Snow
autore:
Sandy Linzer e Denny Randell
The Invitations2:37
23Sock It to ’Em J.B.
Rex Garvin & The Mighty Cravers2:38
24Backlash
produttore:
Arif Mardin
basso :
Bob Cunningham (il 1966-10-19, dal 1966-10-19 al 1966-10-24)
batteria :
Otis Ray Appleton (il 1966-10-19) e Ray Appleton (dal 1966-10-19 al 1966-10-24)
flauto :
James Spaulding (jazz) (dal 1966-10-19 al 1966-10-24)
flicorno soprano e tromba :
Freddie Hubbard (il 1966-10-19)
ottoni :
Freddie Hubbard (dal 1966-10-19 al 1966-10-24)
percussione :
Ray Barretto (il 1966-10-19, dal 1966-10-19 al 1966-10-24)
pianoforte :
Albert Dailey (il 1966-10-19, dal 1966-10-19 al 1966-10-24)
sassofono contralto e flauto :
James Spaulding (jazz) (il 1966-10-19)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1966-10-19, dal 1966-10-19 al 1966-10-24)
registrazione di:
Backlash (il 1966-10-19)
compositore:
Donald Pickett
Freddie Hubbard54:12
25Able Mable
produttore:
Al Jackson Jr. (Booker T & The MGs drummer) e Steve Cropper
registrazione di:
Able Mable
autore:
Lillie John e Mable John (blues, R&B and gospel singer)
Mable John2:39