| # | Title | Artist | Rating | Length |
|---|
| 1 | Slave to Love- additional engineer:
- Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee
- assistant engineer:
- Benji Armbrister, Steve Churchyard, Randy Ezratty , Dave Greenberg , Julian Wheatley , Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker
- engineer:
- Rhett Davies
- producer:
- Rhett Davies and Bryan Ferry
- mixer:
- Bob Clearmountain
- lead vocals:
- Bryan Ferry
- phonographic copyright (℗) by:
- E.G. Records Ltd. (in 1985) and Virgin Records Ltd. (in 1985, in 1999, in 2004)
- recorded at:
- AIR Studios in Hampstead, Camden , London , England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London , England, United Kingdom and The White House in Nashville, Tennessee, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- Slave to Love by Bryan Ferry
- recording of:
- Slave to Love
- lyricist and composer:
- Bryan Ferry
- publisher:
- BMG Rights Management (UK) Ltd. , EMI Virgin Music Ltd. , EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (in 1985), E.G. Records Ltd. (in 1985) and Virgin EG Records Ltd. (in 1985)
| Bryan Ferry | 3.65 | 4:27 |
| 2 | He Ain’t Heavy He’s My Brother | Cher | | 3:30 |
| 3 | It Ain’t Over ’til It’s Over | Lenny Kravitz | 4 | 4:04 |
| 4 | Circle in the Sand- recording engineer:
- Steve McMillan
- drums (drum set) [drum] programming:
- Charles Judge and Rick Nowels
- additional engineer:
- Stacy Baird and Robert Feist
- assistant engineer:
- Matthew Freeman , Clark Germaine, Brian Scheuble and Joe Schiff
- additional producer:
- Robert Feist (other vocals [vocal]) and Ellen Shipley (other vocals [vocal])
- producer:
- Rick Nowels
- mixer:
- Shelly Yakus
- acoustic guitar [acoustic guitars]:
- Rick Nowels
- additional guitar:
- Tim Pierce
- additional guitar [guitars]:
- Michael Landau
- additional keyboard [keyboards]:
- Thomas Dolby
- additional percussion:
- Jimmy Bralower and Paulinho da Costa
- bass:
- John Pierce
- drums (drum set) [drums]:
- Kenny Aronoff and Curly Smith
- electric guitar [electric guitars]:
- Dan Huff, John McCurry and Rick Nowels
- guitar [air guitar] and lead vocals:
- Belinda Carlisle
- keyboard [keyboards]:
- Charles Judge and Rick Nowels
- piano [acoustic piano]:
- Charles Judge
- synthesizer [Fairlight]:
- Rhett Lawrence
- vocals:
- Beth Anderson , Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips and Ellen Shipley
- arranger:
- Rick Nowels
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1987), Virgin Records Ltd (in 1987), Artist Management Services Ltd. (in 1988) and Virgin Records, Inc. (in 1988)
- additionally recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States, Hollywood Sound in Los Angeles, California, United States and Music Grinder Studios in Hollywood, Los Angeles, California, United States
- recorded at:
- American Recording and Ocean Way Studio in Hollywood, Los Angeles, California, United States
- mixed at:
- A&M Studios in Hollywood, Los Angeles, California, United States
- recording of:
- Circle in the Sand
- writer:
- Rick Nowels and Ellen Shipley
- publisher:
- Bug Music Ltd., Screen Gems–EMI Music Ltd., Virgin Music (Publishers) Ltd., Future Furniture Music (in 1987) and Shipwreck Music (in 1987)
| Belinda Carlisle | 4.5 | 4:28 |
| 5 | You Light Up My Life | Debby Boone | 5 | 3:37 |
| 6 | I’m on Fire | Barry White | | 5:47 |
| 7 | Licence to Kill | Gladys Knight | 3.35 | 5:16 |
| 8 | You’re Never Alone | Paul Janz | | 4:42 |
| 9 | Unchained Melody- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH , North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| Righteous Brothers | 3 | 3:38 |
| 10 | Let It Be | Joe Cocker | | 5:05 |
| 11 | Midnight Lady | Chris Norman | | 4:11 |
| 12 | Spending All My Life | Glasshouse | | 5:24 |
| 13 | Come Live With Me | Heaven 17 | | 3:35 |
| 14 | You Only | Fairies Welcome | | 5:15 |
| 15 | Maid of Orleans (The Waltz Joan of Arc) | OMD | 2.5 | 4:13 |
| 16 | Amanda- engineer and producer:
- Tom Scholz
- acoustic guitar, arpeggione [guitar violins], bass guitar, effects, electric guitar, electric piano, grand piano, Hammond organ and theatre organ:
- Tom Scholz (from 1980 until 1981)
- drums (drum set):
- Jim Masdea (from 1980 until 1981) and Tom Scholz (from 1980 until 1981)
- lead vocals:
- Brad Delp (from 1980 until 1981)
- arranger:
- Tom Scholz
- phonographic copyright (℗) by:
- Geffen Records (in 1986) and MCA Records, Inc. (in 1986)
- recorded at:
- Tom Scholz Hideaway Studio II in Massachusetts, United States (from 1980 until 1981)
- recording of:
- Amanda (from 1980 until 1981)
- lyricist and composer:
- Tom Scholz
- publisher:
- Copyright Control , EMI Music Publishing Ltd. and Hideaway Hits (in 1986)
| Boston | 4.35 | 4:14 |
| 17 | I Still Believe in You | Vince Gill | 4.5 | 3:59 |
| 18 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:04 |
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