The Art of Martha Argerich

~ Release by Martha Argerich (see all versions of this release, 2 available)

Annotation

Copyright: © 2011 Deutsche Grammophon GmbH, Berlin
℗ 2011 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2026-01-30 16:48 UTC.

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1Scherzo no. 3 in C-sharp minor, op. 39
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960, in 1960-07)
solo instruments:
Martha Argerich (Argentine pianist) (from 1960-07-04 until 1960-07-08)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07, from 1960-07-04 until 1960-07-08)
recording of:
Scherzo no. 3 in C‐sharp minor, op. 39 (in 1960-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
dedicated to:
Adolphe Gutmann
part of:
Works of Fryderyk Chopin by opus number (number: op. 39), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 125) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 199)
recording of:
Scherzo no. 3 in C‐sharp minor, op. 39 (in 1960)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
dedicated to:
Adolphe Gutmann
part of:
Works of Fryderyk Chopin by opus number (number: op. 39), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 125) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 199)
Frédéric Chopin6:30
2Toccata, op. 11
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
solo instruments:
Martha Argerich (Argentine pianist) (from 1960-07-04 until 1960-07-08)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07, from 1960-07-04 until 1960-07-08)
recording of:
Toccata in D minor, op. 11 (from 1960-07-04 until 1960-07-08)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1912)
part of:
Works of Sergei Prokofiev by opus number (number: op. 11)
recording of:
Toccata in D minor, op. 11 (in 1960-07)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1912)
part of:
Works of Sergei Prokofiev by opus number (number: op. 11)
Sergei Prokofiev4:06
3Mazurka no. 36 in A minor op. 59 no. 1
piano:
Martha Argerich (Argentine pianist)
recording of:
Mazurkas, op. 59: No. 1 in A minor. Moderato
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 86)
part of:
Mazurkas, op. 59
Frédéric Chopin3:19
4Piano Concerto no. 3 in C major, op. 26: 1. Andante - Allegro
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom and Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto no. 3 in C major, op. 26: I. Andante – Allegro (in 1967-06)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1917 until 1921)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
Piano Concerto no. 3 in C major, op. 26
Sergei Prokofiev8:57
5Piano Concerto in G major, M. 83: 2. Adagio assai
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: II. Adagio assai (in 1967-06)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel9:02
6Piano Concerto no. 1 in E-flat, S.124: 3. Allegro marziale animato
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato (on 1968-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt4:00
7Piano Concerto no. 1 in B-flat minor, op. 23, TH.55: 2. Andantino semplice - Prestissimo - Tempo I
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Karl Faust (producer)
piano:
Martha Argerich (Argentine pianist) (in 1970-12)
orchestra:
Royal Philharmonic Orchestra (in 1970-12)
conductor:
Charles Dutoit (conductor) (in 1970-12)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1971)
recorded at:
Fairfield Halls in Croydon (London Borough of Croydon), London (Greater London), England, United Kingdom (in 1970-12)
recording of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1888 version, most often performed) (in 1970-12)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1874-11 until 1875-02)
part of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23 (1888 version, most often performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (1879 version, rarely performed)
revision of:
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice (original 1874/75 version, rarely performed)
Pyotr Ilyich Tchaikovsky7:28
8Piano Sonata no. 2 in G minor, op. 22: 2. Andantino
piano:
Martha Argerich (Argentine pianist)
recording of:
Piano Sonata no. 2 in G minor, op. 22: II. Andantino. Getragen
composer:
Robert Schumann (German classical composer) (from 1831 until 1838)
part of:
Piano Sonata no. 2 in G minor, op. 22
Robert Schumann4:56
9Scherzo no. 2 in B-flat minor, op. 31: Presto
piano:
Martha Argerich (Argentine pianist)
recording of:
Scherzo no. 2 in B‐flat minor, op. 31
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1837)
dedicated to:
Adele Fürstensein
part of:
Works of Fryderyk Chopin by opus number (number: op. 31), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 111) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 198)
Frédéric Chopin8:53
10Gaspard de la nuit, M.55: 1. Ondine
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1974-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1974-11)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1975)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1974-11)
recording of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand): I. Ondine (in 1974-11)
composer:
Maurice Ravel (French composer) (in 1908)
is based on:
Ondine
part of:
Gaspard de la nuit (Trois poèmes pour piano d'après Aloysius Bertrand)
Maurice Ravel6:15
1124 Préludes, op. 28: 3. in G major
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 168)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:52
1224 Préludes, op. 28: 4. in E minor
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
recording of:
Prélude no. 4 in E minor, op. 28: Largo (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 123) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 169)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin1:52
1324 Préludes, op. 28: 12. in G-sharp minor
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
recording of:
Prélude no. 12 in G‐sharp minor, op. 28: Presto (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 177)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:59
1424 Préludes, op. 28: 15. in D-flat major
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 180)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin4:52
1524 Préludes, op. 28: 16. in B-flat minor
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
recording of:
Prélude no. 16 in B‐flat minor, op. 28: Presto con fuoco (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 181)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:58
1624 Préludes, op. 28: 17. in A-flat major
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 17 in A‐flat major, op. 28: Allegretto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 100) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 182)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:50
1724 Préludes, op. 28: 23. in F major
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 23 in F major, op. 28: Moderato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 188)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin0:43
1824 Préludes, op. 28: 24. in D minor
piano:
Martha Argerich (Argentine pianist) (in 1975-10)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (in 1975-10)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 189)
part of:
24 Préludes pour le piano, op. 28
Frédéric Chopin2:15
2▼Digital Media
#TitleArtistRatingLength
1Andante & Five Variations For Piano Duet in G major, K.501
piano:
Martha Argerich (Argentine pianist) and Stephen Kovacevich (classical pianist, aka Stephen Bishop)
recording of:
Andante and Variations for Piano with 4 Hands in G major, K. 501
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 501) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 501)
Wolfgang Amadeus Mozart7:27
2Piano Concerto in A minor, op. 54: 3. Allegro vivace
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon) and Cord Garben (pianist and conductor)
producer:
Cord Garben (pianist and conductor)
piano:
Martha Argerich (Argentine pianist) (in 1978-01)
orchestra:
National Symphony Orchestra (Washington, D.C. – refer to the UK one instead for musical theatre recordings) (in 1978-01)
conductor:
Mstislav Rostropovich (cellist/conductor) (in 1978-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
The John F. Kennedy Center for the Performing Arts in Washington, D.C., United States (in 1978-01)
recording of:
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace (in 1978-01)
composer:
Robert Schumann (German classical composer) (in 1845)
part of:
Concerto for Piano and Orchestra in A minor, op. 54
Robert Schumann10:13
3English Suite no. 2 in A minor, BWV 807: 5. Bourrée I & II
producer:
Dr. Rudolf Werner (producer at Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (in 1979-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1979-02)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1980)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1979-02)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: V. Bourrée I (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
recording of:
Englische Suite Nr. 2 a-Moll, BWV 807: VI. Bourrée II - Bourrée I da capo (in 1979-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Englische Suite Nr. 2 a-Moll, BWV 807 (English Suite No. 2 in A minor, BWV 807)
Johann Sebastian Bach3:56
4Cello Sonata in G minor, op. 65: 3. Largo
cello:
Мстислав Ростропович (Mstislav Rostropovich, cellist/conductor)
piano:
Martha Argerich (Argentine pianist)
recording of:
Sonata for Cello and Piano in G minor, op. 65: III. Largo
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1846)
part of:
Sonata for Cello and Piano in G minor, op. 65
Frédéric Chopin3:42
5Variations On A Theme By Paganini For 2 Pianos
recorded in:
La Chaux-de-Fonds, Neuchâtel (Canton of Neuchâtel), Switzerland (from 1982-08-18 until 1982-08-20)
recording engineer:
Cees Heijkoop (recording engineer)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
piano:
Martha Argerich (Argentine pianist) (in 1982-08) and Nelson Freire (pianist) (from 1982-08-18 until 1982-08-20)
recording of:
Variations on a Theme of Paganini (Lutosławski, for two pianos) (from 1982-08-18 until 1982-08-20)
composer:
Witold Lutosławski (Polish composer) (in 1941)
is based on:
24 Caprices for Solo Violin, op. 1, MS 25: No. 24 in A minor: Tema con variazioni. Quasi presto
Witold Lutosławski5:10
6Piano Concerto no. 3 in D minor, op. 30: 3. Finale (Alla breve) - Live in Berlin / 1982
recorded in:
Berlin, Germany (in 1982-12)
piano:
Martha Argerich (Argentine pianist) (in 1982-12)
orchestra:
RSO Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1982-12)
conductor:
Riccardo Chailly (conductor) (in 1982-12)
recorded at:
Sender Freies Berlin in Berlin, Germany (in 1982-12)
live recording of:
Piano Concerto no. 3 in D minor, op. 30: III. Finale. Alla breve (in 1982-12)
composer:
Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer) (from 1909 until 1909-09-23)
part of:
Piano Concerto no. 3 in D minor, op. 30
Sergei Rachmaninoff513:36
7Nutcracker Suite, op. 71a: 2. Danses caractéristiques: a. Marche, b. Danse de la fée dragée, c. Danse russe: Trepak, d. Danse arabe, e. Danse chinoise, f. Danse des mirlitons
piano:
Martha Argerich (Argentine pianist) and Nicolas Economou (pianist)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques (for two pianos, arr. Economou)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1892)
piano arranger:
Nicolas Economou (pianist)
part of:
The Nutcracker (suite from the ballet), op. 71a (for two pianos)
Pyotr Ilyich Tchaikovsky11:28
8Kinderszenen, op. 15: 7. Träumerei
recording engineer:
Wolfgang Mitlehner
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1983-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1984)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1983-04)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano) (in 1983-04)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann3:00
9Sonata For Violin And Piano no. 2 in A, op. 12 no. 2: 1. Allegro vivace
executive producer:
Hanno Rinke
producer, editor and balance engineer:
Wolfgang Mitlehner
grand piano:
Martha Argerich (Argentine pianist) (in 1984-12)
piano:
Martha Argerich (Argentine pianist)
violin:
Gidon Kremer (violinist) (in 1984-12)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1984-12)
recording of:
Sonata for Violin and Piano no. 2 in A major, op. 12 no. 2: I. Allegro vivace (in 1984-12)
composer:
Ludwig van Beethoven (German composer) (from 1797 until 1798)
part of:
Sonata for Violin and Piano no. 2 in A major, op. 12 no. 2
Ludwig van Beethoven5:44
10Sonata For Viola Da Gamba And Harpsichord no. 1 in G, BWV 1027: 3. Andante
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1985-03)
piano:
Martha Argerich (Argentine pianist) (in 1985-03)
performer:
Martha Argerich (Argentine pianist) (in 1985-03) and Mischa Maisky (cellist) (in 1985-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1985-03)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: III. Andante (in 1985-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
Johann Sebastian Bach3:19
11Sonata For Viola Da Gamba And Harpsichord no. 1 in G, BWV 1027: 4. Allegro moderato
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
cello:
Mischa Maisky (cellist) (in 1985-03)
piano:
Martha Argerich (Argentine pianist) (in 1985-03)
performer:
Martha Argerich (Argentine pianist) (in 1985-03) and Mischa Maisky (cellist) (in 1985-03)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1985-03)
recording of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027: IV. Allegro moderato (in 1985-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Sonate für Viola da Gamba und Cembalo G-Dur, BWV 1027
Johann Sebastian Bach2:55
12Le Carnaval des Animaux: Pianistes
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XI. Pianistes (The Carnival of the Animals: XI. Pianists, strings and two pianos) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint-Saëns1:27
13Le Carnaval des Animaux: Fossiles
recorded in:
München (Munich), Bayern (Bavaria), Germany (in 1985-04)
recording engineer:
Onno Scholtze (sound engineer) and Roger de Schot
executive producer:
Rupert Fäustle
producer and balance engineer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
cello:
Mischa Maisky (cellist) (in 1985-04)
clarinet:
Eduard Brunner (clarinetist) (in 1985-04)
double bass:
Georg Hörtnagel (double bass player) (in 1985-04)
flute:
Irena Grafenauer (flautist) (in 1985-04)
glockenspiel:
Edith Salmen-Weber (percussionist) (in 1985-04)
percussion:
Markus Steckeler (percussionist)
piano:
Martha Argerich (Argentine pianist) (in 1985-04) and Nelson Freire (pianist) (in 1985-04)
viola:
Tabea Zimmermann (viola player) (in 1985-04)
violin:
Isabelle van Keulen (Dutch violinist) (in 1985-04) and Gidon Kremer (violinist) (in 1985-04)
xylophone:
Markus Steckeler (percussionist) (in 1985-04)
recording of:
Le Carnaval des animaux : XII. Fossiles (The Carnival of the Animals: XII. Fossils, strings, two pianos, clarinet, and xylophone) (in 1985-04)
composer:
Camille Saint‐Saëns (composer) (in 1886-02)
part of:
Le Carnaval des animaux (The Carnival of the Animals, Grande fantaisie zoologique, R 125)
Camille Saint-Saëns1:16
14Piano Concerto no. 2 in B-flat major, op. 19: 3. Rondo (Molto allegro)
recording engineer:
Klaus Hiemann (engineer/producer)
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor:
Ulrich Vette (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1985-05)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1985-05)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1985-05)
recording of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro (in 1985-05)
composer:
Ludwig van Beethoven (German composer) (from 1788 until 1801)
part of:
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19
Ludwig van Beethoven6:04
3▼Digital Media
#TitleArtistRatingLength
1Sonata For Violin And Piano no. 1, Sz. 75: Allegro appassionato
executive producer:
Hanno Rinke
producer:
Wolfgang Stengel
editor and balance engineer:
Klaus Behrens (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1988-06)
violin:
Gidon Kremer (violinist) (in 1988-06)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1988-06)
recording of:
Sonata no. 1 for Violin and Piano, op. 21, Sz. 75, BB 84: I. Allegro appassionato (in 1988-06)
composer:
Bartók Béla (Béla Bartók, composer) (in 1923)
part of:
Sonata no. 1 for Violin and Piano, op. 21, Sz. 75, BB 84
Béla Bartók12:47
212 Variations on "Ein Mädchen oder Weibchen" for Cello and Piano, op. 66
cello:
Mischa Maisky (cellist)
piano:
Martha Argerich (Argentine pianist)
recording of:
12 Variations for Piano and Cello in F major on Mozart’s The Magic Flute: “Ein Mädchen oder Weibchen”, op. 66
composer:
Ludwig van Beethoven (German composer) (in 1796)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 66)
is based on:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno)
Ludwig van Beethoven9:17
3Concerto For Harpsichord And Orchestra in D major, Hob.XVIII:11 - Concerto For Piano: 3. Rondo all'Ungarese: Allegro assai
recording engineer:
Rainer Maillard
assistant engineer:
Klaus Behrens (engineer)
producer:
Wolfgang Stengel
piano:
Martha Argerich (Argentine pianist) (in 1993-01)
orchestra:
Württembergisches Kammerorchester Heilbronn (Württemberg Chamber Orchestra Heilbronn) (in 1993-01)
conductor:
Jörg Faerber (conductor) (in 1993-01)
recorded at:
Kirche der Karlshöhe in Ludwigsburg, Baden-Württemberg, Germany (in 1993-01)
recording of:
Piano Concerto no. 11 in D major, Hob. XVIII:11: III. Rondo all'ungarese. Allegro assai (in 1993-01)
composer:
Joseph Haydn (composer)
part of:
Piano Concerto no. 11 in D major, Hob. XVIII:11
Joseph Haydn3:59
4Sonata For 2 Pianos And Percussion, Sz. 110: 3. Allegro non troppo
recording engineer:
Andrew Wedman (producer and engineer)
assistant engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Stengel
percussion:
Edgar Guggeis (vibraphonist) (in 1993-02) and Peter Sadlo (percussionist) (in 1993-02)
piano:
Martha Argerich (Argentine pianist) (in 1993-02) and Nelson Freire (pianist) (in 1993-02)
piano technician:
Serge Poulin
recorded at:
Concertgebouw (Amsterdam) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (in 1993-02)
recording of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115: III. Allegro non troppo (in 1993-02)
composer:
Bartók Béla (Béla Bartók, composer) (in 1937)
part of:
Sonata for 2 Pianos and Percussion, Sz. 110, BB 115
Béla Bartók6:15
5Tango pathétique - Live
cello:
Mischa Maisky (cellist)
piano:
Martha Argerich (Argentine pianist)
violin:
Gidon Kremer (violinist)
recording of:
Tango pathétique
composer:
Peter Kiesewetter (in 1998-05)
Peter Kiesewetter2:19
6Piano Concerto no. 3 in C minor, op. 37: 3. Rondo (Allegro)
piano:
Martha Argerich (Argentine pianist)
orchestra:
Mahler Chamber Orchestra
conductor:
Claudio Abbado (conductor)
recording of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1803)
part of:
Concerto for Piano and Orchestra no. 3 in C minor, op. 37
Ludwig van Beethoven8:55
7The Tale of the Stone Flower, Ballet in 4 Acts, op. 118 - Arranged for Cello and Piano by G.Piatigorsky and S. Knushevitsky: Waltz
cello:
Mischa Maisky (cellist)
piano:
Martha Argerich (Argentine pianist)
recording of:
The Tale of the Stone Flower, op. 118: Act 2, Scene 4: No. 21. Waltz
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1948 until 1953)
part of:
The Tale of the Stone Flower, op. 118: Act 2, Scene 4
Sergei Prokofiev arr. Gregor Piatigorsky & Sviatoslav Knushevitsky2:29
8Piano Quartet no. 1 in G minor, op. 25: 4. Rondo alla Zingarese
co-producer:
Ewald Markl
executive producer:
Martin T:son Engstroem (producer)
producer:
Sid McLauchlan (engineer/producer)
editor:
Hans‐Ulrich Bastin
cello:
Mischa Maisky (cellist) (in 2002-02)
piano:
Martha Argerich (Argentine pianist) (in 2002-02)
viola:
Yuri Bashmet (Russian conductor and violist) (in 2002-02)
violin:
Gidon Kremer (violinist) (in 2002-02)
balance engineer:
Rainer Maillard
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2002-02)
recording of:
Piano Quartet no. 1 in G minor, op. 25: IV. Rondo alla Zingarese. Presto (in 2002-02)
composer:
Johannes Brahms (German composer) (from 1856 until 1861)
part of:
Piano Quartet no. 1 in G minor, op. 25
Johannes Brahms8:12
9Cinderella, op. 87 - Suite From The Ballet: Transcribed For 2 Pianos By Mikhail Pletnev: 7. Gallop. Presto
recording engineer:
Rainer Maillard
assistant engineer:
Rainer Maillard
associate producer:
Martin T:son Engstroem (producer)
producer:
Christian Gansch (conductor)
editor:
Mark Buecker (engineer of classical recordings)
piano:
Martha Argerich (Argentine pianist) (in 2003-08) and Mikhail Pletnev (pianist & conductor) (in 2003-08)
recorded at:
Théâtre de Vevey in Vevey, Vaud (Canton of Vaud), Switzerland (in 2003-08)
recording of:
Suite from the Ballet "Cinderella", op. 87: VII. Gallop: Presto (for two pianos) (in 2003-08)
composer:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (from 1940 until 1944)
piano arranger:
Михаил Плетнёв (Mikhail Pletnev, pianist & conductor)
part of:
Suite from the Ballet "Cinderella", op. 87 (for two pianos, Pletnev)
Sergei Prokofiev transc. Mikhail Pletnev4:15
10Grand Rondeau in A major, D 951: Allegretto quasi Andantino
piano:
Martha Argerich (Argentine pianist) and Nelson Freire (pianist)
recording of:
Rondo in A major, D. 951 “Grand Rondeau”
composer:
Franz Schubert (composer) (in 1828-06)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 951)
Franz Schubert10:57
11Piano Sonata no. 17 in D, K.576: 2. Adagio - Bonus Track
piano:
Martha Argerich (Argentine pianist)
recording of:
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt": II. Adagio
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1789)
part of:
Sonata for Piano no. 18 in D major, K. 576 "Trumpet", "Hunt"
Wolfgang Amadeus Mozart4:48
12Piano Sonata no. 7 in D, op. 10 no. 3: 4. Rondo (Allegro) - Bonus Track
piano:
Martha Argerich (Argentine pianist)
recording of:
Sonata for Piano no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 7 in D major, op. 10 no. 3
Ludwig van Beethoven3:30