Sounds of the 70s: More Hits From 1978 (Some tracks are different of US version)

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

| |
1▼CD
Nr.TitelKünstlerBewertungLänge
1Blame It on the Boogie
Techniker(in):
Don Murray (producer / engineer)
leitende(r) Produzent(in):
Mike Atkinson und Bobby Colomby
Mix:
John Luongo
Bass:
Gary King (jazz bassist, arranger and songwriter) (in 1978) und Nathan Watts (in 1978)
Conga:
Laudir de Oliveira (in 1978) und Claudio Slon (in 1978)
flute, Saxophon und Trompete:
Seawind Horns
Gitarre:
Roland Bautista (in 1978), Tito Jackson (in 1978) und Mike Sembello (in 1978)
Keyboard:
Greg Phillinganes (in 1978)
Perkussion und Schlagzeug:
Rick Morotta (US drummer/percussionist) (in 1978)
Hintergrundgesang:
Jackie Jackson (member of the Jackson 5), Marlon Jackson und Randy Jackson (brother of Michael and Janet)
Sologesang:
Michael Jackson (“King of Pop”) (in 1978)
Horn arranger:
Jerry Hey
arranger:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, Dawnbreakers Studios in Los Angeles, California (Kalifornien), Vereinigte Staaten, Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Total Experience Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten und Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Blame It on the Boogie (in 1978)
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
recording of:
Blame It on the Boogie
Verfasser(in):
Dave Jackson (Motown songwriter, aka Dave Jackson-Rich), Mick Jackson (English singer-songwriter, “Blame It On the Boogie” co-writer) und Elmar Krohn
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Carlin Music Ltd. und Peterman & Co. Ltd.
Teil von:
MJ: The Musical
The Jacksons4.33:34
2I Thought It Was You
recording of:
I Thought It Was You
Verfasser(in):
Jeffrey Cohen (70s/80s US funk/soul producer/songwriter), Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) und Melvin Ragin
publisher:
Hancock Music Co., Notting Hill Music (UK) Ltd., Sony/ATV Music Publishing Ltd. und Wah Watson Music
Herbie Hancock3:42
3Let’s All Chant
Techniker(in):
Rick Rowe
leitende(r) Produzent(in):
Jerry Love
Produzent(in):
Michael Zager
Solo-Klarinette:
George Marge
Solo-Trompete:
Raymond Crisara
vocals:
Billy Baker, Alvin Fields und Dolette McDonald
phonographisches Urheberrecht (℗) von:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (in 1977, in 1978)
recording of:
Let’s All Chant
Verfasser(in):
Alvin Fields und Michael Zager
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Michael Zager Band4.353:03
4Instant Replay
recording of:
Instant Replay
Texter und Komponist(in):
Dan Hartman
publisher:
EMI Blackwood Music Inc.
Dan Hartman4.53:29
5Everybody Dance
Produzent(in):
Bernard Edwards (American bassist and record producer), Kenny Lehman und Nile Rodgers
arranger:
Bernard Edwards (American bassist and record producer), Kenny Lehman und Nile Rodgers
recording of:
Everybody Dance
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Chic3:32
6You Make Me Feel Mighty Real
recording of:
You Make Me Feel (Mighty Real)
Verfasser(in):
Sylvester (US disco and soul singer-songwriter) und James Wirrick
Sylvester3:44
7More Than a Woman
Produzent(in):
Freddie Perren
Gitarre:
Bob Bowles
Klavier:
Sonny Burke (soul/jazz/funk keyboardist)
Perkussion:
Bob Zimmitti und Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
James Gadson (American drummer)
phonographisches Urheberrecht (℗) von:
POLYGRAM International Music (not for release label use!) (in 1977)
cover recording of:
More Than a Woman
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
recording of:
More Than a Woman
Verfasser(in):
Barry Gibb, Maurice Gibb und Robin Gibb
publisher:
BMG Music, BMG Music Publishing Ltd., BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Gibb Brothers Music und Stigwood Music, Inc.
Tavares4.53:17
8Let’s Have a Quiet Night In
phonographisches Urheberrecht (℗) von:
David Soul (in 1976)
recording of:
Let’s Have a Quiet Night In
Texter und Komponist(in):
Tony Macaulay
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
David Soul3:42
9Darling
recording of:
Darling
Texter:
Frank Dostal
Komponist(in):
Rolf Soja
publisher:
Edition Magazine Music
Baccara5:29
10Boogie Shoes
Produzent(in):
Harry Wayne Casey und Richard Finch
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2004)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 324)
recording of:
Boogie Shoes
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
KC and the Sunshine Band4.252:13
11Givin’ Up Givin’ In
Produzent(in):
Giorgio Moroder
vocals:
Sheila Ferguson, Valerie Holiday und Helen Scott
phonographisches Urheberrecht (℗) von:
Ariola America, Inc. (in 1978)
Bearbeitung von:
Giving Up, Giving In von The Three Degrees
recording of:
Givin’ Up Givin’ In
Texter:
Pete Bellotte (English lyricist and producer)
Verfasser(in):
Pete Bellotte (English lyricist and producer) und Giorgio Moroder
Komponist(in):
Giorgio Moroder
publisher:
April Music und Heath Levy Music
The Three Degrees33:50
12Now That We’ve Found Love
cover recording of:
Now That We Found Love
Texter:
Heavy D. (US rapper)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Third World3:56
13I’m Every Woman
recording of:
I’m Every Woman
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan2.753:52
14Hi Tension
Hi‐Tension5:18
15Got to Get You Into My Life
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (vom 1978 bis heute) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
cover recording of:
Got to Get You Into My Life
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Earth, Wind & Fire34:07
2▼CD
Nr.TitelKünstlerBewertungLänge
1Darlin’
recording of:
Darlin’
Texter und Komponist(in):
Oscar Stewart Blandamer
publisher:
Sony/ATV Music Publishing Australia Pty Ltd.
Frankie Miller3:13
2Mexican Girl
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Terry Uttley (English bassist, singer and songwriter)
Gitarre:
Chris Norman (English soft rock singer) und Alan Silson
Keyboard und Sologesang:
Chris Norman (English soft rock singer)
Perkussion und Schlagzeug:
Pete Spencer (UK drummer/songwriter, in Smokie)
phonographisches Urheberrecht (℗) von:
Chinnichap Records Ltd. (in 1978)
produced for:
Chinnichap (production company and publisher)
recording of:
Mexican Girl
Komponist(in):
Chris Norman (English soft rock singer) und Pete Spencer (UK drummer/songwriter, in Smokie)
publisher:
Hanseatic (publisher), RAK Publishing Ltd. und Willow Music Publ. Ltd.
Smokie3:59
3Always and Forever
recording of:
Always and Forever
Texter und Komponist(in):
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (London) Ltd., Tincabell Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Heatwave4:04
4Well All Right
recording of:
Well… All Right
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) und Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Music Publishing Inc.
Santana4:13
5Again and Again
assistierende(r) Techniker(in):
Freek Feenstra
Techniker(in):
John Eden (producer)
Produzent(in):
Status Quo (UK boogie rock band) und Pip Williams (producer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1978), Mercury Records Ltd. (London) (for copyrights use only) (in 1978, in 1991), Phonogram Ltd. (not for release label use!) (in 1978) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1978)
aufgenommen bei:
Wisselord Studios in Hilversum, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands
recording of:
Again and Again
geschrieben in:
Surrey, England, Vereinigtes Königreich
Verfasser(in):
Andy Bown, Jackie Lynton und Rick Parfitt (UK guitarist for Status Quo)
publisher:
Birchwood Music Ltd., Eaton Music Limited, EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton und Status Quo Publishing
Status Quo43:42
6The Race Is On
recording of:
The Race Is On
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Suzi Quatro3:58
75‐7‐0‐5
City Boy3:15
8It’s Raining
recording of:
It’s Raining
Texter und Komponist(in):
Ian Collier
Darts3:50
9An Everlasting Love
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 45)
recording of:
An Everlasting Love
Texter und Komponist(in):
Barry Gibb
Andy Gibb4:03
10Making Up Again
Goldie3:32
11Oh What a Circus
Produzent(in):
Mike Batt
Sologesang:
David Essex
vocals:
David Essex
Musikvideos:
Oh What a Circus von David Essex
recording of:
Oh, What a Circus (Evita)
Texter:
Tim Rice
Komponist(in):
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music und Evita Music Ltd.
Teil von:
Evita (Andrew Lloyd Webber musical)
David Essex3:53
12Mirrors
Techniker(in):
Mark Dearnley, Dave Grinsted (sound engineer) und Ashley Howe
Produzent(in):
Sally Oldfield
assistierende(r) Mix:
Julian Cooper (engineer) und John Gallen (UK music producer, recording & mix engineer.)
Mix:
Ashley Howe und Sally Oldfield
arranger:
Sally Oldfield
phonographisches Urheberrecht (℗) von:
Bronze Records Ltd. (in 1978)
aufgenommen bei:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich (in 1978-05) und Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich (in 1978-05)
mixed at:
Roundhouse Studios in London (Greater London), England, Vereinigtes Königreich (in 1978-07)
recording of:
Mirrors
Texter und Komponist(in):
Sally Oldfield
publisher:
Betterbron Music Ltd. (publisher) (in 1978)
Sally Oldfield33:29
13Forever Autumn
cover recording of:
Forever Autumn
Texter:
Gary Osborne und Paul Vigrass
Komponist(in):
Jeff Wayne (musician)
publisher:
Universal/MCA Music Ltd. (not for release label use!)
Teil von:
Jeff Wayne’s Musical Version of “The War of the Worlds”
Justin Hayward44:08
14Man With the Child in His Eyes
Techniker(in):
Jon Kelly (engineer at Air London Studios)
leitende(r) Produzent(in):
David Gilmour (Pink Floyd)
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Klavier, Hintergrundgesang und Sologesang:
Kate Bush (in 1975-06)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978) und EMI France (in 1995)
aufgenommen bei:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (von 1977-07 bis 1977-08)
recording of:
The Man With the Child in His Eyes (in 1975-06)
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush
arranger:
Stefan Lievestro (Dutch jazz bassist)
Premiere bei:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, vom 1978 bis heute) und Kate Bush Music Ltd.
Kate Bush3.652:41
15Mr. Blue Sky
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack)
Produzent(in):
Jeff Lynne
Bass:
Kelly Groucutt (in 1977)
Gitarre, Synthesizer und Sologesang:
Jeff Lynne (in 1977)
Keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
Schlagzeug, andere Instrumente [fire extinguisher] und Perkussion:
Bev Bevan (English rock drummer) (in 1977)
Hintergrundgesang:
Bev Bevan (English rock drummer) (in 1977) und Kelly Groucutt (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne und Richard Tandy (keyboardist for Electric Light Orchestra)
phonographisches Urheberrecht (℗) von:
Epic Records (J-pop label, established 1978; use ONLY for releases by Japanese domestic artists after 2001!) (in 1977), Jet Records (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977) und United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1977)
aufgenommen bei:
Musicland Studios (Munich) in München, Bayern, Deutschland (in 1977)
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 17) und Q50 – December 2005 (Nummer: 33)
recording of:
Mr. Blue Sky (in 1977)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Polygon Publishing Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
Concerto for a Rainy Day
Electric Light Orchestra4.555:02

Nennungen

Veröffentlichungsgruppe

Teil von:Sounds of the 70s (Time-Life) (Nummer: 11) (Reihenfolge: 11)