Annotation

Floria Tosca: Kiri Te Kanawa
Mario Cavaradossi: Giacomo Aragall
Baron Scarpia: Leo Nucci
Cesare Angelotti: Malcolm King
Sacristan: Spiro Malas
Spoletta: Piero de Palma
Sciarrone: Paul Hudson
Un carcelero: Nicholas Folwell
Un pastorcillo: Ivo Martinez

Annotation last modified on 2023-03-15 22:09 UTC.

Tracklist

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1CD
#TitleArtistRatingLength
1Tosca: Atto I. “Ah! Finalmente!”
bass vocals [Angelotti]:
Malcolm King (operatic bass) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto I. “Ah! Finalmente!” (Angelotti) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini2:03
2Tosca: Atto I. “E sempre lava!” … “Angelus Domini nuntiavit Mariae” … “Che fai?”
bass-baritone vocals [Sagrestano]:
Spiro Malas (bass-baritone) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:33
3Tosca: Atto I. Aria “Dammi i colori!” … “Recondita armonia”
bass-baritone vocals [Sagrestano]:
Spiro Malas (bass-baritone) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:25
4Tosca: Atto I. “Gente là dentro!”
bass vocals [Angelotti]:
Malcolm King (operatic bass) (from 1984-02 until 1984-05)
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto I. “Gente là dentro!” … “Voi! Cavaradossi” (Cavaradossi, Angelotti, Tosca) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:06
5Tosca: Atto I. “Mario! Mario! Mario!” … “Son qui!” … “Non la sospiri la nostra casetta”
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto I. “Mario! Mario! Mario!... Son qui!” (Tosca, Cavaradossi) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini12:38
6Tosca: Atto I. “È buona la mia Tosca” … “Siam soli?”
bass vocals [Angelotti]:
Malcolm King (operatic bass) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto I. “È buona la mia Tosca” (Cavaradossi, Angelotti) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:25
7Tosca: Atto I. “Sommo giubilo, Eccellenza!”
bass-baritone vocals [Sagrestano]:
Spiro Malas (bass-baritone) (from 1984-02 until 1984-05)
choir vocals:
Welsh National Opera Chorus (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
chorus master:
Julian Smith (Welsh National Opera conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, Coro) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini1:34
8Tosca: Atto I. “Un tal baccano in chiesa! Bel rispetto!”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
bass-baritone vocals [Sagrestano]:
Spiro Malas (bass-baritone) (from 1984-02 until 1984-05)
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
tenor vocals:
Piero de Palma (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini3:43
9Tosca: Atto I. “Or tutto è chiaro” … “Mario?! Mario?!”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
bass-baritone vocals [Sagrestano]:
Spiro Malas (bass-baritone) (from 1984-02 until 1984-05)
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto I. “Or tutto è chiaro” … “Mario! Mario!” (Scarpia, Tosca, Sagrestano) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini7:32
10Tosca: Atto I. “Tre sbirri, una carrozza, presto” … “Te Deum”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
choir vocals:
Welsh National Opera Chorus (from 1984-02 until 1984-05)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
chorus master:
Julian Smith (Welsh National Opera conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto I. “Tre sbirri … una carrozza …” … “Te Deum” (Scarpia, Spoletta, Coro) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini5:00
11Tosca: Atto II. “Tosca è un buon falco!”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
bass vocals [Sciarrone]:
Paul Hudson (operatic bass singer and actor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto II. “Tosca è un buon falco!” … “Ella verrà” (Scarpia, Sciarrone) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:04
12Tosca: Atto II. “Ha più forte sapore” … “Spoletta è giunto”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
bass vocals [Sciarrone]:
Paul Hudson (operatic bass singer and actor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:19
13Tosca: Atto II. “O galantuomo, come andò la caccia?”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto II. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:30
14Tosca: Atto II. “Ov’è Angelotti?” … “Mario, tu qui?!”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:23
2CD
#TitleArtistRatingLength
1Tosca: Atto II. “Sciarrone: che dice il cavalier?”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
bass vocals [Sciarrone]:
Paul Hudson (operatic bass singer and actor) (from 1984-02 until 1984-05)
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto II. “Sciarrone, che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:01
2Tosca: Atto II. “Orsù, Tosca, parlate.” … “Mario, consenti ch’io parli?”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
bass vocals [Sciarrone]:
Paul Hudson (operatic bass singer and actor) (from 1984-02 until 1984-05)
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto II. “Orsù, Tosca, parlate” … “Basta, Roberti” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:21
3Tosca: Atto II. “Floria” … “Amore”
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto II. “Floria!” … “Amore” (Cavaradossi, Tosca) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini1:23
4Tosca: Atto II. “Vittoria! Vittoria!”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto II. “Vittoria! Vittoria! L’alba vindice appar” (Cavaradossi, Tosca, Scarpia) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:38
5Tosca: Atto II. “Quanto? Quanto? Il prezzo!”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto II. “Quanto?” (Tosca, Scarpia) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:33
6Tosca: Atto II. “Vissi d’arte, vissi d’amore”
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini4:33
7Tosca: Atto II. “Chi è là?”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto II. “Chi è là?” (Scarpia, Spoletta, Tosca) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini2:07
8Tosca: Atto II. “Io tenni la promessa” … “E qual via scegliete?” … “Tosca, finalmente mia!”
baritone vocals [Scarpia]:
Leo Nucci (baritone) (from 1984-02 until 1984-05)
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto II. “Io tenni la promessa” (Scarpia, Tosca) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini6:55
9Tosca: Atto III. Prelude / “Io de’ sospiri”
treble vocals [Un pastore]:
Ivo Martinez (treble vocalist) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto III. Preludio “Io de’ sospiri” (Un pastore) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini5:56
10Tosca: Atto III. “Mario Cavaradossi?” … “A voi”
baritone vocals [Carceriere]:
Nicholas Folwell (baritone singer) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini4:28
11Tosca: Atto III. “E lucevan le stelle”
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:04
12Tosca: Atto III. “Franchigia a Floria Tosca”
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto III. “Franchigia a Floria Tosca” (Cavaradossi, Tosca) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:36
13Tosca: Atto III. “O dolci mani”
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
tenor vocals [Cavaradossi]:
Giacomo Aragall (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto III. “O dolci mani” (Cavaradossi, Tosca) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini7:55
14Tosca: Atto III. “Come è lunga l’attesta!”
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto III. “Com’è lunga l’attesa!” (Tosca) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:25
15Tosca: Atto III. “Presto, su! Mario!”
bass vocals [Sciarrone]:
Paul Hudson (operatic bass singer and actor) (from 1984-02 until 1984-05)
choir vocals:
Welsh National Opera Chorus (from 1984-02 until 1984-05)
soprano vocals [Tosca]:
Kiri Te Kanawa (soprano) (from 1984-02 until 1984-05)
tenor vocals [Spoletta]:
Piero de Palma (tenor) (from 1984-02 until 1984-05)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1984-02 until 1984-05)
conductor:
Sir Georg Solti (conductor) (from 1984-02 until 1984-05)
recording of:
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Voci confuse, Sciarrone, Spoletta) (from 1984-02 until 1984-05)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini1:32