40 ans, les nocturnes Georges Lang

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

http://www.amazon.fr/Les-Nocturnes-Compilation-Georges-Lang/dp/B00CD0NH1O

Annotation last modified on 2013-11-17 09:20 UTC.

Tracklist

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1▼CD: Années 60 & 70
#TitleArtistRatingLength
1The Last DJ
recording of:
The Last DJ
lyricist and composer:
Tom Petty
Tom Petty and the Heartbreakers3:27
2Listen to the Music
recording of:
Listen to the Music
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner Bros. Music (publisher; do NOT use as release label) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.44:40
3I'm a Man
cover recording of:
I’m a Man
writer:
Jimmy Miller (producer for Rolling Stones/Nirvana etc) and Steve Winwood
composer:
Keith Emerson
publisher:
Island Music Ltd., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Chicago Transit Authority7:37
4Sandman
engineer:
Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
Ian Samwell
12 string guitar and electric guitar:
Dan Peek
acoustic guitar and lead vocals:
Dewey Bunnell
bass guitar:
Gerry Beckley
drums (drum set):
Dave Atwood
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
recording of:
Sandman
lyricist and composer:
Dewey Bunnell
publisher:
WB Music Corp. (1929–2019)
America3.555:02
5For What It's Worth
producer:
Charles Greene (producer) and Brian Stone (producer)
background vocals:
Richie Furay and Dewey Martin
vocals:
Stephen Stills
phonographic copyright (℗) by:
Warner Music International (trademark of Warner Music International the company) (in 1967) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 63)
recording of:
For What It’s Worth (on 1966-12-05)
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Buffalo Springfield4.252:36
6Walk on the Wild Side
producer:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
baritone saxophone:
Ronnie Ross (in 1972-08)
double bass and electric bass guitar:
Herbie Flowers (in 1972-08)
drums (drum set):
John Halsey (in 1972-08)
background vocals:
The Thunder Thighs (70s UK vocal group) (in 1972-08)
lead vocals:
Lou Reed (in 1972-08)
brass arranger and strings arranger:
Mick Ronson (British guitarist)
arranger:
David Bowie (English singer‐songwriter), Lou Reed and Mick Ronson (British guitarist)
phonographic copyright (℗) by:
BMG Entertainment (in 1972), BMG Music (in 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1972) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1972)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (in 1972-08)
mixed at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
samples from:
Lexicon Valley #150, “Why Language Can’t Be Tamed” by John McWhorter
part of:
Indie 88: Top 500 Indie Rock Songs (number: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 180) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 221)
recording of:
Walk on the Wild Side (in 1972-08)
lyricist and composer:
Lou Reed
publisher:
Dunbar Music, EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Oakfield Avenue Music, Oakfield Avenue Music Ltd., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Six Continents Music Publishing Inc.
Lou Reed4.254:10
7To the Last Whale
recording of:
To the Last Whale
Crosby & Nash5:28
8You've Got a Friend
engineer:
Richard Sanford Orshoff
producer:
Peter Asher
acoustic guitar:
James Taylor (singer-songwriter and guitarist)
acoustic guitar and congas:
Danny Kortchmar (Danny Kootch)
bass guitar:
Leland Sklar (bassist, session musician)
cabasa, congas and drums (drum set):
Russ Kunkel (session drummer)
background vocals:
Joni Mitchell and James Taylor (singer-songwriter and guitarist)
cover recording of:
You’ve Got a Friend
lyricist and composer:
Carole King
publisher:
Colgems-EMI Music Inc. and Screen Gems–EMI Music Ltd.
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
James Taylor4.44:26
9Your Song
engineer:
Robin Geoffrey Cable
producer:
Gus Dudgeon
12 string guitar:
Clive Hicks
acoustic guitar:
Frank Clark (Guitar/bassist)
bass guitar:
Dave Richmond
drums (drum set):
Barry Morgan (English drummer)
guitar:
Colin Green
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
conductor:
Paul Buckmaster
arranger:
Paul Buckmaster
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 54), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 136) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 202)
recording of:
Your Song
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) (ended), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal–Songs of PolyGram International, Inc., Universal/Dick James Music Ltd. (fka Dick James Music Ltd.), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.753:59
10Grand Hotel
recording of:
Grand Hotel
orchestrator and composer:
Gary Brooker
lyricist:
Keith Reid
Procol Harum6:08
11Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
Al Stewart (UK folk singer/songwriter) (in 1976)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
mixed at:
Davlen Sound Studios in North Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 13)
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Carlin Music Corporation, Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30), Gwyneth Music Ltd., Pepper Music Inc., PolyGram Music Publishing, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Songs (publisher), Universal–Songs of PolyGram International, Inc., Victoria Music Ltd., Victoria Music Publishing Co. Ltd., Warner/Chappell Music Australia Pty. Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Al Stewart4.456:34
12Child in Time
engineer:
Andy Knight (UK engineer)
producer:
Deep Purple
drums (drum set):
Ian Paice (from 1969-10 until 1970-04)
electric bass guitar:
Roger Glover (from 1969-10 until 1970-04)
electric guitar:
Ritchie Blackmore (from 1969-10 until 1970-04)
Hammond organ:
Jon Lord (from 1969-10 until 1970-04)
lead vocals:
Ian Gillan (from 1969-10 until 1970-04)
phonographic copyright (℗) by:
HEC Enterprises Ltd. (in 1995)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (from 1969-10 until 1970-04)
part of:
SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (number: 3), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (number: 6), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (number: 5), SWR1 Hitparade 2006 (Baden-Württemberg) (number: 6), SWR1 Hitparade 2007 (Baden-Württemberg) (number: 4), SWR1 Hitparade 2008 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2009 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2010 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2011 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2012 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2013 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2014 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2015 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2016 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2017 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2018 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2019 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2020 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2021 (Baden-Württemberg) (number: 3), SWR1 Hitparade 2022 (Baden-Württemberg) (number: 3) and SWR1 Hitparade 2023 (Baden-Württemberg) (number: 3)
recording of:
Child in Time (from 1969-10 until 1970-04)
writer:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord and Ian Paice
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (until 2021-06-30), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
is based on:
Bombay Calling
Deep Purple4.510:13
13Magic Man
engineer:
Mike Flicker and Rolf Hennemann
assistant producer:
Howard Leese
producer:
Mike Flicker
acoustic guitar and electric guitar:
Roger Fisher (US rock guitarist) and Nancy Wilson (guitarist/singer of “Heart”)
bass guitar:
Steve Fossen
congas:
Ray Ayotte
drums (drum set):
Dave Wilson (Canadian drummer)
electric guitar and synthesizer:
Howard Leese
percussion:
Mike Flicker
lead vocals:
Ann Wilson (lead singer of Heart)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976)
recorded at and mixed at:
Mushroom Studios in Vancouver, British Columbia, Canada
recording of:
Magic Man
writer:
Ann Wilson (lead singer of Heart) and Nancy Wilson (guitarist/singer of “Heart”)
publisher:
How About Music, Sony/ATV Tunes LLC (ASCAP), Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing Pty Ltd
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart4.65:26
14Who Are You
recording of:
Who Are You
lyricist and composer:
Pete Townshend (of The Who)
publisher:
Eel Pie Publishing Ltd., Tower Tunes, Inc., Whistle Rhymes Limited and Windswept Pacific
The Who6:15
15Don't Stop
assistant engineer:
Chris Morris (LA engineer & producer (late ’70s))
engineer:
Ken Caillat and Richard Dashut
additional producer:
Ken Caillat and Richard Dashut
producer:
Ken Caillat, Richard Dashut and Fleetwood Mac
bass guitar:
John McVie
drums (drum set) and percussion:
Mick Fleetwood
guitar:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard and synthesizer:
Christine McVie
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1977), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977) and Warner Bros. (holding: file NO releases) (in 2004)
mixed at:
Producer’s Workshop in Hollywood, Los Angeles, California, United States
recording of:
Don’t Stop
lyricist and composer:
Christine McVie
publisher:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher), Universal Music Publishing (use ONLY if no country‐specific information is available) and Gentoo Music, Inc. (in 1977)
Fleetwood Mac4.23:11
2▼CD: Années 70 & 80
#TitleArtistRatingLength
1Do You Remember Rock 'n' Roll Radio?
recording of:
Do You Remember Rock ’n’ Roll Radio?
writer:
Dee Dee Ramone, Joey Ramone and Johnny Ramone
publisher:
Bleu Disque Music Co. (publisher), Mutated Music, Taco Tunes Inc., WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ramones3:49
2Sweet Home Alabama
miscellaneous support:
Ronnie Van Zant
engineer and producer:
Al Kooper
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer and songwriter) (in 1973-07)
electric bass guitar:
Leon Wilkeson (in 1973-07)
electric guitar:
Allen Collins (in 1973-07), Ed King (US guitarist, bassist & songwriter) (in 1973-07) and Gary Rossington (in 1973-07)
keyboard:
Billy Powell (in 1973-07)
background vocals:
Merry Clayton (in 1973-07) and Clydie King (in 1973-07)
lead vocals:
Ronnie Van Zant (in 1973-07)
phonographic copyright (℗) by:
Geffen Records (in 1974), MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1974), MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records) (in 1974), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1974), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1974), Universal Music (plain logo: “Universal Music”) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
produced for:
Sounds of the South Productions
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States (in 1973-07)
part of:
Billboard Hot 100: 2026-07-18 (number: 31), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 398)
recording of:
Sweet Home Alabama (in 1973-07)
miscellaneous support:
Ronnie Van Zant
writer:
Ed King (US guitarist, bassist & songwriter), Gary Rossington and Ronnie Van Zant
publisher:
Hustler Inc., Leeds Music Corp., MCA Music Ltd., Songs of Universal, Inc. (BMI), Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH and Universal/MCA Music Publishing Pty Ltd
Lynyrd Skynyrd4.14:40
3I Thank You
engineer:
Bob Ludwig (mastering engineer) and Terry Manning (US recording engineer)
producer:
Bill Ham (manager of ZZ Top)
bass guitar:
Dusty Hill
drums (drum set):
Frank Beard (ZZ Top drummer)
guitar and lead vocals:
Billy Gibbons
recorded at:
Ardent Studios in Memphis, Tennessee, United States
cover recording of:
I Thank You
writer:
Isaac Lee Hayes and David Porter (US soul musician, producer & songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Cotillion Music Inc. (BMI), Irving Music, Inc., Rondor, Walden Music, Inc., Warner Chappell, WB Music Corp. (1929–2019) and Birdees Music (in 1968)
ZZ Top3.753:22
4Blue Hotel
producer:
Erik Jacobsen
mixer:
Lee Herschberg
phonographic copyright (℗) by:
Reprise Records (in 1987)
recording of:
Blue Hotel
lyricist and composer:
Chris Isaak
publisher:
C. Isaak Music Publishing Co.
sub-publisher:
Warner Chappell Music France
Chris Isaak3.653:10
5Sweet Dreams (Are Made of This)
engineer:
A. Williams, D. A. Stewart (UK guitarist/singer for Eurythmics) and R. Crash
producer:
David A. Stewart (UK guitarist/singer for Eurythmics)
performer:
Eurythmics
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1983) and RCA Ltd. (UK arm of RCA) (in 1983)
music videos:
Sweet Dreams by Eurythmics
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 50), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 141), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 353) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 357)
recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
arranger:
Miriama Young
publisher:
BMG Music, BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
Eurythmics4.23:32
6The Ballad of Lucy Jordan
cover recording of:
The Ballad of Lucy Jordan
lyricist and composer:
Shel Silverstein
publisher:
Evil Eye Music Inc.
Marianne Faithfull4:05
7Golden Brown
recording of:
Golden Brown
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) and Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Plumbshaft-Ltd.
The Stranglers3:22
8Tom Traubert's Blues
recording of:
Tom Traubert’s Blues (Four Sheets to the Wind in Copenhagen)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
is based on:
Waltzing Matilda
Tom Waits6:27
9Suite: Clouds, Rain
associate producer:
Larry Knechtel
bass guitar and solo Moog:
Larry Knechtel
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) and Russ Kunkel (session drummer)
guitar, Moog and piano:
David Gates (singer/songwriter, lead singer of Bread)
recording of:
Clouds Suite: Clouds and Rain
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
David Gates8:51
10Riders on the Storm
recording of:
Riders on the Storm
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company and Rondor Music (London) Ltd.
The Doors7:14
11Sirius
additional recording engineer and additional producer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistant engineer:
Tony Richards (recording engineer)
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
acoustic guitar and electric guitar:
Ian Bairnson
additional keyboard:
Haydn Bendall (producer and engineer)
bass guitar:
David Paton (of Pilot)
drums (drum set) and percussion:
Stuart Elliott (session drummer, member of Cockney Rebel)
keyboard:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
saxophone:
Mel Collins
synthesizer:
Alan Parsons (of The Alan Parsons Project)
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
chorus master:
Bob Howes (percussionist)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982, in 2007)
recording of:
Sirius
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
The Alan Parsons Project4.251:55
12Eye in the Sky
additional recording engineer and additional producer:
Chris Blair (senior mastering engineer at Abbey Road Studios, London, UK)
assistant engineer:
Tony Richards (recording engineer)
engineer and producer:
Alan Parsons (of The Alan Parsons Project)
executive producer:
Eric Woolfson
acoustic guitar and electric guitar:
Ian Bairnson
bass guitar:
David Paton (of Pilot)
drums (drum set) and percussion:
Stuart Elliott (session drummer, member of Cockney Rebel)
electric piano and lead vocals:
Eric Woolfson
keyboard:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
saxophone:
Mel Collins
synthesizer:
Alan Parsons (of The Alan Parsons Project)
background vocals:
Chris Rainbow
conductor:
Andrew Powell (known for contributions to Alan Parsons Project)
chorus master:
Bob Howes (percussionist)
orchestrator:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982), Arista Records, LLC (holding company - file NO releases here!) (in 1982) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982, in 2007)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 21)
recording of:
Eye in the Sky
writer and composer:
Alan Parsons (of The Alan Parsons Project) and Eric Woolfson
publisher:
Careers Music, Inc., Careers–BMG Music Publishing, Inc., Universal Music Publishing International MGB Ltd. and Woolfsongs Ltd.
The Alan Parsons Project4.34:29
13Alive and Kicking
producer:
Bob Clearmountain and Jimmy Iovine
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Alive and Kicking
writer:
Charlie Burchill, Jim Kerr (of Simple Minds) and Michael MacNeil
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd. and Simple Minds Ltd
Simple Minds3.54:43
14Let Love Rule
engineer:
David Domanich and Henry Hirsch
producer:
Lenny Kravitz
mixer:
Henry Hirsch
organ:
Henry Hirsch
saxophone:
Karl Denson
lead vocals:
Lenny Kravitz
recording of:
Let Love Rule
lyricist and composer:
Lenny Kravitz
publisher:
Miss Bessie Music
Lenny Kravitz3.55:42
15Apollo Medley (live)
Hall & Oates12:24
3▼CD: Années 80 & 90
#TitleArtistRatingLength
1Easter
assistant engineer:
Simon Metcalfe
engineer:
Nick Davis (producer, engineer)
producer:
Nick Davis (producer, engineer) and Marillion (British progressive rock band)
bagpipe:
Jean-Pierre Rasle (in 1989)
bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (in 1989)
drums (drum set) and percussion:
Ian Mosley (in 1989)
guitar:
Steve Rothery (in 1989)
keyboard:
Mark Kelly (Marillion keyboardist) (in 1989)
lead vocals:
Steve Hogarth (in 1989)
recorded at:
Hookend Studios (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom (in 1989)
mixed at:
Westside Studios in London (Greater London), England, United Kingdom
music videos:
Easter (music video) by Marillion (British progressive rock band)
recording of:
Easter (in 1989)
lyricist:
Steve Hogarth
composer:
Steve Hogarth, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
Marillion55:51
2Wonderwall
recording engineer:
Owen Morris
producer:
Noel Gallagher and Owen Morris
acoustic guitar [rhythm guitar]:
Paul Arthurs ("Bonehead", Oasis)
bass guitar, ebow, electric guitar [lead guitar], mellotron, piano and background vocals:
Noel Gallagher
drums (drum set) and percussion:
Alan White (Oasis drummer)
tambourine and lead vocals:
Liam Gallagher (English musician, lead singer of Oasis)
phonographic copyright (℗) by:
Big Brother Recordings, Ltd. (not for release label use! use “BIg Brother” instead) (in 1995)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom
music videos:
Wonderwall by Oasis (Noel & Liam Gallagher)
part of:
triple j’s Hottest 100 (Australian annual music listener poll) (number: 1995), Indie 88: Top 500 Indie Rock Songs (number: 12), NME: Greatest “Indie” Anthems Ever: 2007 (number: 27), triple j’s Hottest 100 (Australian annual music listener poll) (number: 2013 (Twenty Years)), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 48) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 95)
recording of:
Wonderwall
lyricist and composer:
Noel Gallagher
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Creation Songs Ltd, Dead Leg Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV, Sony/ATV Music Publishing and Sony/ATV Music Publishing Ltd.
Oasis4.24:18
3Losing My Religion
engineer:
Scott Litt (producer and engineer)
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
bass and keyboard:
Mike Mills (R.E.M. bass player)
drums (drum set) and percussion:
Bill Berry (R.E.M. drummer)
electric guitar and mandolin:
Peter Buck (R.E.M. guitarist)
guest acoustic guitar:
Peter Holsapple
vocals:
Mike Mills (R.E.M. bass player) and Michael Stipe
arranger:
Mike Mills (R.E.M. bass player)
phonographic copyright (℗) by:
R.E.M./Athens Ltd. (in 1991) and R.E.M./Athens, Ltd. (in 1991)
music videos:
Losing My Religion by R.E.M. (American rock band)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 112), Indie 88: Top 500 Indie Rock Songs (number: 115), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 169) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 349)
recording of:
Losing My Religion
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.24:26
4Creep
engineer, producer and mixer:
Paul Q. Kolderie and Sean Slade
bass guitar:
Colin Greenwood (English bassist in Radiohead) (from 1992-09 until 1992-11)
drums (drum set):
Philip Selway (drummer in Radiohead) (from 1992-09 until 1992-11)
guitar:
Jonny Greenwood (English musician and score composer) (from 1992-09 until 1992-11), Ed O’Brien (guitarist & songwriter in Radiohead) (from 1992-09 until 1992-11) and Thom Yorke (from 1992-09 until 1992-11)
organ and piano:
Jonny Greenwood (English musician and score composer) (from 1992-09 until 1992-11)
vocals:
Ed O’Brien (guitarist & songwriter in Radiohead) (from 1992-09 until 1992-11) and Thom Yorke (from 1992-09 until 1992-11)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom (from 1992-09 until 1992-11)
mixed at:
Fort Apache in Cambridge, Massachusetts, United States
remix of:
Creep (You’re so fucking special) by Radiohead
recording of:
Creep
lyricist:
Thom Yorke
composer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Albert Hammond, Mike Hazlewood, Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
publisher:
EMI April Music Inc., Rondor Music (London) Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong) and Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019)
is based on:
The Air That I Breathe
Radiohead3.253:55
5Unintended
recording of:
Unintended
lyricist and composer:
Matt Bellamy (Muse vocalist)
publisher:
Taste Music Ltd.
Muse3:56
6A Vision
assistant engineer:
Michael Miller (engineer)
engineer:
David Guertz (Engineer)
producer:
Rick Wakeman
assistant mixer:
Erik Jordan (engineer) and Stuart Sawney
mixer:
James Collins (engineer)
spoken vocals:
Patrick Stewart (English actor) (from 1995-03 until 1995-12)
orchestrator:
Rick Wakeman
recorded at:
POP Sound in Santa Monica, California, United States (from 1995-03 until 1995-12)
mixed at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
A Vision (from 1995-03 until 1995-12)
librettist:
Rick Wakeman
publisher:
PXM Publishing
Rick Wakeman feat. Patrick Stewart2:33
7The End of the Return
producer:
Rick Wakeman
assistant mixer:
Erik Jordan (engineer) and Stuart Sawney
mixer:
James Collins (engineer)
orchestrator:
Rick Wakeman
mixed at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
recording of:
The End of the Return (from 1995-03 until 1995-12)
lyricist and composer:
Rick Wakeman
publisher:
PXM Publishing
Rick Wakeman55:21
8Where the Wild Roses Grow
recording engineer:
Tony Cohen and Victor van Vugt
producer:
Nick Cave & the Bad Seeds, Tony Cohen and Victor van Vugt
mixer:
Gregg Jackman
acoustic guitar and guitar:
Mick Harvey
bass:
Martyn P. Casey
bell:
Jim Sclavunos
cello:
Helen Mountfort
drums (drum set):
Thomas Wydler
guitar:
Blixa Bargeld (German musician)
piano:
Nick Cave (Australian singer‐songwriter, musician and score composer)
viola:
Kerran Coulter
violin:
Jen Anderson and Sue Simpson
background vocals:
Mick Harvey and Conway Savage
lead vocals:
Nick Cave (Australian singer‐songwriter, musician and score composer) and Kylie Minogue
strings arranger:
Nick Cave (Australian singer‐songwriter, musician and score composer) and Mick Harvey
phonographic copyright (℗) by:
Mute Records Ltd. (not for release label use! original company behind the Mute label) (in 1995, in 1996)
mixed at:
Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom
music videos:
Where the Wild Roses Grow by Nick Cave (Australian singer‐songwriter, musician and score composer) & Kylie Minogue
recording of:
Where the Wild Roses Grow
lyricist and composer:
Nick Cave (Australian singer‐songwriter, musician and score composer)
publisher:
Mute Song (international) and Mute Song Ltd.
Nick Cave & the Bad Seeds with Kylie Minogue4.453:55
9Winter
assistant recording engineer:
Leslie Ann Jones (recording engineer)
recording engineer:
John Beverly Jones
producer:
Davitt Sigerson
mixer:
Jon Kelly (engineer at Air London Studios)
bodhrán [Irish war drum]:
Eric Rosse (from 1990 until 1990-06)
piano [acoustic piano]:
Tori Amos (from 1990 until 1990-06)
vocals:
Tori Amos (from 1990 until 1990-06)
conductor:
Nick de Caro (from 1990 until 1990-06)
orchestrator:
Nick de Caro
phonographic copyright (℗) by:
WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1992)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (from 1990 until 1990-06)
recording of:
Winter (from 1990 until 1990-06)
lyricist and composer:
Tori Amos
publisher:
Sword and Stone (in 1991) and Ma.Ra.Cash Records (on 2022-04-14)
Tori Amos3.85:40
10Downtown Train
cover recording of:
Downtown Train
lyricist and composer:
Tom Waits
Everything but the Girl3:06
11Walking in Menphis
recording engineer, engineer and mixer:
Ben Wisch
producer:
Marc Cohn and Ben Wisch
bass and organ:
John Leventhal
drums (drum set):
Dennis McDermott
guitar:
Marc Cohn and John Leventhal
Hammond organ:
Chris Palmaro
keyboard:
Eric Rehl
background vocals:
Vivian Cherry, Dennis Collins (backing vocalist), Ada Dyer (American soul singer) and Darryl Tookes
guest background vocals:
James Taylor (singer-songwriter and guitarist)
vocals:
Marc Cohn
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1991), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1991) and Warner Music H.K. Ltd. (in 1997)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 415)
recording of:
Walking in Memphis
lyricist and composer:
Marc Cohn
publisher:
BMG Music and Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Marc Cohn3.94:13
12Nothing Compares 2 U
engineer:
Chris Birkett
producer:
Nellee Hooper and Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Chris Birkett, Fachtna Ó Ceallaigh and Sinéad O’Connor (Irish singer‐songwriter)
vocals:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1990) and Ensign Records Ltd. (company; do NOT use as release label) (in 1990)
music videos:
Nothing Compares 2 U (music video) by Sinéad O’Connor (Irish singer‐songwriter)
part of:
New York Post: 100 Greatest Covers (2007) (number: 4), AUX: 10 Cover Songs Better Than The Orignials, Paste: The 50 Greatest One-Hit Wonders of All Time (number: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 87), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 162), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 184) and Indie 88: Top 500 Indie Rock Songs (number: 413)
cover recording of:
Nothing Compares 2 U
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), NPG Publishing and Warner Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sinéad O’Connor4.35:03
13Corpus Christi Carol
recording of:
Corpus Christi Carol (from the cantata “A Boy was Born” by Benjamin Britten)
composer:
Benjamin Britten (English composer, conductor, and pianist)
part of:
A Boy Was Born, op. 3: Variation V. In the bleak mid-winter
Jeff Buckley2:56
14Don't Take Your Love From Me
Jimmy Scott5:23
15Put Your Lights On
recording of:
Put Your Lights On (Santana & Everlast)
lyricist and composer:
Erik Schrody
publisher:
Irish Intellect Music (ASCAP), T‐Boy Music Publishing, Inc. and WB Music Corp. (1929–2019)
Santana Feat.Everlast4:44
16Story of the Blues
Gary Moore6:40
17Big Log
recording of:
Big Log
composer:
Robbie Blunt, Robert Plant (of Led Zeppelin) and Gerald Woodruffe
publisher:
Bay Music Co., Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) and Talk Time Music, Inc.
Robert Plant5:02
4▼CD: Années 2000 + Live
#TitleArtistRatingLength
1Something's Got a Hold on Me
engineer:
Vanessa Parr (engineer) and Ghian Wright
producer and mixer:
Kevin Shirley (producer & mixer)
guitar:
Joe Bonamassa
vocals:
Beth Hart (US singer-songwriter)
recorded at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
mixed at:
The Cave Studios (Recording studio located in Malibu, California, United States. Owned by Kevin Shirley.) in Malibu, California, United States
cover recording of:
Something’s Gotta Hold on Me
writer:
Etta James, Leroy Kirkland and Pearl Woods (60s R&B)
Beth Hart & Joe Bonamassa6:03
2Waiting on the World to Change
recording of:
Waiting on the World to Change
lyricist and composer:
John Mayer (US singer‐songwriter)
publisher:
Milky Boy Music and Reach Music Publishing, Inc.
John Mayer3:19
3Nobody
recording of:
Nobody
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4:34
4Drivin' Thunder
producer:
Stephen Stills and Joe Vitale
mixer:
John David Hiler
recording of:
Drivin’ Thunder
writer:
Stephen Stills and Neil Young (Canadian singer, songwriter & musician)
publisher:
Gold Hill Music (BMI) and Silver Fiddle Music
Stephen Stills4:25
5Like a Huricane
cover recording of:
Like a Hurricane
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Silver Fiddle Music and Warner Bros. Music (publisher; do NOT use as release label)
Jeff Healey6:32
6Killing the Blues
recording of:
Killing the Blues
lyricist and composer:
Rowland Salley
Robert Plant & Alison Krauss4:13
7Mommy
recording of:
Mommy
lyricist and composer:
Sanne Putseys (Belgian singer & songwriter, aka Selah Sue)
Selah Sue3:35
8Skinny Love
engineer and mixer:
Paul ‘P Dub’ Walton
producer:
Alex H.N.Gilbert (A&R at UK label 14th Floor Records)
piano:
Birdy (UK singer Jasmine van den Bogaerde)
vocals:
Birdy (UK singer Jasmine van den Bogaerde)
recorded at:
Dean St. Studios in Soho, Westminster, London (Greater London), England, United Kingdom
music videos:
Skinny Love (music video) by Birdy (UK singer Jasmine van den Bogaerde)
cover recording of:
Skinny Love
lyricist and composer:
Justin Vernon
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Birdy3.553:20
9The a Team
recording engineer, programming, producer and mixer:
Jake Gosling (UK producer/songwriter)
co-producer:
Ed Sheeran (UK singer‐songwriter)
acoustic guitar and electric guitar:
Ed Sheeran (UK singer‐songwriter)
piano and strings:
Jake Gosling (UK producer/songwriter)
vocals and performer:
Ed Sheeran (UK singer‐songwriter)
phonographic copyright (℗) by:
Warner Music UK Limited (not for release label use!) (in 2024)
recorded at and mixed at:
Sticky Studios in Windlesham, Surrey, England, United Kingdom
produced at:
Sticky Studios in Windlesham, Surrey, England, United Kingdom
part of:
Billboard Year-End Hot 100 singles of 2013 (number: 75)
recording of:
The A Team
lyricist and composer:
Ed Sheeran (UK singer‐songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ed Sheeran Limited, Sheeran Lock Ltd, Sony Music Publishing (US) LLC (since 2021; fka Sony/ATV Music Publishing LLC), Sony/ATV and Sony/ATV Music Publishing LLC (1995–2020)
Ed Sheeran3.454:19
10A Man Needs a Maid
cover recording of:
A Man Needs a Maid
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Sharandall Music and Broken Fiddle Music (music publisher associated with Neil Young) (in 1971)
recording of:
A Man Needs a Maid
lyricist and composer:
Neil Young (Canadian singer, songwriter & musician)
publisher:
Sharandall Music and Broken Fiddle Music (music publisher associated with Neil Young) (in 1971)
Rumer3:59
11Crazy Love
recording of:
Crazy Love
lyricist:
Marianne Faithfull
composer:
Nick Cave (Australian singer‐songwriter, musician and score composer)
Marianne Faithfull4:00
12Isn't It a Pity
Jonathan Wilson & Graham Nash6:14
13Square One
recording engineer and mixer:
Ryan Ulyate
additional engineer:
Steve McGrath
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne and Tom Petty
bass, drums (drum set) and lead vocals:
Tom Petty (from 2004 until 2005)
guitar:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (from 2004 until 2005), Jeff Lynne (from 2004 until 2005) and Tom Petty (from 2004 until 2005)
keyboard and background vocals:
Jeff Lynne (from 2004 until 2005)
phonographic copyright (℗) by:
Abstract Recordings (in 2006), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2006) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 2006)
recorded at:
Bungalow Palace Studio (Jeff Lynne's home studio) in Los Angeles, California, United States and Shoreline Recorders in Malibu, California, United States
recording of:
Square One (from 2004 until 2005)
lyricist and composer:
Tom Petty
publisher:
Adria K Music
recording of:
Square One
lyricist and composer:
Tom Petty
publisher:
Adria K Music
Tom Petty3.53:25
14On and On and On
assistant recording engineer and assistant mixer:
Joshua V. Smith (recording engineer)
recording engineer:
Vance Powell
producer:
Jack White III (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
mixer:
Vance Powell and Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
acoustic guitar:
Olivia Jean
acoustic guitar and piano [piano (through a Leslie speaker)] and lead vocals:
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
double bass [upright bass]:
Bryn Davies (US bassist, cellist, and pianist)
drums (drum set) [drums]:
Patrick Keeler
pedal steel guitar [pedal steel]:
Fats Kaplin
piano:
Brooke Waggoner
background vocals:
Ruby Amanfu, Karen Elson (English model and singer-songwriter) and Laura Matula
phonographic copyright (℗) by:
Third Man Records, LLC (company behind TMR since 2007) (in 2012)
recorded at:
Third Man Studio (Jack White's studio) in Nashville, Tennessee, United States
recording of:
On and On and On
lyricist and composer:
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
publisher:
Third String Tunes (Jack White's publishing society)
Jack White33:53
15Paper Houses
Mull Historical Society5:18
16An American Trilogy
cover recording of:
An American Trilogy
lyricist and arranger:
Mickey Newbury (American songwriter)
publisher:
Acuff-Rose Publications, Inc. (BMI) and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
medley of:
Dixie
medley of:
All My Trials
medley of:
Battle Hymn of the Republic
Elvis Presley4:16
17I Got a Woman
recording of:
I Got a Woman
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles6:20