Instrumental and Orchestral Works (club edition)

~ Release by Villa-Lobos (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Bachianas Brasileiras no. 3: I. Prelúdio (Ponteio) Adagio
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1976-09, in 1977-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1976-09, in 1977-02)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1976-09, in 1977-02)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1976-09, in 1977-02)
recording of:
Bachianas Brasileiras nº 3, W388: I. Prelúdio (Ponteio) (in 1976-09)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
recording of:
Bachianas Brasileiras nº 3, W388: I. Prelúdio (Ponteio) (in 1977-02)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
Heitor Villa‐Lobos7:58
2Bachianas Brasileiras no. 3: II. Fantasia (Devaneio) Allegro moderato
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1976-09, in 1977-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1976-09, in 1977-02)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1976-09, in 1977-02)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1976-09, in 1977-02)
recording of:
Bachianas Brasileiras nº 3, W388: II. Fantasia (Devaneio) (in 1976-09)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
recording of:
Bachianas Brasileiras nº 3, W388: II. Fantasia (Devaneio) (in 1977-02)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
Heitor Villa‐Lobos6:44
3Bachianas Brasileiras no. 3: III. Ária (Modinha) Largo – Grandioso – Quasi allegro – Largo
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1976-09, in 1977-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1976-09, in 1977-02)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1976-09, in 1977-02)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1976-09, in 1977-02)
recording of:
Bachianas Brasileiras nº 3, W388: III. Ária (Modinha) (in 1976-09)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
recording of:
Bachianas Brasileiras nº 3, W388: III. Ária (Modinha) (in 1977-02)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
Heitor Villa‐Lobos8:02
4Bachianas Brasileiras no. 3: IV. Tocata (Picapau/Woodpecker) Allegro
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1976-09, in 1977-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1976-09, in 1977-02)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1976-09, in 1977-02)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1976-09, in 1977-02)
recording of:
Bachianas Brasileiras nº 3, W388: IV. Tocata (Picapau) (in 1976-09)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
recording of:
Bachianas Brasileiras nº 3, W388: IV. Tocata (Picapau) (in 1977-02)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
part of:
Bachianas Brasileiras nº 3, W388
Heitor Villa‐Lobos6:28
5Mômoprecóce – Fantasy for Piano & Orchestra
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1976-09, in 1977-02)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1976-09, in 1977-02)
conductor:
Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist) (in 1976-09, in 1977-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1976-09, in 1977-02)
recording of:
Momoprecoce, W240 (in 1976-09)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1929)
part of:
Appleby Catalogue (W) (number: W240)
recording of:
Momoprecoce, W240 (in 1977-02)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1929)
part of:
Appleby Catalogue (W) (number: W240)
Heitor Villa‐Lobos23:26
2▼CD
#TitleArtistRatingLength
1Fantasia for Soprano Saxophone & Chamber Orchestra: I. Animé
producer:
John Fraser (UK producer)
saxophone:
John Harle (from 1990-12-03 until 1990-12-05)
orchestra:
Academy of St Martin in the Fields (from 1990-12-03 until 1990-12-05)
conductor:
Sir Neville Marriner (conductor) (from 1990-12-03 until 1990-12-05)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-12-03 until 1990-12-05)
recording of:
Fantasia para saxophone e orquestra, W490: I. Animé (from 1990-12-03 until 1990-12-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1948)
part of:
Fantasia para saxophone e orquestra, W490
Heitor Villa‐Lobos4:44
2Fantasia for Soprano Saxophone & Chamber Orchestra: II. Lent
producer:
John Fraser (UK producer)
saxophone:
John Harle (from 1990-12-03 until 1990-12-05)
orchestra:
Academy of St Martin in the Fields (from 1990-12-03 until 1990-12-05)
conductor:
Sir Neville Marriner (conductor) (from 1990-12-03 until 1990-12-05)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-12-03 until 1990-12-05)
recording of:
Fantasia para saxophone e orquestra, W490: II. Lent (from 1990-12-03 until 1990-12-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1948)
part of:
Fantasia para saxophone e orquestra, W490
Heitor Villa‐Lobos2:55
3Fantasia for Soprano Saxophone & Chamber Orchestra: III. Tres animé
producer:
John Fraser (UK producer)
saxophone:
John Harle (from 1990-12-03 until 1990-12-05)
orchestra:
Academy of St Martin in the Fields (from 1990-12-03 until 1990-12-05)
conductor:
Sir Neville Marriner (conductor) (from 1990-12-03 until 1990-12-05)
balance engineer:
Mark Vigars (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1990-12-03 until 1990-12-05)
recording of:
Fantasia para saxophone e orquestra, W490: III. Très animé (from 1990-12-03 until 1990-12-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1948)
part of:
Fantasia para saxophone e orquestra, W490
Heitor Villa‐Lobos2:52
4Concerto for Guitar & Small Orchestra: I. Allegro preciso
producer:
John Fraser (UK producer) and David Groves (classical music producer at EMI)
guitar:
Ángel Romero (guitarist/conductor) (in 1984-03)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1984-03)
conductor:
Jesús López Cobos (conductor) (in 1984-03)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1984-03)
recording of:
Concerto para violão e pequena orquestra, W501: I. Allegro preciso (Concerto for Guitar and Small Orchestra: I. Allegro preciso) (in 1984-03)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1951)
part of:
Concerto para violão e pequena orquestra, W501 (Concerto for Guitar and Small Orchestra)
Heitor Villa‐Lobos5:14
5Concerto for Guitar & Small Orchestra: II. Andantino e andante – Cadenza
producer:
John Fraser (UK producer) and David Groves (classical music producer at EMI)
guitar:
Ángel Romero (guitarist/conductor) (in 1984-03)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1984-03)
conductor:
Jesús López Cobos (conductor) (in 1984-03)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1984-03)
recording of:
Concerto para violão e pequena orquestra, W501: II. Andantino e andante (Concerto for Guitar and Small Orchestra: II. Andantino e andante) (in 1984-03)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1951)
part of:
Concerto para violão e pequena orquestra, W501 (Concerto for Guitar and Small Orchestra)
Heitor Villa‐Lobos7:52
6Concerto for Guitar & Small Orchestra: III. Allegretto non troppo
producer:
John Fraser (UK producer) and David Groves (classical music producer at EMI)
guitar:
Ángel Romero (guitarist/conductor) (in 1984-03)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1984-03)
conductor:
Jesús López Cobos (conductor) (in 1984-03)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1984-03)
recording of:
Concerto para violão e pequena orquestra, W501: III. Allegretto non troppo (Concerto for Guitar and Small Orchestra: III. Allegretto non troppo) (in 1984-03)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1951)
part of:
Concerto para violão e pequena orquestra, W501 (Concerto for Guitar and Small Orchestra)
Heitor Villa‐Lobos4:26
7A próle do bébé no. 1: I. Branquinha (The Porcelain Doll)
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1974-05)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
Prole do bebê nº 1, W140, nº 1: Branquinha (A boneca de louça) (in 1974-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:12
8A próle do bébé no. 1: II. Moreninha (The Paper Doll)
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1974-05)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
Prole do bebê nº 1, W140, nº 2: Moreninha (A boneca de massa) (in 1974-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:33
9A próle do bébé no. 1: III. Caboclinha (The Clay Doll)
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1974-05)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
Prole do bebê nº 1, W140, nº 3: Caboclinha (A boneca de barro) (in 1974-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos3:10
10A próle do bébé no. 1: IV: Mulathinha (The Rubber Doll)
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1974-05)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
Prole do bebê nº 1, W140, nº 4: Mulatinha (A boneca de borracha) (in 1974-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:24
11A próle do bébé no. 1: V. Negrinha (The Wooden Doll)
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1974-05)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
Prole do bebê nº 1, W140, nº 5: Negrinha (A boneca de pau) (in 1974-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:18
12A próle do bébé no. 1: VI. A pobresinha (The Rag Doll)
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1974-05)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
Prole do bebê nº 1, W140, nº 6: A pobrezinha (A boneca de trapo) (in 1974-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:07
13A próle do bébé no. 1: VII. Bruxa (The Witch Doll)
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1974-05)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
Prole do bebê nº 1, W140, nº 8: A bruxa (A boneca de pano) (in 1974-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:31
14A próle do bébé no. 1: VIII. O polichinelo (Punch)
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1974-05)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
Prole do bebê nº 1, W140, nº 7: O polichinelo (in 1974-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:37
15Festa no sertão
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1974-05)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
Ciclo brasileiro, W374: III. Festa no sertão (in 1974-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1936)
publisher:
Irmãos Vitale
part of:
Ciclo brasileiro, W374
Heitor Villa‐Lobos5:08
16Alma brasileira
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1974-05)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
Choros nº 5 "Alma brasileira", W207 (in 1974-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1925)
dedicated to:
Arnaldo Guinle
publisher:
Max Eschig
part of:
Appleby Catalogue (W) (number: W207)
Heitor Villa‐Lobos5:17
17A lenda do caboclo
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1974-05)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
A lenda do caboclo, W166 (in 1974-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1920)
dedicated to:
Arthur Iberê Lemos (Brazilian composer and pianist)
part of:
Appleby Catalogue (W) (number: W166)
Heitor Villa‐Lobos4:09
18Impressões seresteiras
producer:
John Willan (producer)
piano:
Cristina Ortiz (Brazilian pianist) (in 1974-05)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1974-05)
recording of:
Ciclo brasileiro, W374: II. Impressões seresteiras (in 1974-05)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1936)
publisher:
Irmãos Vitale
part of:
Ciclo brasileiro, W374
Heitor Villa‐Lobos6:27