Complete Decca Recordings

~ Release by Rafael Kubelík (see all versions of this release, 1 available)

Tracklist

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1▼CD: Brahms: Symphonies nos. 1 & 2
#TitleArtistRatingLength
1Symphony No.1 in c, Op.68, I. Un poco sostenuto - Allegro
Johannes Brahms14:02
2Symphony No.1 in c, Op.68, II. Andante sostenuto
Johannes Brahms9:25
3Symphony No.1 in c, Op.68, III. Un poco allegretto e grazioso
Johannes Brahms4:44
4Symphony No.1 in c, Op.68, IV. Adagio piu andante - Allegro non -
Johannes Brahms16:53
5Symphony No.2 in D, Op.73, I. Allegro non troppo
Johannes Brahms13:56
6Symphony No.2 in D, Op.73, II. Adagio non troppo - L'istesso tempo -
Johannes Brahms8:49
7Symphony No.2 in D, Op.73, III. Allegretto grazioso - Presto ma -
Johannes Brahms4:59
8Symphony No.2 in D, Op.73, IV. Allegro con spirito
Johannes Brahms8:47
2▼CD: Brahms: Symphonies nos. 3 & 4
#TitleArtistRatingLength
1Symphonie No 3 en fa majeur, op.90 - I Allegro con brio
Johannes Brahms13:58
2Symphonie No 3 en fa majeur, op.90 - II Andante
Johannes Brahms9:02
3Symphonie No 3 en fa majeur, op.90 - III Poco Allegretto
Johannes Brahms6:08
4Symphonie No 3 en fa majeur, op.90 - IV Allegro
Johannes Brahms9:03
5Symphonie No 4 en mi mineur, op.98 - I Allegro non troppo
Johannes Brahms11:23
6Symphonie No 4 en mi mineur, op.98 - II Andante moderato
Johannes Brahms11:12
7Symphonie No 4 en mi mineur, op.98 - III Allegro giocoso - Poco meno mosso - Tempo I
Johannes Brahms6:24
8Symphonie No 4 en mi mineur, op.98 - IV Allegro energico et passionato - Piu Allegro
Johannes Brahms9:52
3▼CD: Dvořák: Cello Concerto / Serenade for Strings
#TitleArtistRatingLength
1Cello Concerto in B Minor, Op. 104, B. 191 - 1. Allegro
cello:
Pierre Fournier (cellist) (in 1954-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-07)
conductor:
Rafael Kubelík (conductor) (in 1954-07)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-07)
recording of:
Cello Concerto in B minor, op. 104: I. Allegro (in 1954-07)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák14:31
2Cello Concerto in B Minor, Op. 104, B. 191 - 2. Adagio ma non troppo
cello:
Pierre Fournier (cellist) (in 1954-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-07)
conductor:
Rafael Kubelík (conductor) (in 1954-07)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-07)
recording of:
Cello Concerto in B minor, op. 104: II. Adagio ma non troppo (in 1954-07)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-02-09)
part of:
Cello Concerto in B minor, op. 104
Antonín Dvořák11:19
3Cello Concerto in B Minor, Op. 104, B. 191 - 3. Finale. Allegro moderato
cello:
Pierre Fournier (cellist) (in 1954-07)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1954-07)
conductor:
Rafael Kubelík (conductor) (in 1954-07)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1954-07)
recording of:
Cello Concerto in B minor, op. 104: III. Finale. Allegro moderato – Andante – Allegro vivo (in 1954-07)
composer:
Antonín Dvořák (composer) (from 1894-11-08 until 1895-06-11)
part of:
Cello Concerto in B minor, op. 104
revision of:
Cello Concerto in B minor, op. 104: III. Finale (original finale (not the one usually played))
Antonín Dvořák12:07
4Serenade for Strings in E Major, Op. 22, B.52 - 1. Moderato
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Serenade for Strings in E major, op. 22, B. 52: I. Moderato
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák4:26
5Serenade for Strings in E Major, Op. 22, B.52 - 2. Tempo di valse
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Serenade for Strings in E major, op. 22, B. 52: II. Tempo di valse
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák6:43
6Serenade for Strings in E Major, Op. 22, B.52 - 3. Scherzo. Vivace
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Serenade for Strings in E major, op. 22, B. 52: III. Scherzo. Vivace
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák5:15
7Serenade for Strings in E Major, Op. 22, B.52 - 4. Larghetto
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Serenade for Strings in E major, op. 22, B. 52: IV. Larghetto
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák5:47
8Serenade for Strings in E Major, Op. 22, B.52 - 5. Finale. Allegro vi...
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Serenade for Strings in E major, op. 22, B. 52: V. Finale. Allegro vivace
composer:
Antonín Dvořák (composer) (from 1875-05-03 until 1875-05-14)
revised by:
Antonín Dvořák (composer) (in 1878)
part of:
Smyčcová serenáda E dur, op. 22, B. 52 (Serenade for Strings in E major, op. 22, B. 52)
Antonín Dvořák5:58
4▼CD: Dvořák: Symphonies nos. 7 & 9
#TitleArtistRatingLength
1Symphony no. 7 in D minor, op. 70: I. Allegro maestoso
recording engineer:
James Brown (Decca engineer, 1960s) (in 1956-10) and Gordon Parry (engineer) (in 1956-10)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1956-10)
conductor:
Rafael Kubelík (conductor) (in 1956-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1956-10)
recording of:
Symphony no. 7 in D minor, op. 70: I. Allegro maestoso (in 1956-10)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák11:11
2Symphony no. 7 in D minor, op. 70: II. Poco adagio
recording engineer:
James Brown (Decca engineer, 1960s) (in 1956-10) and Gordon Parry (engineer) (in 1956-10)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1956-10)
conductor:
Rafael Kubelík (conductor) (in 1956-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1956-10)
recording of:
Symphony no. 7 in D minor, op. 70: II. Poco adagio (in 1956-10)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák9:09
3Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace - Poco meno mosso
recording engineer:
James Brown (Decca engineer, 1960s) (in 1956-10) and Gordon Parry (engineer) (in 1956-10)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1956-10)
conductor:
Rafael Kubelík (conductor) (in 1956-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1956-10)
recording of:
Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace - Poco meno mosso (in 1956-10)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák6:56
4Symphony no. 7 in D minor, op. 70: IV. Allegro
recording engineer:
James Brown (Decca engineer, 1960s) (in 1956-10) and Gordon Parry (engineer) (in 1956-10)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1956-10)
conductor:
Rafael Kubelík (conductor) (in 1956-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1956-10)
recording of:
Symphony no. 7 in D minor, op. 70: IV. Finale: Allegro (in 1956-10)
composer:
Antonín Dvořák (composer) (from 1884-12-13 until 1885-03-17)
revised by:
Antonín Dvořák (composer) (in 1885)
part of:
Symphony no. 7 in D minor, op. 70
Antonín Dvořák9:00
5Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto
recording engineer:
James Brown (Decca engineer, 1960s) (in 1956-10) and Gordon Parry (engineer) (in 1956-10)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1956-10)
conductor:
Rafael Kubelík (conductor) (in 1956-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1956-10)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: I. Adagio — Allegro molto (Symphony No. 9 in E minor, Op. 95 “From the New World”: I. Adagio – Allegro molto) (in 1956-10)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák9:10
6Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo
recording engineer:
James Brown (Decca engineer, 1960s) (in 1956-10) and Gordon Parry (engineer) (in 1956-10)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1956-10)
conductor:
Rafael Kubelík (conductor) (in 1956-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1956-10)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo) (in 1956-10)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák12:46
7Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace
recording engineer:
James Brown (Decca engineer, 1960s) (in 1956-10) and Gordon Parry (engineer) (in 1956-10)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1956-10)
conductor:
Rafael Kubelík (conductor) (in 1956-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1956-10)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: III. Scherzo. Molto vivace — Poco sostenuto (Symphony No. 9 in E minor, Op. 95 “From the New World”: III. Scherzo. Molto vivace – Poco sostenuto) (in 1956-10)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák7:37
8Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco
recording engineer:
James Brown (Decca engineer, 1960s) (in 1956-10) and Gordon Parry (engineer) (in 1956-10)
producer:
John Culshaw
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1956-10)
conductor:
Rafael Kubelík (conductor) (in 1956-10)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (in 1956-10)
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: IV. Allegro con fuoco (Symphony No. 9 in E minor, Op. 95 “From the New World”: IV. Allegro con fuoco) (in 1956-10)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák11:11
5▼CD: Dvořák: Slavonic Dances, op. 46 & op. 72
#TitleArtistRatingLength
1Slavonic Dances, op. 46: No. 1 in C major: Presto
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:40
2Slavonic Dances, op. 46: No. 2 in E minor: Allegretto scherzando
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák4:46
3Slavonic Dances, op. 46: No. 3 in A-flat major: Poco allegro
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 46, B. 83: No. 3 in A-flat major (Polka) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák4:03
4Slavonic Dances, op. 46: No. 4 in F major: Tempo di minuetto
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 46, B. 83: No. 4 in F major (Sousedská) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák6:41
5Slavonic Dances, op. 46: No. 5 in A major: Allegro vivace
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 46, B. 83: No. 5 in A major (Skočná) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:07
6Slavonic Dances, op. 46: No. 6 in D major: Allegretto scherzando
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 46, B. 83: No. 6 in D major (Sousedská) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák5:24
7Slavonic Dances, op. 46: No. 7 in C minor: Allegro assai
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 46, B. 83: No. 7 in C minor (Skočná) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:04
8Slavonic Dances, op. 46: No. 8 in G minor: Presto
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 46, B. 83: No. 8 in G minor (Furiant) (for orchestra) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák4:01
9Slavonic Dances, op. 72: No. 1 in B major: Molto vivace
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 72: No. 1 in B major: Molto vivace (for orchestra) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák3:50
10Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 72: No. 2 in E minor: Allegretto grazioso (for orchestra) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
orchestration of:
Slawische Tänze, op. 72 no. 2 e-Moll (Slavonic Dance, op. 72 no. 2 in E minor, for Piano, four hands)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák5:17
11Slavonic Dances, op. 72: No. 3 in F major: Allegro
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 72: No. 3 in F major: Allegro (for orchestra) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák3:11
12Slavonic Dances, op. 72: No. 4 in D-flat major: Allegretto grazioso
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 72: No. 4 in D-flat major: Allegretto grazioso (for orchestra) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák4:43
13Slavonic Dances, op. 72: No. 5 in B-flat minor: Poco adagio
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 72: No. 5 in B-flat minor: Poco adagio (for orchestra) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák2:28
14Slavonic Dances, op. 72: No. 6 in B-flat major: Moderato, quasi minuetto
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 72: No. 6 in B-flat major: Moderato, quasi Minuetto (for orchestra) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák3:24
15Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 72: No. 7 in C major: Allegro vivace (for orchestra) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
premiered at:
[concert] (1887-01-06)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák2:58
16Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di valse
engineer:
Cyril Windebank (from 1955-03-07 until 1955-03-11)
producer:
Peter Andry (producer) and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-07 until 1955-03-11)
conductor:
Rafael Kubelík (conductor) (from 1955-03-07 until 1955-03-11)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-07 until 1955-03-11)
recording of:
Slavonic Dances, op. 72: No. 8 in A-flat major: Grazioso e lento, ma non troppo, quasi tempo di Valse (for orchestra) (from 1955-03-07 until 1955-03-11)
composer:
Antonín Dvořák (composer) (from 1886-11 until 1887-01-05)
part of:
Slawische Tänze, op. 72, B. 147 (Slavonic Dances, op. 72, B. 147, for orchestra)
Antonín Dvořák6:12
6▼CD: Smetana: Má Vlast
#TitleArtistRatingLength
1Má Vlast: I. Vyšehrad
producer:
John Culshaw and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1958-04-03 until 1958-04-07)
conductor:
Rafael Kubelík (conductor) (from 1958-04-03 until 1958-04-07)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1958-04-03 until 1958-04-07) and Gordon Parry (engineer) (from 1958-04-03 until 1958-04-07)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1958-04-03 until 1958-04-07)
recording of:
Má vlast: I. Vyšehrad, JB 1:112/1 (from 1958-04-03 until 1958-04-07)
composer:
Bedřich Smetana (composer) (from 1872 until 1874-11-18)
part of:
B. number catalogue by František Bartoš (number: B. 110)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana14:14
2Má Vlast: II. Vltava (The Moldau)
producer:
John Culshaw and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1958-04-03 until 1958-04-07)
conductor:
Rafael Kubelík (conductor) (from 1958-04-03 until 1958-04-07)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1958-04-03 until 1958-04-07) and Gordon Parry (engineer) (from 1958-04-03 until 1958-04-07)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1958-04-03 until 1958-04-07)
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau) (from 1958-04-03 until 1958-04-07)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana11:23
3Má Vlast: III. Šárka
producer:
John Culshaw and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1958-04-03 until 1958-04-07)
conductor:
Rafael Kubelík (conductor) (from 1958-04-03 until 1958-04-07)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1958-04-03 until 1958-04-07) and Gordon Parry (engineer) (from 1958-04-03 until 1958-04-07)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1958-04-03 until 1958-04-07)
recording of:
Má vlast: III. Šárka, JB 1:112/3 (from 1958-04-03 until 1958-04-07)
composer:
Bedřich Smetana (composer) (in 1875)
part of:
B. number catalogue by František Bartoš (number: B. 113)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana9:24
4Má Vlast: IV. From Bohemia's Meadows and Groves
producer:
John Culshaw and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1958-04-03 until 1958-04-07)
conductor:
Rafael Kubelík (conductor) (from 1958-04-03 until 1958-04-07)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1958-04-03 until 1958-04-07) and Gordon Parry (engineer) (from 1958-04-03 until 1958-04-07)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1958-04-03 until 1958-04-07)
recording of:
Má vlast: IV. Z českých luhů a hájů, JB 1:112/4 (My Country: IV. From Bohemia's Woods and Fields, From Bohemia's Woods and Fields) (from 1958-04-03 until 1958-04-07)
composer:
Bedřich Smetana (composer) (in 1875)
part of:
B. number catalogue by František Bartoš (number: B. 114)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:23
5Má Vlast: V. Tábor
producer:
John Culshaw and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1958-04-03 until 1958-04-07)
conductor:
Rafael Kubelík (conductor) (from 1958-04-03 until 1958-04-07)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1958-04-03 until 1958-04-07) and Gordon Parry (engineer) (from 1958-04-03 until 1958-04-07)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1958-04-03 until 1958-04-07)
recording of:
Má vlast: V. Tábor, JB 1:112/5 (from 1958-04-03 until 1958-04-07)
composer:
Bedřich Smetana (composer) (in 1878)
part of:
B. number catalogue by František Bartoš (number: B. 120)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana13:09
6Má Vlast: VI. Blaník
producer:
John Culshaw and Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1958-04-03 until 1958-04-07)
conductor:
Rafael Kubelík (conductor) (from 1958-04-03 until 1958-04-07)
balance engineer:
James Brown (Decca engineer, 1960s) (from 1958-04-03 until 1958-04-07) and Gordon Parry (engineer) (from 1958-04-03 until 1958-04-07)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1958-04-03 until 1958-04-07)
recording of:
Má vlast: VI. Blaník, JB 1:112/6 (from 1958-04-03 until 1958-04-07)
composer:
Bedřich Smetana (composer) (on 1879-03-09)
part of:
B. number catalogue by František Bartoš (number: B. 121)
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana13:54
7▼CD: Mahler: Symphony no. 1 "Titan"
#TitleArtistRatingLength
1Symphony no. 1 in D major "Titan": I. Langsam. Schleppend
engineer and producer:
Cyril Windebank and Victor Olof
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (on 1954-06-27)
conductor:
Rafael Kubelík (conductor) (on 1954-06-27)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1954-06-27)
recording of:
Symphony no. 1 in D major “Titan”: I. Langsam. Schleppend (on 1954-06-27)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler12:49
2Symphony no. 1 in D major "Titan": II. Kräftig bewegt
engineer and producer:
Cyril Windebank and Victor Olof
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (on 1954-06-27)
conductor:
Rafael Kubelík (conductor) (on 1954-06-27)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1954-06-27)
recording of:
Symphony no. 1 in D major “Titan”: II. Kräftig bewegt (on 1954-06-27)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler7:11
3Symphony no. 1 in D major "Titan": III. Feierlich und gemessen, ohne zu schleppen
engineer and producer:
Cyril Windebank and Victor Olof
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (on 1954-06-27)
conductor:
Rafael Kubelík (conductor) (on 1954-06-27)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1954-06-27)
recording of:
Symphony no. 1 in D major “Titan”: III. Feierlich und gemessen, ohne zu schleppen (on 1954-06-27)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
quotes music from:
Frère Jacques
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler10:40
4Symphony no. 1 in D major "Titan": IV. Stürmisch bewegt
engineer and producer:
Cyril Windebank and Victor Olof
orchestra:
Vienna Philharmonic Orchestra (Vienna Philharmonic) (on 1954-06-27)
conductor:
Rafael Kubelík (conductor) (on 1954-06-27)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1954-06-27)
recording of:
Symphony no. 1 in D major “Titan”: IV. Stürmisch bewegt (on 1954-06-27)
composer:
Gustav Mahler (composer) (from 1884 until 1888)
part of:
Symphony no. 1 in D major “Titan”
Gustav Mahler19:06
8▼CD: Janáček: Sinfonietta / Tchaikovsky: Romeo And Juliet, Fantasy Overture
#TitleArtistRatingLength
1Sinfonietta, I. Fanfare. Allegretto - Allegro Maestoso
engineer and producer:
Peter Andry (producer), Cyril Windebank and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-08 until 1955-03-09)
conductor:
Rafael Kubelík (conductor) (from 1955-03-08 until 1955-03-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-08 until 1955-03-09)
recording of:
Sinfonietta: I. Allegretto - Allegro - Maestoso (Fanfares) (from 1955-03-08 until 1955-03-09)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček2:06
2Sinfonietta, II. The Castle, Brno. Andante - Allegretto
engineer and producer:
Peter Andry (producer), Cyril Windebank and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-08 until 1955-03-09)
conductor:
Rafael Kubelík (conductor) (from 1955-03-08 until 1955-03-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-08 until 1955-03-09)
recording of:
Sinfonietta: II. Andante - Allegretto (The Castle) (from 1955-03-08 until 1955-03-09)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček5:23
3Sinfonietta, III. The Queen's Monastery, Brno. Moderato
engineer and producer:
Peter Andry (producer), Cyril Windebank and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-08 until 1955-03-09)
conductor:
Rafael Kubelík (conductor) (from 1955-03-08 until 1955-03-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-08 until 1955-03-09)
recording of:
Sinfonietta: III. Moderato (The Queen's Monastery) (from 1955-03-08 until 1955-03-09)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček4:32
4Sinfonietta, IV. The Street Leading To The Castle. Allegretto
engineer and producer:
Peter Andry (producer), Cyril Windebank and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-08 until 1955-03-09)
conductor:
Rafael Kubelík (conductor) (from 1955-03-08 until 1955-03-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-08 until 1955-03-09)
recording of:
Sinfonietta: IV. Allegretto (The Street) (from 1955-03-08 until 1955-03-09)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček2:35
5Sinfonietta, V. The Town Hall, Brno. Andante con moto
engineer and producer:
Peter Andry (producer), Cyril Windebank and Victor Olof
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1955-03-08 until 1955-03-09)
conductor:
Rafael Kubelík (conductor) (from 1955-03-08 until 1955-03-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1955-03-08 until 1955-03-09)
recording of:
Sinfonietta: V. Andante con moto (The Town Hall) (from 1955-03-08 until 1955-03-09)
composer:
Leoš Janáček (Czech composer) (in 1926)
part of:
Sinfonietta
Leoš Janáček6:24
6Romeo And Juliet, Fantasy Overture
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Rafael Kubelík (conductor)
recording of:
Romeo and Juliet, Fantasy Overture, TH 42, ČW 39 (1880 version, commonly performed)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1869)
revised by:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1870, in 1880)
dedicated to:
Милий Алексеевич Балакирев (Mily Balakirev, composer, pianist, conductor)
part of:
The Tchaikovsky Handbook (number: TH 42) and Thematic and Bibliographical Catalogue of P. I. Čajkovskij's Works (number: ČW 39)
revision of:
Romeo and Juliet (1870, rarely performed)
Pyotr Ilyich Tchaikovsky18:44
9▼CD: Nicolai: Die lustigen Weiber von Windsor(1)
#TitleArtistRatingLength
1Die lustigen Weiber von Windsor: Overture
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Ouvertüre
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor
Otto Nicolai7:39
2Die lustigen Weiber von Windsor: Act 1 Part I: Nein, das ist wirklich doch zu keck
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt I. Nr. 1. „Nein, das ist wirklich doch zu keck“ (Duett Frau Fluth, Frau Reich)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt I
Otto Nicolai9:13
3Die lustigen Weiber von Windsor: Act 1 So geht indes hinein
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt I. Nr. 2. “So geht indes hinein”
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt I
Otto Nicolai6:47
4Die lustigen Weiber von Windsor: Act 1 Nun eilt herbei, Witz
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt I. Nr. 3. „Nun eilt herbei“ … „Ha, ha, ha, er wird mir glauben“
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt I
Otto Nicolai6:51
5Die lustigen Weiber von Windsor: Act 1 So hab' ich dich errungen
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt I. Nr. 4. “So hab ich Dich errungen”
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt I
Otto Nicolai18:27
6Die lustigen Weiber von Windsor: Act 2 Hé, Kellner!
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt II. Dialog. “Da hatten die Frauen”
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai1:10
7Die lustigen Weiber von Windsor: Act 2 Als Büblein klein an der Mutter Brust
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt II. Nr. 5. „Als Büblein klein” (Falstaff)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai4:11
8Die lustigen Weiber von Windsor: Act 2 Gott grüß Euch, Sir!
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt II. Nr. 6. „Gott grüß euch, Sir“ … „In einem Waschkorb?“ (Rezitativ und Duett Fluth, Falstaff)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai5:33
9Die lustigen Weiber von Windsor: Act 2 In einen Wäschkorb?
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt II. Dialog. Im Garten des Herrn Reich
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai5:21
10▼CD: Nicolai: Die lustigen Weiber von Windsor(2)
#TitleArtistRatingLength
1Die lustigen Weiber von Windsor: Act 2 Dies ist die Stunde
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt II. Nr. 7a. “Dies ist die Stunde”
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai3:49
2Die lustigen Weiber von Windsor: Act 2 Horch, die Lerche singt im Hain
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt II. Nr. 7b. „Horch, die Lerche singt am Hain!“ (Romanze des Fenton)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai5:44
3Die lustigen Weiber von Windsor: Act 2 Fenton! Mein Mädchen! Doch, du hast geweint?
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt II. Nr. 7c. „Fenton!“ … „Mein Mädchen“ (Duettino Anna, Fenton)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai5:35
4Die lustigen Weiber von Windsor: Act 2 Bestürmen denn die läst'gen Freier
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt II. Nr. 7d. “Bestürmen denn die läst’gen Freier”
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai3:18
5Die lustigen Weiber von Windsor: Act 2 Um Gottes Willen, Frau Gevatterin
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt II. Dialog. Zur gleichen Stunde
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai8:14
6Die lustigen Weiber von Windsor: Act 2 Wer klopft? Mach auf, Herr Fluth
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt II. Nr. 9. “Wer klopft? Macht auf, Herr Fluth”
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt II
Otto Nicolai6:17
7Die lustigen Weiber von Windsor: Act 3 Und an dich, Frau
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt III. Dialog. Falstaff lief zurück
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt III
Otto Nicolai0:20
8Die lustigen Weiber von Windsor: Act 3 Vom Jäger Herne die Mähr ist alt
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt III. Nr. 10. “Vom Jäger Herne die Mär ist alts”
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt III
Otto Nicolai3:13
9Die lustigen Weiber von Windsor: Act 3 Falstaff soll auf unsere Einladung
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt III. Dialog. Frau Reich wünschte sich
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt III
Otto Nicolai8:29
10Die lustigen Weiber von Windsor: Act 3 O süßer Mond
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt III. Nr. 12. „O süßer Mond“ (Chor)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt III
Otto Nicolai3:49
11Die lustigen Weiber von Windsor: Act 3 Die Glocke schlug schon um Mitternacht
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt III. Nr. 13. “Die Glocke schlug schon Mitternacht”
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt III
Otto Nicolai6:09
12Die lustigen Weiber von Windsor: Act 3 Ihr Elfen, weiss und rot und grau
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt III. Nr. 14. “Ihr Elfen, weiß und rot und grau” (Elfenchor)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt III
Otto Nicolai7:01
13Die lustigen Weiber von Windsor: Act 3 Mücken, Wespen, Fliegenchor
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt III. Nr. 15. “Mücken, Wespen, Fliegenchor”
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt III
Otto Nicolai2:18
14Die lustigen Weiber von Windsor: Act 3 Er gesteht noch immer nicht
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt III. Nr. 16. “Er gesteht noch immer nicht”
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt III
Otto Nicolai3:26
15Die lustigen Weiber von Windsor: Act 3 So hat denn der Schwank der fröhlichen Nacht
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Rafael Kubelík (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt III. Nr. 17. „So hat denn der Schwank“ (Terzettino/Finale, ganzes Ensemble und Chor)
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt III
Otto Nicolai2:48
11▶CD: Weber: Der Freischütz(1)
12▶CD: Weber: Der Freischütz(2)