L’Enfant et les sortilèges / L’Heure espagnole

~ Release by Maurice Ravel; Orchestre National de la R.T.F., Lorin Maazel (see all versions of this release, 3 available)

Tracklist

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1L'Heure espagnole : Introduction
producer:
Heinz Wildhagen (engineer, producer)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Introduction (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel2:13
2L'Heure espagnole : Scène I. « Señor Torquemada, horloger de Tolède ? »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
Gabriel Bacquier (French baritone) (in 1965-02)
tenor vocals:
Jean Giraudeau (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène I. « Señor Torquemada, horloger de Tolède ? » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel1:48
3L'Heure espagnole : Scène II. « Totor ! »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
Gabriel Bacquier (French baritone) (in 1965-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
tenor vocals:
Jean Giraudeau (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène II. « Totor ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel2:02
4L'Heure espagnole : Scène III. « Il reste, voilà bien ma chance ! »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
Gabriel Bacquier (French baritone) (in 1965-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène III. « Il reste, voilà bien ma chance ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel2:16
5L'Heure espagnole : Scène IV. « Il était temps, voici Gonzalve ! »
producer:
Heinz Wildhagen (engineer, producer)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
tenor vocals:
Michel Sénéchal (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène IV. « Il était temps, voici Gonzalve ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel2:54
6L'Heure espagnole : Scène V. « C'est fait, l'horloge est à sa place »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
Gabriel Bacquier (French baritone) (in 1965-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
tenor vocals:
Michel Sénéchal (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène V. « C'est fait, l'horloge est à sa place » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel1:31
7L'Heure espagnole : Scène VI. « Maintenant pas de temps à perdre ! »
producer:
Heinz Wildhagen (engineer, producer)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
tenor vocals:
Michel Sénéchal (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène VI. « Maintenant pas de temps à perdre ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel1:37
8L'Heure espagnole : Scène VII. « Salut à la belle horlogère ! »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
José van Dam (Belgian operatic bass-baritone) (in 1965-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène VII. « Salut à la belle horlogère ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel1:57
9L'Heure espagnole : Scène VIII. « Voilà !... Et maintenant à l'autre ! »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
Gabriel Bacquier (French baritone) (in 1965-02) and José van Dam (Belgian operatic bass-baritone) (in 1965-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène VIII. « Voilà !... Et maintenant à l'autre ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel1:17
10L'Heure espagnole : Scène IX. « Évidemment, elle me congédie »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
José van Dam (Belgian operatic bass-baritone) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène IX. « Évidemment, elle me congédie » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel2:03
11L'Heure espagnole : Scène X. « Voilà ce que j'appelle une femme charmante »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
Gabriel Bacquier (French baritone) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène X. « Voilà ce que j'appelle une femme charmante » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel1:52
12L'Heure espagnole : Scène XI. « Monsieur, ah ! Monsieur ! »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
Gabriel Bacquier (French baritone) (in 1965-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XI. « Monsieur, ah ! Monsieur ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel0:30
13L'Heure espagnole : Scène XII. « Enfin, il part ! »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
José van Dam (Belgian operatic bass-baritone) (in 1965-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XII. « Enfin, il part ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel2:56
14L'Heure espagnole : Scène XIII. « Voilà l'objet ! »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
Gabriel Bacquier (French baritone) (in 1965-02) and José van Dam (Belgian operatic bass-baritone) (in 1965-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XIII. « Voilà l'objet ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel1:00
15L'Heure espagnole : Scène XIV. « Ah ! vous, n'est-ce pas, preste ! leste ! »
producer:
Heinz Wildhagen (engineer, producer)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
tenor vocals:
Michel Sénéchal (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XIV. « Ah ! vous, n'est-ce pas, preste ! leste ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel1:32
16L'Heure espagnole : Scène XV. « En dépit de cette inhumaine »
producer:
Heinz Wildhagen (engineer, producer)
tenor vocals:
Michel Sénéchal (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XV. « En dépit de cette inhumaine » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel1:30
17L'Heure espagnole : Scène XVI. « Voilà ce que j'appelle une femme charmante ! »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
Gabriel Bacquier (French baritone) (in 1965-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XVI. « Voilà ce que j'appelle une femme charmante ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel2:36
18L'Heure espagnole : Scène XVII. « Oh ! la pitoyable aventure ! »
producer:
Heinz Wildhagen (engineer, producer)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
tenor vocals:
Michel Sénéchal (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XVII. « Oh ! la pitoyable aventure ! » (Concepción, Gonzalve) (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel2:51
19L'Heure espagnole : Scène XVIII. « Voilà !... Et maintenant, Señora »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
Gabriel Bacquier (French baritone) (in 1965-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XVIII. « Voilà !... Et maintenant, Señora » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel1:25
20L'Heure espagnole : Scène XIX. « Mon œil anxieux interroge »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
José van Dam (Belgian operatic bass-baritone) (in 1965-02)
tenor vocals:
Michel Sénéchal (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XIX. « Mon œil anxieux interroge » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel2:10
21L'Heure espagnole : Scène XIX. « Adieu, cellule, adieu, donjon ! »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
José van Dam (Belgian operatic bass-baritone) (in 1965-02)
tenor vocals:
Michel Sénéchal (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XIX. « Adieu, cellule, adieu, donjon ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel1:39
22L'Heure espagnole : Scène XX. « Il n'est, pour l'horloger »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
José van Dam (Belgian operatic bass-baritone) (in 1965-02)
tenor vocals:
Jean Giraudeau (tenor) (in 1965-02) and Michel Sénéchal (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XX. « Il n'est, pour l'horloger » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel2:03
23L'Heure espagnole : Scène XXI. « Pardieu, déménageur, vous venez à propos ! »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
Gabriel Bacquier (French baritone) (in 1965-02) and José van Dam (Belgian operatic bass-baritone) (in 1965-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
tenor vocals:
Jean Giraudeau (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XXI. « Pardieu, déménageur, vous venez à propos ! » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel1:19
24L'Heure espagnole : Scène XXI. « Un financier... Et un poète »
producer:
Heinz Wildhagen (engineer, producer)
baritone vocals:
Gabriel Bacquier (French baritone) (in 1965-02) and José van Dam (Belgian operatic bass-baritone) (in 1965-02)
soprano vocals:
Jane Berbié (mezzo-soprano) (in 1965-02)
tenor vocals:
Jean Giraudeau (tenor) (in 1965-02) and Michel Sénéchal (tenor) (in 1965-02)
orchestra:
Orchestre national de la Radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France) (in 1965-02)
conductor:
Lorin Maazel (conductor) (in 1965-02)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1965-02)
recorded at:
ORTF Studios in Paris, Île-de-France, France (in 1965-02)
recording of:
L'Heure espagnole: Scène XXI. « Un financier... Et un poète » (in 1965-02)
composer:
Maurice Ravel (French composer) (from 1907 until 1911-05-19)
librettist:
Franc-Nohain (in 1904)
part of:
L'Heure espagnole
Maurice Ravel3:11
25Capriccio espagnol, op. 34 : I. Alborada: Vivo e strepitoso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio espagnol, op. 34: I. Alborada (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov1:12
26Capriccio espagnol, op. 34 : II. Variazioni: Andante con moto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: II. Variazioni (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov4:47
27Capriccio espagnol, op. 34 : III. Alborada: Vivo e strepitoso
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: III. Alborada (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov1:11
28Capriccio espagnol, op. 34 : IV. Scena e canto gitano: Allegretto
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: IV. Scena e canto gitano (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov4:27
29Capriccio espagnol, op. 34 : V. Fandango asturiano
producer:
Hans Weber (producer/engineer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1958-12)
conductor:
Lorin Maazel (conductor) (in 1958-12)
balance engineer:
Gerhard Henjes (sound engineer and producer) (in 1958-12)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1960)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1958-12)
recording of:
Capriccio Espagnol, op. 34: V. Fandango asturiano (in 1958-12)
composer:
Nikolai Rimsky-Korsakov (Nikolai Rimsky‐Korsakov, Russian composer) (in 1887)
part of:
Каприччио на испанские темы, op. 34 (Capriccio espagnol, Op. 34, Capriccio espagnol)
Nikolai Rimsky-Korsakov3:03
2▼Digital Media
#TitleArtistRatingLength
1L'Enfant et les sortilèges : Tableau I. « J'ai pas envie de faire ma page ! »
producer:
Hans Ritter
vocals:
Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « J'ai pas envie de faire ma page ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel2:05
2L'Enfant et les sortilèges : Tableau I. « Bébé a été sage ? »
producer:
Hans Ritter
vocals:
Jeannine Collard (mezzo-soprano / contralto) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Bébé a été sage ? » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:12
3L'Enfant et les sortilèges : Tableau I. « Ça m'est égal ! »
producer:
Hans Ritter
vocals:
Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Ça m'est égal ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:08
4L'Enfant et les sortilèges : Tableau I. « Votre serviteur humble, Bergère »
producer:
Hans Ritter
choir vocals:
Chœur de la Radio‐télévision française (in 1960-11) and Maîtrise de la Radio‐télévision française (in 1960-11)
vocals:
Jane Berbié (mezzo-soprano) (in 1960-11) and Heinz Rehfuss (baritone) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
chorus master:
René Alix (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Votre serviteur humble, Bergère » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:46
5L'Enfant et les sortilèges : Tableau I. « Ding, ding, ding, ding »
producer:
Hans Ritter
vocals:
Camille Maurane (baritone) (in 1960-11) and Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Ding, ding, ding, ding » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:19
6L'Enfant et les sortilèges : Tableau I. « How's your mug? »
producer:
Hans Ritter
vocals:
Jeannine Collard (mezzo-soprano / contralto) (in 1960-11) and Michel Sénéchal (tenor) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « How's your mug? » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel0:54
7L'Enfant et les sortilèges : Tableau I. « Keng-ça-fou, mah-jong »
producer:
Hans Ritter
vocals:
Jeannine Collard (mezzo-soprano / contralto) (in 1960-11) and Michel Sénéchal (tenor) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Keng-ça-fou, mah-jong » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:30
8L'Enfant et les sortilèges : Tableau I. « Oh ! Ma belle tasse chinoise ! »
producer:
Hans Ritter
vocals:
Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Oh ! Ma belle tasse chinoise ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel0:42
9L'Enfant et les sortilèges : Tableau I. « Arrière ! Je réchauffe les bons »
producer:
Hans Ritter
vocals:
Sylvaine Gilma (in 1960-11) and Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Arrière ! Je réchauffe les bons » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel2:22
10L'Enfant et les sortilèges : Tableau I. « Adieu, pastourelles ! »
producer:
Hans Ritter
choir vocals:
Chœur de la Radio‐télévision française (in 1960-11) and Maîtrise de la Radio‐télévision française (in 1960-11)
vocals:
Jane Berbié (mezzo-soprano) (in 1960-11) and Colette Herzog (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
chorus master:
René Alix (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Adieu, pastourelles ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel3:09
11L'Enfant et les sortilèges : Tableau I. « Ah ! C'est elle ! C'est elle ! »
producer:
Hans Ritter
vocals:
Sylvaine Gilma (in 1960-11) and Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Ah ! C'est elle ! C'est elle ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel4:57
12L'Enfant et les sortilèges : Tableau I. « Toi, le cœur de la rose »
producer:
Hans Ritter
vocals:
Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Toi, le cœur de la rose » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:44
13L'Enfant et les sortilèges : Tableau I. « Deux robinets coulent dans un réservoir ! »
producer:
Hans Ritter
choir vocals:
Chœur de la Radio‐télévision française (in 1960-11) and Maîtrise de la Radio‐télévision française (in 1960-11)
vocals:
Françoise Ogéas (soprano) (in 1960-11) and Michel Sénéchal (tenor) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
chorus master:
René Alix (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Deux robinets coulent dans un réservoir ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:47
14L'Enfant et les sortilèges : Tableau I. « Oh ! Ma tête ! »
producer:
Hans Ritter
vocals:
Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Oh ! Ma tête ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:16
15L'Enfant et les sortilèges : Tableau I. « Duo miaulé »
producer:
Hans Ritter
vocals:
Jane Berbié (mezzo-soprano) (in 1960-11) and Camille Maurane (baritone) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau I. « Duo miaulé » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau I.
Maurice Ravel1:34
16L'Enfant et les sortilèges : Tableau II. « Musique d'insectes, de rainettes, etc. »
producer:
Hans Ritter
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Musique d'insectes, de rainettes, etc. » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel1:06
17L'Enfant et les sortilèges : Tableau II. « Ah ! Quelle joie de te retrouver, Jardin ! »
producer:
Hans Ritter
choir vocals:
Chœur de la Radio‐télévision française (in 1960-11) and Maîtrise de la Radio‐télévision française (in 1960-11)
vocals:
Françoise Ogéas (soprano) (in 1960-11) and Heinz Rehfuss (baritone) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
chorus master:
René Alix (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Ah ! Quelle joie de te retrouver, Jardin ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel1:41
18L'Enfant et les sortilèges : Tableau II. « Où es-tu ? Je te cherche... »
producer:
Hans Ritter
vocals:
Jeannine Collard (mezzo-soprano / contralto) (in 1960-11), Sylvaine Gilma (in 1960-11) and Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Où es-tu ? Je te cherche... » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel1:51
19L'Enfant et les sortilèges : Tableau II. Ronde des chauves-souris : « Rends-la moi... Tsk, Tsk... »
producer:
Hans Ritter
vocals:
Colette Herzog (in 1960-11) and Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. Ronde des chauves-souris : « Rends-la moi... Tsk, Tsk... » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel0:34
20L'Enfant et les sortilèges : Tableau II. « Danse des rainettes »
producer:
Hans Ritter
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Danse des rainettes » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel1:54
21L'Enfant et les sortilèges : Tableau II. « Sauve-toi, sotte ! Et la cage ? La cage ? »
producer:
Hans Ritter
vocals:
Jane Berbié (mezzo-soprano) (in 1960-11) and Michel Sénéchal (tenor) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Sauve-toi, sotte ! Et la cage ? La cage ? » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel0:56
22L'Enfant et les sortilèges : Tableau II. « La cage, c'était pour mieux voir ta prestesse »
producer:
Hans Ritter
vocals:
Jane Berbié (mezzo-soprano) (in 1960-11) and Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « La cage, c'était pour mieux voir ta prestesse » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel1:45
23L'Enfant et les sortilèges : Tableau II. « Ah ! C'est l'enfant au couteau ! »
producer:
Hans Ritter
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Ah ! C'est l'enfant au couteau ! » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel0:36
24L'Enfant et les sortilèges : Tableau II. « Il a pansé la plaie... »
producer:
Hans Ritter
choir vocals:
Chœur de la Radio‐télévision française (in 1960-11) and Maîtrise de la Radio‐télévision française (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
chorus master:
René Alix (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Il a pansé la plaie... » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel2:21
25L'Enfant et les sortilèges : Tableau II. « Il est bon, l'enfant, il est sage »
producer:
Hans Ritter
choir vocals:
Chœur de la Radio‐télévision française (in 1960-11) and Maîtrise de la Radio‐télévision française (in 1960-11)
vocals:
Françoise Ogéas (soprano) (in 1960-11)
orchestra:
Orchestre national de la Radio‐télévision française (National Orchestra of France, RTF / ORTF / Radio France) (in 1960-11)
conductor:
Lorin Maazel (conductor) (in 1960-11)
chorus master:
René Alix (in 1960-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1960-11)
recorded at:
Maison de la Mutualité in Paris, Île-de-France, France (in 1960-11)
recording of:
L'Enfant et les sortilèges: Tableau II. « Il est bon, l'enfant, il est sage » (in 1960-11)
composer:
Maurice Ravel (French composer) (from 1919 until 1925)
librettist:
Colette (French novelist) (in 1915)
part of:
L'Enfant et les sortilèges: Tableau II.
Maurice Ravel2:55
26Le Chant du rossignol : I. Introduction
producer:
Wolfgang Lohse
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
Le Chant du rossignol : I. Introduction (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
Igor Stravinsky2:28
27Le Chant du rossignol : II. Marche chinoise
producer:
Wolfgang Lohse
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
Le Chant du rossignol : II. Marche chinoise (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
Igor Stravinsky3:40
28Le Chant du rossignol : III. Chant du Rossignol
producer:
Wolfgang Lohse
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
Le Chant du rossignol : III. Chant du rossignol (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
Igor Stravinsky3:37
29Le Chant du rossignol : IV. Jeu du Rossignol Mécanique
producer:
Wolfgang Lohse
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1957-11)
conductor:
Lorin Maazel (conductor) (in 1957-11)
balance engineer:
Werner Wolf (engineer/producer) (in 1957-11)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1957-11)
recording of:
Le Chant du rossignol : IV. Jeu du rossignol mécanique (in 1957-11)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1917)
part of:
Le Chant du rossignol
Igor Stravinsky12:50