Classic Gold (multipack)

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Titelliste

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1▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Carmina Burana: Fortuna Imperatrix Mundi: 1. O Fortuna
Produzent(in):
Hans Hirsch (producer at Deutsche Grammophon)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1967-10)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1967-10)
conductor:
Eugen Jochum (conductor) (in 1967-10)
chorus master:
Walter Hagen-Groll (chorus master) (in 1967-10)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968)
aufgenommen bei:
UFA-Tonstudio in Berlin, Deutschland (in 1967-10)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1967-10)
Komponist(in):
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
Version von:
O Fortuna (Poem, CB 17)
Teil von:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:37
2Carmen Suite (excerpts from suites nos. 1 & 2): Les toréadors
Orchester:
Orchestre de l’Opéra de la Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1991-03)
conductor:
Myung-Whun Chung (pianist and conductor) (in 1991-03)
aufgenommen bei:
Opéra Bastille in Paris, Île-de-France, Frankreich (in 1991-03)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! ») (in 1991-03)
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
basiert auf:
Carmen : Prélude
Teil von:
Carmen Suite no. 1
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
Komponist(in):
Georges Bizet (French composer)
basiert auf:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Escamillo, Mercédès, Frasquita, Carmen, Moralès, Zuniga, Lillas Pastia, chœur d’hommes) (“Chanson du toréador”)
Teil von:
Carmen Suite no. 2
Georges Bizet2:07
3Serenade in G, K.525 "Eine kleine Nachtmusik": 1. Allegro
Produzent(in):
Werner Mayer (classical producer)
Orchester:
Wiener Philharmoniker (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
Tonmeister(in):
Günter Hermanns (producer/engineer) (in 1974-10)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1976)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1974-10)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“: I. Allegro (Serenade Nr. 13 für Streicher G-Dur, KV 525 "Eine kleine Nachtmusik": I. Allegro) (in 1974-10)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1787)
Teil von:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
Wolfgang Amadeus Mozart6:10
4Concerto for Violin and Strings in E, op. 8 no. 1, RV 269 "La Primavera": 1. Allegro
leitende(r) Produzent(in):
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
Produzent(in):
Hans Weber (producer/engineer)
Geige / Violine:
Shlomo Mintz (violinist, violist and conductor) (in 1982-12), Itzhak Perlman (violinist and conductor) (in 1982-12), Isaac Stern (violinist) (in 1982-12) und Pinchas Zukerman (violinist/conductor) (in 1982-12)
Orchester:
Israel Philharmonic Orchestra (Israeli orchestra) (in 1982-12)
conductor:
Zubin Mehta (conductor) (in 1982-12)
Tonmeister(in):
Klaus Scheibe (editor/engineer) (in 1982-12)
aufgenommen bei:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (in 1982-12)
live recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro („Die vier Jahreszeiten“: Concerto in E-Dur „Frühling“: Allegro) (in 1982-12)
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
Teil von:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:24
5Adagio dalla sonata, op. 27 no. 2 "Al chiaro di luna"
Klavier:
Roberto Prosseda (pianist)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (Sonate für Klavier Nr. 14 cis-Moll, Op. 27 Nr. 2 "Mondscheinsonate": I. Adagio sostenuto)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1801)
enthalten in:
end of starchild (video game soundtrack)
Teil von:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” (Klaviersonate No. 14 in cis-Moll, Op. 27 No. 2 "Mondschein")
Ludwig van Beethoven5:49
6Orchestral Suite no. 3 in D major, BWV 1068: 2. Air
recording engineer:
Walter Alfred Wettler
leitende(r) Produzent(in):
Prof. Dr. Hans Hickmann
Produzent(in):
Karl-Heinz Schneider (producer)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1961)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1960-06)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1960-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
Teil von:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:44
7Hungarian Dances nos. 1 - 21, WoO 1: No. 5 in G minor
Orchester:
Berliner Philharmoniker
conductor:
Paul van Kempen (conductor)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, No. 5 in G minor: Allegro - Vivace (Hungarian Dance No. 5, orch. Schmeling)
Orchestrator(in):
Martin Schmeling
Komponist(in):
Johannes Brahms (German composer)
publisher:
Breitkopf & Härtel
Orchestrierung von:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace
Teil von:
Hungarian Dances for orchestra (Schmeling orchestration)
Johannes Brahms2:27
8Cavalleria rusticana: Intermezzo sinfonico
Produzent(in):
Hans Weber (producer/engineer)
Orgel:
Wolfgang Meyer (organist, harpsichordist) (von 1967-09-22 bis 1967-09-25)
Orchester:
Berliner Philharmoniker (von 1967-09-22 bis 1967-09-25)
conductor:
Herbert von Karajan (conductor) (von 1967-09-22 bis 1967-09-25)
Tonmeister(in):
Günter Hermanns (producer/engineer) (von 1967-09-22 bis 1967-09-25)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (von 1967-09-22 bis 1967-09-25)
recording of:
Cavalleria rusticana: Intermezzo (von 1967-09-22 bis 1967-09-25)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
Teil von:
Cavalleria rusticana
Teil von:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:29
9Liebestraum no. 3
Klavier:
Roberto Prosseda (pianist)
recording of:
Liebesträume, S. 541: No. 3 Liebestraum As‐Dur “Oh Lieb, so lang du lieben kannst” (Liebesträume, S. 541: No. 3 Liebestraum in A flat major “Dream of Love”, for piano)
Komponist(in):
Franz Liszt (Hungarian composer, pianist and conductor) (in 1850)
Klavier arranger:
Franz Liszt (Hungarian composer, pianist and conductor)
Arrangement von:
O lieb, so lang du lieben kannst, S. 298/2 (second version)
Teil von:
Liebesträume, S. 541
Franz Liszt4:05
10Má Vlast, JB1:112: 2. Vltava (excerpt)
Orchester:
Boston Symphony Orchestra
conductor:
Rafael Kubelík (conductor)
teilweise recording of:
Má vlast: II. Vltava, JB 1:112/2 (Mein Vaterland JB 1:112: II. Vltava - Die Moldau, Die Moldau)
Komponist(in):
Bedřich Smetana (composer) (von 1874-11-20 bis 1874-12-08)
Teil von:
B. number catalogue by František Bartoš (Nummer: B. 111)
basiert auf:
La Mantovana
Teil von:
Má vlast, JB 1:112 (Mein Vaterland, My Country / My Fatherland)
Bedřich Smetana3:48
11String Quintet, op. 11 (13), no. 5 in E major G. 275: 2. Menuetto
leitende(r) Produzent(in):
Alison Ames
Produzent(in):
Wolf Erichson (engineer/producer)
Orchester:
Orpheus Chamber Orchestra (US orchestra) (in 1992-03)
Tonmeister(in):
Stephan Schellmann (classical music engineer, co-founded Tritonus Musikproduktion)
aufgenommen bei:
State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, Vereinigte Staaten (in 1992-03)
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (Streichquintett Nr. 11 E-Dur, op. 11. Nr. 5, G. 275: III. Minuetto - Trio) (in 1992-03)
Komponist(in):
Luigi Boccherini (Italian composer) (in 1771)
Teil von:
Quintet in E major, G. 275, op. 11 no. 5
recording of:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (catch-all for arrangements) (in 1992-03)
Komponist(in):
Luigi Boccherini (Italian composer)
Arrangement von:
Quintet in E major, G. 275, op. 11 no. 5: III. Minuetto (con un poco di moto) (Streichquintett Nr. 11 E-Dur, op. 11. Nr. 5, G. 275: III. Minuetto - Trio)
Luigi Boccherini3:21
12Nutcracker Suite, op. 71a: 3. Valse des fleurs (Tempo di Valse)
Produzent(in):
Hans Weber (producer/engineer)
Orchester:
Berliner Philharmoniker (von 1966-10-13 bis 1966-12-26)
conductor:
Herbert von Karajan (conductor) (von 1966-10-13 bis 1966-12-26)
Tonmeister(in):
Günter Hermanns (producer/engineer) (von 1966-10-13 bis 1966-12-26)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1967)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (von 1966-10-13 bis 1966-12-26)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (von 1966-10-13 bis 1966-12-26)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Pyotr Ilyich Tchaikovsky7:03
13Goldberg Variations, BWV 988: Aria
Cembalo:
Ottavio Dantone (harpsichordist, organist and conductor) (von 2003-06-01 bis 2003-06-03)
aufgenommen bei:
Salone d'Onore di Casa Romei (Ferrara) in Ferrara, Ferrara, Emilia-Romagna, Italien (von 2003-06-01 bis 2003-06-03)
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (von 2003-06-01 bis 2003-06-03)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 26)
Teil von:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach4:29
14Polovtsian Dances, from Prince Igor: Allegro
Orchester:
Berliner Philharmoniker (in 1971-01)
conductor:
Herbert von Karajan (conductor) (in 1971-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1972)
Bearbeitung von:
Prince Igor: Polovtsian Dance von Berliner Philharmoniker, Herbert von Karajan (conductor)
recording of:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”: IV. General Dance: Allegro, 3/4, D major (in 1971-01)
Komponist(in):
Александр Порфирьевич Бородин (Alexander Borodin, Russian composer)
Teil von:
Polovtsian Dances no. 17, “Polovtsian Dance with Chorus”
Alexander Borodin2:23
15Violin Concerto no. 2 in B minor, op. 7, MS. 48: 3. Rondo à la clochette "La campanella" (excerpt)
Solo-Geige / Violine:
Salvatore Accardo (violinist and conductor) (in 1975-01)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1975-01)
conductor:
Charles Dutoit (conductor) (in 1975-01)
aufgenommen bei:
Barking Town Hall in London (Greater London), England, Vereinigtes Königreich (in 1975-01)
teilweise recording of:
Violin Concerto no. 2 in B minor, op. 7, MS 48: III. Rondo a la clochette, “La campanella” (in 1975-01)
Komponist(in):
Niccolò Paganini (Italian composer and violinist) (in 1826)
Teil von:
Violin Concerto no. 2 in B minor, op. 7, MS 48 (“La campanella”)
Niccolò Paganini1:33
16Bagatelle no. 25 in A minor "Für Elise", WoO 59
Klavier:
Roberto Prosseda (pianist)
recording of:
Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto (Bagatelle for Piano in A minor “Für Elise”, WoO 59)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1808 bis 1810)
Teil von:
Classic 100: Piano (2004) (Nummer: 15), Classic 100: Piano (2025) (Nummer: 17) und Kinsky catalogue (Beethoven WoO works) (Nummer: WoO 59)
Ludwig van Beethoven3:20
17Suite española, op. 47: Asturias (Leyenda) (excerpt)
Gitarre:
Narciso Yepes (classical guitarist)
teilweise recording of:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (catch-all for arrangements)
Komponist(in):
Isaac Albéniz (Spanish composer)
Arrangement von:
Suite española no. 1, op. 47: V. Asturias (Leyenda) (for solo piano)
Isaac Albéniz2:28
18Die Walküre, WWV 86B (concert version): Dritter Aufzug: The Ride of the Valkyres
Techniker(in):
James Lock (James Locke, engineer)
Produzent(in):
Christopher Raeburn (producer)
Orchester:
Wiener Philharmoniker (von 1982-10-11 bis 1982-10-12, von 1982-10-14 bis 1982-10-15)
conductor:
Sir Georg Solti (conductor) (von 1982-10-11 bis 1982-10-12, von 1982-10-14 bis 1982-10-15)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (von 1982-10-11 bis 1982-10-12, von 1982-10-14 bis 1982-10-15)
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt) (von 1982-10-11 bis 1982-10-12)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (Die Walküre: Walkürenritt) (von 1982-10-14 bis 1982-10-15)
Komponist(in):
Richard Wagner (composer) (von 1854 bis 1856)
publisher:
Schott Music International (publisher; do not use as label)
Teil von:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner3:03
19Gymnopédie n° 1
Klavier:
Roberto Prosseda (pianist)
recording of:
Première Gymnopédie : Lent et douloureux (Gymnopédie no. 1)
Komponist(in):
Erik Satie (French composer) (von 1888-02 bis 1888-04)
Teil von:
Classic 100: Piano (2004) (Nummer: 4)
Teil von:
Gymnopédies
Erik Satie2:54
20Nabucco: Act 3: Coro: Introduzione "Va pensiero, sull'ali dorate"
Produzent(in):
Hans Hirsch (producer at Deutsche Grammophon) und Wolfgang Stengel (in 1982-05)
Chorgesang:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05, in 1983)
Orchester:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05, in 1983)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1983)
aufgenommen bei:
Haus des Rundfunks: Großer Sendesaal in Berlin, Deutschland (in 1982-05)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (in 1982-05)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1841)
Librettist:
Temistocle Solera
Teil von:
Nabucco: Parte III. La profezia
Giuseppe Verdi4:54
2▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Also sprach Zarathustra, op. 30, TrV 176: Einleitung
Editing:
Christopher Alder (editor/engineer/producer)
Solo-Geige / Violine:
Rainer Küchl (Austrian violinist) (in 1983-02)
Orchester:
Wiener Philharmoniker (in 1983-02)
conductor:
Lorin Maazel (conductor) (in 1983, in 1983-02)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (in 1983-02)
live recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Also sprach Zarathustra, op. 30: Einleitung, Sonnenaufgang) (in 1983-02)
Komponist(in):
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Teil von:
Also sprach Zarathustra, op. 30 (TrV 176)
recording of:
Also sprach Zarathustra, op. 30: I. Einleitung (Also sprach Zarathustra, op. 30: Einleitung, Sonnenaufgang)
Komponist(in):
Richard Strauss (German composer) (in 1896)
publisher:
Peters Edition Ltd.
Teil von:
Also sprach Zarathustra, op. 30 (TrV 176)
Richard Strauss1:56
2Adagio for Strings and Organ in G minor (excerpt)
Orchester:
Lucerne Festival Strings
conductor:
Rudolf Baumgartner (conductor)
arranger:
Remo Giazotto
teilweise recording of:
Adagio for Strings and Organ in G minor
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
recording of:
Adagio for Strings and Organ in G minor
Komponist(in):
Remo Giazotto
vorher zugeschrieben zu:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Tomaso Albinoni4:14
3Symphony no. 40 in G minor, K. 550: 1. Molto allegro
Techniker(in):
Günter Hermanns (producer/engineer)
leitende(r) Produzent(in):
Werner Mayer (classical producer)
Produzent(in):
Werner Mayer (classical producer)
Orchester:
Wiener Philharmoniker (in 1976-04)
conductor:
Karl Böhm (Austrian conductor) (in 1976-04)
Tonmeister(in):
Günter Hermanns (producer/engineer) (in 1976-04)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1976-04)
recording of:
Symphony no. 40 in G minor, K. 550 “Great”: I. Allegro molto (2nd version) (in 1976-04)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1788 bis 1788-07-25)
Teil von:
Symphony no. 40 in G minor, K. 550 “Great” (2nd version)
Wolfgang Amadeus Mozart8:52
4Swan Lake (Suite), op. 20a, TH 219: 1. Scene - Swan Theme
Produzent(in):
John Culshaw
Orchester:
Wiener Philharmoniker (von 1965-03-15 bis 1965-03-19)
conductor:
Herbert von Karajan (conductor) (von 1965-03-15 bis 1965-03-19)
Tonmeister(in):
James Brown (Decca engineer, 1960s) (von 1965-03-15 bis 1965-03-19) und Gordon Parry (engineer) (von 1965-03-15 bis 1965-03-19)
aufgenommen bei:
Sofiensaal in Landstraße, Wien, Österreich (von 1965-03-15 bis 1965-03-19)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight) (von 1965-03-15 bis 1965-03-19)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer) (in 1876)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
Teil von:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky2:35
5Canon and Gigue in D major, P. 37
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Canon and Gigue in D major, P. 37, T. 337 (Canon und Gigue D-Dur, P37)
Komponist(in):
Johann Pachelbel (composer)
Teil von:
Thematic Catalogue of the Musical Works of Johann Pachelbel (Pachelbel catalogue by Jean M. Perreault) (Nummer: P. 37), Johann Pachelbel: Organist, Teacher, Composer, A Critical Reexamination of His Life, Works, and Historical Significance (Pachelbel catalogue by Kathryn Janes Welter) (Nummer: PC. 358) und Archive of Johann Pachelbel’s Works (Pachelbel catalogue by Hideo Tsukamoto) (Nummer: T. 337)
Johann Pachelbel5:48
6Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio
Gitarre:
Narciso Yepes (classical guitarist)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Luis Antonio García Navarro (conductor)
recording of:
Concierto de Aranjuez: II. Adagio
Komponist(in):
Joaquín Rodrigo (Spanish composer and virtuoso pianist) (in 1939)
Teil von:
Concierto de Aranjuez
Joaquín Rodrigo5:43
7Nocturne, op. 9 no. 2 in E-flat major
Klavier:
Pietro De Maria (pianist)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1830 bis 1832)
Teil von:
Classic 100: Piano (2025) (Nummer: 3), Classic 100: Piano (2004) (Nummer: 18) und Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 109)
Teil von:
Nocturnes, op. 9 (original for piano)
Frédéric Chopin5:10
8Orchestral Suite no. 2 in B minor, BWV 1067: 7. Badinerie
recording engineer:
Walter Alfred Wettler
leitende(r) Produzent(in):
Prof. Dr. Hans Hickmann
Produzent(in):
Karl-Heinz Schneider (producer)
flute:
Aurèle Nicolet (flutist) (in 1960-06)
Orchester:
Munich Bach Orchestra (in 1960-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1960-06)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1961)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1960-06)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie) (in 1960-06)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
recording of:
Orchestral Suite no. 2 in B minor, BWV 1067: Badinerie (orch. Mahler) (in 1960-06)
Orchestrator(in):
Gustav Mahler (composer)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Orchestrierung von:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
Teil von:
Suite from Orchestral Works of Bach (orch. Mahler)
Johann Sebastian Bach1:27
9Te Deum for Soloists, Chorus and Orchestra, H 146 (revised by Walter Kolneder): Prélude. Rondeau
Orchester:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Myung-Whun Chung (pianist and conductor)
arranger:
Walter Kolneder
recording of:
Te Deum, H. 146: Prélude (catch-all for arrangements)
Komponist(in):
Marc‐Antoine Charpentier (composer)
Arrangement von:
Te Deum, H. 146: Prélude
Marc-Antoine Charpentier1:21
10Symphony no. 5 in C minor, op. 67: 1. Allegro con brio
Produzent(in):
Otto Gerdes (conductor and producer) und Otto Ernst Wohlert
Orchester:
Berliner Philharmoniker (von 1962-03-09 bis 1962-03-12)
conductor:
Herbert von Karajan (conductor) (von 1962-03-09 bis 1962-03-12)
Tonmeister(in):
Günter Hermanns (producer/engineer) (von 1962-03-09 bis 1962-03-12)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1962)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (von 1962-03-09 bis 1962-03-12)
recording of:
Symphony no. 5 in C minor, op. 67: I. Allegro con brio (von 1962-03-09 bis 1962-03-12)
Komponist(in):
Ludwig van Beethoven (German composer) (von 1804 bis 1808)
Teil von:
Symphony no. 5 in C minor, op. 67 (Symphonie Nr. 5 in C-dur, Op. 67)
Ludwig van Beethoven7:10
11Le carnaval des animaux, R. 125: 13. Le cygne
Techniker(in):
Klaus Scheibe (editor/engineer)
Produzent(in):
Werner Mayer (classical producer)
Cello:
Wolfgang Herzer (in 1974-10)
Klavier:
Alfons Kontarsky (pianist) und Aloys Kontarsky (pianist)
Orchester:
Wiener Philharmoniker (in 1974-10)
conductor:
Karl Böhm (Austrian conductor) (in 1974-10)
aufgenommen bei:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Österreich (in 1974-10)
recording of:
Le Carnaval des animaux : XIII. Le Cygne (Der Karneval der Tiere: XIII. Der Schwan, two pianos and cello) (in 1974-10)
Komponist(in):
Camille Saint‐Saëns (composer) (in 1886-02)
arranger:
Pege Aladár
Teil von:
Le Carnaval des animaux (Der Karneval der Tiere, Grande fantaisie zoologique, R 125)
Camille Saint-Saëns2:48
126 Moments musicaux, op. 94, D.780: No.3 In F minor (Allegro moderato)
Produzent(in):
Hans Ritter
Klavier:
Wilhelm Kempff (pianist) (in 1967-08)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1968)
aufgenommen bei:
Beethovensaal (Hannover) in Hannover, Niedersachsen, Deutschland (in 1967-08)
recording of:
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato (in 1967-08)
Komponist(in):
Franz Schubert (composer)
Teil von:
6 Moments musicaux for Piano, op. 94, D. 780
Franz Schubert2:04
13Porgy and Bess: Act 1: Summertime
Soprangesang:
Leontyne Price (soprano)
recording of:
Porgy and Bess: Act III, Scene I. “Summertime” (Bess)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
Teil von:
Porgy and Bess: Act III, Scene I
George Gershwin2:49
14Preludio in Do Maggiore (Dal Clavicembalo Ben Temperato Libro I), BWV 846
Instrumente:
Roberto Prosseda (pianist)
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 29)
Teil von:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
Revision von:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach1:46
15Gayaneh: Sabre Dance
Orchester:
Leningrad Philharmonic Orchestra (Kammerorchester der Leningrader Staatlichen Philharmonie, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Gennadi Rozhdestvensky (Gennady Rozhdestvensky, conductor) (in 1960-09) und Геннадий Николаевич Рождественский (Gennady Rozhdestvensky, conductor) (in 1961)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1960-09)
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance (in 1960-09)
Komponist(in):
Արամ Խաչատրյան (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Version von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Teil von:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
recording of:
Sabre Dance, from the ballet Gayaneh (catch-all for unknown versions)
Komponist(in):
Aram Khachaturian (Aram Chatschaturjan, Soviet-Armenian composer) (in 1942)
Arrangement von:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
Aram Khachaturian2:16
16Thaïs: Acte Deux: Meditation
Geige / Violine:
Christer Thorvaldsson (Swedish violinist) (in 1990)
Solo-Geige / Violine:
Christer Thorvaldsson (Swedish violinist) (von 1989-06 bis 1989-09)
Orchester:
Gothenburg Symphony Orchestra (von 1989-06 bis 1989-09)
conductor:
Neeme Järvi (Estonian conductor) (von 1989-06 bis 1989-09, in 1990)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1990)
recording of:
Thaïs: Acte II. Entr’acte “Méditation” (original; for solo violin and orchestra) (von 1989-06 bis 1989-09)
Komponist(in):
Jules Massenet (French Romantic composer) (in 1894)
Teil von:
Classic 100: Music of France (2012) (Nummer: 14)
Teil von:
Thaïs: Acte II
Jules Massenet4:49
17Suite bergamasque, L. 75: 3. Clair de lune
Audio-Engineering:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
Produzent(in):
Karl Faust (producer) und Hans-Joachim Reiser (engineer/producer)
Klavier:
Tamás Vásáry (Hungarian pianist and conductor) (in 1969-04)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1970)
aufgenommen bei:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Deutschland (in 1969-04)
recording of:
Suite bergamasque, L. 75, CD 82 : III. Clair de lune (for piano) (in 1969-04)
Komponist(in):
Claude Debussy (French composer) (von 1890 bis 1905)
Teil von:
Classic 100: Piano (2004) (Nummer: 3)
enthalten in:
Granblue Fantasy (video game soundtrack)
Teil von:
Suite bergamasque, L. 75, CD 82 (for piano)
Claude Debussy55:14
18El amor brujo (ballet By G. Martinez Sierra): Danza ritual del fuego, para ahuyentar los malos espíritos
Orchester:
London Symphony Orchestra
conductor:
Luis Antonio García Navarro (conductor)
recording of:
El amor brujo: VIII. Danza ritual del fuego
Komponist(in):
Manuel de Falla (Spanish composer)
Teil von:
El amor brujo (for symphony orchestra)
Manuel de Falla4:06
19Kinderszenen, op. 15: 7. Traumerei
Klavier:
Roberto Prosseda (pianist)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
Komponist(in):
Robert Schumann (German classical composer) (in 1838)
Teil von:
Classic 100: Piano (2004) (Nummer: 17)
Teil von:
Kinderszenen, op. 15
Robert Schumann2:32
20Messiah, HWV 56: Pt. 2: 42. Hallelujah
Produzent(in):
Dr. Gerd Ploebsch
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
vocals:
The John Alldis Choir
Orchester:
London Philharmonia Orchestra (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia) und London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel4:00
3▼Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Toccata and Fugue in D minor, BWV 565: 1.Toccata
sonstige Unterstützung:
Erich Thienhaus (Aufgabe: production and recording supervision)
Produzent(in):
Erich Thienhaus
Orgel:
Helmut Walcha (German organist) (am 1956-09-17)
Tonmeister(in):
Hansjoachim Reiser (engineer/producer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon (in 1959) und Polydor International GmbH (not for release label use!) (in 1963)
aufgenommen bei:
Grote Sint Laurenskerk in Alkmaar, Noord-Holland (Provinz Nordholland), Niederlande, Kingdom of the Netherlands (am 1956-09-17)
recording of:
Toccata und Fuge d-Moll, BWV 565: I. Toccata (am 1956-09-17)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Classic 100: Piano (2025) (Nummer: 30)
Teil von:
Toccata und Fuge d-Moll, BWV 565
Johann Sebastian Bach2:35
2Piano Concerto no. 21 in C major, K. 467: 2. Andante
recording engineer und Produzent(in):
Hans Weber (producer/engineer)
leitende(r) Produzent(in):
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
Klavier:
Géza Anda (Geza Anda, pianist) (in 1961-05)
Orchester:
Camerata Academica des Salzburger Mozarteums (Austrian chamber orchestra) (in 1961-05)
conductor:
Géza Anda (Geza Anda, pianist) (in 1961-05)
Tonmeister(in):
Günter Hermanns (producer/engineer) (in 1961-05)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1961)
aufgenommen bei:
Großes Festspielhaus Salzburg in Salzburg, Salzburg, Österreich (in 1961-05)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1961-05)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (von 1785 bis 1785-03-09)
Teil von:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart7:11
3The Tale Of Tsar Saltan (arr. Grigory Feygin): The Flight Of The Bumble-Bee
Klavier:
Irina Saizewa (pianist)
Orchester:
Violin Ensemble of the Bolshoi Theatre, Moscow (Bolshoi Theatre Violin Ensemble)
conductor:
Julij Rejentowitsch (conductor)
arranger:
G. Feigin (Soviet classical violinist, active 1969-)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
Arrangement von:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
recording of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Komponist(in):
Николай Андреевич Римский‐Корсаков (Nikolai Rimski-Korsakow, Russian composer) (von 1899 bis 1900)
Teil von:
The Tale of Tsar Saltan: Act III
Nikolai Rimsky-Korsakov1:10
4Les Contes d'Hoffmann: Act 3: Intermède-Entr'acte (Barcarolle)
Produzent(in):
John Mordler (producer) und Michael Woolcock (producer)
Orchester:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
Tonmeister(in):
James Lock (James Locke, engineer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1972)
aufgenommen bei:
Victoria Hall (Geneva) in Genève (Genf), Genève (Kanton Genf), Schweiz (in 1972-06)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
Komponist(in):
Jacques Offenbach (German-French composer, cellist and impresario)
Teil von:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:58
5Pavane, op. 50 (excerpt)
Produzent(in):
Hanno Rinke
Chorgesang:
Tanglewood Festival Chorus (in 1986-11)
Orchester:
Boston Symphony Orchestra (in 1986-11)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-11)
chorus master:
John Oliver (chorus master)
Interpret(in):
Tanglewood Festival Chorus
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (in 1986-11)
Bearbeitung von:
Pavane, op. 50 von John Oliver (chorus master), Tanglewood Festival Chorus, Boston Symphony Orchestra, Seiji Ozawa (conductor and composer)
teilweise recording of:
Pavane in F-sharp minor, op. 50 (for orchestra and (optional) chorus) (in 1986-11)
Texter:
Robert de Montesquiou
Komponist(in):
Gabriel Fauré (French composer) (in 1887)
Arrangement von:
Pavane, op. 50 (for piano and chorus)
Gabriel Fauré2:33
6Pictures at an Exhibition: Promenade I
Produzent(in):
Günther Breest (producer for classical music)
Orchester:
Chicago Symphony Orchestra (in 1976-04)
conductor:
Carlo Maria Giulini (conductor) (in 1976-04)
Tonmeister(in):
Klaus Scheibe (editor/engineer)
aufgenommen bei:
Medinah Temple in Chicago, Illinois, Vereinigte Staaten (in 1976-04)
recording of:
Tableaux d’une exposition: Promenade (Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico – Senza allegrezza, ma poco sostenuto, orchestrated by Ravel, 1st promenade) (in 1976-04)
Orchestrator(in):
Maurice Ravel (French composer) (in 1922)
Komponist(in):
Модест Петрович Мусоргский (Modest Mussorgski, composer) (von 1874-06-02 bis 1874-06-22)
Orchestrierung von:
Pictures at an Exhibition: Promenade (1st) (Bilder einer Ausstellung: I. Promenade, original piano version)
Teil von:
Tableaux d’une exposition (Bilder einer Ausstellung, orchestrated by Ravel)
Modest Mussorgsky1:49
7Messa da Requiem: 2. Dies irae
Chorgesang:
Ernst‐Senff‐Chor
vocals:
Ernst‐Senff‐Chor (in 1989)
Orchester:
Berliner Philharmoniker
conductor:
Carlo Maria Giulini (conductor) (in 1989)
Interpret(in):
Berliner Philharmoniker, Ernst‐Senff‐Chor, Carlo Maria Giulini (conductor) und Ernst Senff
recording of:
Messa da requiem: IIa. Dies irae: Dies irae (coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1874)
Teil von:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi2:41
88 Slavonic Dances, op. 46, B. 83: No. 1 in C major (Presto)
Produzent(in):
Hans Weber (producer/engineer) und Rudolf Werner (producer at Deutsche Grammophon) (in 1973-12)
Orchester:
Symphonieorchester des Bayerischen Rundfunks (Symphonie-Orchester des Bayerischen Rundfunks) (in 1973-12)
conductor:
Rafael Kubelík (conductor) (in 1973-12)
Tonmeister(in):
Heinz Wildhagen (engineer, producer) (in 1973-12)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1975)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (in 1973-12)
recording of:
Slavonic Dances, op. 46, B. 83: No. 1 in C major (Furiant) (in 1973-12)
Komponist(in):
Antonín Dvořák (composer) (von 1878-04 bis 1878-08-22)
Teil von:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák3:38
9An der schönen blauen Donau, op. 314
Orchester:
Berliner Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
An der schönen blauen Donau, op. 314
Premiere in:
Wien, Österreich (am 1867-02-15)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (in 1866)
Teil von:
Works of Johann Strauss Jr. by opus number (Nummer: op. 314)
Johann Strauss II9:53
10Minuetto In Sol Maggiore (Dal Libro Di Anna Magdalena), BWV Anh. 114
Instrumente:
Roberto Prosseda (pianist)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard)
Komponist(in):
Christian Petzold
vorher zugeschrieben zu:
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Notebook for Anna Magdalena Bach (Notenbüchlein für Anna Magdalena Bach, 1725) (Nummer: 4) und Bach-Werke-Verzeichnis (Nummer: BWV Anh. 114)
Johann Sebastian Bach1:31
11Jeux interdits (Romance)
Gitarre:
Narciso Yepes (classical guitarist)
recording of:
Romance (Romance anónimo, guitar piece, sometimes "Jeux interdits")
Komponist(in):
[anonymous] (special purpose artist) und [unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vorher zugeschrieben zu:
Vicente Gómez (guitarist and composer), Fernando Sor (Ferdinand Sor, Spanish composer) und Narciso Yepes (classical guitarist)
Arrangement von:
Romance de Amor
Narciso Yepes2:26
12Valse en ré bémol majeur, op. 64 n°1
Klavier:
Pietro De Maria (pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (Walzer Nr. 6 Des-Dur "Minutenwalter", op. 64 Nr.1, BI. 164 Nr. 1)
Komponist(in):
Fryderyk Chopin (Frédéric Chopin, composer) (von 1846 bis 1847)
Teil von:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (Nummer: C. 212)
Teil von:
Waltzes, op. 64
Frédéric Chopin1:55
13Serse, HWV 40: Act 1: "Ombra mai fu"
Techniker(in) und Tonmeister(in):
Andreas Neubronner (engineer/producer, co-founded Tritonus Musikproduktion)
leitende(r) Produzent(in):
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
Produzent(in):
Wolf Erichson (engineer/producer)
Cembalo:
Edward Brewer (harpsichordist) (in 1989-04) und Edward Brewer (harpsichordist) (in 1990)
Oboe:
Randall Wolfgang (oboist) (in 1989-04, in 1990)
Orchester:
Orpheus Chamber Orchestra (US orchestra) (vom 1989-04 bis heute, in 1989-04)
aufgenommen bei:
Performing Arts Center: Recital Hall (Purchase College) in Purchase, Harrison, New York, Vereinigte Staaten (vom 1989-04 bis heute) und State University of New York at Purchase, Performing Arts Center (Purchase College) in Purchase, Harrison, New York, Vereinigte Staaten (in 1989-04)
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (in 1989-04)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Arrangement von:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
George Frideric Handel2:54
14Peer Gynt, op. 23 (incidental music): No. 13 Morning Mood
Orchester:
Gothenburg Symphony Orchestra (in 1987-06)
conductor:
Neeme Järvi (Estonian conductor) (in 1987-06)
Interpret(in):
Göteborgs Symfoniker (Gothenburg Symphony Orchestra) (in 1987-06) und Neeme Järvi (Estonian conductor) (in 1987-06)
aufgenommen bei:
Göteborgs konserthus (Gothenburg Concert Hall) in Gothenburg (Göteborg), Västra Götaland (Västra Götaland county), Schweden (in 1987-06)
recording of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning (in 1987-06)
Komponist(in):
Edvard Grieg (composer) (in 1875)
Librettist:
Henrik Ibsen (in 1867)
Teil von:
Peer Gynt, op. 23
Edvard Grieg4:11
15Piano Sonata no. 11 in A, K. 331 "Alla Turca": 3. Rondò Alla Turca
Klavier:
Roberto Prosseda (pianist)
recording of:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto (Klaviersonate Nr. 11 A-Dur "Alla Turca", KV 300i (KV 331): III. Alla turca. Allegretto)
komponiert in:
Paris, Île-de-France, Frankreich (in 1778)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1783)
Teil von:
Classic 100: Piano (2025) (Nummer: 32)
Teil von:
Sonata for Piano no. 11 in A major, K. 300i/331 “Alla Turca”
Wolfgang Amadeus Mozart3:22
16Romeo and Juliet, op. 64: Act 1: 13. Dance Of The Knights
sonstige Unterstützung:
Wolfgang Stengel (Aufgabe: recording supervision)
Produzent(in):
Hanno Rinke
Editing:
Helmut Burk
Orchester:
Boston Symphony Orchestra (in 1986-10)
conductor:
Seiji Ozawa (conductor and composer) (in 1986-10)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1987)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1986-10)
recording of:
Romeo and Juliet, op. 64: Act I, Scene II. No. 13. Dance of the Knights (in 1986-10)
Komponist(in):
Сергей Сергеевич Прокофьев (Sergei Prokofjew, Russian composer)
Teil von:
Romeo and Juliet, op. 64: Act I
Sergei Prokofiev5:20
17Violin Romance no. 2 in F major, op. 50
Geige / Violine:
David Oistrakh (violinist)
Orchester:
Royal Philharmonic Orchestra
conductor:
Eugene Goossens (composer and conductor, third of the Eugène Goossens dynasty)
teilweise recording of:
Romance for Violin and Orchestra no. 2 in F major, op. 50 (Romanze für Violine und Orchester No. 2 in F-Dur, Op. 50: Adagio cantabile)
Komponist(in):
Ludwig van Beethoven (German composer) (in 1798)
Teil von:
Works of Ludwig van Beethoven by opus number (Nummer: op. 50)
Ludwig van Beethoven1:39
18Boléro, M. 81
Produzent(in):
Thomas Mowrey
Orchester:
Boston Symphony Orchestra (in 1974-04)
conductor:
Seiji Ozawa (conductor and composer) (in 1974-04)
Tonmeister(in):
Joachim Niss und Gernot Westhäuser (Engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Symphony Hall (Boston) in Boston, Massachusetts, Vereinigte Staaten (in 1974-04)
recording of:
Boléro (in 1974-04)
Komponist(in):
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) und Soc. Arima (rights society?)
Premiere bei:
Palais Garnier in Paris, Île-de-France, Frankreich (am 1928-11-22)
Teil von:
Classic 100: Music of France (2012) (Nummer: 9) und Catalogue Marcel Marnat des œuvres de Maurice Ravel (Nummer: M. 81)
Maurice Ravel14:59

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