Yacht Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 1979) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross4.24:31
2Keep Forgettin (Every Time You’re Near)
producer:
Ted Templeman and Lenny Waronker
bass guitar:
Louis Johnson (bass, member of Brothers Johnson)
clavinet:
Greg Phillinganes
drums (drum set):
Jeff Porcaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Rhodes piano, synthesizer and lead vocals:
Michael McDonald (R&B & soul singer)
background vocals:
Maureen McDonald (backing vocalist, sister of Michael McDonald)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1982), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982), Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1982) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1982)
recording of:
I Keep Forgettin’ (Every Time You’re Near)
writer:
Jerry Leiber, Michael McDonald (R&B & soul singer), Ed Sanford and Mike Stoller
publisher:
Bienstock Publishing Company (ASCAP affiliated), Jerry Leiber Music, Mike Stoller Music (ASCAP) and Yellow Dog Music Inc
version of:
I Keep Forgettin’
Michael McDonald43:40
3I Can’t Go for That (No Can Do)
recording engineer and mixer:
Neil Kernon
assistant engineer:
Bruce Buckhhalter (Engineer)
co-producer:
Neil Kernon
producer:
Daryl Hall and John Oates
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 6)
recording of:
I Can’t Go for That (No Can Do)
lyricist:
Sara Allen, Daryl Hall and John Oates
composer:
Daryl Hall
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Geomantic Music, Hot Cha Music Co., Primary Wave Brian, Rondor Music (London) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Daryl Hall & John Oates44:56
4Rosanna
producer:
Toto (US rock group)
bass:
David Hungate
drums (drum set) and percussion:
Jeff Procaro
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
keyboard:
David Paich and Steve Porcaro
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Steve Porcaro
arranger:
David Paich and Jerry Hey
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
recording of:
Rosanna
lyricist and composer:
D. Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Spirit Two Music and Hudmar Publishing Co. Inc. (in 1982)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto3.84:00
5Waiting for a Girl Like You
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1981) and Warner Music International (trademark of Warner Music International the company) (in 1981)
recording of:
Waiting for a Girl Like You
writer:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) and Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Evansongs Ltd. (publisher) (in 1981), Somerset Songs Publishing Inc. (in 1981) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Foreigner3.54:49
6Take the Long Way Home
edit of:
Take the Long Way Home by Supertramp
recording of:
Take the Long Way Home
writer:
Rick Davies (UK keyboardist, member of Supertramp) and Roger Hodgson
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) (in 1979) and Delicate Music (in 1979)
Supertramp3.654:04
7This Is It
assistant engineer:
Michael Carnévale (engineer)
engineer:
Steve Gersky (The Miami Kid)
producer:
Tom Dowd
bass guitar:
George Hawkins (folk/soft rock bassist)
drums (drum set):
Tris Imboden
guitar:
Mike Hamilton (US guitarist based in Laguna Beach, CA) and Kenny Loggins
keyboard:
Brian Mann (keyboardist, accordionist, composer)
percussion:
Paulinho da Costa (Brazilian percussionist)
piano:
Michael McDonald (R&B & soul singer)
background vocals [harmony vocals]:
George Hawkins (folk/soft rock bassist), Mike Hamilton (US guitarist based in Laguna Beach, CA) and Michael McDonald (R&B & soul singer)
lead vocals:
Kenny Loggins and Michael McDonald (R&B & soul singer)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1979) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States
recording of:
This Is It
writer:
Kenny Loggins and Michael McDonald (R&B & soul singer)
publisher:
Snug Music (ended), Milk Money Music, Tauripin Tunes, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Kenny Loggins53:55
8Sweet Talkin’ Woman
engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Jeff Lynne
bass:
Kelly Groucutt (in 1977)
drums (drum set) and percussion:
Bev Bevan (English rock drummer) (in 1977)
guitar, synthesizer and lead vocals:
Jeff Lynne (in 1977)
keyboard:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1977)
violin:
Mik Kaminski (in 1977)
conductor:
Louis Clark (in 1977)
arranger:
Louis Clark, Jeff Lynne and Richard Tandy (keyboardist for Electric Light Orchestra)
phonographic copyright (℗) by:
Epic Records (J-pop label, established 1978; use ONLY for releases by Japanese domestic artists after 2001!) (in 1977), Jet Records (in 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977, in 2005) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1977)
recorded at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany (in 1977)
mixed at:
Musicland Studios (Munich) in München (Munich), Bayern (Bavaria), Germany
part of:
Billboard Year-End Hot 100 singles of 1978 (number: 86)
recording of:
Sweet Talkin’ Woman (in 1977)
lyricist and composer:
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), Jet Music Inc. (in 1977) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Electric Light Orchestra4.453:47
9Anyway You Want It
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980)
recording of:
Any Way You Want It
writer:
Steve Perry (former lead singer of Journey) and Neal Schon
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Lacey Boulevard Music, Sharandall Music and Weedhigh‐Nightmare Music
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey3:09
10Keep on Loving You
assistant engineer:
Tom Cummings (engineer) and Jeff Eccles
engineer:
Kevin Beamish
co-producer:
Alan Gratzer (drummer)
producer:
Kevin Beamish, Kevin Cronin (guitarist, singer and songwriter) and Gary Richrath (guitarist and songwriter)
acoustic guitar:
Kevin Cronin (guitarist, singer and songwriter)
bass:
Bruce Hall (US bassist for REO Speedwagon)
drums (drum set):
Alan Gratzer (drummer)
guitar:
Gary Richrath (guitarist and songwriter)
Hammond organ:
Neal Doughty (keyboards)
background vocals:
Kevin Cronin (guitarist, singer and songwriter), Tom Kelly (songwriter) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
arranger:
Kevin Cronin (guitarist, singer and songwriter)
phonographic copyright (℗) by:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1980), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1980), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1980), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1980, in 1981) and CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1981)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 67)
recording of:
Keep On Loving You (on 1980-09-03)
lyricist and composer:
Kevin Cronin (guitarist, singer and songwriter)
publisher:
Bucks Music Group Ltd. (Bucks Music Group), Bug Music Ltd., Fate Music, HoriPro Entertainment Group, Hornall Brothers Music Ltd. (limited company), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Pty. Ltd., The International Music Network and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Taiyō Music
REO Speedwagon3.553:21
11If You Leave Me Now
recording engineer:
Armin Steiner (from 1976-03 until 1976-04: strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Rhino Entertainment Company (not for release label use!) (in 1976, in 2002), Warner Strategic Marketing Inc. (in 1976) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1976)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.23:52
12Missing You
engineer and mixer:
David Thoener
drums (drum set):
Curly Smith (Jo Jo Gunne musician)
electric bass guitar [bass]:
Donnie Nossov
guitar:
Gary Myrick
keyboard:
Bruce Brody
percussion:
Steve Scales
lead vocals:
John Waite
phonographic copyright (℗) by:
EMI Records (a J-Pop division of Universal Music Japan, 2014–present. Do not use for American/European music!) (in 1984), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984)
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite3.754:26
13Lowdown
recording of:
Lowdown
lyricist:
Boz Scaggs
composer:
David Paich and Boz Scaggs
publisher:
BMG Songs, Inc., Hudmar Publishing Co. Inc. and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs3:15
14Every Day Hurts
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1979) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1979)
recording of:
Every Day Hurts
writer:
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter), John Stimpson and Paul Young (Sad Café, Mike + The Mechanics)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd.
Sad Café44:04
15Steppin’ Out
engineer:
Michael Ewasko
co-producer and co-mixer:
Joe Jackson (English musician) and David Kershenbaum
lead vocals:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
recorded at:
Blue Rock Studio in New York, New York, United States (from 1982-03 until 1982-06)
recording of:
Steppin’ Out
dedicated to:
New York, New York, United States
lyricist and composer:
Joe Jackson (English musician)
publisher:
Albion Music
Joe Jackson4.54:21
16Stuck in the Middle With You
recording engineer:
Geoff Emerick (British recording engineer) (in 1972) and John Mills (recording/mix engineer) (in 1972)
producer:
Jerry Leiber and Mike Stoller
drums (drum set):
Rod Coombes (in 1972)
electric bass guitar:
Tony Williams (bass) (in 1972)
guitar:
Paul Pilnick (in 1972) and Gerry Rafferty (in 1972)
keyboard:
Joe Egan (Scottish singer-songwriter) (in 1972)
vocals:
Joe Egan (Scottish singer-songwriter) (in 1972) and Gerry Rafferty (in 1972)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1972) and A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. and Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:22
17Sharing the Night Together
producer:
Ron Haffkine
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978) and Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978)
cover recording of:
Sharing the Night Together
writer:
Ava Aldridge and Eddie Struzick
publisher:
Buddy Killen Music, Cal IV Songs, Fermata do Brasil, Hope -n- Cal Music, Killen Songs Inc. and Leosong (publisher)
Dr. Hook42:52
18Breakaway
assistant engineer:
Jon Kelly (engineer at Air London Studios)
engineer:
Geoff Emerick (British recording engineer)
producer:
David Kershenbaum
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1976)
recording of:
Breakaway
writer:
Benny Gallagher and Graham Lyle
publisher:
Concord Songs Ltd., Goodsingle Ltd. (publisher), Imagem Songs Ltd., Rondor Music (London) Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Gallagher & Lyle4:02
19I Can Dream About You
additional recording engineer:
Shelly Yakus
recording engineer:
Dan Hartman
additional engineer:
Gabe Veltri
assistant mixer:
Steve Krause (Steven A Krause)
mixer:
Humberto Gatica
additional drums (drum set):
Art Wood (US session drummer/percussionist)
additional guitar:
Richie Zito
electric bass guitar:
Eddie N. Watkins Jr.
percussion:
Bobbye Hall
piano:
Bill Payne
background vocals:
Winston Ford, Dan Hartman and Joe Pizzullo
lead vocals:
Dan Hartman
phonographic copyright (℗) by:
Geffen Records (in 1984), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1984) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984)
recording of:
I Can Dream About You
lyricist and composer:
Dan Hartman
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!) and Multi-Level Music, Inc. (BMI affiliated)
Dan Hartman4.24:07
20I’d Really Love to See You Tonight
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
lyricist and composer:
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing and Sutjujo Music
England Dan & John Ford Coley52:38
2CD
#TitleArtistRatingLength
1Little Lies
producer:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and Richard Dashut
drums (drum set) and percussion:
Mick Fleetwood
electric bass guitar:
John McVie
guitar and sampler [Fairlight CMI]:
Lindsey Buckingham (guitarist, singer, songwriter and producer)
keyboard:
Lindsey Buckingham (guitarist, singer, songwriter and producer) and Christine McVie
background vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer), Christine McVie and Stevie Nicks
lead vocals:
Christine McVie
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1987)
recording of:
Little Lies
lyricist and composer:
Christine McVie and Eddy Quintela
publisher:
BMG Songs, Inc. and Careers–BMG Music Publishing, Inc.
Fleetwood Mac4.153:37
2Baby Come Back
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977)
recording of:
Baby Come Back (Player song) (in 1977)
writer:
Peter Beckett (lead singer of Player) and John Charles Crowley II
publisher:
BMG Music, Careers–BMG Music Publishing, Inc., Chappell, Crowbeck Music, Mighty Nice Music (BMI), R.S.O. Publishing, Touch of Gold Music, Inc., Unichappell Music, Inc., Universal Music Careers, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 大洋音楽 (Taiyō Music)
Player53:32
3More Than a Feeling
producer:
John Boylan and Tom Scholz
acoustic guitar, bass and electric guitar:
Tom Scholz (from 1975-10 until 1976-04)
drums (drum set):
Sib Hashian (from 1975-10 until 1976-04)
vocals:
Brad Delp (from 1975-10 until 1976-04)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1976), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 2002)
recording of:
More Than a Feeling (from 1975-10 until 1976-04)
lyricist and composer:
Tom Scholz
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Sony/ATV Music Publishing (UK) Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) and Pure Songs (in 1976)
Boston4.83:23
4Oh Lori
recording of:
Oh Lori
writer:
Billy Alessi and Bobby Alessi
publisher:
Alessi Music, Tenyor Music and 大洋音楽 (Taiyō Music)
Alessi Brothers4.53:19
5Some Kind of Wonderful
producer:
Jimmy Ienner (producer)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979, in 2001)
cover recording of:
Some Kind of Wonderful
lyricist and composer:
Willie John Ellison (American/Canadian musician)
publisher:
Crash Music, Dandelion Music Company and Fermata do Brasil
Grand Funk Railroad4.253:21
6More Than This
recording of:
More Than This
lyricist and composer:
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. and E.G. Music Ltd. (publisher) (in 1982)
Roxy Music4:09
7Higher Love
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1986)
recording of:
Higher Love
writer:
Will Jennings and Steve Winwood
publisher:
Blue Sky Rider (BMI-affiliated; associated with Will Jennings), CBS Songs Ltd., F.S. Music Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell North America and Willin' David Music
Steve Winwood4:12
8The Things We Do for Love
assistant engineer and assistant mixer:
Tony Spath
engineer, mixer and editor:
Eric Stewart
producer:
10cc, Graham Gouldman, Mastermix Music Limited and Eric Stewart
acoustic guitar, bass guitar, electric guitar, handclaps and tambourine:
Graham Gouldman (in 1976)
drums (drum set), gong, handclaps and tambourine:
Paul Burgess (UK rock drummer) (in 1976)
guitar, organ and piano and background vocals and lead vocals:
Eric Stewart (in 1976)
background vocals:
Graham (in 1976)
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1976, in 1977, in 1997), Mercury Records Ltd. (London) (for copyrights use only) (in 1976), Phonogram Ltd. (not for release label use!) (in 1976, in 1977), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1977) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1977)
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
recorded at:
Strawberry Studios South in Dorking, Surrey, England, United Kingdom (in 1976)
music videos:
The Things We Do for Love by 10cc and The Things We Do for Love by 10cc
recording of:
The Things We Do for Love (in 1976)
writer:
Graham Gouldman and Eric Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), St. Anne’s Music Ltd. and Man-Ken Music Ltd. (in 1977)
10cc4.553:29
9Broken Wings
engineer:
Paul DeVilliers
producer:
Paul DeVilliers and Mr. Mister (American pop rock band)
bass guitar and lead vocals:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
drums (drum set):
Pat Mastelotto
guitar:
Steve Farris (US session guitarist, member of Mr. Mister)
keyboard:
Steve George (US keyboardist for Mr. Mister & Pages)
phonographic copyright (℗) by:
BMG Music (in 1985), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1985) and Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985)
recording of:
Broken Wings
writer:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) and Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
publisher:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) and Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister3.854:41
10Endless Summer Nights
additional engineer:
David Cole (US musician/producer, member of C+C Music Factory)
engineer, producer and mixer:
Humberto Gatica
bass guitar [bass]:
Nathan East
drums (drum set):
John Keane (drummer)
guitar:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) and Mike Landau
keyboard:
Tom Keane (keyboards, of The Keane Brothers)
percussion:
Paulinho da Costa (Brazilian percussionist)
saxophone:
Dave Boruff
background vocals and lead vocals:
Richard Marx
phonographic copyright (℗) by:
Manhattan Records (EMI Music / Universal Music; 1984–1987, relaunched 2001) (in 1987)
produced for:
Hum Productions, Inc.
recording of:
Endless Summer Nights
lyricist and composer:
Richard Marx
publisher:
BMG Monarch, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and Chi‐Boy Music (in 1987)
Richard Marx4:29
11(I Just) Died in Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Tim Palmer (British producer/mixer)
acoustic guitar, electric guitar and synthesizer [E-mu Emulator]:
Kevin MacMichael
bass:
Colin Farley
drums (drum set), percussion and tambourine:
Martin Beedle
piano:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Peter Birch
lead vocals:
Nick Van Eede
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) and Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
recorded at:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 26)
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. and Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:29
12What You Won’t Do for Love
producer:
Ann Holloway (producer/songwriter)
analog synthesizer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
bass guitar:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist), George "Chocolate" Perry (bassist aka "Chocolate") and Richie Valesquez (bassist)
drums (drum set):
Joe Galdo (US drummer & percussionist) and Ed Greene (drummer)
guitar:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) and Alfons Kettner
keyboard:
Benny Latimore (US blues/R&B singer, songwriter and pianist) and Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
vocals:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist)
brass [horns] arranger and strings arranger:
Mike Lewis (US composer, arranger and producer)
phonographic copyright (℗) by:
Sin‐Drome Records, Ltd. (holding company - file NO releases here!) (in 1978)
recording of:
What You Won’t Do for Love
writer:
Bobby Caldwell (US singer, songwriter and multi-instrumentalist) and Alfons Kettner
publisher:
EMI Longitude Music, Lindseyanne Music, Sherlyn Publishing Co., Inc., The Music Force, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Bobby Caldwell3.44:44
13Walk in Love
engineer:
Howard Steele (US producer, sound engineer)
associate producer:
Janis Siegel
producer:
Tim Hauser
remixer:
Larry Emerine
arranger:
Janis Siegel
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at and remixed at:
Studio 55 in Los Angeles, California, United States
cover recording of:
Walk in Love (1976 song)
writer:
David Batteau and John Klemmer
The Manhattan Transfer3:03
14Summer Breeze
producer:
Louie Shelton
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 10)
recording of:
Summer Breeze
lyricist:
James Seals
composer:
Dash Crofts and James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.253:22
15Stay With Me TonightJeffrey Osborne34:58
16Feels So Good
recording of:
Feels So Good (instrumental)
composer:
Chuck Mangione
publisher:
Gates Music and Primary Wave Music (management, publishing and marketing company)
Chuck Mangione3:29
17Steal Away
engineer:
Gary Brandt
congas:
Miguel Rivera (percussionist)
guitar:
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) and Brian Ray
harmonica:
Robbie Dupree
keyboard:
Rick Chudacoff and Bill Elliott (keyboardist/composer)
marimba:
Alan Estes
percussion:
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas and Miguel Rivera (percussionist)
saxophone:
Jerry Peterson
synthesizer:
Michael Boddicker and Bill Elliott (conductor, producer)
background vocals:
Kal David, Bill LaBounty, Arno Lucas and Michael McDonald (R&B & soul singer)
arranger:
Bill Elliott (keyboardist/composer)
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 64)
recording of:
Steal Away
lyricist:
Rick Chudacoff
composer:
Robbie Dupree
publisher:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Robbie Dupree3:28
18Morning Dance
recording of:
Morning Dance
composer:
Jay Beckenstein
Spyro Gyra3:57
19On and On
sound engineer:
Henry Lewy
assistant engineer:
Leslie Jones (recording engineer) and Helen Silvani
producer:
Stephen Bishop (American singer-songwriter) and Henry Lewy
acoustic guitar, background vocals and lead vocals:
Stephen Bishop (American singer-songwriter)
bass guitar:
Mac Cridlin (bass)
drums (drum set):
Larry Brown (US producer, engineer, drummer and percussionist)
electric guitar:
Andrew Gold
electric piano:
Barlow Jarvis (American pianist, keyboardist and songwriter)
marimba, percussion and vibraphone:
Victor Feldman (jazz musician)
steel guitar:
Michael Staton
phonographic copyright (℗) by:
ABC Records, Inc (in 1976), Geffen Records (in 1976) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976)
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States and ABC Recording Studios (recording studio associated with ABC Records, active circa 1970s) in Los Angeles, California, United States
recording of:
On and On
lyricist and composer:
Stephen Bishop (American singer-songwriter)
publisher:
Downtown DLJ Songs, Downtown Music Publishing International Inc., Stephen Bishop Music Publishing and エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Stephen Bishop2:59
20Zoom
recording of:
Zoom
writer:
Bobby Eli and Len Barry
Fat Larry’s Band44:17
3CD
#TitleArtistRatingLength
1What a Fool Believes
additional engineer:
Loyd Clifft
engineer:
Donn Landee
producer:
Ted Templeman
additional congas and additional vocals:
Bobby LaKind (in 1978-08)
additional synthesizer:
Bill Payne (in 1978-08)
bass guitar:
Tiran Porter (in 1978-08)
drums (drum set):
John Hartman (drummer for the Doobie Brothers) (in 1978-08)
guitar:
Jeff “Skunk” Baxter (in 1978-08) and Patrick Simmons (in 1978-08)
keyboard and lead vocals:
Michael McDonald (R&B & soul singer) (in 1978-08)
synthesizer:
Michael McDonald (R&B & soul singer) (in 1978-08) and Bill Payne (in 1978-08)
vocals:
Patrick Simmons (in 1978-08)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States (in 1978-08)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 3), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 147) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 343)
recording of:
What a Fool Believes (in 1978-08)
writer:
Ken Loggins and Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) and Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
The Doobie Brothers43:40
2Love Will Keep Us Together
recording engineer and mixer:
Dennis Dragon
associate producer:
Toni Tennille
producer:
The Captain
celesta, clavinet, electric bass guitar [Fender], Hammond organ, keyboard [Clavietta], Minimoog [Mini-moog], piano, synthesizer [Arp String Ensemble], synthesizer [Odyssey], wind chime and Wurlitzer electric piano:
The Captain
congas, drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
violin:
Kenneth Yerke
background vocals:
Melissa Tennille and Toni Tennille
strings arranger:
Kenneth Yerke
arranger:
The Captain
phonographic copyright (℗) by:
A&M Records (in 1975), A&M Records, Inc. (in 1975) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1975)
produced for:
Moonlight and Magnolia Productions
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 337)
cover recording of:
Love Will Keep Us Together
lyricist:
Howard Greenfield
composer:
Neil Sedaka
publisher:
Don Kirshner Music Inc., Kirshner-Warner Bros Music Ltd. and Neil Sedaka Music (BMI-affiliated)
Captain & Tennille43:22
3Escape (The Pina Colada Song)
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 1979) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1979)
part of:
TV Cream: Real 100 Best Singles Ever (number: 89)
recording of:
Escape (The Piña Colada Song)
lyricist and composer:
Rupert Holmes
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:50
4Show Me the Way
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recording of:
Show Me the Way
lyricist and composer:
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) and United Artists Music Co., Inc.
Peter Frampton4:03
5Crockett’s Theme
recording of:
Crockett’s Theme (Miami Vice)
composer:
Jan Hammer
publisher:
Involved Publishing Ltd, MCA Music Inc. (Universal Music Philippines’ legal name) and Universal/MCA Music Ltd. (not for release label use!)
Jan Hammer3.53:31
6Tiny Dancer
engineer:
Robin Geoffrey Cable
producer:
Gus Dudgeon
acoustic guitar:
Davey Johnstone (on 1971-08-09)
bass guitar:
David Glover (bass guitarist) (on 1971-08-09)
drums (drum set):
Roger Pope (on 1971-08-09)
electric guitar:
Caleb Quaye (on 1971-08-09)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer) (on 1971-08-09)
steel guitar:
BJ Cole (on 1971-08-09)
background vocals:
Tony Burrows (on 1971-08-09), Roger Cook (US‐based British singer, songwriter and producer) (on 1971-08-09), Lesley Duncan (on 1971-08-09), Dee Murray (on 1971-08-09), Nigel Olsson (on 1971-08-09), Barry St. John (on 1971-08-09), Terry Steele (on 1971-08-09), Liza Strike (on 1971-08-09) and Sue Glover & Sunny Leslie (on 1971-08-09)
phonographic copyright (℗) by:
This Record Co. Ltd. (copyright holder)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (on 1971-08-09)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 47) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 387)
recording of:
Tiny Dancer (on 1971-08-09)
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Universal–Songs of PolyGram International, Inc.
Elton John3.256:15
7All Night Long (All Night)
producer:
James Anthony Carmichael and Lionel Richie
brass [horn] arranger and strings [string] arranger:
James Anthony Carmichael
arranger:
James Anthony Carmichael and Lionel Richie
vocals arranger:
Lionel Richie
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983) and Motown Records (not for label use; use “Motown” instead) (in 1983)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Brockman Music and Rondor Music (Australia) Pty Ltd
Lionel Richie3.44:15
8Every Kinda People
producer:
Robert Palmer (English singer‐songwriter)
recording of:
Every Kinda People
lyricist and composer:
Andy Fraser (English bassist, member of Free)
publisher:
Island Music (Island Music Ltd.)
Robert Palmer43:23
9Everything I Own
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1972)
recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:04
10Let’s Go Round AgainAverage White Band5:25
11Your Mama Don’t Dance
additional engineer:
John Fiore
recording of:
Your Mama Don’t Dance
writer:
Kenny Loggins and Jim Messina
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Jasperilla Music Co., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (use ONLY if no country‐specific information is available)
Loggins & Messina4.52:48
12Leader of the BandDan Fogelberg24:14
13Caribbean Queen (No More Love on the Run)
producer:
Keith Diamond
mixer:
Nigel Green (engineer)
phonographic copyright (℗) by:
Jive Records (may or may not be the company behind the Jive imprint; not for release label use!) (in 1984)
recording of:
Caribbean Queen
writer:
Keith Diamond and Billy Ocean
Billy Ocean4.154:05
14After the Love Has Gone
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1979)
edit of:
After the Love Has Gone by Earth, Wind & Fire
recording of:
After the Love Has Gone
writer:
Bill Champlin, David Foster (Canadian music producer, arranger and composer) and Jay Graydon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Songs Ltd., Foster Frees Music, Fozbeats Music, Garden Rake Music, Inc., Irving Music (BMI), Irving Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Ninth Music and Noted for the Record
sub-publisher:
Rondor Music (London) Ltd., Sony/ATV Music Publishing Ltd. and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Earth, Wind & Fire4.653:56
15I Can Make You Feel Good
recording engineer and mixer:
Steve Hodge (engineer and producer)
engineer:
Bob Brown (recording, mixing and mastering engineer) and Jim Shifflett
producer:
Leon Sylvers III
drums (drum set):
Ed Greene (drummer)
guitar:
Ernest "Pepper" Reed (guitarist)
guitar [uncredited]:
Earnest Reed
instruments:
Leon Sylvers III
keyboard [uncredited]:
Joey Gallo (songwriter, producer and keyboardist) and Rickey Smith (funk/soul songwriter & keyboard player)
percussion:
Wayne Milstein
background vocals:
Jeffrey Daniel (soul singer), Howard Hewett and Jody Watley
lead vocals:
Howard Hewett
arranger:
Gene Dozier (Pianist, keyboardist, songwriter, arranger, and producer), Leon Sylvers III and William Shelby
recording of:
I Can Make You Feel Good
writer:
Howard Hewett, Renwick Jackson and William Shelby
Shalamar44:16
16Doraville
recording of:
Doraville
writer:
Barry Bailey (Atlanta Rhythm Section), Buddy Buie and Robert Nix (drummer)
Atlanta Rhythm Section3:15
17Love Hurts
cover recording of:
Love Hurts
lyricist and composer:
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Jim Capaldi3:24
18Reminiscing
recorded in:
Australia (in 1978-03)
produced in:
Australia
producer:
John Boylan and Little River Band
bass:
George McArdle (in 1978-03)
drums (drum set):
Derek Pellicci (in 1978-03)
electric guitar:
Beeb Birtles (in 1978-03), David Briggs (producer, guitarist of Little River Band) (in 1978-03) and Graham Goble (in 1978-03)
guest electric piano:
Peter Jones (Australian pianist/composer) (in 1978-03)
solo flugelhorn:
Bob Venier (brass) (in 1978-03)
solo trumpet:
Bill Harrower (in 1978-03)
strings:
Rick Formosa (in 1978-03)
vocals:
Beeb Birtles (in 1978-03), Graham Goble (in 1978-03) and Glenn Shorrock (in 1978-03)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978), EMI (Australia) Limited (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1978), EMI Music Australia Pty. Limited (not for release label use!) (in 1978, in 2002), EMI Recorded Music Australia Pty Ltd. (not for release label use! use it’s imprint “EMI”) (in 1978) and EMI Music Australia (defunct holding company, not for release label use!) (in 2002)
produced for:
Tumbleweed Productions
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 17) and Billboard Year-End Hot 100 singles of 1978 (number: 65)
recording of:
Reminiscing (in 1978-03)
lyricist and composer:
Graeham Goble
publisher:
American Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Unichappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) and Wheatley Music Pty Ltd.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Little River Band54:08
19Driver’s Seat
acoustic guitar:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
bass guitar:
Chris Birkin
drums (drum set):
Luigi Salvoni
guitar:
Mick Dyche and Loz Netto
vocals:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
phonographic copyright (℗) by:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1978)
recording of:
Driver’s Seat (Sniff ’n’ the Tears song)
lyricist and composer:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Sniff ’n’ the Tears43:58
20Sail On
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1979)
recording of:
Sail On
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Jobete Music Co., Inc. and Libren Music
Commodores44:00

Credits

Release

distributed by and marketed by:Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK)
copyrighted (©) by and phonographic copyright (℗) by:Universal Music TV (UK, a division of Universal Music Operations Limited) (in 2014)
Discogs:https://www.discogs.com/release/7826645 [info]
ASIN:UK: B00K3BUCC2 [info]
Allmusic:https://www.allmusic.com/album/release/mr0004157141 [info]