Jazz Beginnings

~ Veröffentlichung von John T. Williams (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelKünstlerBewertungLänge
1The Most Beautiful Girl in the World
Bass:
Joe Mondragon (am 1956-10-03)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-10-03)
Klavier:
John Williams (American score composer and conductor) (am 1956-10-03)
membranophone:
Jack Sperling (drummer) (am 1956-10-03)
Interpret(in):
John T. Williams Quartet (am 1956-10-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-03)
instrumental recording of:
The Most Beautiful Girl in the World (am 1956-10-03)
Texter:
Lorenz Hart
Komponist(in):
Richard Rodgers (composer)
publisher:
Lorenz Hart Publishing Co. und Williamson Music Company
Teil von:
Jumbo
John T. Williams Quartet2:54
2In a Little Spanish Town
Bass:
Joe Mondragon (am 1956-10-03)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-10-03)
Klavier:
John Williams (American score composer and conductor) (am 1956-10-03)
membranophone:
Jack Sperling (drummer) (am 1956-10-03)
Interpret(in):
John T. Williams Quartet (am 1956-10-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-03)
instrumental recording of:
In a Little Spanish Town (’Twas on a Night Like This) (am 1956-10-03)
Texter:
Sam M. Lewis (1930s lyricist) und Joe Young (US lyricist)
Komponist(in):
Mabel Wayne
John T. Williams Quartet2:27
3I’ll Take Romance
Bass:
Joe Mondragon (am 1956-10-03)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-10-03)
Klavier:
John Williams (American score composer and conductor) (am 1956-10-03)
membranophone:
Jack Sperling (drummer) (am 1956-10-03)
Interpret(in):
John T. Williams Quartet (am 1956-10-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-03)
instrumental recording of:
I’ll Take Romance (am 1956-10-03)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Ben Oakland
John T. Williams Quartet3:01
4Zigeuner
Bass:
Joe Mondragon (am 1956-10-03)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-10-03)
Klavier:
John Williams (American score composer and conductor) (am 1956-10-03)
membranophone:
Jack Sperling (drummer) (am 1956-10-03)
Interpret(in):
John T. Williams Quartet (am 1956-10-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-03)
instrumental recording of:
Bitter Sweet, Act III: Zigeuner (am 1956-10-03)
Texter und Komponist(in):
Noël Coward
Teil von:
Bitter Sweet (Noel Coward operetta)
John T. Williams Quartet4:20
5Tenderly
Bass:
Joe Mondragon (am 1956-10-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-10-18)
Klavier:
John Williams (American score composer and conductor) (am 1956-10-18)
membranophone:
Jack Sperling (drummer) (am 1956-10-18)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-10-18)
conductor:
Russell Garcia (am 1956-10-18)
Interpret(in):
John T. Williams Quartet (am 1956-10-18)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-18)
instrumental recording of:
Tenderly (am 1956-10-18)
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
John T. Williams Quartet, Russell Garcia3:56
6Diane
Bass:
Joe Mondragon (am 1956-10-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-10-18)
Klavier:
John Williams (American score composer and conductor) (am 1956-10-18)
membranophone:
Jack Sperling (drummer) (am 1956-10-18)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-10-18)
conductor:
Russell Garcia (am 1956-10-18)
Interpret(in):
John T. Williams Quartet (am 1956-10-18)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-18)
instrumental recording of:
Diane (from 1927 film “Seventh Heaven”) (am 1956-10-18)
Texter:
Lew Pollack
Komponist(in):
Ernö Rapée
Teil von:
The Girl’s Suite
John T. Williams Quartet, Russell Garcia2:49
7Dear to My Heart
Bass:
Joe Mondragon (am 1956-10-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-10-18)
Klavier:
John Williams (American score composer and conductor) (am 1956-10-18)
membranophone:
Jack Sperling (drummer) (am 1956-10-18)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-10-18)
conductor:
Russell Garcia (am 1956-10-18)
Interpret(in):
John T. Williams Quartet (am 1956-10-18)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-18)
instrumental recording of:
Dear to My Heart (am 1956-10-18)
Komponist(in):
Walter Gross (American composer)
John T. Williams Quartet, Russell Garcia3:30
8While We’re Young
Bass:
Joe Mondragon (am 1956-10-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-10-18)
Klavier:
John Williams (American score composer and conductor) (am 1956-10-18)
membranophone:
Jack Sperling (drummer) (am 1956-10-18)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-10-18)
conductor:
Russell Garcia (am 1956-10-18)
Interpret(in):
John T. Williams Quartet (am 1956-10-18)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-18)
instrumental recording of:
While We’re Young (am 1956-10-18)
Texter:
William Engvick
Komponist(in):
Morty Palitz und Alec Wilder (American composer)
publisher:
Ludlow Music, Inc., Regent Music (BMI) und ロックンロール ミュージック (Rock ’n’ Roll Music)
John T. Williams Quartet, Russell Garcia3:03
9Wait Till You See Her
Bass:
Joe Mondragon (am 1956-10-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-10-18)
Klavier:
John Williams (American score composer and conductor) (am 1956-10-18)
membranophone:
Jack Sperling (drummer) (am 1956-10-18)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-10-18)
conductor:
Russell Garcia (am 1956-10-18)
Interpret(in):
John T. Williams Quartet (am 1956-10-18)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-18)
instrumental recording of:
Wait Till You See Her (am 1956-10-18)
Texter:
Lorenz Hart (in 1942)
Verfasser(in):
Lorenz Hart und Richard Rodgers (composer)
Komponist(in):
Richard Rodgers (composer) (in 1942)
John T. Williams Quartet, Russell Garcia2:32
10One Love
Bass:
Joe Mondragon (am 1956-10-18)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-10-18)
Klavier:
John Williams (American score composer and conductor) (am 1956-10-18)
membranophone:
Jack Sperling (drummer) (am 1956-10-18)
Saiteninstrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-10-18)
conductor:
Russell Garcia (am 1956-10-18)
Interpret(in):
John T. Williams Quartet (am 1956-10-18)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-18)
instrumental recording of:
One Love (am 1956-10-18)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
David Rose (songwriter, pianist and orchestra leader)
John T. Williams Quartet, Russell Garcia2:37
11Bess, Oh Where’s My Bess
Klavier:
John Williams (American score composer and conductor) (am 1956-10-18)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-18)
instrumental recording of:
Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess” (am 1956-10-18)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer) (von 1934 bis 1935)
Teil von:
Porgy and Bess: Act III, Scene III
John T. Williams Octet2:24
12Hello
Klavier:
John Williams (American score composer and conductor) (am 1956-10-18)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-10-18)
recording of:
Hello (for piano solo) (am 1956-10-18)
Komponist(in):
John Williams (American score composer and conductor)
John T. Williams Octet2:41
13Aunt Orsavella
Bass:
Curtis Counce (am 1956-11-02)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-11-02)
Klavier:
John Williams (American score composer and conductor) (am 1956-11-02)
membranophone:
Jerry Williams (US percussionist) (am 1956-11-02)
Interpret(in):
John T. Williams Quartet (am 1956-11-02)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-02)
recording of:
Aunt Orsavella (am 1956-11-02)
Komponist(in):
John Williams (American score composer and conductor)
John T. Williams Quartet2:29
14Spring Is Here
Bass:
Curtis Counce (am 1956-11-02)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-11-02)
Klavier:
John Williams (American score composer and conductor) (am 1956-11-02)
membranophone:
Jerry Williams (US percussionist) (am 1956-11-02)
Interpret(in):
John T. Williams Quartet (am 1956-11-02)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-02)
instrumental recording of:
Spring Is Here (am 1956-11-02)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. und United Partnership Ltd.
John T. Williams Quartet3:14
15Anything Goes
Bass:
Curtis Counce (am 1956-11-02)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-11-02)
Klavier:
John Williams (American score composer and conductor) (am 1956-11-02)
membranophone:
Jerry Williams (US percussionist) (am 1956-11-02)
Interpret(in):
John T. Williams Quartet (am 1956-11-02)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-02)
instrumental recording of:
Anything Goes (am 1956-11-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
John T. Williams Quartet2:33
16Caribe
Bass:
Curtis Counce (am 1956-11-02)
Gitarre:
Howard Roberts (jazz guitarist, educator, session musician and producer) (am 1956-11-02)
Klavier:
John Williams (American score composer and conductor) (am 1956-11-02)
membranophone:
Jerry Williams (US percussionist) (am 1956-11-02)
Interpret(in):
John T. Williams Quartet (am 1956-11-02)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-11-02)
recording of:
Caribe (am 1956-11-02)
Komponist(in):
John Williams (American score composer and conductor)
John T. Williams Quartet2:16
17One Love
Bass:
Rolly Bundock (am 1957-05-08)
Gitarre:
Bob Gibbons (am 1957-05-08)
Klavier:
John Williams (American score composer and conductor) (am 1957-05-08)
membranophone:
Jack Sperling (drummer) (am 1957-05-08)
Interpret(in):
John T. Williams Quartet (am 1957-05-08)
aufgenommen bei:
Glen Sound Stage in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-05-08)
recording of:
One Love (am 1957-05-08)
Texter:
Leo Robin (US composer, lyricist & songwriter)
Komponist(in):
David Rose (songwriter, pianist and orchestra leader)
John T. Williams Quartet2:01
18Our Waltz
Bass:
Rolly Bundock (am 1957-05-08)
Gitarre:
Bob Gibbons (am 1957-05-08)
Klavier:
John Williams (American score composer and conductor) (am 1957-05-08)
membranophone:
Jack Sperling (drummer) (am 1957-05-08)
Interpret(in):
John T. Williams Quartet (am 1957-05-08)
aufgenommen bei:
Glen Sound Stage in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-05-08)
recording of:
Our Waltz (am 1957-05-08)
Texter:
Nat Burton (US songwriter)
Komponist(in):
David Rose (songwriter, pianist and orchestra leader)
John T. Williams Quartet1:58
2▼CD
Nr.TitelKünstlerBewertungLänge
1I’ve Got the World on a String
alto saxophone:
Herb Geller (am 1957-10-03)
baritone saxophone:
Marty Berman (am 1957-10-03)
Bass:
Buddy Clark (US jazz bassist) (am 1957-10-03)
Klavier:
John Williams (American score composer and conductor) (am 1957-10-03)
Schlagzeug:
Jerry Williams (US percussionist) (am 1957-10-03)
Tenorsaxophon:
Gene Cipriano (am 1957-10-03) und Buddy Collette (am 1957-10-03)
Interpret(in):
John T. Williams Septet (am 1957-10-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-10-03)
instrumental recording of:
I’ve Got the World on a String (am 1957-10-03)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc., Redwood Music Ltd. (Carlin) und S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
John T. Williams Septet3:00
2Get Happy
alto saxophone:
Herb Geller (am 1957-10-03)
baritone saxophone:
Marty Berman (am 1957-10-03)
Bass:
Buddy Clark (US jazz bassist) (am 1957-10-03)
Klavier:
John Williams (American score composer and conductor) (am 1957-10-03)
Schlagzeug:
Jerry Williams (US percussionist) (am 1957-10-03)
Tenorsaxophon:
Gene Cipriano (am 1957-10-03) und Buddy Collette (am 1957-10-03)
Interpret(in):
John T. Williams Septet (am 1957-10-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-10-03)
instrumental recording of:
Get Happy (am 1957-10-03)
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
John T. Williams Septet2:35
3That Old Black Magic
alto saxophone:
Herb Geller (am 1957-10-03)
baritone saxophone:
Marty Berman (am 1957-10-03)
Bass:
Buddy Clark (US jazz bassist) (am 1957-10-03)
Klavier:
John Williams (American score composer and conductor) (am 1957-10-03)
Schlagzeug:
Jerry Williams (US percussionist) (am 1957-10-03)
Tenorsaxophon:
Gene Cipriano (am 1957-10-03) und Buddy Collette (am 1957-10-03)
Interpret(in):
John T. Williams Septet (am 1957-10-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-10-03)
instrumental recording of:
That Old Black Magic (am 1957-10-03)
Texter:
Johnny Mercer (in 1942)
Komponist(in):
Harold Arlen (in 1942)
publisher:
Famous Chappell und Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
John T. Williams Septet3:16
4Over the Rainbow
alto saxophone:
Herb Geller (am 1957-10-03)
baritone saxophone:
Marty Berman (am 1957-10-03)
Bass:
Buddy Clark (US jazz bassist) (am 1957-10-03)
Klavier:
John Williams (American score composer and conductor) (am 1957-10-03)
Schlagzeug:
Jerry Williams (US percussionist) (am 1957-10-03)
Tenorsaxophon:
Gene Cipriano (am 1957-10-03) und Buddy Collette (am 1957-10-03)
Interpret(in):
John T. Williams Septet (am 1957-10-03)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-10-03)
instrumental cover recording of:
Over the Rainbow (The Wizard of Oz) (am 1957-10-03)
Texter:
Yip Harburg (in 1938)
Komponist(in):
Harold Arlen (in 1938)
uraufgeführt von:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Teil von:
The 12th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1939 winner)
Teil von:
The Wizard of Oz (1942 Arlen/Harburg musical)
Teil von:
The Wizard of Oz (1939 film soundtrack)
John T. Williams Septet2:32
5Let’s Fall in Love
Bass:
Buddy Clark (US jazz bassist) (am 1957-10-04)
Bassposaune:
George Roberts (american bass trombone) (am 1957-10-04)
Klavier:
John Williams (American score composer and conductor) (am 1957-10-04)
Posaune:
Milt Bernhart (am 1957-10-04), Joe Howard (american trombone player) (am 1957-10-04) und Dick Noel (trombone) (am 1957-10-04)
Schlagzeug:
Jerry Williams (US percussionist) (am 1957-10-04)
Ventilposaune:
Bob Enevoldsen (am 1957-10-04)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-10-04)
instrumental recording of:
Let’s Fall in Love (am 1957-10-04)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Francis, Day & Hunter Ltd.
John T. Williams Octet2:33
6Stormy Weather
Bass:
Buddy Clark (US jazz bassist) (am 1957-10-04)
Bassposaune:
George Roberts (american bass trombone) (am 1957-10-04)
Klavier:
John Williams (American score composer and conductor) (am 1957-10-04)
Posaune:
Milt Bernhart (am 1957-10-04), Joe Howard (american trombone player) (am 1957-10-04) und Dick Noel (trombone) (am 1957-10-04)
Schlagzeug:
Jerry Williams (US percussionist) (am 1957-10-04)
Ventilposaune:
Bob Enevoldsen (am 1957-10-04)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-10-04)
instrumental recording of:
Stormy Weather (am 1957-10-04)
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
John T. Williams Octet2:53
7My Shining Hour
Bass:
Buddy Clark (US jazz bassist) (am 1957-10-04)
Bassposaune:
George Roberts (american bass trombone) (am 1957-10-04)
Klavier:
John Williams (American score composer and conductor) (am 1957-10-04)
Posaune:
Milt Bernhart (am 1957-10-04), Joe Howard (american trombone player) (am 1957-10-04) und Dick Noel (trombone) (am 1957-10-04)
Schlagzeug:
Jerry Williams (US percussionist) (am 1957-10-04)
Ventilposaune:
Bob Enevoldsen (am 1957-10-04)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-10-04)
instrumental recording of:
My Shining Hour (The Sky’s the Limit) (am 1957-10-04)
Texter:
Johnny Mercer (in 1943)
Komponist(in):
Harold Arlen (in 1943)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (beendet), Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.) und Harwin Music Corporation
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Sky’s the Limit (1943 film)
John T. Williams Octet2:09
8Between the Devil and the Deep Blue Sea
Bass:
Buddy Clark (US jazz bassist) (am 1957-10-04)
Bassposaune:
George Roberts (american bass trombone) (am 1957-10-04)
Klavier:
John Williams (American score composer and conductor) (am 1957-10-04)
Posaune:
Milt Bernhart (am 1957-10-04), Joe Howard (american trombone player) (am 1957-10-04) und Dick Noel (trombone) (am 1957-10-04)
Schlagzeug:
Jerry Williams (US percussionist) (am 1957-10-04)
Ventilposaune:
Bob Enevoldsen (am 1957-10-04)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-10-04)
instrumental recording of:
Between the Devil and the Deep Blue Sea (am 1957-10-04)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
John T. Williams Octet3:21
9Come Rain or Come Shine
Bass:
Buddy Clark (US jazz bassist) (am 1957-10-04)
Bassposaune:
George Roberts (american bass trombone) (am 1957-10-04)
Klavier:
John Williams (American score composer and conductor) (am 1957-10-04)
Posaune:
Milt Bernhart (am 1957-10-04), Joe Howard (american trombone player) (am 1957-10-04) und Dick Noel (trombone) (am 1957-10-04)
Schlagzeug:
Jerry Williams (US percussionist) (am 1957-10-04)
Ventilposaune:
Bob Enevoldsen (am 1957-10-04)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-10-04)
instrumental recording of:
Come Rain or Come Shine (am 1957-10-04)
Texter:
Johnny Mercer (in 1946)
Komponist(in):
Harold Arlen (in 1946)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), S.A. Music Co. und Warner/Chappell Music Scandinavia AB
John T. Williams Octet3:27
10Here’s What I’m Here For
baritone saxophone:
Marty Berman (am 1957-10-14)
Bass:
Buddy Clark (US jazz bassist) (am 1957-10-14)
Klavier:
John Williams (American score composer and conductor) (am 1957-10-14)
Posaune:
Dick Noel (trombone) (am 1957-10-14)
Tenorsaxophon:
Richie Kamuca (am 1957-10-14)
Ventilposaune:
Bob Enevoldsen (am 1957-10-14)
Interpret(in):
Jerry Williams (US percussionist) (am 1957-10-14) und John T. Williams Septet (am 1957-10-14)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-10-14)
instrumental recording of:
Here’s What I’m Here For (A Star is Born) (am 1957-10-14)
Texter:
Ira Gershwin
Komponist(in):
Harold Arlen
John T. Williams Septet3:19
11Hit the Road to Dreamland
baritone saxophone:
Marty Berman (am 1957-10-14)
Bass:
Buddy Clark (US jazz bassist) (am 1957-10-14)
Klavier:
John Williams (American score composer and conductor) (am 1957-10-14)
Posaune:
Dick Noel (trombone) (am 1957-10-14)
Tenorsaxophon:
Richie Kamuca (am 1957-10-14)
Ventilposaune:
Bob Enevoldsen (am 1957-10-14)
Interpret(in):
Jerry Williams (US percussionist) (am 1957-10-14) und John T. Williams Septet (am 1957-10-14)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-10-14)
instrumental recording of:
Hit the Road to Dreamland (am 1957-10-14)
Texter:
Johnny Mercer
Komponist(in):
Harold Arlen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
John T. Williams Septet2:46
12A Sleepin’ Bee
baritone saxophone:
Marty Berman (am 1957-10-14)
Bass:
Buddy Clark (US jazz bassist) (am 1957-10-14)
Klavier:
John Williams (American score composer and conductor) (am 1957-10-14)
Posaune:
Dick Noel (trombone) (am 1957-10-14)
Tenorsaxophon:
Richie Kamuca (am 1957-10-14)
Ventilposaune:
Bob Enevoldsen (am 1957-10-14)
Interpret(in):
Jerry Williams (US percussionist) (am 1957-10-14) und John T. Williams Septet (am 1957-10-14)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-10-14)
instrumental recording of:
A Sleepin’ Bee (House of Flowers) (am 1957-10-14)
Texter:
Harold Arlen und Truman Capote
Komponist(in):
Harold Arlen
publisher:
Harwin Music und S.A. Music Co.
Teil von:
House of Flowers
John T. Williams Septet3:11
13All of You
recording engineer:
Dayton “Bones” Howe (von 1958-01-15 bis 1958-01-20)
vocals:
Johnny Desmond (von 1958-01-15 bis 1958-01-20)
Orchester:
John Williams Orchestra (von 1958-01-15 bis 1958-01-20)
conductor:
John Williams (American score composer and conductor) (von 1958-01-15 bis 1958-01-20)
arranger:
John Williams (American score composer and conductor)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-20)
recording of:
All of You (Silk Stockings musical) (von 1958-01-15 bis 1958-01-20)
Texter und Komponist(in):
Cole Porter (composer) (in 1954)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA) und Chappell Music (UK)
Teil von:
Silk Stockings (1957 musical film)
John T. Williams Orchestra feat. Johnny Desmond2:20
14The Last Time I Saw Paris
recording engineer:
Dayton “Bones” Howe (von 1958-01-15 bis 1958-01-20)
vocals:
Johnny Desmond (von 1958-01-15 bis 1958-01-20)
Orchester:
John Williams Orchestra (von 1958-01-15 bis 1958-01-20)
conductor:
John Williams (American score composer and conductor) (von 1958-01-15 bis 1958-01-20)
arranger:
John Williams (American score composer and conductor)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-20)
recording of:
The Last Time I Saw Paris (von 1958-01-15 bis 1958-01-20)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Jerome Kern
Teil von:
The 14th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1941 winner)
John T. Williams Orchestra feat. Johnny Desmond2:15
15I Can’t Get Started
recording engineer:
Dayton “Bones” Howe (von 1958-01-15 bis 1958-01-20)
vocals:
Johnny Desmond (von 1958-01-15 bis 1958-01-20)
Orchester:
John Williams Orchestra (von 1958-01-15 bis 1958-01-20)
conductor:
John Williams (American score composer and conductor) (von 1958-01-15 bis 1958-01-20)
arranger:
John Williams (American score composer and conductor)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-20)
recording of:
I Can’t Get Started (von 1958-01-15 bis 1958-01-20)
Texter:
Ira Gershwin
Komponist(in):
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) und Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
John T. Williams Orchestra feat. Johnny Desmond2:52
16I Got Plenty O’Nuttin’
recording engineer:
Dayton “Bones” Howe (von 1958-01-15 bis 1958-01-20)
vocals:
Johnny Desmond (von 1958-01-15 bis 1958-01-20)
Orchester:
John Williams Orchestra (von 1958-01-15 bis 1958-01-20)
conductor:
John Williams (American score composer and conductor) (von 1958-01-15 bis 1958-01-20)
arranger:
John Williams (American score composer and conductor)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-20)
recording of:
I Got Plenty o’ Nuttin’ (Porgy and Bess, catch-all for jazz & pop arrangements) (von 1958-01-15 bis 1958-01-20)
Texter:
Ira Gershwin und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Dubose and Dorothy Heyward Memorial Fund Publishing, Frankie G. Songs, Nokawi Music und Gershwin Publishing Corp (in 1935)
basiert auf:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’”
John T. Williams Orchestra feat. Johnny Desmond2:44
17It’s the Talk of the Town
recording engineer:
Dayton “Bones” Howe (von 1958-01-15 bis 1958-01-20)
vocals:
Johnny Desmond (von 1958-01-15 bis 1958-01-20)
Orchester:
John Williams Orchestra (von 1958-01-15 bis 1958-01-20)
conductor:
John Williams (American score composer and conductor) (von 1958-01-15 bis 1958-01-20)
arranger:
John Williams (American score composer and conductor)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-20)
recording of:
It’s the Talk of the Town (von 1958-01-15 bis 1958-01-20)
Texter:
Al J. Neiburg (lyricist) und Marty Symes (lyricist)
Komponist(in):
Jerry Livingston (songwriter)
arranger:
Ib Glindemann
John T. Williams Orchestra feat. Johnny Desmond2:40
18You’d Be So Nice to Come Home To
recording engineer:
Dayton “Bones” Howe (von 1958-01-15 bis 1958-01-20)
vocals:
Johnny Desmond (von 1958-01-15 bis 1958-01-20)
Orchester:
John Williams Orchestra (von 1958-01-15 bis 1958-01-20)
conductor:
John Williams (American score composer and conductor) (von 1958-01-15 bis 1958-01-20)
arranger:
John Williams (American score composer and conductor)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-20)
recording of:
You’d Be So Nice to Come Home To (von 1958-01-15 bis 1958-01-20)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
John T. Williams Orchestra feat. Johnny Desmond2:19
19It Ain’t Necessarily So
recording engineer:
Dayton “Bones” Howe (von 1958-01-15 bis 1958-01-20)
vocals:
Johnny Desmond (von 1958-01-15 bis 1958-01-20)
Orchester:
John Williams Orchestra (von 1958-01-15 bis 1958-01-20)
conductor:
John Williams (American score composer and conductor) (von 1958-01-15 bis 1958-01-20)
arranger:
John Williams (American score composer and conductor)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-20)
recording of:
It Ain’t Necessarily So (jazz standard originally from Porgy and Bess; catch-all for unspecified pop and jazz arrangements) (von 1958-01-15 bis 1958-01-20)
Texter:
Ira Gershwin, Dorothy Heyward (playwright) und DuBose Heyward
Komponist(in):
George Gershwin (composer)
publisher:
Chappell Music (ASCAP), Gershwin Publishing Corp, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
was commissioned by:
Gershwin Publishing Corp (in 1935)
Version von:
Porgy and Bess: Act II, Scene II. “It ain’t necessarily so” (Sportin’ Life)
John T. Williams Orchestra feat. Johnny Desmond2:22
20Tenderly
recording engineer:
Dayton “Bones” Howe (von 1958-01-15 bis 1958-01-20)
vocals:
Johnny Desmond (von 1958-01-15 bis 1958-01-20)
Orchester:
John Williams Orchestra (von 1958-01-15 bis 1958-01-20)
conductor:
John Williams (American score composer and conductor) (von 1958-01-15 bis 1958-01-20)
arranger:
John Williams (American score composer and conductor)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-20)
recording of:
Tenderly (von 1958-01-15 bis 1958-01-20)
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
John T. Williams Orchestra feat. Johnny Desmond2:39
21This Can't Be Love
recording engineer:
Dayton “Bones” Howe (von 1958-01-15 bis 1958-01-20)
vocals:
Johnny Desmond (von 1958-01-15 bis 1958-01-20)
Orchester:
John Williams Orchestra (von 1958-01-15 bis 1958-01-20)
conductor:
John Williams (American score composer and conductor) (von 1958-01-15 bis 1958-01-20)
arranger:
John Williams (American score composer and conductor)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-20)
recording of:
This Can’t Be Love (von 1958-01-15 bis 1958-01-20)
Texter:
Lorenz Hart (in 1938)
Komponist(in):
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. und Warner/Chappell (Warner/Chappell Music, Inc.)
John T. Williams Orchestra feat. Johnny Desmond2:08
22Old Devil Moon
recording engineer:
Dayton “Bones” Howe (von 1958-01-15 bis 1958-01-20)
vocals:
Johnny Desmond (von 1958-01-15 bis 1958-01-20)
Orchester:
John Williams Orchestra (von 1958-01-15 bis 1958-01-20)
conductor:
John Williams (American score composer and conductor) (von 1958-01-15 bis 1958-01-20)
arranger:
John Williams (American score composer and conductor)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-20)
recording of:
Old Devil Moon (from “Finian’s Rainbow”) (von 1958-01-15 bis 1958-01-20)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
John T. Williams Orchestra feat. Johnny Desmond2:00
23My Happy Time
recording engineer:
Dayton “Bones” Howe (von 1958-01-15 bis 1958-01-20)
vocals:
Johnny Desmond (von 1958-01-15 bis 1958-01-20)
Orchester:
John Williams Orchestra (von 1958-01-15 bis 1958-01-20)
conductor:
John Williams (American score composer and conductor) (von 1958-01-15 bis 1958-01-20)
arranger:
John Williams (American score composer and conductor)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-20)
recording of:
My Happy Time (von 1958-01-15 bis 1958-01-20)
Texter und Komponist(in):
Johnny Desmond
John T. Williams Orchestra feat. Johnny Desmond2:23
24There's a Small Hotel
recording engineer:
Dayton “Bones” Howe (von 1958-01-15 bis 1958-01-20)
vocals:
Johnny Desmond (von 1958-01-15 bis 1958-01-20)
Orchester:
John Williams Orchestra (von 1958-01-15 bis 1958-01-20)
conductor:
John Williams (American score composer and conductor) (von 1958-01-15 bis 1958-01-20)
arranger:
John Williams (American score composer and conductor)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (von 1958-01-15 bis 1958-01-20)
recording of:
There’s a Small Hotel (from “On Your Toes”) (von 1958-01-15 bis 1958-01-20)
Texter:
Lorenz Hart (in 1936)
Komponist(in):
Richard Rodgers (composer) (in 1936)
Teil von:
On Your Toes
Teil von:
Pal Joey
John T. Williams Orchestra feat. Johnny Desmond2:12