Messiah

~ Release by Handel; Tenebrae Choir, London Symphony Orchestra, Sir Colin Davis (see all versions of this release, 3 available)

Tracklist

| |
1▼Hybrid SACD
#TitleArtistRatingLength
1Messiah: Part I. I. Symphony
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 1. Symphony (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:44
2Messiah: Part I. II. Tenor "Comfort ye, My people"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 2. Recitative “Comfort ye” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:00
3Messiah: Part I. III. Tenor "Ev'ry valley shall be exhalted"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 3. Air “Ev’ry valley shall be exalted” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:34
4Messiah: Part I. IV. Chorus "And the glory of the Lord"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 4. Chorus “And the glory of the Lord” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:46
5Messiah: Part I. V. Bass "Thus saith the Lord"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 5. Recitative “Thus saith the Lord” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:31
6Messiah: Part I. VI. Alto "But who may abide the days of His coming?"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 6. Air “But who may abide” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
version of:
Messiah, HWV 56: Alternative Arias: Air. “But who may abide the day of His coming?” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:17
7Messiah: Part I. VII. Chorus "And he shall purify"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 7. Chorus “And He shall purify” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:21
8Messiah: Part I. VIII. Alto "Behold, a virgin shall conceive"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 8. Recitative “Behold, a virgin shall conceive” (Alto) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:23
9Messiah: Part I. IX. Alto "O thou that tellest good tidings to Zion"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:56
10Messiah: Part I. IX. Chorus "O thou that tellest good tidings to Zion"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:44
11Messiah: Part I. X. Bass "For, behold, darkness shall cover the earth"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 10. Recitative “For behold, darkness shall cover the earth” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:27
12Messiah: Part I. XI. Bass "The people that walked in darkness"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 11. Air “The people that walked in darkness” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:10
13Messiah: Part I. XII. Chorus "For unto us a child is born"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:07
14Messiah: Part I. XIII. Pifa
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel3:08
15Messiah: Part I. XIVa. Soprano "There were shepherds abiding in a field" / XIVb. Soprano "And, lo, the angel of the Lord came upon them" / XV. Soprano "And the angel said unto them" / XVI. Soprano "And suddently there was with the angel"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo soprano vocals:
Susan Gritton (soprano) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 14. Recitative “There were shepherds, abiding in the field… And lo! the angel of the Lord come upon them” (Soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
live recording of:
Messiah, HWV 56: Part I, no. 15. Recitative “And the angel said unto them” (Soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:54
16Messiah: Part I. XVII. Chorus "Glory to God"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 17. Chorus “Glory to God in the highest” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel1:40
17Messiah: Part I. XVIII. Soprano "Rejoice greatly, O daughter of Zion"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo soprano vocals:
Susan Gritton (soprano) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 18. Air “Rejoice greatly, O daughter of Zion” (Soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Rejoice greatly, O daughter of Zion” (1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:39
18Messiah: Part I. XIX. Alto "Then shall the eyes of the blind"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel0:27
19Messiah: Part I. XX. Alto "He shall feed his flock like a shepherd" / Soprano "Come unto Him, all ye that labour"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
solo soprano vocals:
Susan Gritton (soprano) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part I
George Frideric Handel4:59
20Messiah: Part I. XXI. Chorus "His yoke is easy"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part I, no. 21. Chorus “His yoke is easy” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part I
George Frideric Handel2:17
21Messiah: Part II. XXII. Chorus "Behold the lamb of God"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 22. Chorus “Behold the Lamb of God” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:28
22Messiah: Part II. XXIII. Alto "He was despised"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 23. Air “He was despised” (Alto) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel9:56
23Messiah: Part II. XXIV. Chorus "Surely He hath borne our griefs"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 24. Chorus “Surely He hath borne our griefs” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:20
24Messiah: Part II. XXV. Chorus "And with His stripes we are healed"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 25. Chorus “And with His stripes” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:36
2▼Hybrid SACD
#TitleArtistRatingLength
1Messiah: Part II. XXVI. Chorus "All we like sheep have gone astray"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 26. Chorus “All we like sheep” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel4:08
2Messiah: Part II. XXVII. Tenor "All they that see Him laugh Him to scorn"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 27. Recitative “All they that see Him” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:49
3Messiah: Part II. XXVIII. Chorus "He trusted in God"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 28. Chorus “He trusted in God” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:29
4Messiah: Part II. XXIX. Tenor "Thy rebuke hath broken His heart"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 29. Recitative “Thy rebuke hath broken His heart” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:27
5Messiah: Part II. XXX. Tenor "Behold and see if there be any sorrow"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 30. Arioso “Behold and see” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:27
6Messiah: Part II. XXXI. Tenor "He was cut off out of the land"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 31. Recitative “He was cut off out of the land of the living…” (Soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:22
7Messiah: Part II. XXXII. Tenor "But Thou didst not leave His soul in hell"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 32. Air “But thou didst not leave His soul in hell…” (Soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:29
8Messiah: Part II. XXXIII. Chorus "Lift up your heads, O ye gates"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 33. Chorus “Lift up your heads” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:12
9Messiah: Part II. XXXIV. Tenor "Unto which of the angels said He at any time"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 34. Recitative “Unto Which of the Angels…” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:14
10Messiah: Part II. XXXV. Chorus "Let all the angels of God worship Him"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 35. Chorus “Let all the angels of God worship Him” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:27
11Messiah: Part II. XXXVI. Bass "Thou art gone up on high"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 36. Air “Thou art gone up on high” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
version of:
Messiah, HWV 56: Alternative Arias: Air. “Thou art gone up on high” (1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:22
12Messiah: Part II. XXXVII. Chorus "The Lord gave the word"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 37. Chorus “The Lord gave the Word” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:11
13Messiah: Part II. XXXVIII. Soprano "How beautiful are the feet"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo soprano vocals:
Susan Gritton (soprano) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 38. Air “How beautiful are the feet…” (Soprano) (soprano aria version without chorus) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:25
14Messiah: Part II. XXXIX. Chorus "Their sound is gone out"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 39. Chorus “Their sound is gone out” (version for chorus, not tenor solo) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1745)
is based on:
Messiah, HWV 56: Part II, no. 39. Arioso “Their sound is gone out” (Tenor)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:36
15Messiah: Part II. XL. Bass "Why do the nations so furiously rage together?"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 40. Air “Why do the nations” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:41
16Messiah: Part II. XLI. Chorus "Let us break their bonds asunder"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 41. Chorus “Let us break their bonds asunder” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel1:45
17Messiah: Part II. XLII. Tenor "He that dwelleth in Heaven"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 42. Recitative “He that dwelleth in heaven…” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part II
George Frideric Handel0:16
18Messiah: Part II. XLIII. Tenor "Thou shalt break them"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 43. Air “Thou shalt break them” (Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part II
George Frideric Handel2:06
19Messiah: Part II. XLIV. Chorus "Hallelujah"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
librettist:
Charles Jennens
part of:
Messiah, HWV 56: Part II
George Frideric Handel3:45
20Messiah: Part III. XLV. Soprano "I know that my Redeener liveth"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo soprano vocals:
Susan Gritton (soprano) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel6:00
21Messiah: Part III. XLVI. Chorus "Since by man came death"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 46. Chorus “Since by man came death” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:19
22Messiah: Part III. XLVII. Bass "Behold, I tell you a mystery"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 47. Recitative “Behold, I tell you a mystery” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:36
23Messiah: Part III. XLVIII. Bass "The trumpet shall sound"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo bass vocals:
Alastair Miles (operatic bass) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 48. Air “The trumpet shall sound” (Bass) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel8:38
24Messiah: Part III. XLIX. Alto "Then shall be brought to pass"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 49. Recitativo “Then shall be brought to pass” (Alto) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Messiah, HWV 56: Part III
George Frideric Handel0:19
25Messiah: Part III. L. Alto and tenor aria "O Death, where is thy sting?"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo alto vocals:
Sara Mingardo (contralto) (from 2006-12-10 until 2006-12-12)
solo tenor vocals:
Mark Padmore (British tenor) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 50. Duet “O death, where is thy sting” (Alt & Tenor) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel1:10
26Messiah: Part III. LI. Chorus "But thanks be to God"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 51. Chorus “But thanks be to God…” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel2:06
27Messiah: Part III. LII. Soprano "If God be for us"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
solo soprano vocals:
Susan Gritton (soprano) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live recording of:
Messiah, HWV 56: Part III, no. 52. Air “If God be for us” (Soprano) (original version for soprano) (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:50
28Messiah: Part III. LIIIa. Chorus "Worthy is the Lamb that was slain"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel3:28
29Messiah: Part III. LIIIb. Chorus "Amen"
producer:
James Mallinson (producer)
editor:
Ian Watson (editor/engineer/producer) and Jenni Whiteside (engineer)
choir vocals:
Tenebrae (UK choir) (from 2006-12-10 until 2006-12-12)
orchestra:
London Symphony Orchestra (from 2006-12-10 until 2006-12-12)
conductor:
Sir Colin Davis (English conductor) (from 2006-12-10 until 2006-12-12)
balance engineer:
Neil Hutchinson (sound engineer) and Jonathan Stokes (engineer)
phonographic copyright (℗) by:
London Symphony Orchestra (in 2007)
recorded at:
Barbican Centre: Barbican Hall in London (Greater London), England, United Kingdom (from 2006-12-10 until 2006-12-12)
edited at:
Classic Sound Ltd in London (Greater London), England, United Kingdom
live partial recording of:
Messiah, HWV 56: Part III, no. 53. Chorus “Worthy is the Lamb… Amen” (from 2006-12-10 until 2006-12-12)
composer:
George Frideric Handel (German‐British baroque composer) (in 1741)
part of:
Messiah, HWV 56: Part III
George Frideric Handel4:09

Credits

Release

alto vocals:Sara Mingardo (contralto)
bass vocals:Alastair Miles (operatic bass)
choir vocals:Tenebrae Choir (UK choir)
soprano vocals:Susan Gritton (soprano)
tenor vocals:Mark Padmore (British tenor)
copyrighted (©) by:London Symphony Orchestra (in 2007)
mastered at:Classic Sound Ltd in London (Greater London), England, United Kingdom
Discogs:https://www.discogs.com/release/7899357 [info]
ASIN:UK: B000VJVZEK [info]
US: B000VJVZEK [info]
discography entry:http://lsolive.lso.co.uk/products/handel-messiah [info]