Das Vermächtnis (The Legacy)

~ Release by Wilhelm Furtwängler (see all versions of this release, 3 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Orchestral Suite no. 3 in D major, BWV 1068: I. Overture
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1948-10-22)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-10-22)
recorded at:
Gemeindehaus, Berlin-Dahlem in Berlin, Germany (on 1948-10-22)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture (on 1948-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach8:38
2Orchestral Suite no. 3 in D major, BWV 1068: II. Air
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1948-10-22)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-10-22)
recorded at:
Gemeindehaus, Berlin-Dahlem in Berlin, Germany (on 1948-10-22)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (on 1948-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:34
3Orchestral Suite no. 3 in D major, BWV 1068: III. Gavotte I & II
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1948-10-22)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-10-22)
recorded at:
Gemeindehaus, Berlin-Dahlem in Berlin, Germany (on 1948-10-22)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II (on 1948-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach3:08
4Orchestral Suite no. 3 in D major, BWV 1068: IV. Bourée
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1948-10-22)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-10-22)
recorded at:
Gemeindehaus, Berlin-Dahlem in Berlin, Germany (on 1948-10-22)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée (on 1948-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach1:35
5Orchestral Suite no. 3 in D major, BWV 1068: V. Gigue
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1948-10-22)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-10-22)
recorded at:
Gemeindehaus, Berlin-Dahlem in Berlin, Germany (on 1948-10-22)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue (on 1948-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach2:36
6Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro
flute:
Josef Niedermayer (on 1950-08-31)
piano:
Wilhelm Furtwängler (conductor) (on 1950-08-31)
violin:
Willi Boskovsky (violinist and conductor) (on 1950-08-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1950-08-31)
conductor:
Wilhelm Furtwängler (conductor) (on 1950-08-31)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (on 1950-08-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach8:08
7Brandenburg Concerto no. 3 in G major, BWV 1048: II. Adagio
flute:
Josef Niedermayer (on 1950-08-31)
piano:
Wilhelm Furtwängler (conductor) (on 1950-08-31)
violin:
Willi Boskovsky (violinist and conductor) (on 1950-08-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1950-08-31)
conductor:
Wilhelm Furtwängler (conductor) (on 1950-08-31)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part) (on 1950-08-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
Johann Sebastian Bach0:18
8Brandenburg Concerto no. 3 in G major, BWV 1048: III. Allegro
flute:
Josef Niedermayer (on 1950-08-31)
piano:
Wilhelm Furtwängler (conductor) (on 1950-08-31)
violin:
Willi Boskovsky (violinist and conductor) (on 1950-08-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1950-08-31)
conductor:
Wilhelm Furtwängler (conductor) (on 1950-08-31)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (on 1950-08-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach5:57
9Brandenburg Concerto no. 5 in D major, BWV 1030: I. Allegro
flute:
Josef Niedermayer (on 1950-08-31)
piano:
Wilhelm Furtwängler (conductor) (on 1950-08-31)
violin:
Willi Boskovsky (violinist and conductor) (on 1950-08-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1950-08-31)
conductor:
Wilhelm Furtwängler (conductor) (on 1950-08-31)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (on 1950-08-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach14:27
10Brandenburg Concerto no. 5 in D major, BWV 1030: II. Affettuoso
flute:
Josef Niedermayer (on 1950-08-31)
piano:
Wilhelm Furtwängler (conductor) (on 1950-08-31)
violin:
Willi Boskovsky (violinist and conductor) (on 1950-08-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1950-08-31)
conductor:
Wilhelm Furtwängler (conductor) (on 1950-08-31)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso (on 1950-08-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: II. Adagio
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach8:49
11Brandenburg Concerto no. 5 in D major, BWV 1030: III. Allegro
flute:
Josef Niedermayer (on 1950-08-31)
piano:
Wilhelm Furtwängler (conductor) (on 1950-08-31)
violin:
Willi Boskovsky (violinist and conductor) (on 1950-08-31)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1950-08-31)
conductor:
Wilhelm Furtwängler (conductor) (on 1950-08-31)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro (on 1950-08-31)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: III. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach6:23
2▼CD
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Kommt, ihr Töchter, helft mir klagen
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach8:45
2St. Matthew Passion, BWV 244: Herzliebster Jesu, was hast Du verbrochen
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (from 1954-04-14 until 1954-04-17)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:37
3St. Matthew Passion, BWV 244: Du lieber Heiland Du
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach7:16
4St. Matthew Passion, BWV 244: Blute nur, Du liebes Herz
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach8:16
5St. Matthew Passion, BWV 244: Ich bin’s, ich sollte büßen
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:37
6St. Matthew Passion, BWV 244: Wiewohl mein Herz in Tränen schwimmt
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:22
7St. Matthew Passion, BWV 244: Erkenne mich, mein Hüter
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:21
8St. Matthew Passion, BWV 244: O Schmerz!
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach10:13
9St. Matthew Passion, BWV 244: Der Heiland fallt vor seinem Vater nieder
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:13
3▼CD
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Was mein Gott will, das g’scheh’ allzeit
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:39
2St. Matthew Passion, BWV 244: So ist mein Jesus nun gefangen
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIa. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
Johann Sebastian Bach6:05
3St. Matthew Passion, BWV 244: O Mensch’ bewein’ dein’ Sunde groß
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach8:19
4St. Matthew Passion, BWV 244: Ach, nun ist mein Jesus hin!
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach9:16
5St. Matthew Passion, BWV 244: Wer hat Dich so geschlagen
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:23
6St. Matthew Passion, BWV 244: Erbarme Dich, mein Gott
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1954-04-14 until 1954-04-17)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach9:40
7St. Matthew Passion, BWV 244: Befiehl Du Deine Wege
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:39
4▼CD
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Der Landpfleger sagte
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:16
2St. Matthew Passion, BWV 244: Er hat uns allen wohlgetan
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach9:04
3St. Matthew Passion, BWV 244: Erbarm’ es Gott
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:06
4St. Matthew Passion, BWV 244: O Haupt voll Blut und Wunden
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:15
5St. Matthew Passion, BWV 244: Ja! Freilich will in uns das Fleisch und Blut
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach11:16
6St. Matthew Passion, BWV 244: Ach, Golgatha, unsel’ges Golgatha
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:05
7St. Matthew Passion, BWV 244: Wenn ich einmal soll scheiden
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (from 1954-04-14 until 1954-04-17)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:18
8St. Matthew Passion, BWV 244: Am Abend, da es kühle war
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach5:38
9St. Matthew Passion, BWV 244: Wir setzen uns mit Tränen nieder
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1954-04-14 until 1954-04-17)
conductor:
Wilhelm Furtwängler (conductor) (from 1954-04-14 until 1954-04-17)
performer:
Wiener Sängerknaben (The Vienna Boys Choir) (from 1954-04-14 until 1954-04-17) and Wiener Singverein (from 1954-04-14 until 1954-04-17)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (from 1954-04-14 until 1954-04-17)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach8:03
5▼CD
#TitleArtistRatingLength
1Concerto Grosso in D major, op. 6, no. 5: I. Larghetto e staccato
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1954-04-22)
conductor:
Wilhelm Furtwängler (conductor) (on 1954-04-22)
recording of:
Concerto grosso in D major, op. 6 no. 5, HWV 323: I. Larghetto e staccato (on 1954-04-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in D major, op. 6 no. 5, HWV 323
Georg Friedrich Händel1:43
2Concerto Grosso in D major, op. 6, no. 5: II. Allegro
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1954-04-22)
conductor:
Wilhelm Furtwängler (conductor) (on 1954-04-22)
recording of:
Concerto grosso in D major, op. 6 no. 5, HWV 323: II. Allegro (on 1954-04-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in D major, op. 6 no. 5, HWV 323
Georg Friedrich Händel3:02
3Concerto Grosso in D major, op. 6, no. 5: III. Preso
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1954-04-22)
conductor:
Wilhelm Furtwängler (conductor) (on 1954-04-22)
recording of:
Concerto Grosso in D major, op. 6 no. 4: III. Vivace (on 1954-04-22)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in D major, op. 6 no. 4
Georg Friedrich Händel2:15
4Concerto Grosso in D major, op. 6, no. 5: IV. Largo
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1954-04-22)
conductor:
Wilhelm Furtwängler (conductor) (on 1954-04-22)
recording of:
Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo (on 1954-04-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in D major, op. 6 no. 5, HWV 323
Georg Friedrich Händel3:47
5Concerto Grosso in D major, op. 6, no. 5: V. Menuet. Un poco larghetto
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1954-04-22)
conductor:
Wilhelm Furtwängler (conductor) (on 1954-04-22)
recording of:
Concerto grosso in D major, op. 6 no. 5, HWV 323: VI. Menuet, un poco larghetto (on 1954-04-22)
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in D major, op. 6 no. 5, HWV 323
Georg Friedrich Händel3:46
6Concerto Grosso in D major, op. 6, no. 5: VI. Allegro
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1954-04-22)
conductor:
Wilhelm Furtwängler (conductor) (on 1954-04-22)
recording of:
Concerto Grosso in D major, op. 6 no. 1: V. Allegro (on 1954-04-22)
composer:
Arcangelo Corelli (Italian baroque composer and violinist)
part of:
Concerto Grosso in D major, op. 6 no. 1
Georg Friedrich Händel3:21
7Concerto Grosso in D minor, op. 6, no. 10: I. Overture
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1949-12-19)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-12-19)
recording of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Overture (on 1949-12-19)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328
Georg Friedrich Händel2:11
8Concerto Grosso in D minor, op. 6, no. 10: II. Allegro
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1949-12-19)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-12-19)
recording of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro-lento (on 1949-12-19)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328
Georg Friedrich Händel2:53
9Concerto Grosso in D minor, op. 6, no. 10: III. Air. Lentement
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1949-12-19)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-12-19)
recording of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air, lento (on 1949-12-19)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328
Georg Friedrich Händel4:44
10Concerto Grosso in D minor, op. 6, no. 10: IV. Allegro
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1949-12-19)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-12-19)
recording of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro (on 1949-12-19)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328
Georg Friedrich Händel4:00
11Concerto Grosso in D minor, op. 6, no. 10: V. Allegro moderato
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1949-12-19)
conductor:
Wilhelm Furtwängler (conductor) (on 1949-12-19)
recording of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro (on 1949-12-19)
composer:
George Frideric Handel (German‐British baroque composer)
part of:
Concerto grosso in D minor, op. 6 no. 10, HWV 328
Georg Friedrich Händel2:53
12Alceste: Overture
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1942-10-28)
conductor:
Wilhelm Furtwängler (conductor) (on 1942-10-28)
recorded at:
Alte Philharmonie in Kreuzberg, Berlin, Germany (on 1942-10-29)
recording of:
Alceste, Wq. 37: Overture (on 1942-10-28)
composer:
Christoph Willibald Gluck (composer)
part of:
Alceste, Wq. 37 (Italian version)
Christoph Willibald Gluck8:36
13Iphigénie en Aulide: Overture
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1954-03-08)
conductor:
Wilhelm Furtwängler (conductor) (on 1954-03-08)
balance engineer:
Francis Dillnutt (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1954-03-08)
recording of:
Iphigénie en Aulide, Wq. 40 : Ouverture (on 1954-03-08)
composer:
Christoph Willibald Gluck (composer)
part of:
Iphigénie en Aulide, Wq. 40
Christoph Willibald Gluck10:06
14Brandenburg Concerto no. 3 in G major BWV 1040: I. (Allegro)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1930-10)
conductor:
Wilhelm Furtwängler (conductor) (in 1930-10)
recorded at:
Hochschule für Musik in Berlin, Germany (in 1930-10)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (in 1930-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach7:10
15Brandenburg Concerto no. 3 in G major BWV 1040: II. Allegro
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1930)
conductor:
Wilhelm Furtwängler (conductor) (in 1930)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro (in 1930)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach3:22
16Orchestral Suite (Overture) no. 3 in D major BWV 1068: Air
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1929)
conductor:
Wilhelm Furtwängler (conductor) (in 1929)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (in 1929)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach5:01
6▼CD
#TitleArtistRatingLength
1Orfeo ed Euridice: Act I: Overture
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
recording of:
Orfeo ed Euridice, Wq. 30: Overture (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
part of:
Orpheus und Eurydike (German version, arr. Dörffel)
Christoph Willibald Gluck3:48
2Orfeo ed Euridice: Act I: Ah! se intorno a quest’urna funesta
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
recording of:
Orfeo ed Euridice, Wq. 30: Atto I. Coro “Ah! se intorno a quest’urna funesta” (Chorus, Orfeo) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto I (Italian version)
Christoph Willibald Gluck9:55
3Orfeo ed Euridice: Act I: Ite voi tutti
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto I (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck5:13
4Orfeo ed Euridice: Act I: Piango il mio ben cosi
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
recording of:
Orfeo ed Euridice, Wq. 30: Atto I, Scena 1. Aria: “Chiamo il mio ben così” (Orfeo) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto I (Italian version)
Christoph Willibald Gluck2:59
5Orfeo ed Euridice: Act I: Amor assistera
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto I (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck2:52
6Orfeo ed Euridice: Act I: Ascolta
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto I (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck3:13
7Orfeo ed Euridice: Act I: Che disse
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto I (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck7:47
8Orfeo ed Euridice: Act II: Chi mai dell’Erebo
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. “Chi mai dell’Erebo” (Coro) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck4:09
9Orfeo ed Euridice: Act II: Deh! placatevi con me
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. “Deh! Placatevi con me” (Orfeo) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck3:53
10Orfeo ed Euridice: Act II: Mille pene! Ombre sdegnose
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck4:34
11Orfeo ed Euridice: Act II: Danza delle furie
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck4:29
12Orfeo ed Euridice: Act II: Danza degli Spiriti beati
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
recording of:
Orfeo ed Euridice, Wq. 30: Ballet in D minor “Dance of the Blessed Spirits” (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
part of:
Orpheus und Eurydike: Akt II (German version)
Christoph Willibald Gluck6:11
7▼CD
#TitleArtistRatingLength
1Orfeo ed Euridice: Act II: Questo asilo di placide calme
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck5:15
2Orfeo ed Euridice: Act II: Che puro ciel!
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. Aria "Che puro ciel" (Orfeo) (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck5:00
3Orfeo ed Euridice: Act II: Vieni ai regni del riposo
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. Coro "Vieni a' regni del riposo" (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck2:52
4Orfeo ed Euridice: Act II: Ballo delgi eroi
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck2:02
5Orfeo ed Euridice: Act II: O voi, ombre felici
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck0:45
6Orfeo ed Euridice: Act II: Torna, o bella, al tua consorte
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. Coro “Torna, o bello, al tuo consorte” (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck4:06
7Orfeo ed Euridice: Act III: Ah; Vien Euridice
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:46
8Orfeo ed Euridice: Act III: Vien, appaga il tuo consorte
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
medley of:
Orfeo ed Euridice, Wq.30: Atto III. Rectitativo: 'Orfeo, che fai?'
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck5:02
9Orfeo ed Euridice: Act III: Ah! Perche non rispondi
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
medley of:
Orfeo ed Euridice, Wq.30: Atto III. Rectitativo: 'Orfeo, che fai?'
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck1:45
10Orfeo ed Euridice: Act III: Che fiero momento
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che fiero momento!” (Euridice) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck3:58
11Orfeo ed Euridice: Act III: Piu frenarti non posso
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
medley of:
Orfeo ed Euridice, Wq.30: Atto III. Rectitativo: 'Orfeo, che fai?'
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck2:37
12Orfeo ed Euridice: Act III: Che faro senza Euridice
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
recording of:
Orfeo ed Euridice, Wq. 30: Atto III. Aria “Che farò senza Euridice?” (Orfeo) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
part of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version)
Christoph Willibald Gluck6:01
13Orfeo ed Euridice: Act III: Orfeo, che fai?
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
medley of:
Orfeo ed Euridice, Wq.30: Atto III. Rectitativo: 'Orfeo, che fai?'
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck1:42
14Orfeo ed Euridice: Act III: Trionfi amore
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
medley of:
Orfeo ed Euridice, Wq.30: Atto III. Rectitativo: 'Orfeo, che fai?'
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck2:31
15Orfeo ed Euridice: Act III: Divo Amore
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
medley of:
Orfeo ed Euridice, Wq.30: Atto III. Rectitativo: 'Orfeo, che fai?'
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck5:36
16Orfeo ed Euridice: Act III: Trionfi amore, e il manda interno
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1951-04-07)
conductor:
Wilhelm Furtwängler (conductor) (on 1951-04-07)
performer:
Coro del Teatro alla Scala di Milano (on 1951-04-07)
partial recording of:
Orfeo ed Euridice, Wq. 30: Atto III (Italian version) (on 1951-04-07)
composer:
Christoph Willibald Gluck (composer)
librettist:
Ranieri de’ Calzabigi
medley of:
Orfeo ed Euridice, Wq.30: Atto III. Rectitativo: 'Orfeo, che fai?'
part of:
Orfeo ed Euridice, Wq. 30 (Italian version)
Christoph Willibald Gluck0:57
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1Symphony no. 1 in C major, op. 21: I. Adagio molto. Allegro con brio
orchestra:
Royal Concertgebouw Orchestra Amsterdam (Royal Concertgebouw Orchestra) (on 1950-07-13)
conductor:
Wilhelm Furtwängler (conductor) (on 1950-07-13)
recording of:
Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio (on 1950-07-13)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven7:31
2Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto
orchestra:
Royal Concertgebouw Orchestra Amsterdam (Royal Concertgebouw Orchestra) (on 1950-07-13)
conductor:
Wilhelm Furtwängler (conductor) (on 1950-07-13)
recording of:
Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto (on 1950-07-13)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven7:10
3Symphony no. 1 in C major, op. 21: III. Minuetto: Allegro molto e vivace
orchestra:
Royal Concertgebouw Orchestra Amsterdam (Royal Concertgebouw Orchestra) (on 1950-07-13)
conductor:
Wilhelm Furtwängler (conductor) (on 1950-07-13)
recording of:
Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace (on 1950-07-13)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven3:39
4Symphony no. 1 in C major, op. 21: IV. Adagio. Allegro molto e vivace
orchestra:
Royal Concertgebouw Orchestra Amsterdam (Royal Concertgebouw Orchestra) (on 1950-07-13)
conductor:
Wilhelm Furtwängler (conductor) (on 1950-07-13)
recording of:
Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace (on 1950-07-13)
composer:
Ludwig van Beethoven (German composer) (from 1799 until 1800)
part of:
Symphony no. 1 in C major, op. 21
Ludwig van Beethoven6:12
5Symphony no. 3 in E-flat major, op. 55 “Eroica”: I. Allegro con brio
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: I. Allegro con brio (from 1952-11-24 until 1952-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven16:08
6Symphony no. 3 in E-flat major, op. 55 “Eroica”: II. Marcia funebre: Adagio assai
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: II. Marcia funebre. Adagio assai (from 1952-11-24 until 1952-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven17:20
7Symphony no. 3 in E-flat major, op. 55 “Eroica”: III. Scherzo: Allegro vivace
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: III. Scherzo. Allegro vivace (from 1952-11-24 until 1952-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven6:33
8Symphony no. 3 in E-flat major, op. 55 “Eroica”: IV. Finale: Allegro molto.
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-11-24 until 1952-11-25)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-11-24 until 1952-11-25)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-11-24 until 1952-11-25)
recording of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”: IV. Finale. Allegro molto (from 1952-11-24 until 1952-11-25)
composer:
Ludwig van Beethoven (German composer) (from 1803 until 1804)
part of:
Symphony no. 3 in E‐flat major, op. 55 “Eroica”
Ludwig van Beethoven12:14
9▼CD
#TitleArtistRatingLength
1Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-10-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-10-03)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1948-10-03)
live recording of:
Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio (Symphony No. 2 in D major, Op. 36: I. Adagio molto - Allegro con brio) (on 1948-10-03)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven10:11
2Symphony no. 2 in D major, op. 36: II. Larghetto
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-10-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-10-03)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1948-10-03)
live recording of:
Symphony no. 2 in D major, op. 36: II. Larghetto (Symphony No. 2 in D major, Op. 36: II. Larghetto) (on 1948-10-03)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven11:10
3Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-10-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-10-03)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1948-10-03)
live recording of:
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro (Symphony No. 2 in D major, Op. 36: III. Scherzo. Allegro) (on 1948-10-03)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven4:02
4Symphony no. 2 in D major, op. 36: IV. Allegro molto
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-10-03)
conductor:
Wilhelm Furtwängler (conductor) (on 1948-10-03)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1948-10-03)
live recording of:
Symphony no. 2 in D major, op. 36: IV. Allegro molto (Symphony No. 2 in D major, Op. 36: IV. Allegro molto) (on 1948-10-03)
composer:
Ludwig van Beethoven (German composer) (from 1801 until 1802)
part of:
Symphony no. 2 in D major, op. 36
Ludwig van Beethoven6:46
5Symphony no. 4 in B major, op. 60: I. Adagio - Allegro vivace
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-12-01 until 1952-12-02)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-12-01 until 1952-12-02)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-12-01 until 1952-12-02)
recording of:
Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace (from 1952-12-01 until 1952-12-02)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven10:36
6Symphony no. 4 in B major, op. 60: II. Adagio
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-12-01 until 1952-12-02)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-12-01 until 1952-12-02)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-12-01 until 1952-12-02)
recording of:
Symphony no. 4 in B-flat major, op. 60: II. Adagio (from 1952-12-01 until 1952-12-02)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven11:45
7Symphony no. 4 in B major, op. 60: III. Menuetto (Allegro vivace) & Trio (Un poco meno allegro)
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-12-01 until 1952-12-02)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-12-01 until 1952-12-02)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-12-01 until 1952-12-02)
recording of:
Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace (from 1952-12-01 until 1952-12-02)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven5:57
8Symphony no. 4 in B major, op. 60: IV. Allegro ma non troppo
producer:
Lawrance Collingwood
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1952-12-01 until 1952-12-02)
conductor:
Wilhelm Furtwängler (conductor) (from 1952-12-01 until 1952-12-02)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1953)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1952-12-01 until 1952-12-02)
recording of:
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo (from 1952-12-01 until 1952-12-02)
composer:
Ludwig van Beethoven (German composer) (in 1806)
part of:
Symphony no. 4 in B-flat major, op. 60
Ludwig van Beethoven7:30
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