"...And His Mother Called Him Bill" (24 bit - 192 kHz Stereo Reissue)

~ Veröffentlichung von Duke Ellington (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Anmerkung

Recorded at RCA Studio A, New York City, August 28, August 30, September 1 & November 16, 1967.

Anmerkung zuletzt geändert am 2023-06-17 19:57 UTC.

Titelliste

1▼Digitales Medium
Nr.TitelBewertungLänge
1Snibor
recorded in:
New York, New York, Vereinigte Staaten (am 1967-09-01)
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-09-01) und Russell Procope (am 1967-09-01)
Bassposaune:
Chuck Connors (trombonist) (am 1967-09-01)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-09-01)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1967-09-01)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-09-01) und Buster Cooper (am 1967-09-01)
Rohrblattinstrumente:
Harry Carney (am 1967-09-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-09-01) und Russell Procope (am 1967-09-01)
Schlagzeug:
Steve Little (am 1967-09-01)
Tenorsaxophon:
Paul Gonsalves (am 1967-09-01)
Trompete:
Cat Anderson (am 1967-09-01), Mercer Ellington (am 1967-09-01), Herbie Jones (am 1967-09-01) und Cootie Williams (am 1967-09-01)
DJ-Mixer:
Ray Hall (engineer)
recording of:
SNIBOR (am 1965-09-01)
Komponist(in):
Billy Strayhorn
recording of:
SNIBOR (am 1967-09-01)
Komponist(in):
Billy Strayhorn
4:16
2Boo‐Dah
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-08-28) und Russell Procope (am 1967-08-28)
Bassposaune:
Chuck Connors (trombonist) (am 1967-08-28)
Flügelhorn:
Clark Terry (American swing trumpeter) (am 1967-08-28)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-08-28)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1967-08-28)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-08-28) und Buster Cooper (am 1967-08-28)
Rohrblattinstrumente:
Harry Carney (am 1967-08-28), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-08-28) und Russell Procope (am 1967-08-28)
Schlagzeug:
Steve Little (am 1967-08-28)
Tenorsaxophon:
Paul Gonsalves (am 1967-08-28)
Trompete:
Cat Anderson (am 1967-08-28), Mercer Ellington (am 1967-08-28), Herbie Jones (am 1967-08-28) und Cootie Williams (am 1967-08-28)
DJ-Mixer:
Ray Hall (engineer)
aufgenommen bei:
RCA Victor's Studio A (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (am 1967-08-28)
recording of:
Boo-Dah (am 1965-08-28)
Verfasser(in):
Billy Strayhorn
recording of:
Boo-Dah (am 1967-08-28)
Verfasser(in):
Billy Strayhorn
3:32
3Blood Count
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-09-01) und Russell Procope (am 1967-09-01)
Bassposaune:
Chuck Connors (trombonist) (am 1967-09-01)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-09-01)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1967-09-01)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-09-01) und Buster Cooper (am 1967-09-01)
Rohrblattinstrumente:
Harry Carney (am 1967-09-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-09-01) und Russell Procope (am 1967-09-01)
Schlagzeug:
Steve Little (am 1967-09-01)
Tenorsaxophon:
Paul Gonsalves (am 1967-09-01)
Trompete:
Cat Anderson (am 1967-09-01), Mercer Ellington (am 1967-09-01), Herbie Jones (am 1967-09-01) und Cootie Williams (am 1967-09-01)
DJ-Mixer:
Ray Hall (engineer)
recording of:
Blood Count (am 1967-09-01)
Komponist(in):
Billy Strayhorn (in 1967)
14:17
4U.M.M.G.
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-08-28) und Russell Procope (am 1967-08-28)
Bassposaune:
Chuck Connors (trombonist) (am 1967-08-28)
Flügelhorn:
Clark Terry (American swing trumpeter) (am 1967-08-28)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-08-28)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1967-08-28)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-08-28) und Buster Cooper (am 1967-08-28)
Rohrblattinstrumente:
Harry Carney (am 1967-08-28), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-08-28) und Russell Procope (am 1967-08-28)
Schlagzeug:
Steve Little (am 1967-08-28)
Tenorsaxophon:
Paul Gonsalves (am 1967-08-28)
Trompete:
Cat Anderson (am 1967-08-28), Mercer Ellington (am 1967-08-28), Herbie Jones (am 1967-08-28) und Cootie Williams (am 1967-08-28)
DJ-Mixer:
Ray Hall (engineer)
aufgenommen bei:
RCA Victor's Studio A (Midtown New York (A,B,C,D,E,F)) in New York, New York, Vereinigte Staaten (am 1967-08-28)
3:12
5Charpoy
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-11-15) und Russell Procope (am 1967-11-15)
Bassposaune:
Chuck Connors (trombonist) (am 1967-11-15)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-11-15)
Kontrabass:
Jeff Castleman (am 1967-11-15)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-11-15) und Buster Cooper (am 1967-11-15)
Rohrblattinstrumente:
Harry Carney (am 1967-11-15), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-11-15) und Russell Procope (am 1967-11-15)
Schlagzeug:
Sam Woodyard (am 1967-11-15)
Tenorsaxophon:
Paul Gonsalves (am 1967-11-15)
Trompete:
Cat Anderson (am 1967-11-15), Mercer Ellington (am 1967-11-15), Herbie Jones (am 1967-11-15) und Cootie Williams (am 1967-11-15)
DJ-Mixer:
Ray Hall (engineer)
3:05
6After All
recording of:
After All (am 1967-09-01)
Komponist(in):
Billy Strayhorn
3:46
7The Intimacy of the Blues
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-11-15) und Russell Procope (am 1967-11-15)
Bassposaune:
Chuck Connors (trombonist) (am 1967-11-15)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-11-15)
Kontrabass:
Jeff Castleman (am 1967-11-15)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-11-15) und Buster Cooper (am 1967-11-15)
Rohrblattinstrumente:
Harry Carney (am 1967-11-15), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-11-15) und Russell Procope (am 1967-11-15)
Schlagzeug:
Sam Woodyard (am 1967-11-15)
Tenorsaxophon:
Paul Gonsalves (am 1967-11-15)
Trompete:
Cat Anderson (am 1967-11-15), Mercer Ellington (am 1967-11-15), Herbie Jones (am 1967-11-15) und Cootie Williams (am 1967-11-15)
DJ-Mixer:
Ray Hall (engineer)
recording of:
Intimacy of the Blues (am 1967-11-15)
Komponist(in):
Billy Strayhorn
2:59
8Raincheck
recorded in:
New York, New York, Vereinigte Staaten (am 1967-08-30)
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-08-30) und Russell Procope (am 1967-08-30)
Bassposaune:
Chuck Connors (trombonist) (am 1967-08-30)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-08-30)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1967-08-30)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-08-30) und Buster Cooper (am 1967-08-30)
Rohrblattinstrumente:
Harry Carney (am 1967-08-30), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-08-30) und Russell Procope (am 1967-08-30)
Schlagzeug:
Steve Little (am 1967-08-30)
Tenorsaxophon:
Paul Gonsalves (am 1967-08-30)
Trompete:
Cat Anderson (am 1967-08-30), Mercer Ellington (am 1967-08-30), Herbie Jones (am 1967-08-30) und Cootie Williams (am 1967-08-30)
Ventilposaune:
John Sanders (US jazz trombonist) (am 1967-08-30)
DJ-Mixer:
Ray Hall (engineer)
recording of:
Raincheck (am 1967-08-30)
Komponist(in):
Billy Strayhorn
4:34
9Day‐Dream
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-11-15) und Russell Procope (am 1967-11-15)
Bassposaune:
Chuck Connors (trombonist) (am 1967-11-15)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-11-15)
Kontrabass:
Jeff Castleman (am 1967-11-15)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-11-15) und Buster Cooper (am 1967-11-15)
Rohrblattinstrumente:
Harry Carney (am 1967-11-15), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-11-15) und Russell Procope (am 1967-11-15)
Schlagzeug:
Sam Woodyard (am 1967-11-15)
Tenorsaxophon:
Paul Gonsalves (am 1967-11-15)
Trompete:
Cat Anderson (am 1967-11-15), Mercer Ellington (am 1967-11-15), Herbie Jones (am 1967-11-15) und Cootie Williams (am 1967-11-15)
DJ-Mixer:
Ray Hall (engineer)
recording of:
Day Dream (am 1967-11-15)
Texter:
John Latouche (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) und Billy Strayhorn (in 1941)
4:17
10Rock Skippin’ at the Blue Note
recorded in:
New York, New York, Vereinigte Staaten (am 1967-08-30)
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-08-30) und Russell Procope (am 1967-08-30)
Bassposaune:
Chuck Connors (trombonist) (am 1967-08-30)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-08-30)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1967-08-30)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-08-30) und Buster Cooper (am 1967-08-30)
Rohrblattinstrumente:
Harry Carney (am 1967-08-30), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-08-30) und Russell Procope (am 1967-08-30)
Schlagzeug:
Steve Little (am 1967-08-30)
Tenorsaxophon:
Paul Gonsalves (am 1967-08-30)
Trompete:
Cat Anderson (am 1967-08-30), Mercer Ellington (am 1967-08-30), Herbie Jones (am 1967-08-30) und Cootie Williams (am 1967-08-30)
Ventilposaune:
John Sanders (US jazz trombonist) (am 1967-08-30)
DJ-Mixer:
Ray Hall (engineer)
recording of:
Rock Skippin' at the Blue Note (am 1967-08-30)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) und Billy Strayhorn
2:59
11All Day Long
recorded in:
New York, New York, Vereinigte Staaten (am 1967-09-01)
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-09-01) und Russell Procope (am 1967-09-01)
Bassposaune:
Chuck Connors (trombonist) (am 1967-09-01)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-09-01)
Kontrabass:
Aaron Bell (jazz double bassist) (am 1967-09-01)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-09-01) und Buster Cooper (am 1967-09-01)
Rohrblattinstrumente:
Harry Carney (am 1967-09-01), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-09-01) und Russell Procope (am 1967-09-01)
Schlagzeug:
Steve Little (am 1967-09-01)
Tenorsaxophon:
Paul Gonsalves (am 1967-09-01)
Trompete:
Cat Anderson (am 1967-09-01), Mercer Ellington (am 1967-09-01), Herbie Jones (am 1967-09-01) und Cootie Williams (am 1967-09-01)
DJ-Mixer:
Ray Hall (engineer)
recording of:
All Day Long (am 1967-09-01)
Komponist(in):
Billy Strayhorn
2:54
12Lotus Blossom
recorded in:
New York, New York, Vereinigte Staaten (am 1967-08-30)
Produzent(in):
Brad McCuen (producer)
alto saxophone:
Johnny Hodges (am 1967-08-30) und Russell Procope (am 1967-08-30)
Bass:
Aaron Bell (jazz double bassist) (am 1967-08-30)
Bassposaune:
Chuck Connors (trombonist) (am 1967-08-30)
Flügelhorn:
Clark Terry (American swing trumpeter) (am 1967-08-30)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1967-08-30)
Posaune:
Lawrence Brown (jazz trombonist) (am 1967-08-30) und Buster Cooper (am 1967-08-30)
Rohrblattinstrumente:
Harry Carney (am 1967-08-30), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1967-08-30) und Russell Procope (am 1967-08-30)
Schlagzeug:
Steve Little (am 1967-08-30)
Tenorsaxophon:
Paul Gonsalves (am 1967-08-30)
Trompete:
Cat Anderson (am 1967-08-30), Mercer Ellington (am 1967-08-30), Herbie Jones (am 1967-08-30) und Cootie Williams (am 1967-08-30)
DJ-Mixer:
Ray Hall (engineer)
recording of:
Lotus Blossom
Komponist(in):
Billy Strayhorn
3:56