Great Musicals

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Candide: Overture
producer:
Jay David Saks (producer of classical and musical theatre recordings)
conductor:
Eric Stern (conductor and arranger) (from 1997-05-19 until 1997-05-20)
phonographic copyright (℗) by:
BMG Music (in 1997)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1997-05-19 until 1997-05-20)
recording of:
Candide: Overture (in 1997)
composer:
Leonard Bernstein (American conductor, composer, pianist)
part of:
Candide
Orchestra4:38
2Fiddler on the Roof: Prologue — Tradition
recording engineer:
Ernie Oelrich
choir vocals:
Chorus ([theatre], Special Purpose Artist - Do not add releases here, if possible.) (on 1964-09-27)
lead vocals [Tevje]:
Zero Mostel (actor) (on 1964-09-27)
conductor:
Milton Greene (orchestrator, musical director, conductor, arranger) (on 1964-09-27)
vocals arranger:
Milton Greene (orchestrator, musical director, conductor, arranger)
orchestrator:
Don Walker (orchestrator)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-09-27)
recording of:
Tradition (Fiddler on the Roof) (on 1964-09-27)
lyricist:
Sheldon Harnick
composer:
Jerry Bock
publisher:
Sunbeam Music Corp. and Valando Music Co. Ltd.
part of:
Fiddler on the Roof
Zero Mostel and Company6:56
3Hello, Dolly! Dancing
recording engineer:
Ernie Oelrich (on 1964-01-19)
vocals:
Carol Channing (on 1964-01-19)
phonographic copyright (℗) by:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (in 1989)
recorded at:
Webster Hall in East Village, New York, New York, United States (on 1964-01-19)
recording of:
Dancing (on 1964-01-19)
lyricist and composer:
Jerry Herman
part of:
Hello, Dolly!
Carol Channing and Company4:27
4Cabaret: If You Could See Her
assistant engineer:
Chuck Bailey (engineer) and Greg Thompson (engineer, mixer)
engineer:
James P. Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Joyce Chittick (on 1998-04-13) and Alan Cumming (on 1998-04-13)
conductor:
Patrick Vaccariello (on 1998-04-13)
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-04-13)
mixed at:
Sync Sound in New York, New York, United States
recording of:
If You Could See Her (Cabaret) (on 1998-04-13)
lyricist:
Fred Ebb (lyricist)
composer:
John Kander (composer)
publisher:
Carlin Music Corp.
part of:
Cabaret (musical)
Alan Cumming3:41
5Ain’t Misbehavin’: Honeysuckle Rose
recording engineer:
Paul Goodman (engineer)
producer:
Thomas Z. Shepard
vocals:
Nell Carter and Ken Page
arranger and orchestrator:
Luther Henderson
recording of:
Honeysuckle Rose
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
Ken Page and Nell Carter4:01
6Guys and Dolls: Sue Me
vocals:
Nathan Lane (on 1992-05-03) and Faith Prince (on 1992-05-03)
conductor:
Edward Strauss (broadway conductor (1948-2014)) (on 1992-05-03)
recorded at:
BMG Studio A in Theater District, New York, New York, United States (on 1992-05-03)
recording of:
Sue Me (Guys and Dolls) (on 1992-05-03)
lyricist and composer:
Frank Loesser
part of:
Guys and Dolls (Broadway musical)
part of:
Guys and Dolls (1955 musical film)
Faith Prince and Nathan Lane2:51
7Sweeney Todd: The Worst Pies in London
recording engineer:
Anthony Salvatore (engineer) (from 1979-03-12 until 1979-03-13)
producer:
Thomas Z. Shepard
vocals:
Angela Lansbury (from 1979-03-12 until 1979-03-13)
conductor:
Paul Gemignani (from 1979-03-12 until 1979-03-13)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1979)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1979-03-12 until 1979-03-13)
edit of:
The Worst Pies in London by Angela Lansbury
recording of:
Sweeney Todd: The Worst Pies in London (from 1979-03-12 until 1979-03-13)
orchestrator:
Jonathan Tunick
lyricist and composer:
Stephen Sondheim
part of:
Sweeney Todd: The Demon Barber of Fleet Street
Angela Lansbury52:28
8Ragtime: New Music
assistant engineer:
Bill Hermans and Laurie Regan
engineer:
James Nichols
producer:
Jay David Saks (producer of classical and musical theatre recordings)
mixer and editor:
Ken Hahn
vocals:
Mark Jacoby (from 1996-07-15 until 1996-07-17), Marin Mazzie (from 1996-07-15 until 1996-07-17), Audra McDonald (from 1996-07-15 until 1996-07-17), Brian Stokes Mitchell (US actor/singer) (from 1996-07-15 until 1996-07-17) and Steven Sutcliffe (from 1996-07-15 until 1996-07-17)
conductor:
Ted Sperling (from 1996-07-15 until 1996-07-17)
phonographic copyright (℗) by:
BMG Music
recorded at:
Manta Eastern Sound Studios in Toronto, Ontario, Canada (from 1996-07-15 until 1996-07-17)
mixed at:
Sync Sound in New York, New York, United States
recording of:
New Music (from 1996-07-15 until 1996-07-17)
orchestrator:
William David Brohn (American arranger and orchestrator)
lyricist:
Lynn Ahrens
composer:
Stephen Flaherty (American composer)
Mark Jacoby, Marin Mazzie, Steven Sutcliffe, Brian Stokes Mitchell, Audra McDonald, and Company4:05
9Titanic: Lady’s Maid
recording engineer:
Joel Moss (on 1997-04-27)
assistant engineer:
Rob Murphy (Engineer), Paul Falcone and Ken Ross
producer:
Tommy Krasker and Maury Yeston
mixer:
Joel Moss
vocals:
Erin Hill (on 1997-04-27), Theresa McCarthy (on 1997-04-27) and Jennifer Piech (on 1997-04-27)
conductor:
Kevin Stites (on 1997-04-27)
phonographic copyright (℗) by:
BMG Music (in 1997)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1997-04-27)
Original Cast4:30
10How to Succeed in Business Without Really Trying: Rosemary
vocals:
Matthew Broderick (American film, stage and voice actor) and Megan Mullally
conductor:
Ted Sperling (on 1995-04-02)
vocals arranger:
Ted Sperling
Matthew Broderick and Megan Mullally4:57
11Les Misérables: Bring Him Home
assistant engineer:
Gareth Cousins
engineer:
Haydn Bendall (producer and engineer)
producer:
Mike Batt
vocals:
Colm Wilkinson (in 1988-12)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1988-12)
conductor:
Mike Batt (in 1988-12)
arranger:
John Cameron (British composer, arranger and conductor)
phonographic copyright (℗) by:
BMG Records (UK) Ltd. (1987–1996) (in 1989)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1988-12)
recording of:
Bring Him Home (Valjean) (in 1988-12)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music, Alain Boublil Music Ltd., Faber Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
Colm Wilkinson3:26
12Falsettos: Unlikely Lovers
vocals:
Farah Alvin, Lewis Cleale, James Sasser and Kristin Woodbury
Lewis Cleale, James Sasser, Farah Alvin, Kristin Woodbury5:15
13Parade: All the Wasted Time
lead vocals:
Carolee Carmello and Brent Carver
vocals:
Carolee Carmello and Brent Carver
Brent Carver and Carolee Carmello4:45
14The Sound of Music: Do‐Re‐Mi
producer:
Tommy Krasker
vocals:
Rebecca Luker
conductor:
Michael Rafter (on 1998-03-16)
orchestrator:
Bruce Coughlin
phonographic copyright (℗) by:
BMG Entertainment (in 1998)
recorded at:
The Hit Factory Studio 1 in New York, New York, United States (on 1998-03-16)
recording of:
Do‐Re‐Mi (The Sound of Music) (on 1998-03-16)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
part of:
The Sound of Music (Rodgers & Hammerstein musical)
Rebecca Luker and Company5:39