Best Popsongs Ever: 35 Most Wanted Popclassics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Nights in White Satin
registrazione di:
Nights in White Satin
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues37:17
2Wonderful Tonight
produttore:
Glyn Johns
batteria :
Jamie Oldaker (il 1977-05-02)
chitarra :
Eric Clapton (il 1977-05-02) e George Terry (guitar player with Clapton in 70's) (il 1977-05-02)
chitarra basso :
Carl Radle (il 1977-05-02)
organo elettrico :
Dick Sims (il 1977-05-02)
voce di accompagnamento:
Yvonne Elliman (il 1977-05-02) e Marcy Levy (il 1977-05-02)
voce principale:
Eric Clapton (il 1977-05-02)
diritti fonografici (℗) detenuti da:
RSO Records Ltd. (nel 1977) e Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (nel 1977)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (il 1977-05-02)
registrazione di:
Wonderful Tonight (il 1977-05-02)
paroliere e compositore:
Eric Clapton
editore:
E.C. Music (UK work publisher for Eric Clapton), Throat Music, Throat Music Ltd., Unichappell Music, Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Eric Clapton4.33:38
3Music
tecnico:
Alan Parsons (of The Alan Parsons Project) (dal 1975-11 al 1975-12)
produttore:
Alan Parsons (of The Alan Parsons Project)
basso :
Bob Marshall (bassist/songwriter, worked with John Miles) (dal 1975-11 al 1975-12)
chitarra , sintetizzatore , tastiera e voce principale:
John Miles (UK singer/songwriter/guitarist/keyboardist) (dal 1975-11 al 1975-12)
percussione :
Barry Black (dal 1975-11 al 1975-12)
diritti fonografici (℗) detenuti da:
The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1976)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1975-11 al 1975-12)
parte di:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (numero: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (numero: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (numero: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (numero: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (numero: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (numero: 10) e SWR1 Hitparade 2020 (Baden-Württemberg) (numero: 10)
registrazione di:
Music (dal 1975-11 al 1975-12)
paroliere e compositore:
John Miles (UK singer/songwriter/guitarist/keyboardist)
editore:
Velvet Music (John Miles)
John Miles4.45:52
4Wind of Change
registrazione di:
Wind of Change
paroliere e compositore:
Klaus Meine
editore:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music, PRI Music, Inc. e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Scorpions4:32
5Private Investigations
registrazione di:
Private Investigations
paroliere e compositore:
Mark Knopfler
editore:
Chariscourt Ltd., Rondor Music (London) Ltd. e Rondor Music International Inc. (merged into UMG 2019)
Dire Straits6:12
6Eloise
diritti fonografici (℗) detenuti da:
PolyGram GmbH (not for release label use!) (nel 1969)
registrazione di:
Eloise
paroliere e compositore:
Paul Ryan (UK singer, songwriter & producer) (nel 1968)
editore:
Carlin Music Corporation e Hill & Range (publisher)
Barry Ryan5:47
7The Lady in Red
produttore:
Paul Hardiman
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1986)
registrata presso:
RDS Arena in Dublin, County Dublin, Leinster, Irlanda (il 1988-12-07) e Westfalenhalle in Dortmund, Nordrhein-Westfalen (North Rhine-Westphalia), Germania (il 2004-11-06)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 54)
registrazione di:
The Lady in Red (nel 1986)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 1988-12-07)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
registrazione dal vivo di:
The Lady in Red (il 2004-11-06)
paroliere e compositore:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
editore:
Hornall Brothers Music (limited company) e Rondor Music (London) Ltd. (, nel 1986)
Chris de Burgh3.354:10
8A Forest
registrazione di:
A Forest
paroliere:
Robert Smith (UK guitarist, vocalist and songwriter for The Cure)
compositore:
Simon Gallup, Matthieu Hartley, Robert Smith (UK guitarist, vocalist and songwriter for The Cure) e Lol Tolhurst
editore:
APB Music Co.
The Cure3:55
9Don't Leave Me This Way
produttore:
Mike Thorne (UK producer & keyboardist)
voce:
Sarah Jane Morris
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Communards3.44:32
10Dreadlock Holiday
tecnico:
Keith Bessey, Eric Stewart e Tony Spath
produttore:
Graham Gouldman e Eric Stewart
tecnico di missaggio:
Eric Stewart
agogô , campanaccio , congas , marimba , timbales e triangolo :
Paul Burgess (UK rock drummer)
batteria e tamburello :
Stuart Tosh
cabassa , chitarra basso e voce di accompagnamento e voce principale:
Graham Gouldman
chitarra elettrica :
Rick Fenn e Graham Gouldman
maracas e pianoforte elettrico :
Eric Stewart
organo :
Rick Fenn e Eric Stewart
sintetizzatore [Yamaha Cs80] :
Duncan Mackay (UK keyboardist/synthesizerist)
voce di accompagnamento:
Rick Fenn, Eric Stewart e Stuart Tosh
arrangiatore:
10cc
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1978) e Phonogram Ltd. (not for release label use!) (nel 1978)
registrata presso e mixata presso:
Strawberry Studios South in Dorking, Surrey, England, Regno Unito
video musicali:
Dreadlock Holiday di 10cc
registrazione di:
Dreadlock Holiday
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. e St. Anne’s Music Ltd.
10cc4.654:27
11Barcelona
produttore:
Freddie Mercury, Mike Moran (keyboardist, songwriter, film and TV composer, producer) e David Richards (Swiss-based producer and engineer)
corno francese :
Barry Castle
pianoforte :
Pamela Quinlan (piano player)
sintetizzatore :
Mike Moran (keyboardist, songwriter, film and TV composer, producer)
tamburello :
Frank Ricotti (percussionist)
violino :
Homi Kanga e Laurie Lewis (bluegrass artist and violinist)
violoncello :
Deborah Ann Johnston
voce di accompagnamento e voce principale:
Montserrat Caballé (soprano) e Freddie Mercury
arrangiatore:
Mike Moran (keyboardist, songwriter, film and TV composer, producer)
diritti fonografici (℗) detenuti da:
Mercury Songs Ltd. (copyright holders, publishing company of Freddie Mercury) (nel 1987, nel 2000)
registrata presso:
Mountain Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Canton Vaud), Svizzera (dal 1987-01 al 1988-06) e The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1987-01 al 1988-06)
registrazione di:
Barcelona
paroliere e compositore:
Freddie Mercury e Mike Moran (keyboardist, songwriter, film and TV composer, producer)
editore:
Beechwood Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated) e Mercury Songs Ltd. (copyright holders, publishing company of Freddie Mercury)
parte di:
Official Songs of the Olympic Games (numero: 1992)
Freddie Mercury & Montserrat Caballé2.84:25
12I Don't Like Mondays
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats4.53:45
13Nikita
tecnico:
Stuart Epps
produttore:
Gus Dudgeon
assistente tecnico di missaggio:
Tom Pearce
tecnico di missaggio:
Graham Dickson (UK engineer aka "Overdubs") e Gus Dudgeon
basso elettrico :
David Paton (of Pilot)
batteria :
Dave Mattacks
chitarra elettrica :
Nik Kershaw
pianoforte a coda e sintetizzatore vocale e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
sintetizzatore :
Fred Mandel
voce:
Elton John (English singer, songwriter, pianist, and composer)
voce di accompagnamento:
Elton John (English singer, songwriter, pianist, and composer), Davey Johnstone e George Michael
diritti fonografici (℗) detenuti da:
William A. Bong Ltd. (nel 1985)
registrata in aggiunta presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
registrata presso:
The Sol Studio (The Sol) in Windsor and Maidenhead, England, Regno Unito
registrazione di:
Nikita
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher) e Universal–Songs of PolyGram International, Inc.
Elton John3.455:42
14Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:38
15Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
direzione creativa:
Clive Langer e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.154:05
16Blauw
registrazione di:
Blauw
paroliere e compositore:
M.J. Lau
editore:
Peermusic Holland B.V., Tenyor Music e Warner Basart Publ. Group
The Scene4:08
17Rain & Tears
esecutore:
Aphrodite’s Child (Greek psychedelic rock band) (nel 1968)
registrazione di:
Rain and Tears (nel 1968)
paroliere:
Boris Bergman (French lyricist)
compositore:
Johann Pachelbel (composer)
arrangiatore:
E. Papathanassiou (Greek composer of electronic, new age and classical)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Intersong (publisher)
sub-editore:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
si basa su:
Canon and Gigue in D major, P. 37, T. 337: I. Canon
Aphrodite’s Child43:13
2▼CD
#TitoloArtistaValutazioneDurata
1Is She Really Going Out With Him?
tecnico:
Rod Hewison
produttore:
David Kershenbaum
batteria :
David Houghton (nel 1978-08)
chitarra :
Gary Sanford (nel 1978-08)
chitarra basso :
Graham Maby (nel 1978-08)
voce principale:
Joe Jackson (English musician) (nel 1978-08)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1979)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 438)
registrazione di:
Is She Really Going Out With Him? (nel 1978-08)
paroliere e compositore:
Joe Jackson (English musician)
editore:
Kobalt Music (publisher) e Pokazuka Limited
Joe Jackson4.43:35
2Without Your Love
tecnico:
Laurence Diana, Cy Langston e Geoff Young (engineer)
produttore:
Jeff Wayne (musician)
tecnico di missaggio:
Laurence Diana e Geoff Young (engineer)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1980)
registrazione di:
Without Your Love
paroliere e compositore:
Billy Nicholls (English singer, songwriter, composer, record producer, and musical director)
editore:
EMI Full Keel Music e G.H. Music Ltd
Roger Daltrey3:17
3Stop
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1988)
registrazione di:
Stop
autore:
Bruce Brody, Sam Brown (UK singer/songwriter) e Gregg Sutton
editore:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) e WayBlue Ltd. (publisher)
Sam Brown44:01
4Have a Little Faith in Me
produttore:
Jay Faires e Tricia Holloway
basso elettrico :
Nick Lowe (UK singer/songwriter/instrumentalist/producer) (nel 1987-02)
batteria :
Jim Keltner (nel 1987-02)
chitarra acustica :
John Hiatt (guitarist, pianist and singer-songwriter) (nel 1987-02)
chitarra elettrica :
Ry Cooder (nel 1987-02)
voce:
John Hiatt (guitarist, pianist and singer-songwriter) (nel 1987-02)
registrazione di:
Have a Little Faith in Me (nel 1987-02)
paroliere e compositore:
John Hiatt (guitarist, pianist and singer-songwriter)
editore:
Careers–BMG Music Publishing, Inc.
registrazione di:
Lass mich nicht allein heut' Nacht (Have a Little Faith in Me)
compositore:
John Hiatt (guitarist, pianist and singer-songwriter)
versione tradotta di:
Have a Little Faith in Me
John Hiatt24:00
5More Than Words
assistente tecnico:
Craig Doubet (recording engineer)
tecnico:
Bob St. John
produttore e tecnico di missaggio:
Michael Wagener
batteria e percussione :
Paul Geary
chitarra basso :
Pat Badger
chitarra, tastiera, percussione e pianoforte e voce di accompagnamento:
Nuno Bettencourt
voce di accompagnamento e voce principale:
Gary Cherone
diritti fonografici (℗) detenuti da:
A&M Records (nel 1990)
registrazione di:
More Than Words
autore:
Nuno Bettencourt e Gary Cherone
editore:
Almo Music Corp. (USA, affiliated with ASCAP) e Funky Metal Publishing
Extreme3.755:38
6Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:24
7Don't Let Me Be Misunderstood
diritti fonografici (℗) detenuti da:
Casablanca (label that Tommy Mottola founded circa 2003, part of UMG) (nel 1977)
registrazione cover di:
Don’t Let Me Be Misunderstood
autore:
Bennie Benjamin, Gloria Caldwell, Sol Marcus e Horace Ott
editore:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) e Unichappell Music, Inc. (nel 1981)
Santa Esmeralda3:25
8Teardrops
registrazione di:
Teardrops
autore:
Cecil Womack e Linda Womack
editore:
Zomba Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988)
Womack & Womack4:31
9Words
registrazione di:
Words
paroliere e arrangiatore:
Henry Priestman
compositore:
Seán Ó Riada (birth name John Reidy)
editore:
10 Music Ltd.
si basa su:
Mná na hÉireann (Women of Ireland)
The Christians5:10
10An Englishman in New York
produttore:
Godley & Creme
registrata da:
Polydor Ltd. (London) (not for release label use; fka Polydor Records Ltd.)
registrazione di:
Strange Apparatus (An Englishman in New York)
paroliere:
Lol Creme e Kevin Godley
autore:
Lol Creme
compositore:
Kevin Godley
editore:
St. Anne’s Music Ltd.
Godley & Creme4.55:51
11Lessons in Love
tecnico e tecnico di missaggio:
Julian Mendelsohn (Australian record producer and engineer)
assistente produttore:
Julian Mendelsohn (Australian record producer and engineer)
produttore:
Wally Badarou e Level 42
sassofono ospite :
Gary Barnacle
diritti fonografici (℗) detenuti da:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (nel 1986) e Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1986)
registrazione di:
Lessons in Love
paroliere:
Boon Gould
autore:
Wally Badarou e Mark King (bass guitarist and vocalist)
editore:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Hornall Brothers Music Ltd. (limited company), Island Visual Arts Ltd., Level 42 Music Ltd., Ruby Ruby Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Level 423.63:58
12Let the Music Play
registrazione di:
Let the Music Play
paroliere e compositore:
Barry White
Barry White24:06
13Blue Monday
registrazione di:
Blue Monday
autore:
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) e Bernard Sumner
editore:
Fractured Music (publisher), Warner/Chappell Music Ltd. (1996–2019) e Zomba Music Publishing Ltd.
New Order6:23
14Diamante
Zucchero4:37
15Cats in the Cradle
tecnico e tecnico di missaggio:
Mark Dodson (UK producer) e Randy Long
produttore:
Mark Dodson (UK producer)
batteria :
Mark Davis (US drummer for Ugly Kid Joe) (nel 1992)
chitarra :
Klaus Eichstadt (nel 1992) e Dave Fortman (nel 1992)
chitarra basso :
Cordell Crockett (nel 1992)
voce di accompagnamento:
Jennifer Barry (nel 1992)
voce principale:
Whitfield Crane (nel 1992)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1992) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1992)
registrazione cover di:
Cat’s in the Cradle (nel 1992)
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Ugly Kid Joe3.754:03
16The Look of Love, Part 1
tecnico:
Gary Langan
produttore:
Trevor Horn
chitarra basso :
Mark Lickley
tastiera :
Mark White (ABC/Vice Versa)
voce principale:
Martin Fry
arrangiatore archi :
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982), Mercury Records Ltd. (London) (for copyrights use only) (nel 1982), Phonogram Ltd. (not for release label use!) (nel 1982) e Phonogram Ltd. (London) (company name, NOT a label!) (nel 1982)
mixata presso:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Regno Unito (nel 1982)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 4), The Downloader’s Music Source Book (numero: 73) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 43)
registrazione parziale di:
The Look of Love
autore:
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton e Mark White (ABC/Vice Versa)
editore:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. e Virgin Music, Inc. (US arm of Virgin’s publishing company)
parte di:
Mantrap (ABC long-form film)
ABC3.93:29
17She Drives Me Crazy
tecnico:
David Z. (producer/engineer David Rivkin)
co-produttore:
Fine Young Cannibals e David Z. (producer/engineer David Rivkin)
basso, drum machine e tastiera :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, chitarra e tamburello :
Andy Cox (of The Beat)
voce:
Roland Gift
diritti fonografici (℗) detenuti da:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (nel 1988) e London Records Ltd. (not release label) (nel 1989)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 77)
registrazione di:
She Drives Me Crazy (Fine Young Cannibals song)
autore:
Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
editore:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:35
18Suds & Soda
tecnico:
Gilles Martin (Belgian producer & engineer)
produttore:
Peter Vermeersch (Belgian composer, clarinet player and producer) (nel 1993) e Pierre Vervloesem (Belgian bass player, producer & multi-instrumentalist) (nel 1993)
basso elettrico :
Stef Kamil Carlens (Belgian musican & songwriter) (nel 1993)
batteria e percussione :
Jules De Borgher (Belgian drummer) (nel 1993)
chitarra elettrica :
Tom Barman (Belgian musician) (nel 1993) e Rudy Trouvé (Belgian musician) (nel 1993)
piano Rhodes :
Anton Janssens (Belgian keyboardist) (nel 1993)
voce:
Stef Kamil Carlens (Belgian musican & songwriter) (nel 1993) e Rudy Trouvé (Belgian musician) (nel 1993)
voce principale:
Tom Barman (Belgian musician) (nel 1993, nel 1994)
registrata presso:
Studio Caraïbes in Brussels (Brussels-Capital Region), Belgio (nel 1993)
registrazione di:
Suds & Soda (nel 1993)
paroliere:
Tom Barman (Belgian musician) e Stef Kamil Carlens (Belgian musican & songwriter)
compositore:
Tom Barman (Belgian musician), Jules De Borgher (Belgian drummer), Stef Kamil Carlens (Belgian musican & songwriter), Klaas Janzoons (Belgian musician) e Rudy Trouvé (Belgian musician)
dEUS45:14

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