The History of Classical Music, Part 3: Early to Late Romantic: From Berlioz to Tchaikovsky

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼Digital Media: Berlioz: Symphonie fantastique / Overtures
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1Symphonie fantastique, op. 14: I. Rêveries – Passions. Largo – Allegro agitato ed appassionato assai
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1993-10)
conductor:
Myung‐Whun Chung (Myung-Whun Chung, pianist and conductor) (in 1993-10)
recorded at:
Opéra Bastille: Salle Gounod in Paris, Île-de-France, France (in 1993-10)
recording of:
Symphonie fantastique, op. 14: I. Rêveries, passions (in 1993-10)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz14:50
2Symphonie fantastique, op. 14: II. Un bal. Valse: Allegro non troppo
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1993-10)
conductor:
Myung‐Whun Chung (Myung-Whun Chung, pianist and conductor) (in 1993-10)
recorded at:
Opéra Bastille: Salle Gounod in Paris, Île-de-France, France (in 1993-10)
recording of:
Symphonie fantastique, op. 14: II. Un bal (in 1993-10)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz6:09
3Symphonie fantastique, op. 14: III. Scène aux champs. Adagio
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1993-10)
conductor:
Myung‐Whun Chung (Myung-Whun Chung, pianist and conductor) (in 1993-10)
recorded at:
Opéra Bastille: Salle Gounod in Paris, Île-de-France, France (in 1993-10)
recording of:
Symphonie fantastique, op. 14: III. Scène aux champs (in 1993-10)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz15:25
4Symphonie fantastique, op. 14: IV. Marche au supplice. Allegretto non troppo
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1993-10)
conductor:
Myung‐Whun Chung (Myung-Whun Chung, pianist and conductor) (in 1993-10)
recorded at:
Opéra Bastille: Salle Gounod in Paris, Île-de-France, France (in 1993-10)
recording of:
Symphonie fantastique, op. 14: IV. Marche au supplice (in 1993-10)
composer:
Hector Berlioz (French composer) (in 1830)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz4:29
5Symphonie fantastique, op. 14: V. Songe d’une nuit du Sabbat. Larghetto – Allegro – Ronde du Sabbat: Poco meno mosso
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1993-10)
conductor:
Myung‐Whun Chung (Myung-Whun Chung, pianist and conductor) (in 1993-10)
recorded at:
Opéra Bastille: Salle Gounod in Paris, Île-de-France, France (in 1993-10)
recording of:
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat (in 1993-10)
composer:
Hector Berlioz (French composer) (in 1830)
quotes music from:
Missa pro defunctis: Sequentia “Dies irae” (plainchant)
part of:
Symphonie fantastique, op. 14 : Épisode de la vie d’un artiste … en cinq parties
Hector Berlioz9:37
6Benvenuto Cellini, op. 23: Ouverture
recording engineer:
Hans‐Rudolf Müller (engineer)
producer:
Lennart Dehn
editor:
Mark Buecker (engineer of classical recordings)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1993-11)
conductor:
Myung‐Whun Chung (Myung-Whun Chung, pianist and conductor) (in 1993-11)
balance engineer:
Wolfgang Mitlehner
recorded at:
Opéra Bastille: Salle Gounod in Paris, Île-de-France, France (in 1993-11)
recording of:
Benvenuto Cellini, op. 23 : Overture (in 1993-11)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 76B)
part of:
Benvenuto Cellini, op. 23
Hector Berlioz9:51
7Le Corsaire, op. 21: Ouverture
recording engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Lennart Dehn
editor:
Mark Buecker (engineer of classical recordings)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) (in 1994-06)
conductor:
Myung‐Whun Chung (Myung-Whun Chung, pianist and conductor) (in 1994-06)
balance engineer:
Wolfgang Mitlehner
recorded at:
Opéra Bastille: Salle Gounod in Paris, Île-de-France, France (in 1994-06)
recording of:
Le Corsaire op. 21: Ouverture, H 101 (in 1994-06)
composer:
Hector Berlioz (French composer)
part of:
Catalogue of the Works of Hector Berlioz (number: H. 101)
Hector Berlioz8:39
8Les Troyens, Act IV no. 29: Chasse royale et orage. Pantomime
choir vocals:
RIAS Kammerchor (German chamber choir) (in 1990-02) and Rundfunkchor Berlin (Berlin Radio Chorus) (in 1990-02)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1990-02)
conductor:
James Levine (US conductor and pianist) (in 1990-02)
chorus master:
Marcus Creed (conductor) (in 1990-02)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1990-02)
recording of:
Les Troyens : Acte IV, no. 29. Chasse royale et orage – Pantomime (Chœur) (in 1990-02)
composer:
Hector Berlioz (French composer) (from 1856 until 1858)
part of:
Les Troyens : Acte IV
Hector Berlioz9:37
2▼Digital Media: Chopin: Piano Concerto no. 1 / Préludes / Barcarolle / Scherzo no. 3
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1Piano Concerto no. 1 in E minor, op. 11: 1. Allegro maestoso
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso (on 1968-02-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin18:53
2Piano Concerto no. 1 in E minor, op. 11: 2. Romance. Larghetto
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto (on 1968-02-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin9:53
3Piano Concerto no. 1 in E minor, op. 11: 3. Rondo. Vivace
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace (on 1968-02-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830-04 until 1830-09)
part of:
Concerto for Piano and Orchestra no. 1 in E minor, op. 11
Fryderyk Chopin8:57
424 Préludes, op. 28 no. 1 in C major
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 1 in C major, op. 28: Agitato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1838 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 124) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 166)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin0:35
524 Préludes, op. 28 no. 3 in G major
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 3 in G major, op. 28: Vivace (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 168)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin0:53
624 Préludes, op. 28 no. 6 in B minor
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 6 in B minor, op. 28: Lento assai (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 171)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin1:48
724 Préludes, op. 28 no. 10 in C‐sharp minor
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 10 in C‐sharp minor, op. 28: Molto allegro (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 123) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 175)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin0:28
824 Préludes, op. 28 no. 15 in D‐flat major (“Raindrop”)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 15 in D‐flat major, op. 28 “Raindrop”: Sostenuto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 180)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin4:51
924 Préludes, op. 28 no. 16 in B‐flat minor
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 16 in B‐flat minor, op. 28: Presto con fuoco (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 181)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin0:59
1024 Préludes, op. 28 no. 17 in A‐flat major
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 17 in A‐flat major, op. 28: Allegretto (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1836 until 1839)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 100) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 182)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin2:49
1124 Préludes, op. 28 no. 20 in C minor
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 20 in C minor, op. 28: Largo (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 185)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin1:33
1224 Préludes, op. 28 no. 21 in B‐flat major
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 21 in B‐flat major, op. 28: Cantabile (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 123) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 186)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin1:36
1324 Préludes, op. 28 no. 24 in D minor
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1975-10-22 until 1975-10-25)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1975-10-22 until 1975-10-25)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1977) and Polydor International GmbH (not for release label use!) (in 1977)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (from 1975-10-22 until 1975-10-25)
recording of:
Prélude no. 24 in D minor, op. 28: Allegro appassionato (from 1975-10-22 until 1975-10-25)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 107) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 189)
part of:
24 Préludes pour le piano, op. 28
Fryderyk Chopin2:16
14Barcarolle in F‐sharp major, op. 60
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
solo instruments:
Martha Argerich (Argentine pianist) (from 1960-07-04 until 1960-07-08)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961) and Polydor International GmbH (not for release label use!) (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07, from 1960-07-04 until 1960-07-08)
recording of:
Barcarolle in F‐sharp major, op. 60 (in 1960-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1845 until 1846)
dedicated to:
Madame la Baronne de Stockhausen
publisher:
Brandus & Cie. (Paris) (in 1846), Breitkopf & Härtel (in 1846) and Wessel & Co (London) (in 1846)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 6), Works of Fryderyk Chopin by opus number (number: op. 60) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 158)
Fryderyk Chopin8:08
15Scherzo no. 3 in C‐sharp minor, op. 39
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960, in 1960-07)
solo instruments:
Martha Argerich (Argentine pianist) (from 1960-07-04 until 1960-07-08)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07, from 1960-07-04 until 1960-07-08)
recording of:
Scherzo no. 3 in C‐sharp minor, op. 39 (in 1960-07)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
dedicated to:
Adolphe Gutmann
part of:
Works of Fryderyk Chopin by opus number (number: op. 39), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 125) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 199)
recording of:
Scherzo no. 3 in C‐sharp minor, op. 39 (in 1960)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
dedicated to:
Adolphe Gutmann
part of:
Works of Fryderyk Chopin by opus number (number: op. 39), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 125) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 199)
Fryderyk Chopin6:28
3▼Digital Media: Chopin: Nocturnes (selection)
#TitleArtistRatingLength
1Nocturne no. 1 in B‐flat minor, op. 9 no. 1
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 1 in B‐flat minor, op. 9 no. 1: Larghetto (from 1981-01 until 1981-05)
composer:
Frédéric Chopin (composer) (from 1830 until 1832)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 108)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin5:42
2Nocturne no. 2 in E‐flat major, op. 9 no. 2
recording engineer:
Jürgen Bulgrin (sound engineer)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante (from 1981-01 until 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Classic 100: Piano (2025) (number: 3), Classic 100: Piano (2004) (number: 18) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 109)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin4:32
3Nocturne no. 3 in B major, op. 9 no. 3
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 3 in B major, op. 9 no. 3: Allegretto (from 1981-01 until 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1831)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 110)
part of:
Nocturnes, op. 9 (original for piano)
Fryderyk Chopin7:14
4Nocturne no. 4 in F major, op. 15 no. 1
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 4 in F major, op. 15 no. 1: Andante cantabile (from 1981-01 until 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 55) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 111)
included in:
ヘタリア
part of:
Nocturnes, op. 15
Fryderyk Chopin4:27
5Nocturne no. 7 in C‐sharp minor, op. 27 no. 1
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 7 in C‐sharp minor, op. 27 no. 1: Larghetto (from 1981-01 until 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 91) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 114)
part of:
Nocturnes, op. 27
Fryderyk Chopin4:54
6Nocturne no. 8 in D‐flat major, op. 27 no. 2
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 8 in D‐flat major, op. 27 no. 2: Lento sostenuto (from 1981-01 until 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1836)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 96) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 115)
part of:
Nocturnes, op. 27
Fryderyk Chopin6:27
7Nocturne no. 9 in B major, op. 32 no. 1
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 9 in B major, op. 32 no. 1: Andantino sostenuto (from 1981-01 until 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 116)
part of:
Nocturnes, op. 32
Fryderyk Chopin5:19
8Nocturne no. 10 in A‐flat major, op. 32 no. 2
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 10 in A‐flat major, op. 32 no. 2: Lento (from 1981-01 until 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 117)
part of:
Nocturnes, op. 32
Fryderyk Chopin5:37
9Nocturne no. 12 in G major, op. 37 no. 2
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 12 in G major, op. 37 no. 2: Andantino (from 1981-01 until 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 119) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 127)
part of:
Nocturnes, op. 37
Fryderyk Chopin5:45
10Nocturne no. 13 in C minor, op. 48 no. 1
recording engineer:
Jürgen Bulgrin (sound engineer)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 13 in C minor, op. 48 no. 1: Lento (from 1981-01 until 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 120)
part of:
Nocturnes, op. 48
Fryderyk Chopin6:15
11Nocturne no. 15 in F minor, op. 55 no. 1
recording engineer:
Jürgen Bulgrin (sound engineer)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 15 in F minor, op. 55 no. 1: Andante (from 1981-01 until 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 122)
part of:
Nocturnes, op. 55
Fryderyk Chopin4:40
12Nocturne no. 18 in E major, op. 62 no. 2
recording engineer:
Jürgen Bulgrin (sound engineer)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
balance engineer:
Karl-August Naegler (balance engineer)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 18 in E major, op. 62 no. 2: Lento (from 1981-01 until 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 125)
part of:
Nocturnes, op. 62
Fryderyk Chopin6:14
13Nocturne no. 19 in E minor, op. 72 no. 1
recording engineer:
Jürgen Bulgrin (sound engineer)
engineer and balance engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Cord Garben (pianist and conductor) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1981-01, in 1981-05)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1981-01, in 1981-05)
recording of:
Nocturne no. 19 in E minor, op. 72 no. 1: Andante (from 1981-01 until 1981-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1827)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 19), Chopin National Edition: WN Catalogue (number: WN 23) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 126)
part of:
Nocturne, Marche funebre et 3 Ecossaises, op. 72
Fryderyk Chopin4:23
4▼Digital Media: Chopin: Mazurkas / Waltzes / Études / Scherzi / Polonaise no. 6 / Ballade no. 1
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1Ballade no. 1 in G minor, op. 23
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1965-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1965-04)
recording of:
Ballade no. 1 in G minor, op. 23 (in 1965-04)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1831 until 1835)
dedicated to:
Nathaniel von Stockhausen (Hanover ambassador to France)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 2), Classic 100: Piano (2004) (number: 20), Works of Fryderyk Chopin by opus number (number: op. 23) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 66)
part of:
Ballades (Chopin’s Four Ballades)
Fryderyk Chopin9:31
2Berceuse in D‐flat, op. 57: Andante
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Berceuse in D‐flat major, op. 57
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1843 until 1844)
dedicated to:
Elise Gavard
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 7), Works of Fryderyk Chopin by opus number (number: op. 57) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 154)
Fryderyk Chopin5:21
3Waltz no. 14 in E minor, op. posth.: Vivace
piano:
Tamás Vásáry (Hungarian pianist and conductor) (in 1965-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1965-05)
recording of:
Waltz no. 14 in E minor, B. 56, KK IVa/15 (in 1965-05)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
part of:
Chopin National Edition: WN Catalogue (number: WN 29) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 56)
Fryderyk Chopin3:03
4Waltz no. 3 in A minor, op. 34 no. 2: Lento
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Waltz no. 3 in A minor, op. 34 no. 2
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1835 until 1838)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 64) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 209)
part of:
Waltzes, op. 34
Fryderyk Chopin5:23
5Impromptu no. 1 in A‐flat major, op. 29
piano:
Tamás Vásáry (Hungarian pianist and conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recording of:
Impromptu no. 1 in A‐flat major, op. 29: Allegro assai
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Works of Fryderyk Chopin by opus number (number: op. 29), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 43) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 110)
Fryderyk Chopin3:56
612 Études, op. 10 no. 1 in C major
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Étude in C major, op. 10 no. 1: Allegro
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1829)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 14) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 59)
part of:
Études, op. 10
Fryderyk Chopin2:22
712 Études, op. 10 no. 6 in E‐flat minor
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Étude in E‐flat minor, op. 10 no. 6: Andante, con molto espressione
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 19) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 57)
part of:
Études, op. 10
Fryderyk Chopin3:19
812 Études, op. 10 no. 5 in G‐flat major “Black Keys”
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Étude in G‐flat major, op. 10 no. 5 “Black Keys”: Vivace
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1830)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 18) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 57)
part of:
Études, op. 10
Fryderyk Chopin1:48
912 Études, op. 10 no. 12 in C minor “Revolutionary”
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Étude in C minor, op. 10 no. 12 “Revolutionary”: Allegro con fuoco
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1831)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 25) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 67)
part of:
Études, op. 10
Fryderyk Chopin3:01
10Scherzo no. 4 in E major, op. 54
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Scherzo no. 4 in E major, op. 54
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1842)
part of:
Works of Fryderyk Chopin by opus number (number: op. 54), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 148) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 200)
Fryderyk Chopin11:24
11Scherzo no. 3 in C‐sharp minor, op. 39
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Scherzo no. 3 in C‐sharp minor, op. 39
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1839)
dedicated to:
Adolphe Gutmann
part of:
Works of Fryderyk Chopin by opus number (number: op. 39), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 125) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 199)
Fryderyk Chopin7:37
12Mazurka no. 5 in B‐flat major, op. 7 no. 1: Vivace
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Mazurka no. 5 in B‐flat major, op. 7 no. 1
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 55)
part of:
Mazurkas, op. 7
Fryderyk Chopin2:20
13Mazurka no. 49 in A minor, op. 68 no. 2: Lento
piano:
Tamás Vásáry (Hungarian pianist and conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1965) and Polydor International GmbH (not for release label use!) (in 1965)
recording of:
Mazurka no. 47 in A minor, op. 68 no. 2
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin National Edition: WN Catalogue (number: WN 14), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 18) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 97)
part of:
Mazurkas, op. 68
Fryderyk Chopin2:37
14Mazurka no. 58 in A‐flat major, op. posth.: Poco mosso
piano:
Tamás Vásáry (Hungarian pianist and conductor)
Fryderyk Chopin1:19
15Mazurka no. 46 in C major, op. 67 no. 3: Allegretto
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Mazurka no. 44 in C major, op. 67 no. 3
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
part of:
Chopin National Edition: WN Catalogue (number: WN 48), Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 93) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 94)
part of:
Mazurkas, op. 67
Fryderyk Chopin1:32
16Polonaise no. 6 in A‐flat major “Heroic”, op. 53: Maestoso
piano:
Tamás Vásáry (Hungarian pianist and conductor)
recording of:
Polonaise in A‐flat major, op. 53 “Heroique”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1842)
dedicated to:
Auguste Léo
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16), Works of Fryderyk Chopin by opus number (number: op. 53), Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 155) and Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 147)
Fryderyk Chopin6:55
5▼Digital Media: Liszt: Piano Concerto no. 1 / B minor Sonata / Hungarian Rhapsody no. 6
#TitleArtistRatingLength
1Piano Concerto no. 1 in E‐flat major, S 124: I. Allegro maestoso
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso (on 1968-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt5:07
2Piano Concerto no. 1 in E‐flat major, S 124: II. Quasi adagio – Allegretto vivace – Allegro animato
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio (on 1968-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: III. Allegretto vivace – Allegro animato (on 1968-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt8:26
3Piano Concerto no. 1 in E‐flat major, S 124: III. Allegro marziale animato
executive producer:
Karl Faust (producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (on 1968-02-12)
orchestra:
London Symphony Orchestra (on 1968-02-12)
conductor:
Claudio Abbado (conductor) (on 1968-02-12)
balance engineer:
Heinz Wildhagen (engineer, producer) (on 1968-02-12)
recorded at:
Walthamstow Town Hall (Walthamstow Assembly Hall) in London (Greater London), England, United Kingdom (on 1968-02-12)
recording of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato (on 1968-02-12)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1830 until 1856)
part of:
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124
Franz Liszt3:58
4Piano Sonata in B minor, S 178: Lento assai – Allegro energico
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt3:02
5Piano Sonata in B minor, S 178: Grandioso
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:58
6Piano Sonata in B minor, S 178: Cantando espressivo
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt3:40
7Piano Sonata in B minor, S 178: Pesante – Recitativo
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:05
8Piano Sonata in B minor, S 178: Andante sostenuto
executive producer:
Günther Breest (producer for classical music)
producer:
Günther Breest (producer for classical music) and Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt0:46
9Piano Sonata in B minor, S 178: Quasi Adagio
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt4:19
10Piano Sonata in B minor, S 178: Allegro energico
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:43
11Piano Sonata in B minor, S 178: Più mosso
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:52
12Piano Sonata in B minor, S 178: Cantando espressivo senza slentare
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:14
13Piano Sonata in B minor, S 178: Stretta quasi Presto – Presto – Prestissimo
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
solo instruments:
Martha Argerich (Argentine pianist) (from 1974-07-08 until 1974-07-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (from 1974-07-08 until 1974-07-11)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt1:13
14Piano Sonata in B minor, S 178: Andante sostenuto – Allegro moderato – Lento assai
executive producer:
Günther Breest (producer for classical music)
producer:
Hans‐Rudolf Müller (engineer)
piano:
Martha Argerich (Argentine pianist) (in 1971-06)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1971-06)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1972)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1971-06)
partial recording of:
Sonata for Piano in B minor, S. 178 (in 1971-06)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1852 until 1853-02-02)
dedicated to:
Robert Schumann (German classical composer)
premiered at:
[concert] (1857-01-27)
publisher:
Breitkopf & Härtel (in 1854-06)
part of:
The Music of Liszt (number: S. 178)
Franz Liszt2:52
15Hungarian Rhapsody no. 6 in D‐flat, S 244
executive producer:
Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Karl-Heinz Schneider (producer)
piano:
Martha Argerich (Argentine pianist) (in 1960-07)
solo instruments:
Martha Argerich (Argentine pianist) (from 1960-07-04 until 1960-07-08)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1960-07)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1960-07) and Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (from 1960-07-04 until 1960-07-08: piano)
recording of:
19 Hungarian Rhapsodies, S. 244 / R. 106: No. 6 in D-flat major, S. 244 no. 6: Tempo giusto – Presto – Andante – Allegro – Presto (in 1960-07)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
19 Hungarian Rhapsodies, S. 244 / R. 106
Franz Liszt6:20
16Années de pèlerinage, 1ʳᵉ année, S 160: VI. Vallée d’Obermann
producer:
Werner Mayer (classical producer)
piano:
Lazar Berman (pianist) (in 1977-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1977-05)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1977-05)
recording of:
Vallée d’Obermann, S. 160 no. 6 (in 1977-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor)
part of:
Années de pèlerinage : Première année : Suisse, S. 160
revision of:
Album d'un voyageur, S. 156: I. Impressions et poésies: 4. Vallée d'Obermann
Franz Liszt14:28
17Années de pèlerinage, 3ᵉ année, S 163: IV. Les jeux d’eau à la Villa d’Este
producer:
Werner Mayer (classical producer)
piano:
Lazar Berman (pianist) (in 1977-05)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1977-05)
recorded at:
Alter Herkulessaal (Max Joseph Hall, Banquet hall, destroyed 1944; rebuilt 1959) in München (Munich), Bayern (Bavaria), Germany (in 1977-05)
recording of:
Les Jeux d’eaux à la Villa d’Este, S. 163 no. 4 (in 1977-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (in 1877)
part of:
Années de pèlerinage : Troisième année, S. 163
Franz Liszt7:46
6▼Digital Media: Mendelssohn: Symphony no. 4 “Italian” / A Midsummer Night’s Dream (excerpts) / “Hebrids” Overture
#TitleArtistRatingLength
1Symphony no. 4 in A major “Italian”, op. 90: I. Allegro vivace
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace (on 1978-10-23)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
part of:
Symphony no. 4 in A major, op. 90 “Italian” (1834 revision, uncommon)
Felix Mendelssohn10:49
2Symphony no. 4 in A major “Italian”, op. 90: II. Andante con moto
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto (on 1978-10-23)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:47
3Symphony no. 4 in A major “Italian”, op. 90: III. Con moto moderato
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato (on 1978-10-23)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn6:54
4Symphony no. 4 in A major “Italian”, op. 90: IV. Saltarello. Presto
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1978-10-23)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1978-10-23)
recorded at:
Charles Bronfman Auditorium in Tel Aviv, Tel-Aviv (Tel Aviv District), Israel (on 1978-10-23)
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello. Presto (on 1978-10-23)
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:52
5The Hebrides (“Fingal’s Cave”), op. 26: Overture. Allegro moderato
orchestra:
Israel Philharmonic Orchestra (Israeli orchestra) (on 1979-08-26)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1979-08-26)
recorded at:
Kongresssaal, Deutsches Museum in München (Munich), Bayern (Bavaria), Germany (on 1979-08-26)
recording of:
Die Hebriden, op. 26 (The Hebrides, op. 26 “Fingal’s Cave”, Fingal's Cave) (on 1979-08-26)
premiered in:
London (Greater London), England, United Kingdom (on 1832-05-14)
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Works of Felix Mendelssohn by opus number (number: op. 26) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 7)
Felix Mendelssohn9:53
6A Midsummer Night’s Dream: Incidental Music, opp. 21 & 61: Overture
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1964-11)
conductor:
Rafael Kubelík (conductor) (in 1964-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-11)
recording of:
Ein Sommernachtstraum, op. 21 (op. 61 no. 1): Ouvertüre (in 1964-11)
composer:
Felix Mendelssohn (composer) (in 1826)
part of:
Works of Felix Mendelssohn by opus number (number: op. 21) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 3)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn11:46
7A Midsummer Night’s Dream: Incidental Music, opp. 21 & 61 no. 1 Scherzo
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1964-11)
conductor:
Rafael Kubelík (conductor) (in 1964-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-11)
recording of:
Ein Sommernachtstraum, op. 61: 1. Scherzo. Allegro vivace (in 1964-11)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:46
8A Midsummer Night’s Dream: Incidental Music, opp. 21 & 61 no. 7 Notturno
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1964-11)
conductor:
Rafael Kubelík (conductor) (in 1964-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-11)
recording of:
Ein Sommernachtstraum, op. 61: 7. Notturno. Con moto tranquillo (in 1964-11)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:35
9A Midsummer Night’s Dream: Incidental Music, opp. 21 & 61 no. 9 Wedding March
orchestra:
Sinfonie-Orchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1964-11)
conductor:
Rafael Kubelík (conductor) (in 1964-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1965)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1964-11)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace) (in 1964-11)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn4:41
7▼Digital Media: Schumann: Symphonies nos. 2 & 3 “Rhenish”
#TitleArtistRatingLength
1Symphony no. 2 in C major, op. 61: I. Sostenuto assai – Un poco più vivace – Allegro ma non troppo – Con fuoco
orchestra:
Chicago Symphony Orchestra (in 1977-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1977-03)
recorded at:
Symphony Hall, Chicago in Chicago, Illinois, United States (in 1977-03)
recording of:
Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco (in 1977-03)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann12:57
2Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace
orchestra:
Chicago Symphony Orchestra (in 1977-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1977-03)
recorded at:
Symphony Hall, Chicago in Chicago, Illinois, United States (in 1977-03)
recording of:
Symphony no. 2 in C major, op. 61: II. Scherzo. Allegro vivace (in 1977-03)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann7:08
3Symphony no. 2 in C major, op. 61: III. Adagio espressivo
orchestra:
Chicago Symphony Orchestra (in 1977-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1977-03)
recorded at:
Symphony Hall, Chicago in Chicago, Illinois, United States (in 1977-03)
recording of:
Symphony no. 2 in C major, op. 61: III. Adagio espressivo (in 1977-03)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann10:49
4Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace
orchestra:
Chicago Symphony Orchestra (in 1977-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1977-03)
recorded at:
Symphony Hall, Chicago in Chicago, Illinois, United States (in 1977-03)
recording of:
Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace (in 1977-03)
composer:
Robert Schumann (German classical composer) (from 1845-12 until 1846-10)
part of:
Symphony no. 2 in C major, op. 61
Robert Schumann8:06
5Symphony no. 3 in E‐flat major “Rhenish”, op. 97: I. Lebhaft
orchestra:
Chicago Symphony Orchestra (in 1977-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1977-03)
recorded at:
Symphony Hall, Chicago in Chicago, Illinois, United States (in 1977-03)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: I. Lebhaft (in 1977-03)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann9:11
6Symphony no. 3 in E‐flat major “Rhenish”, op. 97: II. Scherzo. Sehr mäßig
orchestra:
Chicago Symphony Orchestra (in 1977-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1977-03)
recorded at:
Symphony Hall, Chicago in Chicago, Illinois, United States (in 1977-03)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: II. Scherzo. Sehr mäßig (in 1977-03)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann6:47
7Symphony no. 3 in E‐flat major “Rhenish”, op. 97: III. Nicht schnell
orchestra:
Chicago Symphony Orchestra (in 1977-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1977-03)
recorded at:
Symphony Hall, Chicago in Chicago, Illinois, United States (in 1977-03)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: III. Nicht schnell (in 1977-03)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann5:47
8Symphony no. 3 in E‐flat major “Rhenish”, op. 97: IV. Feierlich
orchestra:
Chicago Symphony Orchestra (in 1977-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1977-03)
recorded at:
Symphony Hall, Chicago in Chicago, Illinois, United States (in 1977-03)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: IV. Feierlich (in 1977-03)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann7:34
9Symphony no. 3 in E‐flat major “Rhenish”, op. 97: V. Lebhaft
orchestra:
Chicago Symphony Orchestra (in 1977-03)
conductor:
Daniel Barenboim (pianist and conductor) (in 1977-03)
recorded at:
Symphony Hall, Chicago in Chicago, Illinois, United States (in 1977-03)
recording of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”: V. Lebhaft (in 1977-03)
composer:
Robert Schumann (German classical composer) (from 1850-11-02 until 1850-12-09)
part of:
Sinfonie Nr. 3 Es-Dur, op. 97 “Rheinische”
Robert Schumann6:06
8▶Digital Media: Schumann: Piano Concerto / Kinderszenen / Carnaval
9▶Digital Media: Schumann: Dichterliebe / Frauenliebe und ‐lieben / Lieder
10▶Digital Media: Bizet: Carmen (highlights)
11▶Digital Media: Brahms: Symphonies nos. 1 & 4
12▶Digital Media: Brahms: Piano Concerto no. 2 / Fantasias
13▶Digital Media: Brahms: Violin Concerto / Violin Sonata no. 1
14▶Digital Media: Bruckner: Symphony / Psalm 150
15▶Digital Media: Strauss, J.: Waltzes & Polkas
16▶Digital Media: Smetana: My Fatherland / Dvořák: Symphony no.9 “From the New World”
17▶Digital Media: Dvořák: Celo Concerto / Symphony no.8
18▶Digital Media: Grieg: Piano Concerto / Peer Gynt (suites nos. 1 & 2)
19▶Digital Media: Tchaikovsky: Symphony no. 6 “Pathétique” / The Nutcracker (suite)
20▶Digital Media: Tchaikovsky: Romeo and Juliet / “1812” Overture / Serenade for Strings

Credits

Release group

includes:Carmen (1977 studio cast) by Georges Bizet (French composer); Teresa Berganza (mezzo-soprano), Plácido Domingo (tenor), Ileana Cotrubas (Romanian soprano), Sherrill Milnes (baritone), The Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), London Symphony Orchestra, Claudio Abbado (conductor)
Cello Concerto / Symphony no. 8 by Dvořák (Antonín Dvořák, composer); Pierre Fournier (cellist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), George Szell (conductor, pianist, composer), Rafael Kubelík (conductor)
Frauenliebe und Leben / Dichterliebe / 10 Lieder by Robert Schumann (German classical composer); Dietrich Fischer‐Dieskau (baritone), Christoph Eschenbach (pianist and conductor), Brigitte Fassbaender (mezzo-soprano), Irwin Gage (pianist)
Klavierkonzert / Kinderszenen / Carnaval by Schumann (Robert Schumann, German classical composer); Wilhelm Kempff (pianist), Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra), Rafael Kubelík (conductor)
Konzert für Klavier und Orchester / Peer Gynt Suite no. 1 / Peer Gynt Suite no. 2 by Grieg (composer); Géza Anda (Geza Anda, pianist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor), Rafael Kubelík (conductor)
Konzert und “Regenlied‐Sonate” für Violine by Brahms (Johannes Brahms, German composer); Orchestre de Paris, Daniel Barenboim (pianist and conductor), Pinchas Zukerman (violinist/conductor)
Mazurkas / Waltzes / Scherzi / Polonaise no. 6 / Ballade no. 1 by Frédéric Chopin (composer); Tamás Vásáry (Hungarian pianist and conductor)
Nocturnes by Chopin (Frédéric Chopin, composer); Daniel Barenboim (pianist and conductor)
Ouvertüre “1812” / Romeo und Julia / Streicherserenade by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Giuseppe Sinopoli (conductor), Neeme Järvi (Estonian conductor), Orpheus Chamber Orchestra (US orchestra)
Piano Concerto no. 1 / Sonata in B minor / Hungarian Rhapsody no. 6 / Années de Pèlerinage (excerpts) by Liszt (Hungarian composer, pianist and conductor); Martha Argerich (Argentine pianist), Lazar Berman (pianist), Claudio Abbado (conductor)
Piano Concerto no. 2 / Fantasien by Johannes Brahms (German composer); Emil Gilels (pianist), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Eugen Jochum (conductor)
Symphonie no. 4 “Italienische” / Ouverture “Die Hebriden” / Ein Sommernachtstraum (auszüge) by Mendelssohn (Felix Mendelssohn, composer); Leonard Bernstein (American conductor, composer, pianist), Rafael Kubelík (conductor)
Symphonie no. 4 / 150. Psalm by Bruckner (Austrian composer); Chicago Symphony Orchestra, Daniel Barenboim (pianist and conductor)
Symphonien nr. 2 & 3 “Rheinische” by Robert Schumann (German classical composer); Chicago Symphony Orchestra, Daniel Barenboim (pianist and conductor)
Symphony no. 6 by Tchaikovsky (Pyotr Ilyich Tchaikovsky, Russian romantic composer); Leningrad Philharmonic (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use), Yevgeny Mravinsky (conductor)
Waltzes & Polkas by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Wiener Philharmoniker (Vienna Philharmonic), Lorin Maazel (conductor)
part of:The History of Classical Music: From Gregorian Chant to Górecki (order: 3)