Cantatas, Volume 21

~ Release by J.S. Bach; Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Cantata "Was Gott tut, das ist wohlgetan" BWV 100: I. Chorale [Versus I]: "Was Gott tut, das ist wohlgetan, es bleibt grerecht sein Wille"
choir vocals:
Amsterdam Baroque Choir (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": I. Choral "Was Gott tut, das ist wohlgetan" (from 2003-02-23 until 2003-02-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:22
2Cantata "Was Gott tut, das ist wohlgetan" BWV 100: II. Aria (Duet: A. T) [Versus 2]: "Was Gott tut, das ist wohlgetan, er wird mich nicht betriiben"
alto vocals:
Bogna Bartosz (from 2002-05-09 until 2002-05-14)
tenor vocals:
James Gilchrist (British tenor) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": II. Duetto (Alt, Tenor) "Was Gott tut, das ist wohlgetan" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach2:36
3Cantata "Was Gott tut, das ist wohlgetan" BWV 100: III. (S) [Versus 3]: "Was Gott tut, das ist wohlgetan, er wird mich wohl bedenken"
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": III. Aria (Sopran) "Was Gott tut, das ist wohlgetan" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach4:15
4Cantata "Was Gott tut, das ist wohlgetan" BWV 100: IV. (B) [Versus 4]: "Was Gott tut, das ist wohlgetan, er ist mein Licht, me in Leben"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": IV. Aria (Bass) "Was Gott tut, das ist wohlgetan" (from 2002-09-25 until 2002-10-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:24
5Cantata "Was Gott tut, das ist wohlgetan" BWV 100: V. (A) [Versus 5]: "Was Gott tut, das ist wohlgetan, muß ich den Kelch gleich schmecken"
alto vocals:
Bogna Bartosz (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": V. Aria (Alt) "Was Gott tut, das ist wohlgetan" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach3:26
6Cantata "Was Gott tut, das ist wohlgetan" BWV 100: VI. Chorale [Versus ultimus]: "Was Gott tut, das ist wohlgetan, darbei will ich verbleiben"
choir vocals:
Amsterdam Baroque Choir (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan": VI. Choral "Was Gott tut, das ist wohlgetan" (from 2003-02-23 until 2003-02-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
part of:
Kantate, BWV 100 "Was Gott tut, das ist wohlgetan"
Johann Sebastian Bach1:43
7Aria "Bekennen will ich seinen Namen" BWV 200
alto vocals:
Bogna Bartosz (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate (Aria), BWV 200 "Bekennen will ich seinen Namen" (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Gottfried Heinrich Stölzel (composer)
librettist:
[anonymous] (special purpose artist)
arranger:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1742 until 1743)
part of:
Bach-Werke-Verzeichnis (abbreviated second edition, 1998, BWV²ᵃ) (number: BWV 200), Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 200), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 200) and Bach Compendium (number: BC A 192)
Johann Sebastian Bach4:20
8Cantata "Ich ruf zu dir, Herr Jesu Christ" BWV 177: I. Chorus [Versus 1]: "Ich ruf zu dir, Herr Jesu Christ"
choir vocals:
Amsterdam Baroque Choir (from 2003-10-13 until 2003-10-19)
orchestra:
Amsterdam Baroque Orchestra (from 2003-10-13 until 2003-10-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-10-13 until 2003-10-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-10-13 until 2003-10-19)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": I. Coro "Ich ruf zu dir, Herr Jesu Christ" (from 2003-10-13 until 2003-10-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola (German composer & organist, 1720-1774)
part of:
Breitkopf 389 Choralgesänge (number: 183)
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
Johann Sebastian Bach7:38
9Cantata "Ich ruf zu dir, Herr Jesu Christ" BWV 177: II. Aria (Alto) [Versus 2]: "Ich bitt noch mehr, O Herre Gott"
alto vocals:
Bogna Bartosz (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": II. Aria (Alt) "Ich bitt noch mehr, o Herre Gott" (from 2002-05-09 until 2002-05-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola (German composer & organist, 1720-1774)
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
Johann Sebastian Bach5:05
10Cantata "Ich ruf zu dir, Herr Jesu Christ" BWV 177: III. Aria (Soprano) [Versus 3]: "Verleih, daß ich aus Herzensgrund"
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": III. Aria (Sopran) "Verleih, daß ich aus Herzensgrund" (from 2002-05-09 until 2002-05-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola (German composer & organist, 1720-1774)
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
Johann Sebastian Bach4:52
11Cantata "Ich ruf zu dir, Herr Jesu Christ" BWV 177: IV. Aria (Tenor) [Versus 4]: "Laß mich kein Lust noch Furcht von dir"
tenor vocals:
Christoph Prégardien (tenor) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": IV. Aria (Tenor) "Laß mich kein Lust noch Furcht von dir" (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola (German composer & organist, 1720-1774)
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
Johann Sebastian Bach4:28
12Cantata "Ich ruf zu dir, Herr Jesu Christ" BWV 177: V. Chorale [Versus 5]: "Ich lieg im Streit und widerstreb"
choir vocals:
Amsterdam Baroque Choir (from 2003-10-13 until 2003-10-19)
orchestra:
Amsterdam Baroque Orchestra (from 2003-10-13 until 2003-10-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-10-13 until 2003-10-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-10-13 until 2003-10-19)
recording of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ": V. Coro "Ich lieg im Streit und widerstreb" (from 2003-10-13 until 2003-10-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1732-07-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1732)
librettist:
Johann Friedrich Agricola (German composer & organist, 1720-1774)
part of:
Kantate, BWV 177 "Ich ruf zu dir, Herr Jesu Christ"
Johann Sebastian Bach1:11
13Cantata "Dem Gerechten mull das Licht" BWV 195: I. Chorus: "Dem Gerechten muß das Licht"
alto vocals:
Annette Markert (mezzo-soprano) (from 2003-02-23 until 2003-02-24)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2003-02-23 until 2003-02-24)
choir vocals:
Amsterdam Baroque Choir (from 2003-02-23 until 2003-02-24)
soprano vocals:
Johannette Zomer (soprano) (from 2003-02-23 until 2003-02-24)
tenor vocals:
James Gilchrist (British tenor) (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": I. Coro (Sopran, Alt, Tenor, Bass) "Dem Gerechten muß das Licht immer wieder aufgehen" (from 2003-02-23 until 2003-02-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach4:22
14Cantata "Dem Gerechten mull das Licht" BWV 195: II. Recitative (Bass): "Dem Freudenlicht gerechter Frommen"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": II. Recitativo (Bass) "Dem Freudenlicht gerechter Frommen" (from 2002-09-25 until 2002-10-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach1:04
15Cantata "Dem Gerechten mull das Licht" BWV 195: III. Aria (Bass): "Rühmet Gottes Güt und Treu"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": III. Aria (Bass) "Rühmet Gottes Güt und Treu" (from 2002-09-25 until 2002-10-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach4:02
16Cantata "Dem Gerechten mull das Licht" BWV 195: IV. Recitative (Soprano): "Wohlan, so kniipfet denn ein Band"
soprano vocals:
Johannette Zomer (soprano) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": IV. Recitativo (Sopran) "Wohlan, so knüpfet denn ein Band" (from 2002-09-25 until 2002-10-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach0:54
17Cantata "Dem Gerechten mull das Licht" BWV 195: V. Chorus (Soli S, A, T B and Choir): "Wir kommen, deine Heiligkeit"
alto vocals:
Annette Markert (mezzo-soprano) (from 2003-02-23 until 2003-02-24)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2003-02-23 until 2003-02-24)
choir vocals:
Amsterdam Baroque Choir (from 2003-02-23 until 2003-02-24)
soprano vocals:
Johannette Zomer (soprano) (from 2003-02-23 until 2003-02-24)
tenor vocals:
James Gilchrist (British tenor) (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": V. Coro (Sopran, Alt, Tenor, Bass) "Wir kommen, deine Heiligkeit" (from 2003-02-23 until 2003-02-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach6:30
18Cantata "Dem Gerechten mull das Licht" BWV 195: VI. Chorale: "Nun danket all und bringet Ehr"
choir vocals:
Amsterdam Baroque Choir (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 195 "Dem Gerechten muß das Licht": VI. Choral "Nun danket all und bringet Ehr" (from 2003-02-23 until 2003-02-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1737)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1647)
part of:
Breitkopf 389 Choralgesänge (number: 236)
part of:
Kantate, BWV 195 "Dem Gerechten muß das Licht"
Johann Sebastian Bach0:33
2▼CD
#TitleArtistRatingLength
1Cantata "Wachet auf, ruft uns die Stimme" BWV 140: I. Chorale: "Wachet auf, ruft uns die Stimme" 2
choir vocals:
Amsterdam Baroque Choir (from 2001-11-26 until 2001-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 2001-11-26 until 2001-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-11-26 until 2001-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-11-26 until 2001-12-03)
recording of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde": I. Aria (Alto) "Erfreute Zeit im neuen Bunde" (in 1998-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 83 "Erfreute Zeit im neuen Bunde"
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 2001-11-26 until 2001-12-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach6:25
2Cantata "Wachet auf, ruft uns die Stimme" BWV 140: II. Recitative (Tenor): "Er kommt, er kommt" 3
tenor vocals:
James Gilchrist (British tenor) (from 2001-06-21 until 2001-06-26)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-21 until 2001-06-26)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-21 until 2001-06-26)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-21 until 2001-06-26)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: II. Recitativo (Tenor) “Er kommt, er kommt, der Bräutgam kommt!” (from 2001-06-21 until 2001-06-26)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach0:52
3Cantata "Wachet auf, ruft uns die Stimme" BWV 140: III. Aria (Duet: Soprano, Bass): "Wenn kommst du, mein Heil" 4
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-11-26 until 2001-12-03)
soprano vocals:
Sandrine Piau (soprano) (from 2001-11-26 until 2001-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 2001-11-26 until 2001-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-11-26 until 2001-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-11-26 until 2001-12-03)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 2001-11-26 until 2001-12-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: III. Aria (Sop, Bass) “Wann kömmst du, mein Heil?” (from 2002-05-09 until 2002-05-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:29
4Cantata "Wachet auf, ruft uns die Stimme" BWV 140: IV. Chorale (Tenors): "Zion hOrt die Wachter singen" 5
choir vocals:
Amsterdam Baroque Choir (from 2003-10-13 until 2003-10-19)
tenor vocals:
James Gilchrist (British tenor) (from 2003-10-13 until 2003-10-19)
orchestra:
Amsterdam Baroque Orchestra (from 2003-10-13 until 2003-10-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-10-13 until 2003-10-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-10-13 until 2003-10-19)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 2003-10-13 until 2003-10-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach3:20
5Cantata "Wachet auf, ruft uns die Stimme" BWV 140: V. Recitative (Bass): "So geh herein zu mir" 6
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-06-21 until 2001-06-26)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-21 until 2001-06-26)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-21 until 2001-06-26)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-21 until 2001-06-26)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: V. Recitativo (Bass) “So geh herein zu mir” (from 2001-06-21 until 2001-06-26)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:16
6Cantata "Wachet auf, ruft uns die Stimme" BWV 140: VI. Aria (Duet: Soprano, Bass): "Mein Freund ist mein" 7
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-11-26 until 2001-12-03)
soprano vocals:
Sandrine Piau (soprano) (from 2001-11-26 until 2001-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 2001-11-26 until 2001-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-11-26 until 2001-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-11-26 until 2001-12-03)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 2001-11-26 until 2001-12-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VI. Aria (Sop, Bass) “Mein Freund ist mein” (from 2002-05-09 until 2002-05-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach5:24
7Cantata "Wachet auf, ruft uns die Stimme" BWV 140: VII. Chorale: "Gloria sei dir gesungen"
choir vocals:
Amsterdam Baroque Choir (from 2001-11-26 until 2001-12-03)
orchestra:
Amsterdam Baroque Orchestra (from 2001-11-26 until 2001-12-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-11-26 until 2001-12-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-11-26 until 2001-12-03)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 2001-11-26 until 2001-12-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: VII. Choral “Gloria sei dir gesungen” (from 2002-05-09 until 2002-05-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
Johann Sebastian Bach1:24
8Cantata "O ewiges Feuer, o Ursprung der Liebe" BWV 34: I. Chorus: "O ewiges Feuer, o Ursprung der Liebe" 9
choir vocals:
Amsterdam Baroque Choir (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": I. Coro "O ewiges Feuer, o Ursprung der Liebe" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach6:58
9Cantata "O ewiges Feuer, o Ursprung der Liebe" BWV 34: II. Recitative (Thnor): "Herr, unsre Herzen halten dir" 10
tenor vocals:
Paul Agnew (tenor and conductor) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": II. Recitativo (Tenore) "Herr, unsre Herzen halten dir" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach0:41
10Cantata "O ewiges Feuer, o Ursprung der Liebe" BWV 34: III. Aria (Alto): "Wohl euch, ihr auserwahlten Seelen" 11
alto vocals:
Bogna Bartosz (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": III. Aria (Alto) "Wohl euch, ihr auserwählten Seelen" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach5:10
11Cantata "O ewiges Feuer, o Ursprung der Liebe" BWV 34: IV. Recitative (Bass): "Erwahlt sich Gott die heilgen Hiitten" 1
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": IV. Recitativo (Basso) "Erwählt sich Gott die heilgen Hütten" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach0:27
12Cantata "O ewiges Feuer, o Ursprung der Liebe" BWV 34: V. Chorus: "Friede iiber Israel"
choir vocals:
Amsterdam Baroque Choir (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe": V. Coro "Friede über Israel" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 34.2 "O ewiges Feuer, o Ursprung der Liebe" (former BWV 34)
Johann Sebastian Bach2:11
13Cantata "Lobe den Herrn, meine Seele" BWV 143: I. Chorus: "Lobe den Herm, meine Seele" 14
choir vocals:
Amsterdam Baroque Choir (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:09
14Cantata "Lobe den Herrn, meine Seele" BWV 143: II. Chorale (Sopranos): "Du Friedefiirst, Herr Jesu Christ" 15
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Sopran) "Du Friedefürst, Herr Jesu Christ" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:51
15Cantata "Lobe den Herrn, meine Seele" BWV 143: III. Recitative (Tenor): "Wohl dem, des Hiilfe der Gott Jakob ist" 16
tenor vocals:
Jörg Dürmüller (from 2003-10-13 until 2003-10-19)
orchestra:
Amsterdam Baroque Orchestra (from 2003-10-13 until 2003-10-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-10-13 until 2003-10-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-10-13 until 2003-10-19)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenor) "Wohl dem, des Hülfe der Gott Jakob ist" (from 2003-10-13 until 2003-10-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach0:13
16Cantata "Lobe den Herrn, meine Seele" BWV 143: IV. Aria (Tenor): "Tausendfaehes Ungliiek" 17
tenor vocals:
Jörg Dürmüller
orchestra:
Amsterdam Baroque Orchestra
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria "Tausendfaches Unglück, Schrecken"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach2:16
17Cantata "Lobe den Herrn, meine Seele" BWV 143: V. Aria (Bass): "Der Herr ist Konig" 18
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Der Herr ist König ewiglich" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:32
18Cantata "Lobe den Herrn, meine Seele" BWV 143: VI. Aria (Tenor): "Jesu, Retter deiner Herde" 19
tenor vocals:
Jörg Dürmüller (from 2003-10-13 until 2003-10-19)
orchestra:
Amsterdam Baroque Orchestra (from 2003-10-13 until 2003-10-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-10-13 until 2003-10-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-10-13 until 2003-10-19)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenor) "Jesu, Retter deiner Herde" (from 2003-10-13 until 2003-10-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach2:28
19Cantata "Lobe den Herrn, meine Seele" BWV 143: VI. Chorus with Chorale: "Halleluja. Gedenk, Herr, jetzund an dein Amt" Cantata "Der Friede sei mit dir" BWV 158: I. Recitative (Bass): "Der Friede sei mit dir" 21
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-05-09 until 2002-05-14)
choir vocals:
Amsterdam Baroque Choir (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach2:07
20Cantata "Der Friede sei mit dir" BWV 158: I. Recitative (Bass): "Der Friede sei mit dir"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 2001-03-12)
orchestra:
Amsterdam Baroque Orchestra (on 2001-03-12)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 2001-03-12)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 2001-03-12)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": I. Recitativo (Bass) "Der Friede sei mit dir" (on 2001-03-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:41
21Cantata "Der Friede sei mit dir" BWV 158: II. Aria (Bass) and Chorale (Sopranos): "Welt, ade, ieh bin dein Miide" 22
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 2001-03-12)
choir vocals:
Amsterdam Baroque Choir (on 2001-03-12)
soprano vocals:
Sandrine Piau (soprano) (on 2001-03-12)
orchestra:
Amsterdam Baroque Orchestra (on 2001-03-12)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 2001-03-12)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 2001-03-12)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": II. Aria (Bass) con Choral (Sop) "Welt, ade, ich bin dein müde" (on 2001-03-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Johann Georg Albinus (in 1649)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach5:42
22Cantata "Der Friede sei mit dir" BWV 158: III. Recitative (Bass): "Nun Herr, regiere meinen Sinn" 23
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (on 2001-03-12)
orchestra:
Amsterdam Baroque Orchestra (on 2001-03-12)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 2001-03-12)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 2001-03-12)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": III. Recitativo ed Arioso (Bass) "Nun, Herr, regiere meinen Sinn" (on 2001-03-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:20
23Cantata "Der Friede sei mit dir" BWV 158: IV. Chorale: "Hier ist das reehte Osterlamm"
choir vocals:
Amsterdam Baroque Choir (on 2001-03-12)
orchestra:
Amsterdam Baroque Orchestra (on 2001-03-12)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 2001-03-12)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 2001-03-12)
recording of:
Kantate, BWV 158 "Der Friede sei mit dir": IV. Chorale "Hier ist das rechte Osterlamm" (on 2001-03-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1728 until 1731)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 158 "Der Friede sei mit dir"
Johann Sebastian Bach1:02
3▼CD
#TitleArtistRatingLength
1Cantata "Gott ist unsre Zuversicht" BWV 197: I. Chorus: "Gott ist unsre Zuvcrsicht" 2
choir vocals:
Amsterdam Baroque Choir (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": I. Coro "Gott ist unsre Zuversicht" (from 2003-02-23 until 2003-02-24)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach5:22
2Cantata "Gott ist unsre Zuversicht" BWV 197: II. Recitative (Bass): "Gott ist und bleibt der beste Sorger" 3
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": II. Recitativo (Bass) "Gott ist und bleibt der beste Sorger" (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach1:12
3Cantata "Gott ist unsre Zuversicht" BWV 197: III. Aria (Alto): "Schlafert alien Sorgenkummer" 4
alto vocals:
Bogna Bartosz (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": III. Aria (Alt) "Schläfert allen Sorgenkummer" (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach5:21
4Cantata "Gott ist unsre Zuversicht" BWV 197: IV. Recitative (Bass): "Drum folget Gott und seinem Triebe" 5
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IV. Recitativo (Bass) "Drum folget Gott und seinem Triebe" (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:43
5Cantata "Gott ist unsre Zuversicht" BWV 197: V. Chorale: "Du süße Lieb, schenk uns deine Gunst"
choir vocals:
Amsterdam Baroque Choir (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": V. Choral "Du süße Lieb, schenk uns deine Gunst" (from 2003-02-23 until 2003-02-24)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 255)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:53
6Cantata "Gott ist unsre Zuversicht" BWV 197: VI. Aria (Bass): "O du angenehmes Paar" 7
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VI. Aria (Bass) "O du angenehmes Paar" (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach5:52
7Cantata "Gott ist unsre Zuversicht" BWV 197: VII. Recitative (Soprano): "So wie es Gott mit dir" 8
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VII. Recitativo (Sopran) "So wie es Gott mit dir" (from 2002-05-09 until 2002-05-14)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach1:20
8Cantata "Gott ist unsre Zuversicht" BWV 197: VIII. Aria (Soprano): "Vergniigen und Lust, Gedeihen und Heil" 9
soprano vocals:
Sandrine Piau (soprano) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": VIII. Aria (Sopran) "Vergnügen und Lust" (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach3:35
9Cantata "Gott ist unsre Zuversicht" BWV 197: IX. Recitative (Bass): "Vnd"dieser frohe Lebenslauf" 1
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": IX. Recitativo (Bass) "Und dieser frohe Lebenslauf" (from 2003-02-23 until 2003-02-24)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:43
10Cantata "Gott ist unsre Zuversicht" BWV 197: X. Chorale: "So wandelt froh auf Gottes Wegen"
choir vocals:
Amsterdam Baroque Choir (from 2003-02-23 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2003-02-23 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-02-23 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-02-23 until 2003-02-24)
recording of:
Kantate, BWV 197 "Gott ist unsre Zuversicht": X. Choral "So wandelt froh auf Gottes Wegen" (from 2003-02-23 until 2003-02-24)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1736 until 1737)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1736 until 1739)
librettist:
Georg Neumark (German hymn writer) (in 1657)
part of:
Breitkopf 389 Choralgesänge (number: 370)
part of:
Kantate, BWV 197 "Gott ist unsre Zuversicht"
Johann Sebastian Bach0:51
11Cantata "In allen meinen Taten" BWV 97: I. Chorus [Versus 1]: "In allen meinen Taten" 12
choir vocals:
Amsterdam Baroque Choir (from 2002-11-04 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-11-04 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-11-04 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-11-04 until 2002-11-05)
recording of:
Kantate, BWV 97 "In allen meinen Taten": I. Coro "In allen meinen Taten" (from 2002-11-04 until 2002-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach4:14
12Cantata "In allen meinen Taten" BWV 97: II. Aria (Bass) [Versus 2]: "Nichts ist es spat und frühe"
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 97 "In allen meinen Taten": II. Aria (Bass) "Nichts ist es spat und frühe" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach2:58
13Cantata "In allen meinen Taten" BWV 97: III. Recitative (Tenor) [Versus 3]: "Es kann mir nichts geschehen" 14
tenor vocals:
James Gilchrist (British tenor) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 97 "In allen meinen Taten": III. Recitativo (Tenor) "Es kann mir nichts geschehen" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach0:33
14Cantata "In allen meinen Taten" BWV 97: IV. Aria (Tenor) [Versus 4]: "Ich traue seiner Gnaden" 15
tenor vocals:
James Gilchrist (British tenor) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 97 "In allen meinen Taten": IV. Aria (Tenor) "Ich traue seiner Gnaden" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach7:28
15Cantata "In allen meinen Taten" BWV 97: V. Recitative (Alto) [Versus 5]: "Erwolle meiner Siinden" 16
alto vocals:
Bogna Bartosz (from 2002-11-04 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-11-04 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-11-04 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-11-04 until 2002-11-05)
recording of:
Kantate, BWV 97 "In allen meinen Taten": V. Recitativo (Alt) "Er wolle meiner Sünden" (from 2002-11-04 until 2002-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach0:40
16Cantata "In allen meinen Taten" BWV 97: VI. Aria (Alto) [Versus 6]: "Leg ich mich spate nieder" 17
alto vocals:
Bogna Bartosz (from 2002-11-04 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-11-04 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-11-04 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-11-04 until 2002-11-05)
recording of:
Kantate, BWV 97 "In allen meinen Taten": VI. Aria (Alt) "Leg ich mich späte nieder" (from 2002-11-04 until 2002-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach3:31
17Cantata "In allen meinen Taten" BWV 97: VII. Aria (Duet: Soprano, Bass) [Versus 7]: "Hat er es denn beschlossen" 18
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-05-09 until 2002-05-14)
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 97 "In allen meinen Taten": VII. Duetto (Sopran, Bass) "Hat er es denn beschlossen" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach3:15
18Cantata "In allen meinen Taten" BWV 97: VIII. Aria (Soprano) [Versus 8]: "Ihm hab ich mich ergeben" 19
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-09 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-09 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-09 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-09 until 2002-05-14)
recording of:
Kantate, BWV 97 "In allen meinen Taten": VIII. Aria (Sopran) "Ihm hab ich mich ergeben" (from 2002-05-09 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach3:24
19Cantata "In allen meinen Taten" BWV 97: IX. Chorale [Versus ultimus]: "So sei nun, Seele, deine"
choir vocals:
Amsterdam Baroque Choir (from 2002-11-04 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-11-04 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-11-04 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-11-04 until 2002-11-05)
recording of:
Kantate, BWV 97 "In allen meinen Taten": IX. Choral "So sei nun, Seele, deine" (from 2002-11-04 until 2002-11-05)
lyricist:
Paul Fleming (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1734 until 1735)
part of:
Breitkopf 389 Choralgesänge (number: 297)
part of:
Kantate, BWV 97 "In allen meinen Taten"
Johann Sebastian Bach0:48
20Motet "O Jesu Christ, meins Lebens Licht" BWV 118
choir vocals:
Amsterdam Baroque Choir (from 2003-10-13 until 2003-10-19)
orchestra:
Amsterdam Baroque Orchestra (from 2003-10-13 until 2003-10-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-10-13 until 2003-10-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-10-13 until 2003-10-19)
recording of:
BWV 118 "O Jesu Christ, meins Lebens Licht" (from 2003-10-13 until 2003-10-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 118) and Bach Compendium (number: BC B 23)
Johann Sebastian Bach4:11
21Cantata "Gloria in excelsis Deo" BWV 191: I. Chorus: "Gloria in excelsis Deo" 22
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": I. Coro "Gloria in excelsis Deo" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: IV. Gloria in excelsis Deo (Mass in B minor, BWV 232: IIa. Gloria: Chorus "Gloria in excelsis Deo")
is based on:
h-Moll-Messe, BWV 232: I. Missa: V. Et in terra pax (Mass in B minor, BWV 232: IIb. Gloria: Chorus "Et in terra pax")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach6:45
22Cantata "Gloria in excelsis Deo" BWV 191: II. Aria (Duet: Soprano, Tenor): "Gloria Patri et Filio" 23
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Caroline Stam (from 1999-03-09 until 1999-03-17)
tenor vocals:
Paul Agnew (tenor and conductor) (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": II. Duetto (Sopran, Tenor) "Gloria Patri et Filio et Spiritui sancto" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: VIII. Domine Deus (Mass in B minor, BWV 232: IIe. Gloria: Duet "Domine Deus")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach3:57
23Cantata "Gloria in excelsis Deo" BWV 191: III. Chorus: "Sicut erat in principio"
recorded in:
Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
sound engineer:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 1999-03-09 until 1999-03-17)
orchestra:
Amsterdam Baroque Orchestra (from 1999-03-09 until 1999-03-17)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 1999-03-09 until 1999-03-17)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1999-03-09 until 1999-03-17)
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1999-03-09 until 1999-03-17)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
recording of:
Kantate, BWV 191 "Gloria in excelsis Deo": III. Coro "Sicut erat in principio" (from 1999-03-11 until 1999-03-19)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1740)
is based on:
h-Moll-Messe, BWV 232: I. Missa: XII. Cum Sancto Spiritu (Mass in B minor, BWV 232: IIi. Gloria: Chorus "Cum Sancto Spiritu")
part of:
Kantate, BWV 191 "Gloria in excelsis Deo"
Johann Sebastian Bach3:59

Credits

Release group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (number: 21) (order: 20)