Legends of Jazz

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Over the Rainbow
vocals:
Judy Garland (on 1939-07-28)
orchestra:
Victor Young and His Orchestra
conductor:
Victor Young (American composer, arranger, violinist & conductor) (on 1939-07-28)
phonographic copyright (℗) by:
Geffen Records (in 1939)
recording of:
Over the Rainbow (The Wizard of Oz) (on 1939-07-28)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
The 12th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1939 winner)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
Judy Garland2:49
2Stormy Weather
instrumental cover recording of:
Stormy Weather
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
Art Tatum3:09
3Ponchatrain
recording of:
Ponchatrain
composer:
Jelly Roll Morton
Jelly Roll Morton2:55
4Give Me Your Telephone Number
J.C. Higginbotham3:09
5Stardust
vocals:
Bing Crosby (in 1939)
orchestra:
The Matty Malneck Orchestra
conductor:
Matty Malneck
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.)
cover recording of:
Stardust (the jazz standard) (on 1931-08-19)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Bing Crosby2:59
6Oh Babe, Maybe Someday
Ivie Anderson2:51
7When Day Is Done
recording of:
When Day Is Done
lyricist:
Buddy DeSylva (in 1926)
composer:
Robert Katscher (in 1926)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) and Redwood Music Ltd. (Carlin)
is based on:
Madonna, du bist schöner als der Sonnenschein
Mildred Bailey3:26
8Lullaby of Broadway
clarinet:
Jimmie Noone (on 1935-02-21, on 1940-02-21)
double bass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (on 1935-02-21)
drums (drum set):
Benny Washington (on 1935-02-21)
guitar:
John Henley (on 1935-02-21)
piano:
Zinky Cohn (on 1935-02-21)
saxophone:
Eddie Pollack (on 1935-02-21)
recording of:
Lullaby of Broadway (from “Gold Diggers of 1935”) (on 1935-02-21)
lyricist:
Al Dubin
composer:
Harry Warren (US composer and lyricist) (in 1935)
publisher:
Henrees Music co., M. Witmark & Sons, Peermusic (UK) Limited, Warner Bros., Inc. (Warner Bros. Music Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 winner)
part of:
42nd Street (full musical)
Jimmie Noone3:09
9Jazz Me Blues
Bunny Berigan3:12
10I’ll Be a Friend
recording of:
I'll Be A Friend (With Pleasure)
lyricist and composer:
Maceo Pinkard
Bix Beiderbecke3:03
11Baby, Won’t You Please Come Home
recorded in:
New York, New York, United States (on 1939-01-31)
alto saxophone:
Ted Buckner (US jazz saxophonist) (on 1939-01-31) and Dan Grissom (on 1939-01-31)
double bass:
Moses Allen (on 1939-01-31)
drums (drum set):
Jimmy Crawford (US swing-era jazz drummer) (on 1939-01-31)
guitar:
Al Norris (on 1939-01-31)
piano:
Edwin Wilcox (on 1939-01-31)
reeds:
Earl Carruthers (on 1939-01-31), Willie Smith (US jazz alto saxophonist, 1910-1967) (on 1939-01-31) and Joe Thomas (US jazz tenor saxophone player) (on 1939-01-31)
trombone:
Russell Bowles (on 1939-01-31), Elmer Crumbley (on 1939-01-31) and Trummy Young (on 1939-01-31)
trumpet:
Sy Oliver (on 1939-01-31), Eddie Tompkins (on 1939-01-31) and Paul Webster (trumpet, jazz musician) (on 1939-01-31)
vocals:
Joe Thomas (US jazz tenor saxophone player) (on 1939-01-31)
arranger:
Sy Oliver (on 1939-01-31)
part of:
Vocalion (by matrix number) (number: 24051-2)
cover recording of:
Baby Won’t You Please Come Home (on 1939-01-31)
writer:
Charles Warfield and Clarence Williams (US jazz pianist, composer, singer and bandleader)
publisher:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) and Universal/MCA Music Ltd. (not for release label use!)
Jimmie Lunceford2:52
12Honeysuckle Rose
recorded in:
New York, New York, United States (on 1934-11-07)
clarinet:
Gene Sedric (on 1934-11-07)
double bass:
Billy Taylor (jazz bassist) (on 1934-11-07)
double bass [bass]:
Bill Taylor (jazz bassist) (on 1934-11-07)
drums (drum set):
Harry Dial (on 1934-11-07)
guitar:
Al Casey (US jazz/soul guitarist) (on 1934-11-07)
piano:
Fats Waller (on 1934-11-07)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1934-11-07)
vocals:
Fats Waller (on 1934-11-07)
recording of:
Honeysuckle Rose (on 1934-11-07)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (1977 musical film soundtrack)
part of:
Thousands Cheer (1943 movie)
Fats Waller2:40
13St. Louis Blues
recording of:
St. Louis Blues
lyricist and composer:
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Benny Goodman5:00
14On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. and Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. and シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
part of:
American Splendor
Lionel Hampton3:14
15Tutti Frutti
Gene Krupa2:25
16In the Mood
recorded in:
New York, New York, United States (on 1939-08-01)
tenor saxophone:
Tex Beneke (on 1939-08-01) and Al Klink (on 1939-08-01)
trumpet:
Clyde Hurley (on 1939-08-01)
instrumental recording of:
In the Mood (on 1939-08-01)
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller3:33
17Basin Street Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong3:22
18Jive at Five
recording of:
Jive at Five
composer:
Count Basie (pianist) and Harry “Sweets” Edison
Count Basie2:38
19Pennies From Heaven
guitar:
Herbert Mills (on 1937-02-03) and John Mills, Jr. (on 1937-02-03)
baritone vocals:
Harry Mills (on 1937-02-03)
bass vocals:
John Mills, Jr. (on 1937-02-03)
tenor vocals:
Donald Mills (on 1937-02-03) and Herbert Mills (on 1937-02-03)
recording of:
Pennies From Heaven (on 1937-02-03)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1936)
composer:
Arthur Johnston (American composer and songwriter) (in 1936)
publisher:
Anne-Rachel Music Corp., Campbell Connelly & Co., Campbell Connelly & Co. Ltd., Chappell Music (UK) and Joy Music Inc.
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
The Mills Brothers3:05
20One O’Clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Harry James2:58
2▼CD
#TitleArtistRatingLength
1Hot House
recording of:
Hot House
composer:
Tadd Dameron
publisher:
Bregman, Vocco & Conn Inc./ASCAP
Dizzy Gillespie3:05
2Mood Indigo
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
Dinah Shore3:05
3Bojangles
recording of:
Bojangles
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
Ben Webster2:53
4Twelve o’Clock Jump
Benny Carter2:55
5Sensation
Bud Freeman2:49
6Flying Home
recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald)
lyricist:
Sid Robin (US lyricist & composer)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd and Regent Music (BMI)
version of:
Flying Home (instrumental version)
Charlie Barnet2:53
7Wine-O-Baby Boogie
Big Joe Turner2:33
8Sentimental Journey
recorded in:
New York, New York, United States (on 1944-11-20)
vocals:
Doris Day (on 1944-11-20)
orchestra:
Les Brown and His Orchestra (on 1944-11-20)
recording of:
Sentimental Journey (on 1944-11-20)
lyricist:
Bud Green (in 1944)
composer:
Les Brown (American big band & jazz musician) (in 1944) and Ben Homer (in 1944)
publisher:
Chappell/Morris Ltd., Holliday Publishing, Morley Music Co. Inc. and Morley Music Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Doris Day3:09
9Billie’s Bounce
recording engineer:
Doug Hawkins (sound engineer) (on 1945-11-26)
producer:
Teddy Reig
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1945-11-26)
double bass:
Curley Russell (on 1945-11-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1945-11-26)
piano:
Dizzy Gillespie (on 1945-11-26)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1945-11-26)
orchestra:
Charlie Parker's Reboppers (on 1945-11-26)
recorded at:
WOR Studios in New York, New York, United States (on 1945-11-26)
recording of:
Billie’s Bounce (on 1945-11-26)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker3:08
10Carnegie Blues
alto saxophone:
Otto Hardwick (on 1945-01-04) and Johnny Hodges (on 1945-01-04)
cornet:
Rex Stewart (on 1945-01-04)
double bass:
Junior Raglin (bass) (on 1945-01-04)
drums (drum set):
Hillard Brown (on 1945-01-04) and Sonny Greer (on 1945-01-04)
guitar:
Fred Guy (on 1945-01-04)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1945-01-04)
reeds:
Harry Carney (on 1945-01-04), Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1945-01-04) and Otto Hardwick (on 1945-01-04)
tenor saxophone:
Al Sears (on 1945-01-04)
trombone:
Lawrence Brown (jazz trombonist) (on 1945-01-04), Claude Jones (on 1945-01-04) and Joe "Tricky Sam" Nanton (on 1945-01-04)
trumpet:
William “Cat” Anderson (on 1945-01-04), Taft Jordan (on 1945-01-04), Ray Nance (on 1945-01-04), Shelton Hemphill (on 1945-01-04) and Rex Stewart (on 1945-01-04)
recording of:
Carnegie Blues (on 1945-01-04)
composer:
Bennie R. Crawford, Jr
Duke Ellington2:47
11Embraceable You
recording of:
Embraceable You
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Billie Holiday3:15
12Tiger Rag
solo piano:
Art Tatum (US jazz pianist) (on 1940-02-22)
recording of:
Tiger Rag (original 1917 instrumental version) (on 1940-02-22)
composer:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro and Larry Shields
publisher:
Leo Feist, Inc.
sub-publisher:
EMI Music Publishing France
Art Tatum2:14
13It’s Sand, Man!
alto saxophone:
Earle Warren (on 1942-07-27)
baritone saxophone:
Jack Washington (on 1942-07-27)
double bass:
Walter Page (on 1942-07-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1942-07-27)
guitar:
Freddie Green (on 1942-07-27)
piano:
Count Basie (pianist) (on 1942-07-27)
saxophone:
Caughey Roberts (on 1942-07-27)
tenor saxophone:
Don Byas (on 1942-07-27) and Buddy Tate (US jazz saxophonist & clarinetist) (on 1942-07-27)
trombone:
Eli Robinson (trombonist) (on 1942-07-27), Robert Scott (jazz trombonist) (on 1942-07-27) and Dicky Wells (on 1942-07-27)
trumpet:
Buck Clayton (on 1942-07-27), Harry “Sweets” Edison (on 1942-07-27), Al Killian (on 1942-07-27) and Ed Lewis (jazz trumpeter) (on 1942-07-27)
recording of:
It's Sand, Man! (on 1942-07-27)
writer:
Jon Hendricks, Dave Lambert (jazz vocalist) and Ed Lewis (jazz trumpeter)
Count Basie3:06
14You Are My Sunshine
Bing Crosby2:38
15Sophisticated Lady
Coleman Hawkins3:10
16Georgia on My Mind
cover recording of:
Georgia on My Mind
anthem of:
Georgia, United States (from 1979 to present)
lyricist:
Stuart Gorrell (in 1930)
composer:
Hoagy Carmichael (in 1930)
publisher:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (from 1930 to present) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (from 1930 to present)
sub-publisher:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangement of:
Georgia on My Mind (Solo piano arrangement)
Anita O’Day2:55
17Can’t We Be Friends?
Buster Bailey2:38
18Begin the Beguine
Art Tatum3:19
19Three Little Words
producer:
Milt Gabler
double bass:
John Simmons (bassist) (on 1944-03-27)
drums (drum set):
Jo Jones (US jazz drummer) (on 1944-03-27)
piano:
Joe Bushkin (on 1944-03-27)
tenor saxophone:
Lester Young (saxophonist) (on 1944-03-27)
trombone:
Dicky Wells (on 1944-03-27)
trumpet:
Bill Coleman (US jazz trumpeter) (on 1944-03-27)
instrumental cover recording of:
Three Little Words (on 1944-03-27)
lyricist:
Bert Kalmar (in 1930)
composer:
Harry Ruby (in 1930)
publisher:
Bug Music (music publishing), Chappell and MPL Music Publishing Inc.
adaptations:
As três palavrinhas
Bill Coleman, Dicky Wells, Lester Young, Joe Bushkin, John Simmons & Jo Jones2:52
20What Is This Thing Called Love
instrumental recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Buddy Rich3:42
3▼CD
#TitleArtistRatingLength
1A Foggy Day
recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
Mel Tormé2:51
2Lazy
recording of:
Lazy (on 1942-05-25)
lyricist and composer:
Irving Berlin (in 1924)
Bing Crosby2:29
3Tea for Two
edit of:
Tea for Two (live, 1947-11-30: Symphony Hall, Boston, MA, USA) by Louis Armstrong & His All‐Stars
live recording of:
Tea for Two (No, No, Nanette) (on 1947-11-30)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
recording of:
Tea for Two (No, No, Nanette)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
Louis Armstrong4:42
4Can’t Help Lovin’ Dat Man
vocals:
Ella Fitzgerald (American jazz singer) (on 1941-07-31)
cover recording of:
Can’t Help Lovin’ Dat Man (Show Boat) (on 1941-07-31)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1927)
composer:
Jerome Kern (in 1927)
publisher:
T.B. Harms Co.
medley of:
Selections from "Show boat"
part of:
Show Boat (1951 film)
part of:
Show Boat: Act I
part of:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald2:46
5Rocks in My Bed
recording of:
Rocks in My Bed
lyricist and composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
Ivie Anderson3:05
6“C” Jam Blues
edit of:
"C" Jam Blues (live, 1947-11-30: Symphony Hall, Boston, MA, USA) by Louis Armstrong & His All‐Stars
live recording of:
“C” Jam Blues (on 1947-11-30)
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
recording of:
“C” Jam Blues
composer:
Barney Bigard and Duke Ellington (US composer, pianist & jazz bandleader) (in 1942)
Louis Armstrong3:30
7Stairway to the Stars
vocals:
Dinah Washington (in 1947)
orchestra:
Chubby Jackson and his Orchestra
cover recording of:
Stairway to the Stars
lyricist:
Mitchell Parish
composer:
Matty Malneck and Frank Signorelli
publisher:
EMI United Partnership Ltd. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Dinah Washington2:59
8Night and Day
double bass:
Eddie Brown (Bassist) (on 1945-01-10)
drums (drum set):
‘Doc’ West (on 1945-01-10)
piano:
Erroll Garner (on 1945-01-10)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1945-01-10)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Erroll Garner3:15
9High Society
Edmond Hall4:04
10’round About Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Dizzy Gillespie2:27
11Lover Come Back to Me
Lester Young2:35
12Chattanooga Choo Choo
vocals:
Tex Beneke
recording of:
Chattanooga Choo Choo
lyricist:
Mack Gordon (in 1941)
composer:
Harry Warren (US composer and lyricist) (in 1941)
publisher:
EMI Feist Catalog Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
Glenn Miller3:27
13Caravan
recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Duke Ellington2:45
14The Skunk
Fats Navarro2:56
15St. James Infirmary
bass and double bass:
Billy Taylor Sr. (jazz bassist) (on 1940-12-15)
clarinet:
Barney Bigard (on 1940-12-15)
cornet:
Rex Stewart (on 1940-12-15)
drums (drum set):
Dave Tough (jazz drummer) (on 1940-12-15)
guitar:
Brick Fleagle (on 1940-12-15)
piano:
Billy Kyle (on 1940-12-15)
tenor saxophone:
Ben Webster (on 1940-12-15)
trombone:
Jack Teagarden (on 1940-12-15)
vocals:
Jack Teagarden (on 1940-12-15)
recording of:
St. James Infirmary (Joe Primrose’s arrangement) (on 1940-12-15)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Joe Primrose
publisher:
EMI Harmonies Limited
arrangement of:
St. James Infirmary
version of:
The Unfortunate Lass (Bad Girl's Lament)
Jack Teagarden4:15
16Singin’ in the Rain
recording of:
Singin’ in the Rain
lyricist:
Arthur Freed
composer:
Nacio Herb Brown (US songwriter)
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-publisher:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
part of:
Singin’ in the Rain (stage musical)
part of:
Singin’ in the Rain (soundtrack of the 1952 film)
part of:
The Hollywood Revue (1929 MGM musical film)
Judy Garland3:00
17Tuxedo Junction
Gene Krupa2:56
18As Time Goes By
alto saxophone:
Lem Davis (saxophonist) (on 1944-04-01)
double bass:
John Simmons (bassist) (on 1944-04-01)
drums (drum set):
Sid Catlett (on 1944-04-01)
piano:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (on 1944-04-01)
trombone:
Vic Dickenson (on 1944-04-01)
trumpet:
Doc Cheatham (on 1944-04-01)
vocals:
Billie Holiday (on 1944-04-01)
recording of:
As Time Goes By (the song from “Casablanca”) (on 1944-04-01)
lyricist and composer:
Herman Hupfeld
publisher:
WB Music Corp. (1929–2019) (ended), Chappell (library/production music), Redwood Music, Redwood Music Ltd. (Carlin), Warner Bros., Inc. (Warner Bros. Music Division) and Warner Bros., Inc. (not for release label use!) (in 1931)
sub-publisher:
香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
part of:
Casablanca (original soundtrack of the 1942 American film)
Billie Holiday3:09
19Baby, It’s Cold Outside
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
part of:
The 22nd Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1949 winner)
Dinah Shore & Buddy Clark4:58
20Somebody Loves Me
George Wettling3:45
4▼CD
#TitleArtistRatingLength
1Begin the Beguine
Les Brown3:04
2Bloomdido
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1950-06-06)
double bass:
Curley Russell (on 1950-06-06)
drums (drum set):
Buddy Rich (on 1950-06-06)
piano:
Thelonious Monk (on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1950-06-06)
orchestra:
Charlie Parker Quintet (on 1950-06-06)
recording of:
Bloomdido (on 1950-06-06)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist)
Charlie Parker3:25
3Flying Home
recording of:
Flying Home (instrumental version)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Ragbag Music (ASCAP) and Regent Music (BMI)
Oscar Peterson1:49
4Almost Like Being in Love
bongos:
Jack Costanzo (on 1953-01-28)
double bass:
Charlie Harris (jazz bassist) (on 1953-01-28)
drums (drum set):
Lee Young (40s-60s US jazz drummer, then producer/A&R) (on 1953-01-28)
guitar:
John Collins (US jazz guitarist) (on 1953-01-28)
piano:
Buddy Cole (on 1953-01-28) and Nat King Cole (on 1953-01-28)
saxophone:
Jack Dumont (on 1953-01-28), Skeets Herfurt (on 1953-01-28), Joe Koch (on 1953-01-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1953-01-28) and Buck Skalak (on 1953-01-28)
trombone:
Milt Bernhart (on 1953-01-28), Ed Kusby (on 1953-01-28), Jimmy Priddy (on 1953-01-28) and Si Zentner (on 1953-01-28)
trumpet:
Pete Candoli (on 1953-01-28), Manny Klein (on 1953-01-28), Shorty Sherock (on 1953-01-28) and Rubin "Zeke" Zarchy (on 1953-01-28)
vocals:
Nat King Cole (on 1953-01-28)
orchestra:
Nelson Riddle and His Orchestra (on 1953-01-28)
conductor:
Nelson Riddle (on 1953-01-28)
arranger:
Nelson Riddle
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1953-01-28)
recording of:
Almost Like Being in Love (from “Brigadoon”) (on 1953-01-28)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
Brigadoon (complete musical)
Nat King Cole1:51
5All of You
Mel Torme2:47
6Don’t Get Around Much Any More
bass:
Keter Betts (in 1953)
drums (drum set):
Jimmy Cobb (US jazz drummer) (in 1953)
piano:
Beryl Booker (in 1953)
vocals:
Dinah Washington (in 1953)
cover recording of:
Don’t Get Around Much Anymore (in 1953)
lyricist:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. and Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
version of:
Never No Lament
Dinah Washington3:07
7Anniversary Song
conductor:
Morris Stoloff
recording of:
Anniversary Song
composer:
Iosif Ivanovici (in 1880), Saul Chaplin (in 1946) and Al Jolson (in 1946)
version of:
Valurile Dunării (The Waves of the Danube)
Dinah Shore3:03
8Mister and Mississippi
Patti Page3:08
9Funny (Not Much)
alto saxophone:
Gus Bivona (on 1952-01-11) and Alex Gershonoff (saxophone) (on 1952-01-11)
baritone saxophone:
Chuck Gentry (on 1952-01-11)
double bass:
Charlie Harris (jazz bassist) (on 1952-01-11)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1952-01-11)
guitar:
John Collins (US jazz guitarist) (on 1952-01-11)
piano:
Buddy Cole (on 1952-01-11) and Nat King Cole (on 1952-01-11)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1952-01-11) and Don Lodice (on 1952-01-11)
trombone:
Walter Benson (on 1952-01-11), Jimmy Priddy (on 1952-01-11) and Si Zentner (on 1952-01-11)
trumpet:
Conrad Gozzo (on 1952-01-11), Uan Rasey (on 1952-01-11), Shorty Rogers (trumpet) (on 1952-01-11) and Joseph Triscari (on 1952-01-11)
vocals:
Nat King Cole (on 1952-01-11)
orchestra:
Pete Rugolo and His Orchestra (on 1952-01-11)
conductor:
Pete Rugolo (on 1952-01-11)
arranger:
Pete Rugolo
recorded at:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, United States (on 1952-01-11)
recording of:
Funny (Not Much) (on 1952-01-11)
writer:
Philip Broughton, Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl), Marcia Neil and Hughie Prince
Nat King Cole2:57
10A Bushel & a Peck
vocals:
Perry Como (US pop singer & TV personality, 1912–2001) (in 1950) and Betty Hutton (in 1950)
orchestra:
Mitchell Ayres and His Orchestra (in 1950)
recording of:
A Bushel and a Peck
lyricist and composer:
Frank Loesser
part of:
Guys and Dolls (Broadway musical)
Perry Como2:43
11Can’t Get Out of This Mood
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
solo clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
solo tenor saxophone:
Budd Johnson (on 1950-05-18)
solo trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
with George Treadwell and his All Stars (on 1950-05-18)
cover recording of:
Can’t Get Out of This Mood (on 1950-05-18)
lyricist:
Frank Loesser
composer:
Jimmy McHugh (songwriter)
publisher:
Peermusic Ltd (UK) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
sub-publisher:
SEMI Société (SEMI Société)
Sarah Vaughan2:48
12Jealousy
Frankie Laine3:14
13Half Nelson
cover recording of:
Half Nelson
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
recording of:
Half Nelson
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Gerry Mulligan3:01
14After Work
Herbie Mann4:03
15My Heart Cries for You
recording of:
My Heart Cries for You
additional writer:
Percy Faith and Carl Sigman
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Gladys Music Inc. and Massey Music Co., Inc.
is based on:
La Jardinière du roi
Guy Mitchell2:45
16Cotton Tail
Ben Webster3:21
17Autumn Nocturne
Herbie Mann2:52
18Ain’t Misbehavin’
producer:
George Treadwell
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-18)
double bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-18)
drums (drum set):
J.C. Heard (on 1950-05-18)
guitar:
Freddie Green (on 1950-05-18)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-18)
tenor saxophone:
Budd Johnson (on 1950-05-18)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-18)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-18)
vocals:
Sarah Vaughan (on 1950-05-18)
orchestra:
George Treadwell and his All Stars (on 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, United States (on 1950-05-18)
cover recording of:
Ain’t Misbehavin’ (on 1950-05-18)
lyricist:
Andy Razaf (in 1929)
composer:
Harry Brooks (jazz pianist & songwriter) (in 1929) and Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music and Redwood Music Ltd. (Carlin)
Sarah Vaughan2:59
19I’ve Got You Under My Skin
recording of:
I’ve Got You Under My Skin
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
Stan Getz3:15
20Chicken Little
Herbie Mann2:57
5▼CD
#TitleArtistRatingLength
1Nice Work If You Can Get It
recorded in:
New York, New York, United States (on 1950-05-19)
producer:
George Treadwell
bass:
Billy Taylor Jr. (jazz bassist) (on 1950-05-19)
clarinet:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (on 1950-05-19)
drums (drum set):
J.C. Heard (on 1950-05-19)
electric guitar:
Mundell Lowe (on 1950-05-19)
piano:
Jimmy Jones (jazz pianist, active years 1936-1975) (on 1950-05-19)
solo trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1950-05-19)
tenor saxophone:
Budd Johnson (on 1950-05-19)
trombone:
Bennie Green (jazz trombonist) (on 1950-05-19)
vocals:
Sarah Vaughan (on 1950-05-19)
orchestra:
George Treadwell & His All Stars and with George Treadwell and his All Stars (on 1950-05-19)
cover recording of:
Nice Work If You Can Get It (on 1950-05-19)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Gershwin Publishing Corp (in 1937)
part of:
A Damsel in Distress (1937 film score)
part of:
Crazy for You (1992 musical)
part of:
My One and Only (1983 Broadway musical)
Sarah Vaughan2:34
2The Lady in Red
recording of:
The Lady in Red
lyricist:
Mort Dixon
composer:
Allie Wrubel (US composer and songwriter)
Stan Kenton and His Orchestra2:02
3Straight No Chaser
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Straight, No Chaser (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music
Thelonious Monk2:55
4The Roving Kid
cover recording of:
The Roving Kind (Based on "The Pirate Ship")
writer:
Jessie Cavanaugh (songwriting pseudonym used by Howie Richmond) and Arnold Stanton
recording of:
The Roving Kind (Based on "The Pirate Ship")
writer:
Jessie Cavanaugh (songwriting pseudonym used by Howie Richmond) and Arnold Stanton
Guy Mitchell2:47
5Shaw ’nuff
recording of:
Shaw 'Nuff
composer:
Dizzy Gillespie and Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Robbins Music Corp.
Dizzy Gillespie2:55
6Orange Colored Sky
producer:
Lee Gillette
piano:
Nat King Cole (on 1961-07-06)
vocals:
Nat King Cole (on 1961-07-06)
orchestra:
Stan Kenton and His Orchestra (on 1961-07-06)
conductor:
Stan Kenton (on 1961-07-06)
recorded at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States (on 1961-07-06)
recording of:
Orange Colored Sky (on 1961-07-06)
writer:
Milton DeLugg and William Stein
publisher:
Amy Dee Music Corp.
Nat King Cole42:31
7Riders in the Sky
producer:
Lee Gillette
background vocals:
The Jud Conlon Singers (on 1949-04-18)
vocals:
Peggy Lee (jazz vocalist) (on 1949-04-18)
orchestra:
Dave Barbour All-Stars (on 1949-04-18)
conductor:
Dave Barbour (on 1949-04-18)
arranger:
Heinie Beau
cover recording of:
(Ghost) Riders in the Sky: A Cowboy Legend (on 1949-04-18)
lyricist and composer:
Stan Jones (US songwriter and actor “(Ghost) Riders in the Sky”) (on 1948-06-05)
publisher:
Prophecies Publishing, Revega Music and WB Music Corp. (1929–2019)
version of:
Spookrijder in de nacht
Peggy Lee2:39
8Wildwood
Art Farmer2:54
9Rose O’Day
Mel Tormé2:19
10Midnight Sun
Coleman Hawkins2:54
11My Melancholy Baby
alto saxophone:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (on 1950-06-06)
double bass [bass]:
Curley Russell (on 1950-06-06)
drums (drum set):
Buddy Rich (on 1950-06-06)
piano:
Thelonious Monk (on 1950-06-06)
trumpet:
Dizzy Gillespie (on 1950-06-06)
earliest release:
Melancholy Baby by Charlie Parker (aka “Bird”, jazz alto saxophonist) & Dizzy Gillespie
instrumental recording of:
My Melancholy Baby (on 1950-06-06)
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (songwriter, composer, and pianist) (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
recording of:
My Melancholy Baby
lyricist:
George A. Norton (in 1912)
composer:
Ernie Burnett (songwriter, composer, and pianist) (in 1911)
publisher:
Francis, Day & Hunter Ltd. and Shapiro, Bernstein & Co., Inc.
version of:
Melancholy (original 1911 version of "My Melancholy Baby", lyrics by Maybelle E. Watson)
Charlie Parker3:24
12The Red Door
double bass:
Percy Heath (on 1952-09-08)
drums (drum set):
Art Blakey (on 1952-09-08)
piano:
George Wallington (on 1952-09-08)
tenor saxophone:
Zoot Sims (US jazz saxophonist) (on 1952-09-08)
trombone:
Kai Winding (on 1952-09-08)
recording of:
Red Door (on 1952-09-08)
composer:
Gerry Mulligan and Zoot Sims (US jazz saxophonist)
Zoot Sims4:35
13No Other Love Have I
Les Brown2:33
14My Little Suede Shoes
Herbie Mann2:40
15Out of Nowhere
Stan Getz2:25
16Night and Day
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
Oscar Peterson3:38
17Rollin’ Stone
recording of:
Rollin’ Stone
writer:
Irving Gordon (US songwriter)
Perry Como3:04
18Tennessee Waltz
orchestra:
Jack Rael & his Orchestra (in 1950-11)
conductor:
Jack Rael (in 1950-11)
cover recording of:
Tennessee Waltz (on 1950-10-14)
lyricist:
Redd Stewart (in 1946)
composer:
Pee Wee King (in 1946)
publisher:
Acuff-Rose Publications, Inc. (BMI), Cinephonic Music Co., Ltd. and Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
Patti Page3:01
19So What
Gerry Mulligan2:44
20Ain’t Nothing Good
vocals:
Dinah Washington (in 1953)
recording of:
Ain't Nothin' Good (in 1953)
writer:
Jules Fox and Sam Friedman (American songwriter)
Dinah Washington2:52

Credits

Release

part of:Cheap’O’Lata (number: 523) (order: 33)
Discogs:https://www.discogs.com/release/15475321 [info]
ASIN:UK: B000ANYIL4 [info]