A Round Dance of Great Classic Themes

~ Release by Mendelsson Bartholdy, Schubert, Beethoven, Bizet, Dvorak, Tschaikowsky, Schumann, Brahms, u.v.a. (see all versions of this release, 2 available)

Tracklist

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1▼CD
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1A Midsummer Night’s Dream, op. 61/9: Wedding March
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Ein Sommernachtstraum, op. 61: 9. Hochzeitsmarsch. Allegro vivace (A Midsummer Night’s Dream, op. 61: no. 9. Wedding March: Allegro vivace)
composer:
Felix Mendelssohn (composer) (in 1842)
part of:
Ein Sommernachtstraum, op. 61 (A Midsummer Night's Dream, op. 61)
Felix Mendelssohn5:27
2Rosamunde, Princess of Cyprus, D 797, op. 26: Ballet Music no. 2
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Rosamunde, D. 797: IIIa. Entr’acte Nr. 2 D-Dur. Andante
composer:
Franz Schubert (composer) (in 1823)
parody version of:
Längtans blomma är störst på håll
part of:
Rosamunde, D. 797
recording of:
Rosamunde, D. 797: IX. Ballettmusik Nr. 2 G-Dur. Andantino
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert5:51
3Romance for Violin & Orchestra in G, op. 40
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Romance for Violin and Orchestra no. 1 in G major, op. 40
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1802)
part of:
Works of Ludwig van Beethoven by opus number (number: op. 40)
Ludwig van Beethoven6:42
4The Girl from Arles Suite no.1: Carillon
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
composer:
Georges Bizet (French composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:50
5Symphony no. 9 in E flat, op. 95: Largo
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“: II. Largo (Symphony No. 9 in E minor, Op. 95 “From the New World”: II. Largo)
composer:
Antonín Dvořák (composer) (from 1893-01-10 until 1893-05-24)
part of:
Symfonie č. 9 e moll, op. 95 „Z Nového světa“ (Symphony no. 9 in E minor, op. 95 “From the New World”)
Antonín Dvořák5:19
6Swan Lake: Spanish Dance
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky2:25
7Scenes from Childhood: VII. Träumerei
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
recording of:
Kinderszenen, op. 15: No. 7. Träumerei (Scenes from Childhood: Dreaming, original for piano)
composer:
Robert Schumann (German classical composer) (in 1838)
part of:
Classic 100: Piano (2004) (number: 17)
part of:
Kinderszenen, op. 15
Robert Schumann2:44
8Hungarian Dance no. 1 in G minor: Allegro molto
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Hungarian Dances for orchestra, WoO 1, Book 1, no. 1 in G minor: Allegro molto (Brahms orchestration)
orchestrator:
Johannes Brahms (German composer) (in 1873)
composer:
Johannes Brahms (German composer)
orchestration of:
Hungarian Dances for piano, 4 hands, WoO 1, Book 1, no. 1 in G minor: Allegro molto
part of:
Hungarian Dances for orchestra, WoO 1, Book 1
Johannes Brahms3:31
9Symphony no. 5 in C sharp minor: Adagietto - Sehr langsam
orchestra:
Rundfunk Sinfonie Orchester Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 5 in C-sharp minor: IV. Adagietto. Sehr langsam
composer:
Gustav Mahler (composer) (from 1901 until 1902)
part of:
Symphony no. 5
Gustav Mahler9:08
10Symphony no. 5 in A major, op. 90: Andante con moto
orchestra:
London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO)
conductor:
Alfred Scholz
recording of:
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto
composer:
Felix Mendelssohn (composer) (in 1833)
part of:
Symphony no. 4 in A major, op. 90 “Italian”
Felix Mendelssohn5:47
11The Carnival of the Animals (Zoological Fantasy): The Swan
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
Le Carnaval des animaux: XIII. Le Cygne (catch-all for arrangements)
composer:
Camille Saint‐Saëns (composer)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, two pianos and cello)
part of:
Le Carnaval des animaux (catch-all for arrangements)
Camille Saint‐Saëns2:48
12Rákóczi March
orchestra:
Süddeutsche Philharmonie (an Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym), Alexander von Pitamic (Alfred Scholz pseudonym) and Hans Swarowsky (conductor - do not confuse with the Alfred Scholz pseudonym)
recording of:
La Damnation de Faust : Première Partie : Scène 3. Marche Hongroise (Orchestre) (Rákóczi March)
composer:
Hector Berlioz (French composer)
part of:
La Damnation de Faust, op. 24: Première Partie
Hector Berlioz4:18
13Nocturne op. 15, no. 2 in F sharp major
piano [Bechstein]:
Peter Schmallfuss (pianist)
recording of:
Nocturne no. 5 in F‐sharp major, op. 15 no. 2: Larghetto
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Chopin: An Index of His Works in Chronological Order (The Brown Catalogue) (number: B. 55) and Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 112)
part of:
Nocturnes, op. 15
Fryderyk Chopin3:24
14Sabre Dance
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Alfred Scholz
recording of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55: V. Sabre Dance
composer:
Արամ Խաչատրյան (Aram Khachaturian, Soviet-Armenian composer) (in 1942)
version of:
Gayaneh: Act III, Scene VII (Expiation). Sabre Dance
part of:
Third Suite from the ballet “Gayaneh” for orchestra, op. 55
Aram Khachaturian2:34
15Intermezzo from Cavallerie Rusticana
choir vocals:
Chor Ljubljana (RTV Slovenia Chamber Choir)
orchestra:
Rundfunk Sinfonie Orchester (RTV Slovenia Symphony Orchestra)
conductor:
Marko Munih (conductor)
chorus master:
Mirko Cuderman (choir master)
recording of:
Cavalleria rusticana: Intermezzo
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:28
16Carmina Burana: Ave formosissima / O Fortuna
baritone vocals:
Rudolf Knoll (operatic baritone)
choir vocals:
Salzburger Mozarteum Chor
soprano vocals:
Gerda Hartmann (soprano)
tenor vocals:
Richard Brünner (tenor)
orchestra:
Salzburger Mozarteum Orchestra (Salzburg Mozarteum Orchestra)
conductor:
Kurt Prestel (conductor, chorus master)
compilation of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima by Mozarteum Chor & Orchester Salzburg (Salzburg Mozarteum Orchestra), Kurt Prestel (conductor, chorus master) and Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna by Mozarteum Chor Salzburg, Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Kurt Prestel (conductor, chorus master)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff4:32
17West Side Story: Tonight
orchestra:
Vienna Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
conductor:
Simon Gale (artist name of Jože Privšek)
instrumental recording of:
West Side Story: Tonight (Maria, Tony)
lyricist:
Stephen Sondheim (in 1956)
composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1956)
publisher:
Campbell Connelly & Co. Ltd., Chappell & Co., Inc. (USA) and The Leonard Bernstein Music Publishing Co., LLC
part of:
West Side Story
Leonard Bernstein4:57
2▼CD
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1Bolero for Orchestra
orchestra:
Simfonični orkester RTV Slovenija (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Boléro
composer:
Maurice Ravel (French composer) (in 1928)
publisher:
Ed. Durand & Cie (1909–1947) and Soc. Arima (rights society?)
premiered at:
Palais Garnier in Paris, Île-de-France, France (on 1928-11-22)
part of:
Classic 100: Music of France (2012) (number: 9) and Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 81)
Maurice Ravel13:54
2Slavonic Dance no. 2 in E minor
violin:
Helena Spitkova (Alfred Scholz pseudonym, violinist)
orchestra:
Philharmonia Slavonia (Alfred Scholz pseudonym)
conductor:
Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Slavonic Dances, op. 46, B. 83: No. 2 in E minor (Dumka)
composer:
Antonín Dvořák (composer) (from 1878-04 until 1878-08-22)
part of:
Slavonic Dances, op. 46, B. 83 (for orchestra)
Antonín Dvořák5:38
3Symphonic Poem “The Moldau”
orchestra:
London Symphony Orchestra (Alfred Scholz pseudonym, not the real LSO)
conductor:
Alfred Scholz
recording of:
Má vlast: II. Vltava, JB 1:112/2 (Die Moldau)
composer:
Bedřich Smetana (composer) (from 1874-11-20 until 1874-12-08)
part of:
B. number catalogue by František Bartoš (number: B. 111)
is based on:
La Mantovana
part of:
Má vlast, JB 1:112 (My Country / My Fatherland)
Bedřich Smetana12:57
4Overture Ruslan und Ludmilla
orchestra:
The New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Alfred Scholz
recording of:
Руслан и Людмила: Увертюра (Ruslan and Lyudmila: Overture)
composer:
Mikhail Glinka (Russian composer) (from 1837 until 1842)
part of:
Руслан и Людмила (Ruslan and Lyudmila)
Mikhail Glinka5:37
5The Sleeping Beauty Ballet Suite: Introduction, the Lilac Fairy
orchestra:
The New Philharmonia Orchestra London (Alfred Scholz related, not the London Philharmonic, the Philharmonia or the New Philharmonia)
conductor:
Alfred Scholz
recording of:
The Sleeping Beauty Suite, op. 66a: I. Introduction. La Fée des Lilas
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer)
part of:
The Sleeping Beauty, op. 66a (Suite)
Pyotr Ilyich Tchaikovsky3:37
6Moonlight Sonata op. 27, no. 2 in C sharp minor: Adagio sostenuto
audio engineer:
Südwest Tonstudio (engineering)
grand piano and solo piano:
Dubravka Tomšič (pianist)
piano:
Silvia Čápová (pianist), Debra Ruth Zobel and Dubravka Tomšič (pianist) (in 1986-04)
recording of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto (in 1986-04)
composer:
Ludwig van Beethoven (German composer) (in 1801)
included in:
end of starchild (video game soundtrack)
part of:
Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight”
Ludwig van Beethoven6:07
7Concerto for Violin & Orchestra no. 1, op. 6, in D: Rondo - Allegro Spiritoso
violin:
Iwan Cerkow (violinist, an Alfred Scholz pseudonym)
orchestra:
Camerata Romana (an Alfred Scholz pseudonym)
conductor:
Eugen Duvier (conductor, an Alfred Scholz pseudonym)
recording of:
Concerto for Violin and Orchestra in D major, op. 6, MS 21: III. Rondò - Allegro spiritoso
composer:
Niccolò Paganini (Italian composer and violinist) (from 1815 until 1816)
part of:
Concerto for Violin and Orchestra in D major, op. 6, MS 21
Niccolò Paganini6:34
8Minute Waltz in D flat, op. 64/1
piano:
Silvia Čápová (pianist)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 212)
part of:
Waltzes, op. 64
Fryderyk Chopin1:54
9Carmen Suite no. 1: Interlude
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect; see Simfonični orkester RTV Slovenija for the real orchestra)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:45
10Symphony no. 5 in B major D 485
orchestra:
Radio Symphony Orchestra Ljubljana (RTV Slovenia Symphony Orchestra)
conductor:
Anton Nanut (conductor)
recording of:
Symphony no. 5 in B-flat major, D. 485: I. Allegro
composer:
Franz Schubert (composer) (in 1816)
part of:
Symphony no. 5 in B‐flat major, D. 485
Franz Schubert4:34
11Lyric Pieces, Book III, op. 43, no. 5, Erotikk
piano:
Dieter Goldman (pianist, Alfred Scholz related)
recording of:
Lyriske stykker, hefte III, op. 43: No. 5: Erotikk (for piano)
composer:
Edvard Grieg (composer)
part of:
Lyriske stykker, hefte III, op. 43 (Lyric pieces, book III, op. 43)
Edvard Grieg2:30
12Ballet Suite from Sylvia
orchestra:
Philharmonia Slavonia (Alfred Scholz pseudonym)
conductor:
Henry Adolf (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Sylvia: Ballet Suite: III. Pizzicati
composer:
Léo Delibes (French composer) (from 1876 until 1880)
arrangement of:
Bake Sale
part of:
Sylvia: Ballet Suite
Léo Delibes2:39
13Egyptian March, op. 335
orchestra:
Philharmonia Slavonia (Alfred Scholz pseudonym) and Royal Philharmonic Orchestra
conductor:
Henry Adolf (fictitious conductor, Alfred Scholz pseudonym), Alfred Scholz and Frank Shipway (British conductor)
recording of:
Egyptischer Marsch, op. 335
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 335)
Johann Strauss II2:40

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manufactured in:Czech
distributed by, copyrighted (©) by and phonographic copyright (℗) by:Selected Sound Carrier
ASIN:DE: B000051M5J [info]