Summer in the Sixties

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:44
2Sunny Afternoon
registrazione di:
Sunny Afternoon
paroliere e compositore:
Ray Davies (UK singer/songwriter, member of The Kinks)
editore:
Carlin Music Corporation, Davray Music Ltd., Carlin (nel 1984) e Davray (publisher) (nel 1984)
The Kinks3:33
3The 59th St Bridge Song (Feelin’ Groovy)
produttore:
Bob Johnston (US record producer and early rockebilly singer)
registrazione di:
The 59th Street Bridge Song (Feelin’ Groovy) (il 1966-08-16)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
Simon & Garfunkel3.651:41
4Let’s Go to San Francisco
registrazione di:
Let’s Go to San Francisco
autore:
John Carter (songwriter & producer, b. 1942) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men)
editore:
Peermusic Ltd. (BMI)
The Flower Pot Men53:34
5Do It Again
produttore:
Brian Wilson (Beach Boys co‐founder) e Carl Wilson (Beach Boys)
voce principale:
Mike Love (Beach Boys)
registrazione strumentale di:
Do It Again
autore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
editore:
Rondor Music (London) Ltd.
registrazione dal vivo di:
Do It Again
autore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
editore:
Rondor Music (London) Ltd.
The Beach Boys22:18
6Happy Together
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner (singer and songwriter) e Alan Gordon (American songwriter who co‐wrote The Turtles’ hit “Happy Together”)
editore:
Alley Music Corp., EMI Music Publishing (do not use as a release label!), The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.42:55
7Itchycoo Park
tecnico:
Glyn Johns
produttore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
diritti fonografici (℗) detenuti da:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1967)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione di:
Itchycoo Park
autore:
Ronnie Lane e Steve Marriott (English musician and songwriter)
editore:
EMI United Partnership Ltd. (conclusa) e EMI Catalogue Partnership
Small Faces3.652:45
8See Emily Play
tecnico di registrazione:
Peter Bown (sound engineer, last name often misprinted as “Brown”) (il 1967-05-21)
tecnico:
John Woods (UK producer)
produttore e diritti fonografici (℗) detenuti da:
Norman Smith (UK producer/engineer, performed as Hurricane Smith) (nel 1967)
batteria :
Nick Mason (of Pink Floyd) (il 1967-05-21)
chitarra basso :
Roger Waters (il 1967-05-21)
chitarra elettrica , chitarra slide e voce principale:
Syd Barrett (il 1967-05-21)
clavicembalo [Baldwin Spinet electric harpsichord] , farfisa , pianoforte e pianoforte tack :
Richard Wright (Pink Floyd keyboardist) (il 1967-05-21)
voce di accompagnamento:
Roger Waters (il 1967-05-21) e Richard Wright (Pink Floyd keyboardist) (il 1967-05-21)
direttore d'orchestra:
Norman Smith (UK producer/engineer, performed as Hurricane Smith)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967, nel 1974, nel 2007)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1967-05-21) e Sound Techniques in Chelsea, Kensington and Chelsea, London (Greater London), England, Regno Unito (il 1967-05-21)
registrazione di:
See Emily Play (il 1967-05-21)
paroliere e compositore:
Syd Barrett
editore:
Essex Music International, Essex Music, Inc., Magdalene Music, TRO-Essex Music, Inc. e Westminster Music Ltd.
Pink Floyd3.72:53
9Summer in the City
pianoforte elettrico aggiunto:
Artie Schroeck
voce principale:
John Sebastian
direttore d'orchestra:
Michael Kamen (American score composer)
diritti fonografici (℗) detenuti da:
Buddah Records (revived/renamed in 1998 as Buddha Records) (nel 1966), Kama Sutra (nel 1966), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1966) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1966)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 393)
registrazione di:
Summer in the City
autore:
Steve Boone, John Sebastian e Mark Sebastian
editore:
Alley Music Corp., Beechwood Music Corp., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Bug Music (music publishing), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Gallo Music Publishing, Mark Sebastian Music, Robbins Music Corp., Robbins Music Corp. Ltd., The Hudson Bay Music Co. (publisher), Trio Music (publisher) e Trio Music Co., Inc.
The Lovin’ Spoonful4.82:39
10Brown Eyed Girl
tecnico di registrazione:
Brooks Arthur (il 1967-03-28)
produttore:
Bert Russell Berns
batteria :
Gary Chester (studio drummer and educator) (il 1967-03-28)
chitarra :
Al Gorgoni (guitarist, composer, arranger, and producer) (il 1967-03-28), Hugh McCracken (il 1967-03-28) e Van Morrison (il 1967-03-28)
chitarra basso :
Eric Gale (il 1967-03-28)
organo :
Garry Sherman (mid-20th century composer, arranger & conductor) (il 1967-03-28)
voce di accompagnamento:
The Sweet Inspirations (il 1967-03-28)
voce principale:
Van Morrison (il 1967-03-28)
esecutore:
Van Morrison (il 1967-03-28)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (nel 1967), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967), Charly Records (nel 1968) e Exile Productions Ltd. (not for Label Release) (nel 1973)
registrata presso:
A&R Recording Studio A (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-03-28) e A&R Recording Studio (original studio, 1958–1967) in New York, New York, Stati Uniti (il 1967-04-07)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 71) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 109)
registrazione di:
Brown Eyed Girl (dal 1967-03-28 al 1967-04-07)
paroliere e compositore:
Van Morrison
editore:
Artist Alliance, Gallo Music Publishers, PolyGram Music Publishing Australia Pty. Ltd., PolyGram Music Publishing Ltd., Songs of PolyGram International, Inc., Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Web IV Music Inc. (nel 1967) e Polygram Publishing AB (nel 1992)
Van Morrison3.53:02
11Got to Get You Into My Life
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963, nel 1966) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1966)
registrazione cover di:
Got to Get You Into My Life
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Cliff Bennett & the Rebel Rousers2:32
12I Don’t Want Our Love to Die
The Herd2:57
13Judy in Disguise
diritti fonografici (℗) detenuti da:
Pye International (nel 1968)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 96)
registrazione di:
Judy in Disguise (With Glasses) (nel 1967)
autore:
Andrew Bernard e John Fred (John Fred Gourrier)
editore:
Bug Music Ltd., Fanfare Music Corp., Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e MCS Music Ltd.
John Fred & His Playboy Band3.852:57
14Surf City
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1963)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 32)
registrazione di:
Surf City
autore:
Jan Berry e Brian Wilson (Beach Boys co‐founder)
editore:
EMI Music Publishing (do not use as a release label!) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Jan & Dean32:27
15Mony Mony
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Mony Mony
autore:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry e Tommy James (American musician, singer, songwriter and record producer)
editore:
Big Seven Music Corp., EMI Blackwood Music (Canada) Ltd., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB e Planetary Nom (London) Ltd.
Tommy James & the Shondells2:53
16Respect
tecnico di registrazione:
Tom Dowd (il 1967-02-14)
produttore:
Jerry Wexler
batteria :
Roger Hawkins (drummer and producer) (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd., Warner Chappell e Warner/Chappell North America
Aretha Franklin3.92:23
17Harlem Shuffle
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd. e HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
remaster di:
Harlem Shuffle di Bob & Earl
registrazione di:
Harlem Shuffle
autore:
Earl Nelson e Bob Relf
editore:
Bug Music Ltd., Bug Music (music publishing) (nel 1988), Keyman Music (publisher) (nel 1988) e Marc-Jean Music (publisher) (nel 1988)
Bob & Earl22:51
18Over Under Sideways Down
registrazione di:
Over Under Sideways Down
autore:
Jeff Beck (English rock guitarist), Chris Dreja, Jim McCarty (UK drummer, Yardbirds member), Keith Relf e Paul Samwell-Smith
editore:
Glenwood Music Corp. e Henrees Music co.
The Yardbirds2:23
19Tobacco Road
produttore:
Mickie Most (English record producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 40)
registrazione cover di:
Tobacco Road
paroliere e compositore:
John D. Loudermilk
editore:
Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
The Nashville Teens2:26
20Hi Ho Silver Lining
produttore:
Mickie Most (English record producer) (il 1967-01-19)
batteria :
Clem Cattini (il 1967-01-19)
chitarra basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (il 1967-01-19)
chitarra elettrica e voce principale:
Jeff Beck (English rock guitarist) (il 1967-01-19)
voce di accompagnamento:
Rod Stewart (il 1967-01-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1967)
lavorazione tecnica effettuata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (il 1967-01-19)
registrazione di:
Hi Ho Silver Lining (il 1967-01-19)
autore:
Scott English e Larry Weiss (American singer-songwriter)
editore:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:54
21Bus Stop
produttore:
The Hollies e Ron Richards
basso :
Bernie Calvert (il 1966-05-18)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966, nel 2003) e Parlophone (nel 1966)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1966-05-18)
registrazione di:
Bus Stop (il 1966-05-18)
paroliere e compositore:
Graham Gouldman
editore:
Basement Brazil Editora, Bramsdene Music Corporation, Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edition Wilhelm Hansen, EMI Blackwood Music (Canada) Ltd., Hournew Music Ltd., Man-Ken Music, Limited e Music Sales Corporation (American copyright holder in both popular and classical music)
adattamenti:
バス ストップ (Angels’ Japanese version)
The Hollies4.752:54
22Pretty Flamingo
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1966)
registrazione di:
Pretty Flamingo
paroliere e compositore:
Mark Barkan
editore:
Campbell Connelly (Australia) P/L e Campbell Connelly & Co. Ltd.
Manfred Mann52:34
23San Francisco
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.752:57
24Don’t Let the Sun Catch You Crying
registrazione cover di:
Don’t Let the Sun Catch You Cryin’
paroliere e compositore:
Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
editore:
Northern Music (song publisher) e Universal Music Corp. (USA, affiliated with ASCAP)
Gerry & the Pacemakers2:34
25The First Cut Is the Deepest
produttore:
Mike Hurst (musician and record producer from London, England)
voce:
P.P. Arnold
arrangiatore:
Art Greenslade
registrazione di:
The First Cut Is the Deepest
paroliere e compositore:
Cat Stevens (now known as Yusuf Islam)
editore:
Duchess Music Corporation (BMI-affiliated), Mushroom Music Pty. Ltd. e Salafa Ltd.
P.P. Arnold43:12
26Space Oddity
produttore:
Gus Dudgeon
basso :
Herbie Flowers (nel 1969-06)
batteria :
Terry Cox (UK rock drummer) (nel 1969-06)
chitarra a 12 corde e battimani , stilofono Dubreq , voce di accompagnamento e voce principale:
David Bowie (English singer‐songwriter) (nel 1969-06)
chitarra elettrica :
Mick Wayne (nel 1969-06)
mellotron :
Rick Wakeman (nel 1969-06)
violoncello :
Paul Buckmaster (nel 1969-06)
arrangiatore:
David Bowie (English singer‐songwriter) e Paul Buckmaster
diritti fonografici (℗) detenuti da:
Jones/Tintoretto Entertainment Company LLC (nel 1969, nel 2009), Jones/Tintoretto Entertainment Co. LLC. (nel 1976) e Valerian S.A.S. (nel 2017)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1969-06)
video musicali:
Space Oddity (1973, Bowie with red hair & acoustic guitar) di David Bowie (English singer‐songwriter) e Space Oddity (1969, Bowie with round glasses & cap) di David Bowie (English singer‐songwriter)
versioni a cappella:
Space Oddity / Major Tom (Coming Home) di Tufts Beelzebubs (Tufts University all-male a cappella group)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 42), Indie 88: Top 500 Indie Rock Songs (numero: 53) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 189)
registrazione di:
Space Oddity (nel 1969-06)
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
Onward Music Ltd., TRO Essex Music International, Inc., Tro-Cromwell Music, Inc. e Westminster Music Ltd.
David Bowie4.255:13
2▼CD
#TitoloArtistaValutazioneDurata
1Give Peace a Chance
tecnico di registrazione e tecnico di missaggio:
André Perry (Canadian producer)
produttore:
John Lennon (The Beatles) e Yoko Ono (Japanese‐American musician and artist)
chitarra acustica e voce principale:
John Lennon (The Beatles)
percussione :
The Radha Kṛṣṇa Temple (London)
voce di accompagnamento:
Yoko Ono (Japanese‐American musician and artist)
voce di accompagnamento ospite:
Petula Clark (English singer & actress), Abraham Feinberg (rabbi and singer), Allen Ginsberg (American poet and writer), Dick Gregory, Timothy Leary, Murray the K, Rosemary Woodruff (Timothy Leary's wife) e Derek Taylor (UK rock journalist/publicist)
diritti fonografici (℗) detenuti da:
Yoko Ono Lennon (Japanese‐American musician and artist) (nel 1969)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998)
registrata presso:
Room 1742, Queen Elizabeth Hotel in Montréal (Montreal, city), Québec (Quebec), Canada (il 1969-06-01)
video musicali:
Give Peace a Chance di The Plastic Ono Band
registrazione di:
Give Peace a Chance
paroliere e compositore:
John Lennon (The Beatles)
editore:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Tunes LLC (ASCAP)
John Lennon & The Plastic Ono Band3.654:54
2Rainy Day Women #12 & 35
produttore:
Bob Johnston (US record producer and early rockebilly singer)
registrata presso:
Columbia Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1966-03-09)
registrazione di:
Rainy Day Women #12 & 35 (il 1966-03-10)
paroliere e compositore:
Bob Dylan (dal 1966-02 al 1966-03)
editore:
Dwarf Music (dal 1966 a oggi)
Bob Dylan3.654:35
3On the Road Again
registrazione di:
On the Road Again
paroliere e compositore:
Floyd Jones (blues performer and songwriter) e Alan Wilson (Canned Heat member)
editore:
Embassy Music Corporation, EMI Catalogue Partnership, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co (publisher), SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer (publisher; see also Songs of Peer, Ltd.) e United Partnership Ltd.
Canned Heat43:14
4Man of the World
diritti fonografici (℗) detenuti da:
Immediate (nel 1969)
video musicali:
Man of the World di Fleetwood Mac
registrazione di:
Man of the World
compositore:
Peter Green (former member of Fleetwood Mac)
editore:
Fleetwood Music Ltd. e Palan Music Publishing Ltd.
Fleetwood Mac3.52:51
5I’d Rather Go Blind
registrazione di:
I’d Rather Go Blind
paroliere:
Billy Foster (American singer, member of The Medallions and songwriter)
compositore:
Ellington Jordan
editore:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Chicken Shack3:17
6A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
Procol Harum4.14:02
7Living in the Past
registrazione di:
Living in the Past (Jethro Tull)
paroliere e compositore:
Ian Anderson (of Jethro Tull) (il 1969-02-12)
editore:
BMG Monarch, Ian Anderson Music Ltd. e Chrysalis Music Ltd. (music publisher, affiliated with PRS) (nel 1969)
Jethro Tull3:19
8Somebody to Love
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce:
Marty Balin (dal 1966-10-31 al 1966-11-22) e Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967) e RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 274)
registrazione di:
Somebody to Love (Jefferson Airplane song) (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music (BMI), Irving Music, Inc., Knockout Music Company, Rondor Music, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.553:00
9Eight Miles High
produttore:
Allen Stanton
chitarra a 12 corde :
Roger McGuinn (il 1966-01-25)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 51), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 150) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 181)
registrazione di:
Eight Miles High (il 1966-01-25)
autore:
Gene Clark (US singer-songwriter; founder of The Byrds), David Crosby e Roger McGuinn
editore:
Gene Clark Music, Reservoir One America, Tickson Music Co. e TRO Essex Music Ltd.
The Byrds4.23:37
10Heroes & Villains
registrazione di:
Heroes and Villains
paroliere:
Van Dyke Parks
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music (BMI)
The Beach Boys3:38
11We’ve Gotta Get Out of This Place
produttore:
Mickie Most (English record producer)
voce:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1965) e Columbia Pictures Industries, Inc. (nel 1965)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 35), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 233)
registrazione di:
We Gotta Get Out of This Place
paroliere:
Cynthia Weil
compositore:
Barry Mann
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Francis, Day & Hunter (nel 1979)
sub-editore:
EMI Music Publishing Japan, Fujipacific Division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Animals3.83:14
12Time Is Tight
registrazione di:
Time Is Tight
compositore:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) e Booker T. Jones
editore:
Al Jackson Jr. Music e Irving Music (BMI)
Booker T. & the MG’s3:17
13The Grass Grow
The Move3:00
14My White Bicycle
produttore:
Mark Wirtz
tastiera :
Mark Wirtz
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1967)
registrazione di:
My White Bicycle
autore:
Ken Burgess e Keith Hopkins
editore:
Carlin Music Corporation, Getaway Songs Ltd., Intersong Music e Sony Music (global brand, excluding JP, owned by Sony Music Entertainment)
Tomorrow43:17
15Hurdy Gurdy Man
registrata a:
London (Greater London), England, Regno Unito (nel 1968)
produttore:
Mickie Most (English record producer)
basso :
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (nel 1968)
batteria :
Clem Cattini (nel 1968)
chitarra acustica e tambura :
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1968)
chitarra elettrica :
Allan Holdsworth (nel 1968) e Jimmy Page (nel 1968)
voce:
Donovan Leitch (Scottish singer, songwriter and guitarist) (nel 1968)
arrangiatore:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1968)
registrazione di:
Hurdy Gurdy Man (nel 1968)
paroliere e compositore:
Donovan Leitch (Scottish singer, songwriter and guitarist)
editore:
Donovan Music Ltd.
Donovan53:13
16King Midas in Reverse
produttore:
Ron Richards
chitarra acustica :
Graham Nash
voce:
Graham Nash
diritti fonografici (℗) detenuti da:
The Hollies Ltd. (nel 1967, nel 2003)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1967-08-03 al 1967-08-04)
registrazione di:
King Midas in Reverse (dal 1967-08-03 al 1967-08-04)
autore:
Allan Clarke (of The Hollies), Tony Hicks e Graham Nash
compositore:
Graham Nash
The Hollies43:03
17Kites
registrazione di:
Kites
compositore:
Hal Hackady e Lee Pockriss
editore:
Campbell Connelly & Co. Ltd.
Simon Dupree & the Big Sound3:47
18Good Morning Starshine
registrazione di:
Good Morning Starshine (from “Hair”)
paroliere:
James Rado (US actor, playwright, director, writer & composer) e Gerome Ragni
compositore:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
editore:
EMI Catalogue Partnership
parte di:
Hair (1967 musical)
Oliver53:39
19In Dreams
registrata a:
Nashville, Tennessee, Stati Uniti (il 1963-01-04)
produttore:
Fred Foster
voce principale:
Roy Orbison
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 312)
registrazione di:
In Dreams (il 1963-01-04)
paroliere e compositore:
Roy Orbison
editore:
Barbara Orbison Music Company, Roy Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1963-02-13)
Roy Orbison42:49
20When Will I Be Loved
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1960)
registrazione di:
When Will I Be Loved? (il 1960-02-18)
paroliere e compositore:
Phil Everly
editore:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:03
21Frozen Orange Juice
registrazione di:
Frozen Orange Juice
autore:
Peter Sarstedt
editore:
EMI Catalogue Partnership
Peter Sarstedt3:11
22Time of the Season
tecnico:
Geoff Emerick (British recording engineer) e Peter Vince (engineer, producer)
produttore:
Rod Argent e Chris White (UK bassist for The Zombies)
batteria :
Hugh Grundy (nel 1967-08)
chitarra :
Paul Atkinson (nel 1967-08)
chitarra basso :
Chris White (UK bassist for The Zombies) (nel 1967-08)
mellotron, organo e pianoforte :
Rod Argent (nel 1967-08)
voce:
Colin Blunstone (nel 1967-08)
voce di accompagnamento:
Rod Argent (nel 1967-08) e Chris White (UK bassist for The Zombies) (nel 1967-08)
diritti fonografici (℗) detenuti da:
CBS (CBS Records’ international imprint from 1962–1990; renamed since 1991 as Columbia) (nel 1968)
registrata presso:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (nel 1967-08)
lavorazione tecnica effettuata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 349)
registrazione di:
Time of the Season (nel 1967-08)
paroliere e compositore:
Rod Argent
editore:
Melodie der Welt J. Michel KG Musikverlag (renamed since 2010-01-07 as Melodie der Welt J. Michel GmbH & Co. KG), Verulam Music Co. Ltd. e Mainstay Music, Inc. (nel 1968)
The Zombies4.53:33
23You’re No Good
produttore:
Wally Ridley (English composer & producer)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1964-04-11)
registrazione cover di:
You’re No Good
paroliere e compositore:
Clint Ballard, Jr.
editore:
Beardog Publishing, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Edwin H. Morris & Co. (a division of MPL Communications Inc.)
The Swinging Blue Jeans2:17
24Don’t Throw Your Love Away
diritti fonografici (℗) detenuti da:
Wyncote Music Co. Ltd. (nel 1964)
registrazione cover di:
Don’t Throw Your Love Away
autore:
Billy Jackson (US soul/disco producer & songwriter)
compositore:
Jimmy Wisner (pianist, producer and songwriter)
The Searchers42:15

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ASIN:UK: B00023NDI6 [info]