Cantatas, Volume 17

~ Release by J.S. Bach; The Amsterdam Baroque Orchestra & Choir, Ton Koopman (see all versions of this release, 2 available)

Tracklist

| |
1▼CD: Cantatas BWV 169, 32, 58, 84
#TitleArtistRatingLength
1Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 Sinfonia
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03, from 2002-09-25 until 2002-11-05)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia (from 2002-09-25 until 2002-10-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach7:21
2Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 Gott soll allein mein Herze haben
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 2002-09-25 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-11-05, from 2002-10-28 until 2002-11-05)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben" (from 2002-10-28 until 2002-11-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach2:27
3Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 Gott soll allein mein Herze haben
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 2002-09-25 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-11-05, from 2002-10-28 until 2002-11-05)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben" (from 2002-10-28 until 2002-11-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach6:31
4Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 Was ist die Liebe Gottes?
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 2002-09-25 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-11-05, from 2002-10-28 until 2002-11-05)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alt) "Was ist die Liebe Gottes?" (from 2002-10-28 until 2002-11-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach0:44
5Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 Stirb in mir, Welt
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 2002-09-25 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-11-05, from 2002-10-28 until 2002-11-05)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt" (from 2002-10-28 until 2002-11-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach5:29
6Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 Doch meint es auch dabei
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 2002-10-28 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10-28 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10-28 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10-28 until 2002-11-05)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alt) "Doch meint es auch dabei" (from 2002-10-28 until 2002-11-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach0:22
7Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 Du süße Liebe, schenk uns deine Gunst
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2002-09-25 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-11-05, from 2002-10-28 until 2002-11-05)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst" (from 2002-10-28 until 2002-11-05)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 256)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach1:01
8Cantata No. 32, "Liebster Jesu, mein Verlangen," BWV 32 Liebster Jesu, mein Verlangen
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Johannette Zomer (soprano) (from 2002-02-26 until 2002-03-06)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02-26 until 2002-03-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02-26 until 2002-03-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02-26 until 2002-03-06)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": I. Aria (Soprano) "Liebster Jesu, mein Verlangen" (from 2002-02-26 until 2002-03-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach5:33
9Cantata No. 32, "Liebster Jesu, mein Verlangen," BWV 32 Was ists, daß du mich gesuchet?
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-02-26 until 2002-03-06)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02-26 until 2002-03-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02-26 until 2002-03-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02-26 until 2002-03-06)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": II. Recitativo (Basso) "Was ists, dass du mich gesuchet?" (from 2002-02-26 until 2002-03-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach0:23
10Cantata No. 32, "Liebster Jesu, mein Verlangen," BWV 32 Hier in meines Vaters Stätte
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-02-26 until 2002-03-06)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02-26 until 2002-03-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02-26 until 2002-03-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02-26 until 2002-03-06)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": III. Aria (Basso) "Hier, in meines Vaters Stätte" (from 2002-02-26 until 2002-03-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach6:27
11Cantata No. 32, "Liebster Jesu, mein Verlangen," BWV 32 Ach! heiliger und großer Gott
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-02-26 until 2002-03-06)
soprano vocals:
Johannette Zomer (soprano) (from 2002-02-26 until 2002-03-06)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02-26 until 2002-03-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02-26 until 2002-03-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02-26 until 2002-03-06)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": IV. Recitativo (Dialog: Soprano, Basso) "Ach! heiliger und großer Gott" (from 2002-02-26 until 2002-03-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach2:22
12Cantata No. 32, "Liebster Jesu, mein Verlangen," BWV 32 Nun verschwinden alle Plagen
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-02-26 until 2002-03-06)
soprano vocals:
Johannette Zomer (soprano) (from 2002-02-26 until 2002-03-06)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02-26 until 2002-03-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02-26 until 2002-03-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02-26 until 2002-03-06)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": V. Aria (Duetto: Soprano, Basso) "Nun verschwinden alle Plagen" (from 2002-02-26 until 2002-03-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach5:13
13Cantata No. 32, "Liebster Jesu, mein Verlangen," BWV 32 Mein Gott, öffne mir dei Pforten
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2002-02-26 until 2002-03-06)
orchestra:
Amsterdam Baroque Orchestra (from 2002-02-26 until 2002-03-06)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-02-26 until 2002-03-06)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-02-26 until 2002-03-06)
recording of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen": VI. Choral "Mein Gott, öffne mir die Pforten" (from 2002-02-26 until 2002-03-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Gerhardt (17th century hymn writer) (in 1647)
part of:
Breitkopf 389 Choralgesänge (number: 102)
part of:
Kantate, BWV 32 "Liebster Jesu, mein Verlangen"
Johann Sebastian Bach1:07
14Cantata No. 58, "Ach Gott, wie manches Herzeleid," BWV 58 Ach Gott, wie manches Herzeleid
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-03-10 until 2003-02-24)
choir vocals:
Amsterdam Baroque Choir (from 2002-03-10 until 2003-02-24)
soprano vocals:
Johannette Zomer (soprano) (from 2002-03-10 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2002-03-10 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-03-10 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-03-10 until 2003-02-24, from 2003-02-21 until 2003-02-24)
recording of:
Kantate, BWV 58.2 "Ach Gott, wie manches Herzeleid": I. Aria con Choral (Coro Soprano, Basso) "Ach Gott, wie manches Herzeleid" (later version, commonly performed) (from 2003-02-21 until 2003-02-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 58.2 "Ach Gott, wie manches Herzeleid" (later version, commonly performed)
Johann Sebastian Bach4:13
15Cantata No. 58, "Ach Gott, wie manches Herzeleid," BWV 58 Verfolgt dich gleich die arge Welt
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-03-10 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2002-03-10 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-03-10 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-10 until 2002-05-14, from 2002-03-10 until 2003-02-24)
recording of:
Kantate, BWV 58.2 "Ach Gott, wie manches Herzeleid": II. Recitativo (Basso) "Verfolgt dich gleich die arge Welt" (later version, commonly performed) (from 2002-05-10 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 58.2 "Ach Gott, wie manches Herzeleid" (later version, commonly performed)
Johann Sebastian Bach1:22
16Cantata No. 58, "Ach Gott, wie manches Herzeleid," BWV 58 Ich bin vergnügt in meinem Leiden
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Johannette Zomer (soprano) (from 2002-03-10 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2002-03-10 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-03-10 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-03-10 until 2003-02-24, from 2003-02-21 until 2003-02-24)
recording of:
Kantate, BWV 58.2 "Ach Gott, wie manches Herzeleid": III. Aria (Soprano) "Ich bin vergnügt in meinem Leiden" (later version, commonly performed) (from 2003-02-21 until 2003-02-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 58.2 "Ach Gott, wie manches Herzeleid" (later version, commonly performed)
Johann Sebastian Bach3:40
17Cantata No. 58, "Ach Gott, wie manches Herzeleid," BWV 58 Kann es die Welt nicht lassen
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Johannette Zomer (soprano) (from 2002-03-10 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2002-03-10 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-03-10 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-03-10 until 2003-02-24, from 2003-02-21 until 2003-02-24)
recording of:
Kantate, BWV 58.2 "Ach Gott, wie manches Herzeleid": IV. Recitativo (Soprano) "Kann es die Welt nicht lassen" (later version, commonly performed) (from 2003-02-21 until 2003-02-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 58.2 "Ach Gott, wie manches Herzeleid" (later version, commonly performed)
Johann Sebastian Bach1:03
18Cantata No. 58, "Ach Gott, wie manches Herzeleid," BWV 58 Ich hab für mir ein schwere Reis
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-03-10 until 2003-02-24)
choir vocals:
Amsterdam Baroque Choir (from 2002-03-10 until 2003-02-24)
soprano vocals:
Johannette Zomer (soprano) (from 2002-03-10 until 2003-02-24)
orchestra:
Amsterdam Baroque Orchestra (from 2002-03-10 until 2003-02-24)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-03-10 until 2003-02-24)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-03-10 until 2003-02-24, from 2003-02-21 until 2003-02-24)
recording of:
Kantate, BWV 58.2 "Ach Gott, wie manches Herzeleid": V. Aria con Choral (Coro Soprano, Basso) "Ich hab für mir ein schwere Reis" (later version, commonly performed) (from 2003-02-21 until 2003-02-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 58.2 "Ach Gott, wie manches Herzeleid" (later version, commonly performed)
Johann Sebastian Bach2:26
19Cantata No. 84, "Ich bin vergnügt mit meinem Glücke," BWV 84 Ich bin vergnügt mit meinem Glücke
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-10 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-10 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-10 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-10 until 2002-10-03, from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": I. Aria (Sopran) "Ich bin vergnügt mit meinem Glücke" (from 2002-09-25 until 2002-10-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach5:49
20Cantata No. 84, "Ich bin vergnügt mit meinem Glücke," BWV 84 Gott ist mir ja nichts schuldig
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-10 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-10 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-10 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-10 until 2002-05-14, from 2002-05-10 until 2002-10-03)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": II. Recitativo (Sopran) "Gott ist mir ja nichts schuldig" (from 2002-05-10 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach1:20
21Cantata No. 84, "Ich bin vergnügt mit meinem Glücke," BWV 84 Ich esse mit Freuden mein weniges Brot
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-10 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-10 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-10 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-10 until 2002-05-14, from 2002-05-10 until 2002-10-03)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": III. Aria (Sopran) "Ich esse mit Freuden mein weniges Brot" (from 2002-05-10 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach4:23
22Cantata No. 84, "Ich bin vergnügt mit meinem Glücke," BWV 84 Im Schweiße meines Angesichts
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-10 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-10 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-10 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-10 until 2002-10-03, from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": IV. Recitativo (Sopran) "Im Schweiße meines Angesichts" (from 2002-09-25 until 2002-10-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Christian Friedrich Henrici
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach0:54
23Cantata No. 84, "Ich bin vergnügt mit meinem Glücke," BWV 84 Ich leb indes in dir vergnüget
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2002-05-10 until 2002-10-03)
vocals:
Amsterdam Baroque Choir (from 2002-05-10 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-10 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-10 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-10 until 2002-10-03, from 2003-10-15 until 2003-10-19)
recording of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke": V. Choral (Coro) "Ich leb indes in dir vergnüget" (from 2003-10-15 until 2003-10-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
librettist:
Ämilie Juliane von Schwarzburg-Rudolstadt (in 1686)
part of:
Breitkopf 389 Choralgesänge (number: 373)
part of:
Kantate, BWV 84 "Ich bin vergnügt mit meinem Glücke"
Johann Sebastian Bach0:50
2▼CD: Cantatas BWV 19, 56, 13
#TitleArtistRatingLength
1Cantata No. 19, "Es erhub sich ein Streit," BWV 19 Es erhub sich ein Streit
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2002-10-28 until 2003-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10-28 until 2003-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10-28 until 2003-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10-28 until 2003-11-05)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": I. Coro "Es erhub sich ein Streit" (from 2002-10-28 until 2002-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach4:16
2Cantata No. 19, "Es erhub sich ein Streit," BWV 19 Gottlob! der Drache liegt
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-09-25 until 2003-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2003-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2003-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2003-10-03)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": II. Recitativo (Basso) "Gottlob! der Drache liegt" (from 2002-09-25 until 2002-10-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:54
3Cantata No. 19, "Es erhub sich ein Streit," BWV 19 Gott schickt uns Mahanaim zu
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-10 until 2003-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-10 until 2003-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-10 until 2003-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-10 until 2003-05-14)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": III. Aria (Soprano) "Gott schickt uns Mahanaim zu" (from 2002-05-10 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach3:19
4Cantata No. 19, "Es erhub sich ein Streit," BWV 19 Was ist der schnöde Mensch
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Jörg Dürmüller (from 2003-10-15 until 2003-10-19)
orchestra:
Amsterdam Baroque Orchestra (from 2003-10-15 until 2003-10-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-10-15 until 2003-10-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-10-15 until 2003-10-19)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": IV. Recitativo (Tenore) "Was ist der schnöde Mensch, das Erdenkind?" (from 2003-10-15 until 2003-10-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:52
5Cantata No. 19, "Es erhub sich ein Streit," BWV 19 Bleibt, ihr Engel, bleibt bei mir
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Jörg Dürmüller (from 2003-10-15 until 2003-10-19)
orchestra:
Amsterdam Baroque Orchestra (from 2003-10-15 until 2003-10-19)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2003-10-15 until 2003-10-19)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2003-10-15 until 2003-10-19)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": V. Aria (Tenore) "Bleibt, ihr Engel, bleibt bei mir!" (from 2003-10-15 until 2003-10-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach7:24
6Cantata No. 19, "Es erhub sich ein Streit," BWV 19 Laßt uns das Angesicht
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sandrine Piau (soprano) (from 2002-05-10 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-10 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-10 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-10 until 2002-05-14)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VI. Recitativo (Soprano) "Laßt uns das Angesicht" (from 2002-05-10 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Christian Friedrich Henrici (from 1724 until 1725)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach0:36
7Cantata No. 19, "Es erhub sich ein Streit," BWV 19 Laß dein Engel mit mir fahren
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2002-10-28 until 2003-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10-28 until 2003-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10-28 until 2003-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10-28 until 2003-11-05)
recording of:
Kantate, BWV 19 "Es erhub sich ein Streit": VII. Choral "Laß dein' Engel mit mir fahren" (from 2002-10-28 until 2002-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Breitkopf 389 Choralgesänge (number: 99)
part of:
Kantate, BWV 19 "Es erhub sich ein Streit"
Johann Sebastian Bach1:09
8Cantata No. 13, "Meine Seufzer, meine Tränen," BWV 13 Meine Seufzer, meine Tränen
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Paul Agnew (tenor and conductor) (from 2001-11-28 until 2001-12-01)
orchestra:
Amsterdam Baroque Orchestra (from 2001-11-28 until 2001-12-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-11-28 until 2001-12-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-11-28 until 2001-12-01)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": I. Aria (Tenore) "Meine Seufzer, meine Tränen" (from 2001-11-28 until 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach6:45
9Cantata No. 13, "Meine Seufzer, meine Tränen," BWV 13 Mein liebster Gott läßt mich annoch
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 2001-11-28 until 2001-12-01)
orchestra:
Amsterdam Baroque Orchestra (from 2001-11-28 until 2001-12-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-11-28 until 2001-12-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-11-28 until 2001-12-01)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": II. Recitativo (Alto) "Mein liebster Gott lässt mich annoch" (from 2001-11-28 until 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach0:57
10Cantata No. 13, "Meine Seufzer, meine Tränen," BWV 13 Der Gott, der mir hat versprochen
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 2001-11-28 until 2001-12-01)
orchestra:
Amsterdam Baroque Orchestra (from 2001-11-28 until 2001-12-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-11-28 until 2001-12-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-11-28 until 2001-12-01)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": III. Choral (Alto) "Der Gott, der mir hat versprochen" (from 2001-11-28 until 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Heermann (in 1636)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach2:34
11Cantata No. 13, "Meine Seufzer, meine Tränen," BWV 13 Mein Kummer nimmet zu
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sandrine Piau (soprano) (from 2001-11-28 until 2001-12-01)
orchestra:
Amsterdam Baroque Orchestra (from 2001-11-28 until 2001-12-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-11-28 until 2001-12-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-11-28 until 2001-12-01)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": IV. Recitativo (Soprano) "Mein Kummer nimmet zu" (from 2001-11-28 until 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach1:08
12Cantata No. 13, "Meine Seufzer, meine Tränen," BWV 13 Achzen und erbärmlich Weinen
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-11-28 until 2001-12-01)
orchestra:
Amsterdam Baroque Orchestra (from 2001-11-28 until 2001-12-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-11-28 until 2001-12-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-11-28 until 2001-12-01)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": V. Aria (Basso) "Ächzen und erbärmlich Weinen" (from 2001-11-28 until 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach6:50
13Cantata No. 13, "Meine Seufzer, meine Tränen," BWV 13 So sei nun, Seele, deine
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2001-11-28 until 2001-12-01)
orchestra:
Amsterdam Baroque Orchestra (from 2001-11-28 until 2001-12-01)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-11-28 until 2001-12-01)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-11-28 until 2001-12-01)
recording of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen": VI. Choral "So sei nun, Seele" (from 2001-11-28 until 2001-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Paul Fleming (poet) (in 1642)
part of:
Breitkopf 389 Choralgesänge (number: 295)
part of:
Kantate, BWV 13 "Meine Seufzer, meine Tränen"
Johann Sebastian Bach0:52
14Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 Ich will den Kreuzstab gerne tragen
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:46
15Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 Mein Wandel auf der Welt
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:42
16Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 Endlich wird mein Joch
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:33
17Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 Ich stehe fertig und bereit
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:34
18Cantata No. 56, "Ich will den Kreuzstab gerne tragen," BWV 56 Komm, o Tod, du Schlafes Bruder
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (on 2001-03-12)
orchestra:
Amsterdam Baroque Orchestra (on 2001-03-12)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (on 2001-03-12)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (on 2001-03-12)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (on 2001-03-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:23
3▼CD: Cantatas BWV 35, 17, 57
#TitleArtistRatingLength
1Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 Prima parte. Sinfonia
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, I. Sinfonia (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach5:39
2Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 Prima parte. Geist und Seele wird verwirret
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Nathalie Stutzmann (contralto and conductor) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, II. Aria (Alto) "Geist und Seele wird verwirret" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach8:17
3Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 Prima parte. Ich wundre mich
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Nathalie Stutzmann (contralto and conductor) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, III. Recitativo (Alto) "Ich wundre mich, denn alles, was man sieht" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach1:30
4Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 Prima parte. Gott hat alles wohlgemacht
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Nathalie Stutzmann (contralto and conductor) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil I, IV. Aria (Alto) "Gott hat alles wohlgemacht" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach3:10
5Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 Seconda parte. Sinfonia
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, V. Sinfonia (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach3:23
6Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 Seconda parte. Ach, starker Gott, laß mich doch dieses stets bedenken
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Nathalie Stutzmann (contralto and conductor) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VI. Recitativo (Alto) "Ach, starker Gott, laß mich doch" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach1:13
7Cantata No. 35, "Geist und Seele wird verwirret," BWV 35 Seconda parte. Ich wünsche nur bei Gott zu leben
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Nathalie Stutzmann (contralto and conductor) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 35 "Geist und Seele wird verwirret": Teil II, VII. Aria (Alto) "Ich wünsche mir, bei Gott zu leben" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 35 "Geist und Seele wird verwirret"
Johann Sebastian Bach2:46
8Cantata No. 17, "Wer Dank opfert, der preiset mich," BWV 17 Prima parte. Wer Dank opfert, der preiset mich
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2002-10-28 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10-28 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10-28 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10-28 until 2002-11-05)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, I. Coro "Wer Dank opfert, der preiset mich" (from 2002-10-28 until 2002-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach4:14
9Cantata No. 17, "Wer Dank opfert, der preiset mich," BWV 17 Prima parte. Es muß die ganze Welt
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
alto vocals:
Bogna Bartosz (from 2002-10-28 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10-28 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10-28 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10-28 until 2002-11-05)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, II. Recitativo (Alto) "Er muß die ganze Welt ein stummer Zeuge werden" (from 2002-10-28 until 2002-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach0:54
10Cantata No. 17, "Wer Dank opfert, der preiset mich," BWV 17 Prima parte. Herr, deine Güte reicht
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sandrine Piau (soprano) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil I, III. Aria (Soprano) "Herr, deine Güte reicht, so weit der Himmel ist" (from 2002-09-25 until 2002-10-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach2:55
11Cantata No. 17, "Wer Dank opfert, der preiset mich," BWV 17 Seconda parte. Einer aber unter ihnen
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Christoph Prégardien (tenor) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, IV. Recitativo (Tenore) "Einer aber unter ihnen" (from 2002-09-25 until 2002-10-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach0:34
12Cantata No. 17, "Wer Dank opfert, der preiset mich," BWV 17 Seconda parte. Welch Übermaß der Güte schenkst du mir!
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
tenor vocals:
Christoph Prégardien (tenor) (from 2002-09-25 until 2002-10-03)
orchestra:
Amsterdam Baroque Orchestra (from 2002-09-25 until 2002-10-03)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-09-25 until 2002-10-03)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-09-25 until 2002-10-03)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, V. Aria (Tenore) "Welch Übermaß der Güte" (from 2002-09-25 until 2002-10-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach3:07
13Cantata No. 17, "Wer Dank opfert, der preiset mich," BWV 17 Seconda parte. Sich meinen Willen an
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2002-05-10 until 2002-05-14)
orchestra:
Amsterdam Baroque Orchestra (from 2002-05-10 until 2002-05-14)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-05-10 until 2002-05-14)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-05-10 until 2002-05-14)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VI. Recitativo (Basso) "Sieh meinen Willen an" (from 2002-05-10 until 2002-05-14)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Ernst Ludwig von Sachsen-Meiningen (in 1704)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach1:14
14Cantata No. 17, "Wer Dank opfert, der preiset mich," BWV 17 Seconda parte. Wie sich ein Vatr erbarmet
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2002-10-28 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2002-10-28 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2002-10-28 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2002-10-28 until 2002-11-05)
recording of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich": Teil II, VII. Choral "Wie sich ein Vat'r erbarmet" (from 2002-10-28 until 2002-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Gramann (in 1530)
part of:
Breitkopf 389 Choralgesänge (number: 271)
part of:
Kantate, BWV 17 "Wer Dank opfert, der preiset mich"
Johann Sebastian Bach1:49
15Cantata No. 57, "Selig ist der Mann," BWV 57 Selig ist der Mann
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-06-20 until 2002-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2002-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2002-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2002-06-27)
recording of:
Kantate, BWV 57 "Selig ist der Mann": I. Aria (Bass). "Selig ist der Mann" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach3:41
16Cantata No. 57, "Selig ist der Mann," BWV 57 Ach! dieser süße Trost!
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sibylla Rubens (soprano) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 57 "Selig ist der Mann": II. Recitativo (Soprano) "Ach! dieser süße Trost" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach1:19
17Cantata No. 57, "Selig ist der Mann," BWV 57 Ich wünschte mir den Tod
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sibylla Rubens (soprano) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 57 "Selig ist der Mann": III. Aria (Soprano). "Ich wünschte mir den Tod, den Tod" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach5:38
18Cantata No. 57, "Selig ist der Mann," BWV 57 Ich reiche dir die Hand
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-06-20 until 2001-06-27)
soprano vocals:
Sibylla Rubens (soprano) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 57 "Selig ist der Mann": IV. Recitativo (Soprano, Basso) "Ich reiche dir die Hand" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach0:20
19Cantata No. 57, "Selig ist der Mann," BWV 57 Ja, ich kann die Feinde schlagen
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 57 "Selig ist der Mann": V. Aria (Basso) "Ja, ja, ich kann die Feinde schlagen" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach4:58
20Cantata No. 57, "Selig ist der Mann," BWV 57 In meinem Schoß liegt Ruh' und Leben
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
bass vocals:
Klaus Mertens (classical singer, bass‐baritone) (from 2001-06-20 until 2001-06-27)
soprano vocals:
Sibylla Rubens (soprano) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VI. Recitativo (Soprano, Bass). "In meinem Schoß liegt Ruh' und Leben" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach1:21
21Cantata No. 57, "Selig ist der Mann," BWV 57 Ich ende behende mein irdisches Leben
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
soprano vocals:
Sibylla Rubens (soprano) (from 2001-06-20 until 2001-06-27)
orchestra:
Amsterdam Baroque Orchestra (from 2001-06-20 until 2001-06-27)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-06-20 until 2001-06-27)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-06-20 until 2001-06-27)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VII. Aria (Soprano) "Ich ende behende mein irdisches Leben" (from 2001-06-20 until 2001-06-27)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach3:54
22Cantata No. 57, "Selig ist der Mann," BWV 57 Richte dich, Liebste, nach meinem Gefallen und gläube
sound engineer and editor:
Adriaan Verstijnen (Dutch recording engineer & producer)
producer:
Tini Mathot (Dutch classical keyboardist)
choir vocals:
Amsterdam Baroque Choir (from 2001-10-28 until 2002-11-05)
orchestra:
Amsterdam Baroque Orchestra (from 2001-10-28 until 2002-11-05)
conductor:
Ton Koopman (conductor, organist and harpsichordist) (from 2001-10-28 until 2002-11-05)
recorded at:
Waalse Kerk (Walloon Church) in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 2001-10-28 until 2002-11-05)
recording of:
Kantate, BWV 57 "Selig ist der Mann": VIII. Choral. "Richte dich, Liebste, nach meinem Gefallen und glaube" (from 2002-10-28 until 2002-11-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ahasverus Fritsch (in 1668)
part of:
Breitkopf 389 Choralgesänge (number: 231)
part of:
Kantate, BWV 57 "Selig ist der Mann"
Johann Sebastian Bach0:46

Credits

Release

art direction:George Cramer (art director and designer)
miscellaneous support:Willemijn Mooij (task: production coordinator)
design:Marcel van den Broek
artwork:Pieter Saenredam
ASIN:DE: B0007M8HYC [info]
discography entry:http://www.bach-cantatas.com/Performers/Koopman-Vol17.htm [info]

Release group

part of:Complete Cantatas (Ton Koopmans complete Bach Cantatas for Erato) (number: 17) (order: 16)
Allmusic:https://www.allmusic.com/album/mw0001389741 [info]