Power Pop Anthems

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Killer Queen
Techniker(in):
Kris Fredriksson, Justin Shirley‐Smith und Mike Stone (producer and engineer, 1960s–80s)
Produzent(in):
Roy Thomas Baker (producer), Brian May (Queen guitarist), Queen (UK rock group) und Roger Taylor (Queen drummer)
Bassgitarre und Keyboard:
John Deacon
E-Gitarre:
Brian May (Queen guitarist)
Klavier, tack piano und Sologesang:
Freddie Mercury
Perkussion, Schlagzeug, triangle und Windspiel:
Roger Taylor (Queen drummer)
Hintergrundgesang:
Brian May (Queen guitarist), Freddie Mercury und Roger Taylor (Queen drummer)
Orchestrator(in):
Brian May (Queen guitarist)
phonographisches Urheberrecht (℗) von:
Queen (UK rock group) (in 1974)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974), Hollywood Records, Inc. (holding company, not a release label; Disney subsidiary) (in 1974) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1974)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich, Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich, Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich und Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Killer Queen von Queen (UK rock group)
recording of:
Killer Queen
Texter und Komponist(in):
Freddie Mercury
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (Queen musical)
Queen43:01
2My Sharona
Bass:
Prescott Niles (in 1979-04)
Gitarre [lead guitar]:
Berton Averre (in 1979-04)
Gitarre [rhythm guitar] und Sologesang:
Doug Fieger (in The Knack) (in 1979-04)
Schlagzeug:
Bruce Gary (in 1979-04)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
My Sharona (in 1979-04)
Verfasser(in):
Berton Averre und Douglas Fieger (in The Knack)
publisher:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia und Wise Brothers Music LLC
The Knack3.94:00
3Teenage Kicks
Techniker(in):
Roger Bechirian
Produzent(in):
Roger Bechirian und The Undertones (Northern Irish punk rock band)
aufgenommen bei:
Wizard Studios in Belfast, Belfast (Belfast City Council), County Antrim, County Down, Northern Ireland, Vereinigtes Königreich
Teil von:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 59)
recording of:
Teenage Kicks
Texter und Komponist(in):
John O’Neill (of The Undertones)
publisher:
Universal Music Corporation (USA, affiliated with ASCAP) und Universal/MCA Music Ltd. (not for release label use!)
The Undertones4.72:24
4I’m Gonna Be (500 Miles)
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
accordion:
Dave Whetstone
Akustikgitarre:
Jerry Donahue und Charlie Reid
Bassgitarre:
Phil Cranham
E-Gitarre:
Jerry Donahue
Fiddle:
Steve Shaw (Steve Brennan)
Keyboard:
Pete Wingfield (keyboardist, singer, producer, songwriter)
Mandoline und tin whistle:
Stuart Nisbet
Schlagzeug:
Paul Robinson (UK drummer, also Turning Point member)
Steel-Gitarre:
Gerry Hogan
vocals:
Charlie Reid und Craig Reid
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1988) und Chrysalis Records, Inc. (not for release label use!) (in 1988)
aufgenommen bei und mixed at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, Vereinigtes Königreich
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 21)
recording of:
I’m Gonna Be (500 Miles)
Verfasser(in):
Charlie Reid und Craig Reid
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und Warner/Chappell Music Ltd. (1996–2019)
The Proclaimers43:35
5You Get What You Give
Mix:
Michael Brauer (engineer)
E-Bass:
John Pierce (US session bassist)
Gitarre:
Gregg Alexander und Rusty Anderson
Keyboard und Hintergrundgesang:
Rick Nowels
Perkussion:
Juliet Prater
Schlagzeug:
Gary Ferguson (Session drummer)
Sologesang:
Gregg Alexander
zusätzlich vocals arranger:
Richie Podler
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1998)
recording of:
You Get What You Give
Verfasser(in):
Gregg Alexander und Rick Nowels
publisher:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. und Grosse Point Harlem
New Radicals3.654:38
6Big Sur
Produzent(in):
Tony Hoffer
Mix:
Michael H. Brauer (engineer)
Banjo, Bassgitarre und Hintergrundgesang:
Pádraic McMahon und Daniel Ryan (The Thrills)
Gitarre:
Conor Deasy, Pádraic McMahon und Daniel Ryan (The Thrills)
Klavier, Orgel und Synthesizer:
Kevin Horan (The Thrills)
Mundharmonika und Sologesang:
Conor Deasy
Perkussion und Schlagzeug:
Ben Carrigan (solo artist & member of Irish group ‘The Thrills’)
vocals:
Kevin Horan (The Thrills)
recording of:
Big Sur
Texter:
Conor Deasy
Verfasser(in):
Tommy Boyce (US songwriter of Boyce and Hart) und Bobby Hart
Komponist(in):
Ben Carrigan (solo artist & member of Irish group ‘The Thrills’), Conor Deasy, Kevin Horan (The Thrills), Pádraic McMahon und Daniel Ryan (The Thrills)
The Thrills3.53:06
7Bohemian Like You
Produzent(in):
David Sardy (American score composer) und Courtney Taylor‐Taylor
Mix:
David Sardy (American score composer)
Bass und Keyboard:
Zia McCabe
Gast-Orgel:
Erik Gavriluk
Gitarre:
Peter Holmström und Courtney Taylor‐Taylor
Schlagzeug und Hintergrundgesang:
Brent DeBoer
Slide-Gitarre:
Troy Stewart
vocals:
Courtney Taylor‐Taylor
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
Musikvideos:
Bohemian Like You von The Dandy Warhols
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 449)
recording of:
Bohemian Like You
Texter und Komponist(in):
Courtney Taylor‐Taylor
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Dandy Warhols Music (BMI)
The Dandy Warhols3.853:32
8Stacy’s Mom
Produzent(in):
Chris Collingwood, Mike Denneen und Adam Schlesinger
Mix:
Tom Lord‐Alge
Bass und Synthesizer:
Adam Schlesinger
E-Gitarre [lead]:
Jody Porter (US guitarist for Fountains of Wayne)
E-Gitarre [rhythm] und Sologesang:
Chris Collingwood
Händeklatschen, Schlagzeug und Tamburin:
Brian Young (US drummer for Fountains of Wayne & Posies)
Hintergrundgesang:
Jody Porter (US guitarist for Fountains of Wayne) und Adam Schlesinger
aufgenommen bei:
Q Division in Somerville, Massachusetts, Vereinigte Staaten, Stratosphere Sound (NYC) in Chelsea, New York, New York, Vereinigte Staaten und The Clubhouse in Rhinebeck (town), New York, Vereinigte Staaten
mixed at:
South Beach Studios in Miami Beach, Florida, Vereinigte Staaten
Musikvideos:
Stacy's Mom (Music Video) von Fountains of Wayne
Teil von:
Sean Michaels: The Top 30 Songs of 2003 (Nummer: runner-up), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 401) und Indie 88: Top 500 Indie Rock Songs (Nummer: 496)
recording of:
Stacy’s Mom
Verfasser(in):
Chris Collingwood und Adam Schlesinger
publisher:
Monkey Demon Publishing und Vaguely Familiar Music
Fountains of Wayne4.253:16
9Baby’s Coming Back
Produzent(in):
Albhy Galuten
recording of:
Baby’s Coming Back
Verfasser(in):
Andy Sturmer
Jellyfish42:56
10Jet
recording engineer:
Geoff Emerick (British recording engineer) (in 1973-10)
assistierende(r) Techniker(in):
Monday (engineer) (in 1973-10) und Pete Swettenham (in 1973-10)
Produzent(in):
Paul McCartney (The Beatles) (in 1973-10)
Mix:
Geoff Emerick (British recording engineer) (von 1973-10 bis 1973-11)
Bassgitarre, Moog und Klavier, Schlagzeug und Sologesang:
Paul McCartney (The Beatles) (in 1973-10)
E-Gitarre:
Denny Laine (in 1973-10) und Paul McCartney (The Beatles) (in 1973-10)
Keyboard und Moog:
Linda McCartney (in 1973-10)
Klavier:
Denny Laine (in 1973-10)
Saiteninstrumente:
Beaux Arts Orchestra (in 1973-10)
Saxophon:
Howie Casey (in 1973-10)
Hintergrundgesang:
Denny Laine (in 1973-10), Linda McCartney (in 1973-10) und Paul McCartney (The Beatles) (in 1973-10)
Orchestrator(in):
Tony Visconti
phonographisches Urheberrecht (℗) von:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
aufgenommen bei:
Air Recording Studio No. 1 (located at Oxford Street 1970–1991) in London (Greater London), England, Vereinigtes Königreich (in 1973-10)
mixed at:
Kingsway Studios in Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1973-10 bis 1973-11)
recording of:
Jet (in 1973-10)
Verfasser(in):
Linda McCartney und Paul McCartney (The Beatles)
publisher:
ATV Music Corp. und McCartney Music, Inc.
Paul McCartney & Wings3.34:05
11Rockaria!
Techniker(in):
Mack (German rock producer/engineer Reinhold Mack), Dick Plant (engineer), John Richards (engineer) und Duane Scott
Produzent(in):
Jeff Lynne
Bass und Hintergrundgesang:
Kelly Groucutt (in 1976-07)
Cello:
Melvyn Gale (in 1976-07) und Hugh McDowell (in 1976-07)
Clavinet, Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Geige / Violine:
Mik Kaminski (in 1976-07)
Gitarre:
Jeff Lynne (in 1976-07) und Richard Tandy (keyboardist for Electric Light Orchestra) (in 1976-07)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1976-07)
Sologesang:
Jeff Lynne (in 1976-07)
vocals:
Mary Thomas (British soprano) (in 1976-07)
conductor:
Louis Clark (in 1976-07)
phonographisches Urheberrecht (℗) von:
Jet Records (in 1976), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1976, in 2005) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1976)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1976-07) und Musicland Studios (Munich) in München, Bayern, Deutschland (in 1976-07)
mixed at:
Musicland Studios (Munich) in München, Bayern, Deutschland
edited at:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Rockaria! (in 1976-07)
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Australia Pty. Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Electric Light Orchestra3.853:13
12Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:03
13Fire Brigade
Techniker(in):
Dave Hadfield (engineer)
Produzent(in):
Denny Cordell
produced at:
Maximum Sound Studio in London (Greater London), England, Vereinigtes Königreich (am 1968-02-20)
recording of:
Fire Brigade (von 1966-01 bis 1968-02)
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Essex Music International, Inc., Onward Music Ltd. und Westminster Music Ltd.
The Move42:22
14Friday on My Mind
Produzent(in):
Shel Talmy
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1966, in 1967) und United Artists (in 1966)
produced for:
Albert Productions
recording of:
Friday on My Mind
Verfasser(in):
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) und George Young (Australian musician and producer)
publisher:
J. Albert & Son P/L, J. Albert & Son Pty. Ltd. und Unart Music Corporation (in 1973)
The Easybeats3.552:49
15Fun, Fun, Fun
Produzent(in):
Brian Wilson (Beach Boys co‐founder)
Sologesang:
Mike Love (Beach Boys) (am 1964-01-01)
aufgenommen bei:
RCA Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1964-01-01)
recording of:
Fun, Fun, Fun (am 1964-01-01)
Texter und Komponist(in):
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
publisher:
Almo Music Corporation (USA, affiliated with ASCAP), Elmwin Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Irving Music, Inc. und Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label)
sub-publisher:
ミュージカル・ライツ・東京株式会社 (Musical Lights Tokyo)
The Beach Boys42:18
16Lies
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 36)
recording of:
Lies
Verfasser(in):
Beau Charles und Buddy Randell
The Knickerbockers42:40
17Metal Guru
phonographisches Urheberrecht (℗) von:
Wizard (Bahamas) Ltd., Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Wizard Artists Ltd. (Marc Bolan's company, for copyrights and publisher use) (in 1972)
recording of:
Metal Guru
Texter und Komponist(in):
Marc Bolan
publisher:
Westminster Music und Wizard (Bahamas) Ltd.
T. Rex52:26
18Grace
Produzent(in):
Tony Hoffer
recording of:
Grace
Verfasser(in):
Gaz Coombes, Rob Coombes, Danny Goffey und Mick Quinn
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Supergrass3.352:29
19Play the Hits
Produzent(in):
Edwyn Collins
zusätzliche(r) Produzent(in):
Ian Stanley
recording of:
Play the Hits
Verfasser(in):
Dave Allen (Hal vocalist/guitarist) und Stephen O’Brien (HAL)
publisher:
EMI Music Publishing (do not use as a release label!) und Heavenly Songs
HAL3:21
20I Saw the Light
Produzent(in):
Todd Rundgren
Instrumente und vocals:
Todd Rundgren
arranger:
Todd Rundgren
phonographisches Urheberrecht (℗) von:
Bearsville Records (in 1972)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 452)
recording of:
I Saw the Light
Texter und Komponist(in):
Todd Rundgren
publisher:
Earmark Music Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Todd Rundgren52:57
21Isn’t It Time
recording of:
Isn’t It Time
Verfasser(in):
Jack Conrad (producer and songwriter) und Ray Kennedy (singer, songwriter, and record producer based in L.A.)
publisher:
EMI Music (do not use as release label! this is a music publisher), Jacon Music, Seven Summits Music, Sony/ATV Melody, Sony/ATV Music Publishing Australia Pty Ltd. und X‐Ray Music
The Babys3:51
22David Watts
assistierende(r) Techniker(in):
Alan O’Duffy
Techniker(in):
Alan McKenzie (engineer) und Alan O’Duffy
Produzent(in):
Ray Davies (UK singer/songwriter, member of The Kinks) und Shel Talmy
Keyboard:
Nicky Hopkins (pianist and organist) (von 1967-02 bis 1967-03)
Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (von 1967-02 bis 1967-03)
arranger:
Raymond Douglas Davies (UK singer/songwriter, member of The Kinks)
phonographisches Urheberrecht (℗) von:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1967)
aufgenommen bei:
Pye Studios, Studio 2 in London (Greater London), England, Vereinigtes Königreich (von 1967-02 bis 1967-03)
recording of:
David Watts (von 1967-02 bis 1967-03)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Carlin Music Corporation, Davray Music Ltd., Hi-Count Music, Noma Music und Noma Music Inc.
The Kinks2.52:38
23It’s Only Natural
recording engineer:
Tchad Blake
Produzent(in):
Neil Finn und Mitchell Froom
Mix:
Bob Clearmountain
aufgenommen bei:
Ocean Way Recording in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
It’s Only Natural
Texter und Komponist(in):
Neil Finn und Tim Finn
Crowded House3.13:28
24There She Goes
Techniker(in):
Dave Charles (British drummer as well as producer & engineer)
Produzent(in):
Bob Andrews (keyboardist and producer)
Mix:
Steve Lillywhite
Bassgitarre und Hintergrundgesang:
John Power (of The La’s and Cast)
E-Gitarre:
John Byrne (John 'Boo' Byrne, electric guitarist)
Schlagzeug:
Chris Sharrock
Sologesang:
Lee Mavers
phonographisches Urheberrecht (℗) von:
Go! Discs Ltd. (company credits only; do NOT use as release label) (in 1988)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 45), TV Cream: Real 100 Best Singles Ever (Nummer: 62) und Indie 88: Top 500 Indie Rock Songs (Nummer: 418)
recording of:
There She Goes (The La’s)
Texter und Komponist(in):
Lee Mavers
publisher:
Go! Discs Music Ltd. (publisher) und Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
The La’s42:41
25Shangri-La
recording of:
Shangri‐La
Texter und Komponist(in):
Neil Innes
The Rutles4:22
2▼CD
Nr.TitelKünstlerBewertungLänge
1No Matter What
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 472)
recording of:
No Matter What (in 1970)
Texter und Komponist(in):
Pete Ham
publisher:
Apple Publishing Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und The Estate for Peter William Ham
Badfinger4.352:59
2Start!
Produzent(in):
Vic Coppersmith‐Heaven und The Jam (late 70s/early 80s UK punk/mod revival band)
Bassgitarre:
Bruce Foxton
Gitarre und Sologesang:
Paul Weller (English singer‐songwriter and musician)
Schlagzeug:
Rick Buckler
vocals:
Bruce Foxton
recording of:
Start!
Texter und Komponist(in):
Paul Weller (English singer‐songwriter and musician)
publisher:
BMG Music Publishing Ltd., Stylist Music Ltd. und And Son Music Ltd. (vom 1980 bis heute)
The Jam3.752:16
3My Best Friend’s Girl
assistierende(r) Techniker(in):
Nigel Walker (UK producer/engineer/guitarist)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer), Jay Faires und Tricia Holloway
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978, in 1979)
aufgenommen bei und mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1978-02)
recording of:
My Best Friend’s Girl (in 1978-02)
Texter und Komponist(in):
Ric Ocasek
publisher:
Lido Music, Inc., Universal/MCA Music Publishing Pty Ltd und Lido Music (not for release label use!) (in 1978)
The Cars4.353:41
4Senses Working Overtime
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und XTC (English rock band)
Bearbeitung von:
Senses Working Overtime von XTC (English rock band)
recording of:
Senses Working Overtime
Texter und Komponist(in):
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC4.54:34
5Pulling Mussels (From the Shell)
recording of:
Pulling Mussels (From the Shell)
Texter:
Chris Difford
Komponist(in):
Glenn Tilbrook
publisher:
Deptford Songs und Rondor/Universal
Squeeze3:58
6I Want You to Want Me (live at the Budokan)
recording engineer:
鈴木智雄 (Tomoo Suzuki) (von 1978-04-28 bis 1978-04-30)
assistierende(r) Techniker(in):
Mike Beriger
Techniker(in):
Gary Ladinsky (engineer)
Produzent(in):
Cheap Trick und Jack Douglas
Mix:
Cheap Trick, Gary Ladinsky (engineer) und Jay Messina (in 1978)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1978), CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), EPC (in 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (in 1978, in 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
Nippon Budokan in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Japan (von 1978-04-28 bis 1978-04-30)
mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (in 1978)
live recording of:
I Want You to Want Me (von 1978-04-28 bis 1978-04-30)
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (in 1977) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
Teil von:
10 Things I Hate About You
Cheap Trick3.853:40
7Hanging On the Telephone
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
cover recording of:
Hanging On the Telephone (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Red Admiral Music Inc. (publisher) und Rare Blue Music Inc (in 1978)
Blondie4.32:20
8Turning Japanese
Produzent(in):
Vic Coppersmith‐Heaven
E-Bass [bass guitar]:
Steve Smith (UK bassist for the Vapors)
Gitarre und Sologesang:
David Fenton
Gitarre [lead guitar]:
Edward Bazalgette
Schlagzeug:
Howard Smith (UK drummer for the Vapors)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 30)
recording of:
Turning Japanese
Texter und Komponist(in):
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) und Glenwood Music Corp.
The Vapors3.63:42
9Another Girl Another Planet
assistierende(r) Techniker(in):
Kevin Dallimore (engineering) und Andy Lyden
Techniker(in):
Robert Ash (sound engineer)
assistierende(r) Produzent(in):
Robert Ash (sound engineer)
Produzent(in):
The Only Ones
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1978)
recording of:
Another Girl, Another Planet
Texter und Komponist(in):
Peter Perrett
publisher:
Domino Publishing Co. Ltd.
The Only Ones4.352:59
10Airport
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1978)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 19)
recording of:
Airport
Verfasser(in):
Andy McMaster
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Island Music Ltd. (vom 1978 bis heute)
The Motors3.754:31
11Cruel to Be Kind
Produzent(in):
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
E-Bass [bass guitar]:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Gitarre:
Billy Bremner und Dave Edmunds
Schlagzeug:
Terry Williams (drummer)
vocals:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
phonographisches Urheberrecht (℗) von:
Riviera Global Record Productions Ltd. (in 1979)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 84) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 152)
recording of:
Cruel to Be Kind
Verfasser(in):
Ian Gomm und Nick Lowe (UK singer/songwriter/instrumentalist/producer)
publisher:
Complete Music Ltd.
Teil von:
10 Things I Hate About You
Nick Lowe4.353:27
12September Gurls
Techniker(in):
John Fry (engineer/owner Ardent Studios)
Bassgitarre:
Andy Hummel (US bassist from the Big Star) (von 1973-09 bis 1973-12)
Gitarre:
Alex Chilton (von 1973-09 bis 1973-12)
Schlagzeug:
Jody Stephens (von 1973-09 bis 1973-12)
vocals:
Alex Chilton (von 1973-09 bis 1973-12) und Jody Stephens (von 1973-09 bis 1973-12)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten (von 1973-09 bis 1973-12)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 178) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 239)
recording of:
September Gurls (von 1973-09 bis 1973-12)
Texter und Komponist(in):
Alex Chilton
Big Star42:47
13Is She Really Going Out With Him?
Techniker(in):
Rod Hewison
Produzent(in):
David Kershenbaum
Bassgitarre:
Graham Maby (in 1978-08)
Gitarre:
Gary Sanford (in 1978-08)
Schlagzeug:
David Houghton (in 1978-08)
Sologesang:
Joe Jackson (English musician) (in 1978-08)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1979)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 438)
recording of:
Is She Really Going Out With Him? (in 1978-08)
Texter und Komponist(in):
Joe Jackson (English musician)
publisher:
Kobalt Music (publisher) und Pokazuka Limited
Joe Jackson4.43:37
14Whole Wide World
Bassgitarre und Gitarre:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
Schlagzeug:
Steve Goulding (English drummer for the Rumour, Mekons, etc.)
vocals:
Wreckless Eric
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1977), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
Whole Wide World
Texter und Komponist(in):
Eric Goulden
publisher:
Imagem London Ltd. und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
sub-publisher:
Concord Music Publishing Sàrl
Wreckless Eric4.652:51
15Driver’s Seat
Akustikgitarre:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Bassgitarre:
Chris Birkin
Gitarre:
Mick Dyche und Loz Netto
Schlagzeug:
Luigi Salvoni
vocals:
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
phonographisches Urheberrecht (℗) von:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (in 1978)
recording of:
Driver’s Seat (Sniff ’n’ the Tears song)
Texter und Komponist(in):
Paul Roberts (Lead singer of Sniff ’n’ The Tears)
Sniff ’n’ the Tears43:59
16Echo Beach
assistierende(r) Techniker(in):
Laurence Diana
Techniker(in):
Richard Manwaring (Producer)
Produzent(in):
Mike Howlett
phonographisches Urheberrecht (℗) von:
Dindisc Ltd (in 1980) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980, in 2002)
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich (in 1979-08)
Teil von:
Huffington Post: 100 Best Canadian Songs Ever (Nummer: 87)
recording of:
Echo Beach
Texter und Komponist(in):
Mark Gane
publisher:
EMI Virgin Music Ltd. (do not use this as a release label!) und Virgin Music (publisher and label, only for releases with Virgin MUSIC logo) (in 1980)
Martha and the Muffins3.63:33
17Going Down to Liverpool
Techniker(in) und Produzent(in):
David Kahne
cover recording of:
Going Down to Liverpool
Texter und Komponist(in):
Kimberley Rew
publisher:
Megasongs Limited, Pondwater Music und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Bangles43:39
18Trouble With Love
Any Trouble4:16
19I Think We’re Alone Now
The Rubinoos2:53
20Heart in Her Eyes
The Records3:20
21Go All the Way
Produzent(in):
Jimmy Ienner (producer)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2000)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 181)
recording of:
Go All the Way
Texter und Komponist(in):
Eric Carmen
publisher:
Round Hill Works, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
The Raspberries3.83:20
22Summer Fun
recording of:
Summer Fun
Texter und Komponist(in):
Robin Wills
The Barracudas3:11
23Ever Fallen in Love (With Someone You Shouldn’t’ve)
Techniker(in):
Doug Bennett (producer, engineer) und Martin Rushent
Produzent(in) und Mix:
Martin Rushent
arranger:
Buzzcocks (English punk band)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1989)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 276)
recording of:
Ever Fallen in Love (With Someone You Shouldn’t’ve)
Texter und Komponist(in):
Pete Shelley (Buzzcocks lead singer) (in 1977-11)
publisher:
Complete Music Ltd.
Buzzcocks4.42:41

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ASIN:UK: B000A6NR9K [Info]