Unforgettable

~ Veröffentlichung von Nat King Cole (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1It's Almost Like Being in Love
recording of:
Almost Like Being in Love (from “Brigadoon”)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
Brigadoon (complete musical)
2:03
2What's This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
3:01
3Besame Mucho
cover recording of:
Bésame mucho (English lyric version by Sunny Skylar)
Komponist(in):
Consuelo Velázquez
Übersetzer:
Sunny Skylar
publisher:
Latin American Music, Peer International Corporation (BMI) und Promotora Hispano Americana De Musica S.A.
übersetzte Version von:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez)
2:53
4On the Sunny Side of the Street
recording of:
On the Sunny Side of the Street
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Ancar Enterprises Inc., Cotton Club Publishing, Shapiro, Bernstein & Co., Inc. und Vydia Music Publishing
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Lawrence Wright Music Co., Ltd., Memory Lane Music Ltd., Shapiro Bernstein & Co. Ltd. und シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
Teil von:
American Splendor
2:31
5The Man I Love
cover recording of:
The Man I Love
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
New World Company, New World Music Corp., Productions et Éditions Cinématographiques Françaises, Warner/Chappell Music Holland BV, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Lady, Be Good (full musical)
Teil von:
New York, New York (1977 musical film soundtrack)
2:28
6Too Marvelous For Words
cover recording of:
Too Marvelous for Words
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:24
7That'll Just About Knock Me Out
2:41
8Any Old Time
2:55
9A Trio Grooves in Brooklyn
2:27
10Save the Bones for Henry Jones ('Cause Henry Don't Eat no Meat)
2:40
11My Baby Likes to Be-Bop (and I Like to Be-Bop too)
2:27
12You Can't Lose a Broken Heart
3:00
13My Baby Just Cares for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1949-11-07)
Bongos und Conga und membranophone:
Jack Costanzo (am 1949-11-07)
Gitarre:
Irving Ashby (am 1949-11-07)
Klavier:
Nat King Cole (am 1949-11-07)
Kontrabass:
Joe Comfort (am 1949-11-07)
vocals:
Nat King Cole (am 1949-11-07) und Woody Herman (am 1949-11-07)
Interpret(in):
The Nat King Cole Trio (am 1949-11-07)
cover recording of:
My Baby Just Cares for Me (am 1949-11-07)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
2:47
14Can I Come in for a Second?
Gitarre:
Irving Ashby (am 1950-01-05)
Klavier:
Nat King Cole (am 1950-01-05)
Kontrabass:
Joe Comfort (am 1950-01-05)
Schlagzeug:
Earl Hyde (drummer) (am 1950-01-05)
Tenorsaxophon:
Charlie Barnet (saxophonist, bandleader) (am 1950-01-05)
Trompete:
Ernie Royal (am 1950-01-05)
vocals:
Nat King Cole (am 1950-01-05) und Nellie Lutcher (am 1950-01-05)
Orchester:
Nat King Cole Combo (am 1950-01-05)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1950-01-05)
recording of:
Can I Come In for a Second? (am 1950-01-05)
Texter und Komponist(in):
Sammy Cahn
2:50
15Baby Won't you Say You Love Me
3:00
16I'll Never Say "Never Again" Again
2:48
17I Almost Lost My Mind
3:02
18The Greatest Inventor of Them All
2:17
19Lighthouse in the Sky
2:38
20Too Young
recording of:
Too Young
Texter:
Sylvia Dee (American lyricist)
Komponist(in):
Sidney Lippman (American songwriter)
publisher:
Aria Music Co.
3:38
21Unforgettable
recording of:
Unforgettable
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
3:28
22Red Sails in the Sunset
recording of:
Red Sails in the Sunset
Texter:
James B. Kennedy (Irish songwriter)
Komponist(in):
Hugh Williams (aka Hugh Williams)
publisher:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) und Shapiro, Bernstein & Co., Inc.
3:16
23There Goes My Heart
recording of:
There Goes My Heart
Verfasser(in):
Benny Davis (US vaudeville performer and songwriter) und Abner Silver
2:52
24Pretend
recording of:
Pretend (1952 song popularized by Nat King Cole)
Texter:
Lew Douglas, Frank Lavere und Cliff Parman
Komponist(in):
Dan Belloc, Lew Douglas, Frank Lavere und Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
2:46
25I Love You for Sentimental Reasons
Gitarre:
Oscar Moore (am 1946-08-22)
Klavier:
Nat King Cole (am 1946-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1946-08-22)
vocals:
Nat King Cole (am 1946-08-22)
Interpret(in):
The Nat King Cole Trio (am 1946-08-22)
aufgenommen bei:
WMCA Studios in New York, New York, Vereinigte Staaten (am 1946-08-22)
cover recording of:
(I Love You) for Sentimental Reasons (am 1946-08-22)
Texter:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
Komponist(in):
William “Pat” Best
publisher:
MCA Duchess Music Corporation und Peter Maurice Music Co. Ltd.
42:53
26Tenderly
recording of:
Tenderly
Texter:
Jack Lawrence (US songwriter) (in 1946)
Komponist(in):
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music und Range Road Music
2:57
27Smile
Produzent(in):
Lee Gillette
Bass:
Charlie Harris (jazz bassist) (am 1954-07-27)
Bassposaune:
George Roberts (american bass trombone) (am 1954-07-27)
Bratsche / Viola:
Stanley Harris (US big band viola player) (am 1954-07-27), Paul Robyn (am 1954-07-27), Barbara Simons (am 1954-07-27) und Dave Sterkin (am 1954-07-27)
Cello:
Cy Bernard (am 1954-07-27), Armand Kaproff (am 1954-07-27), Ray Kramer (am 1954-07-27) und Eleanor Slatkin (US cellist, b. Aller) (am 1954-07-27)
Geige / Violine:
Leonard Atkins (am 1954-07-27), Victor Bay (am 1954-07-27), Alex Beller (am 1954-07-27), Harry Bluestone (am 1954-07-27), Walter Edelstein (am 1954-07-27), Nathan Ross (am 1954-07-27), Mischa Russell (violinist) (am 1954-07-27), Eudice Shapiro (Violinist) (am 1954-07-27), Paul Shure (am 1954-07-27), Felix Slatkin (am 1954-07-27), Marshall Sosson (am 1954-07-27) und Gerald Vinci (American violinist and strings conductor) (am 1954-07-27)
Gitarre:
John Collins (US jazz guitarist) (am 1954-07-27)
Klavier:
Bill Miller (pianist) (am 1954-07-27)
Perkussion:
Louis Singer (percussionist) (am 1954-07-27)
Posaune:
Francis Howard (trombone) (am 1954-07-27)
Rohrblattinstrumente:
John Hacker (am 1954-07-27), Harry Klee (am 1954-07-27) und Dominic Mumolo (am 1954-07-27)
Schlagzeug:
Lee Young (40s-60s US jazz drummer, then producer/A&R) (am 1954-07-27)
Waldhorn:
Vincent DeRosa (am 1954-07-27) und William Hinshaw (American horn player) (am 1954-07-27)
vocals:
Nat King Cole (am 1954-07-27)
Orchester:
Nelson Riddle and His Orchestra (in 1954)
conductor:
Nelson Riddle (am 1954-07-27)
arranger:
Nelson Riddle
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-07-27)
cover recording of:
Smile (song version w/ lyrics) (am 1954-07-27)
Texter:
Geoffrey Parsons (lyricist) und John Turner (lyricist)
Komponist(in):
Charlie Chaplin (filmmaker)
publisher:
Bourne France Éditions Musicale, Bourne Music Ltd., Bourne, Inc. und Bourne Co. (not for release label use, this is a music publisher) (in 1954)
sub-publisher:
Editions Vedette Sprl und 日音 Synch事業部 (NICHION, INC. Synch Division)
basiert auf:
Smile (Modern Times; original instrumental version)
Teil von:
Chaplin
2:51

Nennungen

Veröffentlichung

ASIN:US: B00007BKDO [Info]