Les Introuvables de Christa Ludwig

~ Release by Christa Ludwig (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Sapphische Ode, op. 94 Nr. 4
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-11-01 until 1957-11-20)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-01 until 1957-11-20)
balance engineer:
Douglas Larter
concertmaster:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1957-11-01 until 1957-11-20)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-01 until 1957-11-20)
recording of:
5 Lieder, op. 94: Nr. 4. Sapphische Ode (from 1957-11-01 until 1957-11-20)
lyricist:
Hans Schmidt (Baltic-German composer and poet)
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 94
Johannes Brahms2:24
2Liebestreu, op. 3 Nr. 1
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-11-01 until 1957-11-20)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-01 until 1957-11-20)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-01 until 1957-11-20)
recording of:
6 Gesänge, op. 3: Nr. 1. Liebestreu (O versenk', o versenk' dein Leid…) (from 1957-11-01 until 1957-11-20)
lyricist:
Robert Reinick (German poet)
composer:
Johannes Brahms (German composer) (in 1853)
part of:
6 Gesänge, op. 3
Johannes Brahms2:16
3Der Schmied, op. 19 Nr. 4
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-11-01 until 1957-11-20)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-01 until 1957-11-20)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-01 until 1957-11-20)
recording of:
5 Gedichte, op. 19: Nr. 4. Der Schmied (from 1957-11-01 until 1957-11-20)
lyricist:
Ludwig Uhland (German poet)
composer:
Johannes Brahms (German composer)
part of:
5 Gedichte, op. 19
Johannes Brahms1:22
4Die Mainacht, op. 43 Nr. 2
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-11-01 until 1957-11-20)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-01 until 1957-11-20)
balance engineer:
Douglas Larter
concertmaster:
Harold Davidson (classical sound engineer, active from late 1950's) (from 1957-11-01 until 1957-11-20)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-01 until 1957-11-20)
recording of:
4 Gesänge, op. 43: Nr. 2. Die Mainacht (from 1957-11-01 until 1957-11-20)
lyricist:
Ludwig Heinrich Christoph Hölty
composer:
Johannes Brahms (German composer)
part of:
4 Gesänge, op. 43
Johannes Brahms3:50
58 Zigeunerlieder: He, Zigeuner
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Zigeunerlieder, op. 103: Nr. 1. He, Zigeuner, greife in die Saiten ein! (from 1959-05 until 1959-06)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:02
68 Zigeunerlieder: Hochgetürmte Rimaflut
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Zigeunerlieder, op. 103: Nr. 2. Hochgetürmte Rimaflut, wie bist du trüb (from 1959-05 until 1959-06)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:30
78 Zigeunerlieder: Wißt ihr, wann mein Kindchen
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Zigeunerlieder, op. 103: Nr. 3. Wißt ihr, wann mein Kindchen am allerschönsten ist? (from 1959-05 until 1959-06)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:20
88 Zigeunerlieder: Lieber Gott, du weißt
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Zigeunerlieder, op. 103: Nr. 4. Lieber Gott, du weißt, wie oft bereut ich hab' (from 1959-05 until 1959-06)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:26
98 Zigeunerlieder: Brauner Bursche
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Zigeunerlieder, op. 103: Nr. 5. Brauner Bursche führt zum Tanze (from 1959-05 until 1959-06)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:23
108 Zigeunerlieder: Röslein dreie
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Zigeunerlieder, op. 103: Nr. 6. Röslein dreie in der Reihe blühn so rot (from 1959-05 until 1959-06)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:29
118 Zigeunerlieder: Kommt dir manchmal in den Sinn
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Zigeunerlieder, op. 103: Nr. 7. Kommt dir manchmal in den Sinn (from 1959-05 until 1959-06)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer)
part of:
Zigeunerlieder, op. 103
Johannes Brahms2:51
128 Zigeunerlieder: Rote Abendwolken ziehn
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Zigeunerlieder, op. 103: Nr. 11. Rote Abendwolken ziehn am Firmament (from 1959-05 until 1959-06)
lyricist:
Hugo Conrat
composer:
Johannes Brahms (German composer) (from 1887 until 1888)
part of:
Zigeunerlieder, op. 103
Johannes Brahms1:18
132 deutsche Volkslieder: Och mod’r, ich well en Ding han!
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1965-11-29 until 1965-12-01)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11-29 until 1965-12-01)
balance engineer:
Ulrich Müller (engineer, active in the 1960s)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1965-11-29 until 1965-12-01)
recording of:
49 Deutsche Volkslieder, WoO 33: Book V, no. 33 " Och Modr', ich well en Ding han!" (from 1965-11-29 until 1965-12-01)
composer:
Johannes Brahms (German composer)
part of:
49 Deutsche Volkslieder, WoO 33: Book V
Johannes Brahms2:02
142 deutsche Volkslieder: We kumm ich dann de Pooz erenn?
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1965-11-29 until 1965-12-01)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11-29 until 1965-12-01)
balance engineer:
Ulrich Müller (engineer, active in the 1960s)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1965-11-29 until 1965-12-01)
recording of:
49 Deutsche Volkslieder, WoO 33: Book V, no. 34 "Wie komm' ich denn zur Tür herein" (from 1965-11-29 until 1965-12-01)
composer:
Johannes Brahms (German composer)
part of:
49 Deutsche Volkslieder, WoO 33: Book V
Johannes Brahms2:00
15Dein blaues Auge, op. 59 Nr. 8
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
8 Lieder und Gesänge, op. 59: Nr. 8. Dein blaues Auge hält so still (from 1969-03-31 until 1969-04-03)
lyricist:
Klaus Groth
composer:
Johannes Brahms (German composer)
part of:
8 Lieder und Gesänge, op. 59
Johannes Brahms2:02
16Von ewiger Liebe, op. 43 Nr. 1
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
4 Gesänge, op. 43: Nr. 1. Von ewiger Liebe (from 1969-03-31 until 1969-04-03)
lyricist:
Josef Wenzig
composer:
Johannes Brahms (German composer)
part of:
4 Gesänge, op. 43
Johannes Brahms4:22
17Das Mädchen spricht, op. 107 Nr. 3
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
5 Lieder, op. 107: Nr. 3. Das Mädchen spricht (from 1969-03-31 until 1969-04-03)
lyricist:
Otto Friedrich Gruppe
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 107
Johannes Brahms1:25
18O wüßt ich doch, op. 63 Nr. 8
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
9 Lieder und Gesänge, op. 63: Nr. 8. Heimweh II (from 1969-03-31 until 1969-04-03)
lyricist:
Klaus Groth
composer:
Johannes Brahms (German composer)
part of:
9 Lieder und Gesänge, op. 63
Johannes Brahms3:43
19Wie Melodien zieht es mir, op. 105 Nr. 1
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
5 Lieder, op. 105: Nr. 1. Wie Melodien zieht es mir leise durch den Sinn (from 1969-03-31 until 1969-04-03)
lyricist:
Klaus Groth
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 105
Johannes Brahms2:05
20Mädchenlied, op. 107 Nr. 5
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
5 Lieder, op. 107: Nr. 5. Mädchenlied (from 1969-03-31 until 1969-04-03)
lyricist:
Paul Johann Ludwig von Heyse (German writer)
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 107
Johannes Brahms1:41
21Vergebliches Ständchen, op. 84 Nr. 4
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
5 Romanzen und Lieder, op. 84: Nr. 4. Vergebliches Ständchen (from 1969-03-31 until 1969-04-03)
lyricist:
[traditional] (special purpose artist)
composer:
Johannes Brahms (German composer)
part of:
5 Romanzen und Lieder, op. 84
Johannes Brahms1:48
22Der Tod, das ist die kühle Nacht, op. 96 Nr. 1
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
4 Lieder, op. 96: Nr. 1. Der Tod, das ist die kühle Nacht (from 1969-03-31 until 1969-04-03)
lyricist:
Heinrich Heine (German poet)
composer:
Johannes Brahms (German composer)
part of:
4 Lieder, op. 96
Johannes Brahms2:33
23Auf dem See, op. 59 Nr. 2
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
8 Lieder und Gesänge, op. 59: Nr. 2. Auf dem See (from 1969-03-31 until 1969-04-03)
lyricist:
Karl Joseph Simrock
composer:
Johannes Brahms (German composer)
part of:
8 Lieder und Gesänge, op. 59
Johannes Brahms3:03
24Feldeinsamkeit, op. 86 Nr. 2
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
6 Lieder, op. 86: Nr. 2. Feldeinsamkeit (from 1969-03-31 until 1969-04-03)
lyricist:
Hermann Allmers
composer:
Johannes Brahms (German composer)
part of:
6 Lieder, op. 86
Johannes Brahms3:37
25In stiller Nacht
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
49 Deutsche Volkslieder, WoO 33: Book VI, no. 42 "In stiller Nacht" (from 1969-03-31 until 1969-04-03)
composer:
Johannes Brahms (German composer)
part of:
49 Deutsche Volkslieder, WoO 33: Book VI
Johannes Brahms3:04
26Schwesterin
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
49 Deutsche Volkslieder, WoO 33: Book III, no. 15 "Schwesterlein" (from 1969-03-31 until 1969-04-03)
composer:
Johannes Brahms (German composer)
part of:
49 Deutsche Volkslieder, WoO 33: Book III
Johannes Brahms2:05
27Immer leiser wird mein Schlummer, op. 105 Nr. 2
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
5 Lieder, op. 105: Nr. 2. Immer leiser wird mein Schlummer (catch-all for arrangements) (from 1969-03-31 until 1969-04-03)
composer:
Johannes Brahms (German composer)
arrangement of:
5 Lieder, op. 105: Nr. 2. Immer leiser wird mein Schlummer
Johannes Brahms3:17
28Ständchen, op. 106 Nr. 1
producer and balance engineer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1969-03-31 until 1969-04-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1969-03-31 until 1969-04-03)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1969-03-31 until 1969-04-03)
recording of:
5 Lieder, op. 106: Nr. 1. Ständchen (from 1969-03-31 until 1969-04-03)
lyricist:
Franz Theodor Kugler
composer:
Johannes Brahms (German composer)
part of:
5 Lieder, op. 106
Johannes Brahms1:47
29Gestillte Sehnsucht, op. 91 Nr. 1
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1965-11 until 1966-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11 until 1966-03)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-11 until 1966-03)
recording of:
2 Gesänge, op. 91: Nr. 1. Gestillte Sehnsucht (from 1965-11 until 1966-03)
lyricist:
Friedrich Rückert (German poet)
composer:
Johannes Brahms (German composer)
part of:
2 Gesänge, op. 91
Johannes Brahms6:16
30Geistliches Wiegenlied, op. 91 Nr. 2
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1965-11 until 1966-03)
viola:
Herbert Downes (from 1965-11 until 1966-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11 until 1966-03)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-11 until 1966-03)
recording of:
2 Gesänge, op. 91: Nr. 2. Geistliches Wiegenlied (from 1965-11 until 1966-03)
lyricist:
Franz Emanuel August Geibel (poet)
composer:
Johannes Brahms (German composer)
part of:
2 Gesänge, op. 91
Johannes Brahms5:59
2▼CD
#TitleArtistRatingLength
1Ich ging mmit Lust durch einen grünen Wald
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Lieder und Gesänge: VII. Ich ging mit Lust durch einen grünen Wald (for voice and piano) (from 1959-05-03 until 1959-05-05)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Gustav Mahler Werke (number: GMW 13)
part of:
Lieder und Gesänge
Gustav Mahler3:39
2Hans und Grete
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Lieder und Gesänge: III. Hans und Grete (for voice and piano) (from 1959-05-03 until 1959-05-05)
lyricist:
Gustav Mahler (composer)
composer:
Gustav Mahler (composer) (from 1880 until 1881)
part of:
Lieder und Gesänge
revision of:
Lieder für Tenor: Maitanz im Grünen
Gustav Mahler2:07
3Frühlingsmorgen
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Lieder und Gesänge: I. Frühlingsmorgen (for voice and piano) (from 1959-05-03 until 1959-05-05)
lyricist:
Richard von Volkmann-Leander
composer:
Gustav Mahler (composer) (from 1880 until 1881)
part of:
Lieder und Gesänge
Gustav Mahler1:52
4Wo die schönen Trompeten blasen
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Des Knaben Wunderhorn: Wo die schönen Trompeten blasen (from 1959-05-03 until 1959-05-05)
premiered in:
Wien (Vienna), Austria (on 1900-01-14)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 35)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler6:26
5Der Schildwache Nachtlied
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Des Knaben Wunderhorn: Der Schildwache Nachtlied (from 1959-05-03 until 1959-05-05)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 21-K)
orchestration of:
Des Knaben Wunderhorn : I. Der Schildwache Nachtlied (for voice and piano)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler6:09
6Um schlimme Kinder
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Lieder und Gesänge: VI. Um schlimme Kinder artig zu machen (for voice and piano) (from 1959-05-03 until 1959-05-05)
composer:
Gustav Mahler (composer) (from 1888 until 1889)
part of:
Lieder und Gesänge
Gustav Mahler1:41
7Ich atmet’ einen linden Duft
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Rückert Lieder: II. Ich atmet' einen linden Duft (from 1959-05-03 until 1959-05-05)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 40)
part of:
Rückert-Lieder
Gustav Mahler2:20
8Liebst du um Schönheit
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Rückert Lieder: V. Liebst du um Schönheit (from 1959-05-03 until 1959-05-05)
orchestrator:
Max Puttmann
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer) (in 1902-08)
premiered at:
[concert] (1907-02-08)
part of:
Gustav Mahler Werke (number: GMW 43)
part of:
Rückert-Lieder
Gustav Mahler2:29
9Um Mitternacht
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Rückert Lieder: IV. Um Mitternacht (from 1959-05-03 until 1959-05-05)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 42)
part of:
Rückert-Lieder
Gustav Mahler5:53
10Das irdische Leben
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Des Knaben Wunderhorn: Das irdische Leben (from 1959-05-03 until 1959-05-05)
premiered in:
Wien (Vienna), Austria (on 1900-01-14)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 26-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler3:02
11Wer hat dies Liedlein erdacht
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht? (from 1959-05-03 until 1959-05-05)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 23-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler2:12
12Lob des hohen Verstandes
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05-03 until 1959-05-05)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05-03 until 1959-05-05)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05-03 until 1959-05-05)
recording of:
Des Knaben Wunderhorn: Lob des hohen Verstandes (from 1959-05-03 until 1959-05-05)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 33-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler2:44
13Ich bin der Welt abhanden gekommen
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-11-11 until 1957-11-20)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-11 until 1957-11-20)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-11 until 1957-11-20)
recording of:
Rückert Lieder: III. Ich bin der Welt abhanden gekommen (from 1957-11-11 until 1957-11-20)
lyricist:
Friedrich Rückert (German poet)
composer:
Gustav Mahler (composer)
premiered at:
[concert] (1905-01-29)
part of:
Gustav Mahler Werke (number: GMW 41)
part of:
Rückert-Lieder
Gustav Mahler6:41
14Des Antonius von Padua Fischpredigt
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-11-11 until 1957-11-20)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-11 until 1957-11-20)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-11 until 1957-11-20)
recording of:
Des Knaben Wunderhorn: Des Antonius von Padua Fischpredigt (from 1957-11-11 until 1957-11-20)
composer:
Gustav Mahler (composer) (until 1893-08-01)
part of:
Gustav Mahler Werke (number: GMW 28-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler4:45
15Rheinlegendchen
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-11-11 until 1957-11-20)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-11 until 1957-11-20)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-11 until 1957-11-20)
recording of:
Des Knaben Wunderhorn: Rheinlegendchen (from 1957-11-11 until 1957-11-20)
composer:
Gustav Mahler (composer)
part of:
Gustav Mahler Werke (number: GMW 29-K)
part of:
Lieder aus “Des Knaben Wunderhorn”
Gustav Mahler3:03
16Frauenliebe und Leben, op. 42: Seit ich ihn gesehen
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Frauenliebe und -leben, op. 42: Nr. 1. Seit ich ihn gesehen (from 1959-05 until 1959-06)
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann2:12
17Frauenliebe und Leben, op. 42: Er, der Herrlichste von allen
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Frauenliebe und -leben, op. 42: Nr. 2. Er, der Herrlichste von allen (from 1959-05 until 1959-06)
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann2:55
18Frauenliebe und Leben, op. 42: Ich kann’s nicht fassen
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Frauenliebe und -leben, op. 42: Nr. 3. Ich kann's nicht fassen, nicht glauben (from 1959-05 until 1959-06)
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann1:40
19Frauenliebe und Leben, op. 42: Du Ring an meinem Finger
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Frauenliebe und -leben, op. 42: Nr. 4. Du Ring an meinem Finger (from 1959-05 until 1959-06)
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann2:41
20Frauenliebe und Leben, op. 42: Helft mir, ihr Schwestern
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Frauenliebe und -leben, op. 42: Nr. 5. Helft mir, ihr Schwestern (from 1959-05 until 1959-06)
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann1:35
21Frauenliebe und Leben, op. 42: Süßer Freund, du blickest
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Frauenliebe und -leben, op. 42: Nr. 6. Süßer Freund, du blickest (from 1959-05 until 1959-06)
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann4:15
22Frauenliebe und Leben, op. 42: An meinem Herzen
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Frauenliebe und -leben, op. 42: Nr. 7. An meinem Herzen, an meiner Brust (from 1959-05 until 1959-06)
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann1:27
23Frauenliebe und Leben, op. 42: Nun hast du mir den ersten Schmerz getan
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1959-05 until 1959-06)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1959-05 until 1959-06)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1959-05 until 1959-06)
recording of:
Frauenliebe und -leben, op. 42: Nr. 8. Nun hast du mir den ersten Schmerz getan (from 1959-05 until 1959-06)
lyricist:
Adelbert von Chamisso
composer:
Robert Schumann (German classical composer)
part of:
Frauenliebe und -leben, op. 42
Robert Schumann4:08
24Der Brief, op. 76 no. 8
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1965-11-29 until 1965-12-01)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11-29 until 1965-12-01)
balance engineer:
Ulrich Müller (engineer, active in the 1960s)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1965-11-29 until 1965-12-01)
recording of:
Schlichte Weisen, op. 76: No. 8. Der Brief (from 1965-11-29 until 1965-12-01)
composer:
Max Reger (German composer)
part of:
Schlichte Weisen, op. 76
Max Reger1:18
25Waldeinsamkeit, op. 76 no. 3
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1965-11-29 until 1965-12-01)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11-29 until 1965-12-01)
balance engineer:
Ulrich Müller (engineer, active in the 1960s)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1965-11-29 until 1965-12-01)
recording of:
Schlichte Weisen, op. 76: No. 3. Waldeinsamkeit (from 1965-11-29 until 1965-12-01)
composer:
Max Reger (German composer)
part of:
Schlichte Weisen, op. 76
Max Reger1:50
3▼CD
#TitleArtistRatingLength
1Die Allmacht, D. 852
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-11 until 1957-11-20)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-11 until 1957-11-20)
recording of:
Die Allmacht, D. 852 (from 1957-11-11 until 1957-11-20)
lyricist:
Johann Ladislaus Pyrker
composer:
Franz Schubert (composer) (in 1825-08)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 852)
Franz Schubert5:33
2Fischerweise, D. 881
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-11-11 until 1957-11-20)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-11 until 1957-11-20)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-11 until 1957-11-20)
recording of:
Fischerweise, D. 881 (from 1957-11-11 until 1957-11-20)
lyricist:
Franz Xaver Schlechta von Wschehrd
composer:
Franz Schubert (composer) (in 1826)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 881)
Franz Schubert3:54
3An die Musik, D. 547
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (from 1961-11-28 until 1961-11-30)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1961-11-28 until 1961-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-30)
recording of:
An die Musik, D. 547 (original, for solo voice and piano) (from 1961-11-28 until 1961-11-30)
lyricist:
Franz von Schober (Austrian poet, librettist, lithographer, actor)
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 547)
Franz Schubert2:39
4Der Musensohn, D. 764
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (from 1961-11-28 until 1961-11-30)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1961-11-28 until 1961-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-30)
recording of:
Der Musensohn, D. 764 (from 1961-11-28 until 1961-11-30)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1822)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 764)
Franz Schubert2:21
5Ganymed, D. 544
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (from 1961-11-28 until 1961-11-30)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1961-11-28 until 1961-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-30)
recording of:
Ganymed, D. 544 (from 1961-11-28 until 1961-11-30)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1817-03)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 544)
Franz Schubert4:16
6Auf dem Wasser zu singen, D. 774
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (from 1961-11-28 until 1961-11-30)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1961-11-28 until 1961-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-30)
recording of:
Auf dem Wasser zu singen, D. 774 (from 1961-11-28 until 1961-11-30)
lyricist:
Friedrich Leopold Graf zu Stolberg-Stolberg
composer:
Franz Schubert (composer) (until 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 774)
Franz Schubert4:27
7Ave Maria, D. 839
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (from 1961-11-28 until 1961-11-30)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1961-11-28 until 1961-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-30)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano) (from 1961-11-28 until 1961-11-30)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert7:23
8Die Forelle, D. 550
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (from 1961-11-28 until 1961-11-30)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1961-11-28 until 1961-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-30)
recording of:
Die Forelle, D. 550 (The Trout, D. 550) (from 1961-11-28 until 1961-11-30)
lyricist:
Christian Friedrich Daniel Schubart (German poet) (from 1777 until 1787)
composer:
Franz Schubert (composer) (from 1816-11 until 1817-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 550)
is based on:
Die Forelle (Schubart poem, not the Schubert song)
Franz Schubert1:56
9Gretchen am Spinnrade, D. 118
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (from 1961-11-28 until 1961-11-30)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1961-11-28 until 1961-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-30)
recording of:
Gretchen am Spinnrade, D. 118 (from 1961-11-28 until 1961-11-30)
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 118)
Franz Schubert3:11
10Frühlingslaube, D. 686
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (from 1961-11-28 until 1961-11-30)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1961-11-28 until 1961-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-30)
recording of:
Frühlingsglaube, D. 686 (from 1961-11-28 until 1961-11-30)
lyricist:
Ludwig Uhland (German poet)
composer:
Franz Schubert (composer) (in 1820-09)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 686)
is based on:
Frühlingsglaube
Franz Schubert3:37
11Der Tod und das Mädchen, D. 531
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (from 1961-11-28 until 1961-11-30)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1961-11-28 until 1961-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-30)
recording of:
Der Tod und das Mädchen, D. 531 (from 1961-11-28 until 1961-11-30)
lyricist and writer:
Matthias Claudius (German poet)
composer:
Franz Schubert (composer) (in 1817-02)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 531)
Franz Schubert2:45
12Lachen und Weinen, D. 777
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (from 1961-11-28 until 1961-11-30)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1961-11-28 until 1961-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-30)
recording of:
Lachen und Weinen, D. 777 (from 1961-11-28 until 1961-11-30)
lyricist:
Friedrich Rückert (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 777)
Franz Schubert1:51
13Litanei auf das Fest “Aller Seelen”, D. 343
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (from 1961-11-28 until 1961-11-30)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1961-11-28 until 1961-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-30)
recording of:
Am Tage aller Seelen (Litanei), D. 343 (original for voice and piano) (from 1961-11-28 until 1961-11-30)
lyricist:
Johann Georg Jacobi
composer:
Franz Schubert (composer) (in 1816-08)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 343)
Franz Schubert5:53
14Erlkönig, D. 328
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (from 1961-11-28 until 1961-11-30)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1961-11-28 until 1961-11-30)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1961-11-28 until 1961-11-30)
recording of:
Erlkönig, D. 328 (from 1961-11-28 until 1961-11-30)
lyricist:
Johann Wolfgang von Goethe (in 1782)
composer:
Franz Schubert (composer) (in 1815)
publisher:
Cappi & Diabelli (in 1821)
premiered at:
Theater am Kärntnertor in Innere Stadt, Wien (Vienna), Austria (on 1821-03-07)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 328)
is based on:
Erlkönig (Goethe’s poem)
Franz Schubert3:56
15Der Hirt auf dem Felsen, D. 965
producer:
Suvi Raj Grubb
piano:
Geoffrey Parsons (pianist) (on 1965-11-08)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (on 1965-11-08)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1965-11-08)
recording of:
Der Hirt auf dem Felsen, D. 965 (on 1965-11-08)
lyricist:
Karl August Varnhagen von Ense (German biographer, diplomat and soldier) and Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1828-10)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 965)
Franz Schubert11:30
16Gesang Weylas
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-11-11 until 1957-11-20)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-11 until 1957-11-20)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-11 until 1957-11-20)
recording of:
Mörike-Lieder: No. 46. Gesang Weylas "Du bist Orplid, mein Land!" (from 1957-11-11 until 1957-11-20)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:40
17Auf einer Wanderung
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-11-11 until 1957-11-20)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-11 until 1957-11-20)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-11 until 1957-11-20)
recording of:
Mörike-Lieder: No. 15. Auf einer Wanderung “In ein freundliches Städtchen” (from 1957-11-11 until 1957-11-20)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:27
18Die Nacht, op. 10 Nr. 3
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-11-11 until 1957-11-20)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-11 until 1957-11-20)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-11 until 1957-11-20)
recording of:
Die Nacht, op. 10 no. 3 (from 1957-11-11 until 1957-11-20)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)
Richard Strauss3:08
19Allerseelen, op. 10 Nr. 8
producer:
Walter Legge (British classical producer)
piano:
Gerald Moore (pianist) (from 1957-11-11 until 1957-11-20)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1957-11-11 until 1957-11-20)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's) and Douglas Larter
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1957-11-11 until 1957-11-20)
recording of:
Allerseelen, op. 10 no. 8 (for voice and piano) (from 1957-11-11 until 1957-11-20)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer) (in 1885)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)
Richard Strauss3:07
20Schlechtes Wetter, op. 69 Nr. 5
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1965-11-29 until 1965-12-01)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11-29 until 1965-12-01)
balance engineer:
Ulrich Müller (engineer, active in the 1960s)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1965-11-29 until 1965-12-01)
recording of:
Schlechtes Wetter, op. 69 no. 5 (for voice and piano) (from 1965-11-29 until 1965-12-01)
lyricist:
Heinrich Heine (German poet)
composer:
Richard Strauss (German composer) (in 1918)
part of:
5 Kleine Lieder (op. 69; TrV 237)
Richard Strauss2:18
4▼CD
#TitleArtistRatingLength
13 Chansons madécasses: Nahandove
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Amaryllis Fleming (cellist) (from 1965-11 until 1966-03)
flute:
Douglas Whittaker (flautist) (from 1965-11 until 1966-03)
piano:
Geoffrey Parsons (pianist) (from 1965-11 until 1966-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11 until 1966-03)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-11 until 1966-03)
recording of:
Chansons madécasses, M. 78: No. 1. Nahandove (from 1965-11 until 1966-03)
lyricist:
Évariste de Parny
composer:
Maurice Ravel (French composer) (from 1925 until 1926)
part of:
Chansons madécasses, M. 78
Maurice Ravel5:54
23 Chansons madécasses: Aoua ! Aoua !
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Amaryllis Fleming (cellist) (from 1965-11 until 1966-03)
flute:
Douglas Whittaker (flautist) (from 1965-11 until 1966-03)
piano:
Geoffrey Parsons (pianist) (from 1965-11 until 1966-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11 until 1966-03)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-11 until 1966-03)
recording of:
Chansons madécasses, M. 78: No. 2. Aoua! (from 1965-11 until 1966-03)
lyricist:
Évariste de Parny
composer:
Maurice Ravel (French composer) (from 1925 until 1926)
part of:
Chansons madécasses, M. 78
Maurice Ravel4:17
33 Chansons madécasses: Il est doux
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
cello:
Amaryllis Fleming (cellist) (from 1965-11 until 1966-03)
flute:
Douglas Whittaker (flautist) (from 1965-11 until 1966-03)
piano:
Geoffrey Parsons (pianist) (from 1965-11 until 1966-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11 until 1966-03)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-11 until 1966-03)
recording of:
Chansons madécasses, M. 78: No. 3. Il est doux de se coucher (from 1965-11 until 1966-03)
lyricist:
Évariste de Parny
composer:
Maurice Ravel (French composer) (from 1925 until 1926)
part of:
Chansons madécasses, M. 78
Maurice Ravel4:12
4Une flûte invisible
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
flute:
Douglas Whittaker (flautist) (in 1965-11, in 1966-03)
piano:
Geoffrey Parsons (pianist) (in 1965-11, in 1966-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (in 1965-11, in 1966-03)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1965-11, in 1966-03)
recording of:
Une Flûte invisible (from 1965-11 until 1966-03)
lyricist:
Victor Hugo (French poet and novelist)
composer:
Camille Saint‐Saëns (composer)
Camille Saint‐Saëns3:12
5Chanson géorgienne: “Oh ! cesse de chanter, gentille jeune fille”, op. 4 no. 4
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1965-11 until 1966-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11 until 1966-03)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-11 until 1966-03)
Serge Rachmaninov4:45
6“Moisson de tristesse”
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
piano:
Geoffrey Parsons (pianist) (from 1965-11 until 1966-03)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11 until 1966-03)
balance engineer:
Neville Boyling (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1965-11 until 1966-03)
Serge Rachmaninov4:26
7La regata veneziana: Anzoleta avanti la regata
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1965-11-29 until 1965-12-01)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11-29 until 1965-12-01)
balance engineer:
Ulrich Müller (engineer, active in the 1960s)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1965-11-29 until 1965-12-01)
recording of:
La regata veneziana: I. Anzoleta avanti la regata (from 1965-11-29 until 1965-12-01)
lyricist:
Francesco Maria Piave
composer:
Gioachino Rossini (composer)
part of:
La regata veneziana
part of:
Péchés de vieillesse, Volume 1 "Album italiano"
Gioachino Rossini3:27
8La regata veneziana: Anzoleta co passa la regata
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1965-11-29 until 1965-12-01)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11-29 until 1965-12-01)
balance engineer:
Ulrich Müller (engineer, active in the 1960s)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1965-11-29 until 1965-12-01)
recording of:
La regata veneziana: II. Anzoleta co passa la regata (from 1965-11-29 until 1965-12-01)
lyricist:
Francesco Maria Piave
composer:
Gioachino Rossini (composer)
part of:
La regata veneziana
part of:
Péchés de vieillesse, Volume 1 "Album italiano"
Gioachino Rossini2:18
9La regata veneziana: Anzoleta dopo la regata
producer:
Gerd Berg (producer)
piano:
Gerald Moore (pianist) (from 1965-11-29 until 1965-12-01)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1965-11-29 until 1965-12-01)
balance engineer:
Ulrich Müller (engineer, active in the 1960s)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1965-11-29 until 1965-12-01)
recording of:
La regata veneziana: III. Anzoleta dopo la regata (from 1965-11-29 until 1965-12-01)
lyricist:
Francesco Maria Piave
composer:
Gioachino Rossini (composer)
part of:
La regata veneziana
part of:
Péchés de vieillesse, Volume 1 "Album italiano"
Gioachino Rossini3:55
10Wesendonk-Lieder: Der Engel
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1962-03-21 until 1962-03-23)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-03-21 until 1962-03-23)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-03-21 until 1962-03-23)
balance engineer:
Douglas Larter (from 1962-03-21 until 1962-03-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-03-21 until 1962-03-23)
recording of:
Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl) (from 1962-03-21 until 1962-03-23)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: I. Der Engel (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:31
11Wesendonk-Lieder: Stehe still!
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1962-03-21 until 1962-03-23)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-03-21 until 1962-03-23)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-03-21 until 1962-03-23)
balance engineer:
Douglas Larter (from 1962-03-21 until 1962-03-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-03-21 until 1962-03-23)
recording of:
Wesendonck-Lieder: II. Stehe still (for voice and large orchestra, Mottl) (from 1962-03-21 until 1962-03-23)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: II. Stehe still (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner4:00
12Wesendonk-Lieder: Im Treibhaus
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1962-03-21 until 1962-03-23)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-03-21 until 1962-03-23)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-03-21 until 1962-03-23)
balance engineer:
Douglas Larter (from 1962-03-21 until 1962-03-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-03-21 until 1962-03-23)
recording of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and large orchestra, Mottl) (from 1962-03-21 until 1962-03-23)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
arrangement of:
Wesendonck-Lieder: III. Im Treibhaus (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner6:39
13Wesendonk-Lieder: Schmerzen
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1962-03-21 until 1962-03-23)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-03-21 until 1962-03-23)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-03-21 until 1962-03-23)
balance engineer:
Douglas Larter (from 1962-03-21 until 1962-03-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-03-21 until 1962-03-23)
recording of:
Wesendonck-Lieder: IV. Schmerzen (for voice and large orchestra, Mottl) (from 1962-03-21 until 1962-03-23)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: IV. Schmerzen (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner2:36
14Wesendonk-Lieder: Träume
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1962-03-21 until 1962-03-23)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-03-21 until 1962-03-23)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-03-21 until 1962-03-23)
balance engineer:
Douglas Larter (from 1962-03-21 until 1962-03-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-03-21 until 1962-03-23)
recording of:
Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner) (from 1962-03-21 until 1962-03-23)
orchestrator and composer:
Richard Wagner (composer)
lyricist:
Mathilde Wesendonck
arrangement of:
Wesendonck-Lieder: V. Träume (for voice and piano)
is based on:
Träume, WWV 91b (for violin and orchestra)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner4:55
15Julius Caesar, Acte I: “Es blaut die Nacht”
producer:
Fritz Ganss (producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (on 1962-03-19)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (on 1962-03-19)
conductor:
Horst Stein (conductor) (on 1962-03-19)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (on 1962-03-19)
Georg Friedrich Händel3:46
16Johannes-Passion, BWV 245: Nr. 58. Aria “Es ist vollbracht!”
producer:
Fritz Ganss (producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (in 1961)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1961)
conductor:
Karl Forster (chorus master/conductor) (in 1961)
balance engineer:
Horst Lindner (engineer)
recorded at:
Grunewaldkirche in Berlin, Germany (in 1961)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (in 1961)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:15
17Tristan und Isolde: III. Akt: “Mild und leise” (Isoldes Liebestod)
producer:
Walter Legge (British classical producer)
mezzo-soprano vocals:
Christa Ludwig (mezzo-soprano) (from 1962-03-21 until 1962-03-23)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1962-03-21 until 1962-03-23)
conductor:
Otto Klemperer (German-born conductor and composer) (from 1962-03-21 until 1962-03-23)
balance engineer:
Douglas Larter (from 1962-03-21 until 1962-03-23)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1962-03-21 until 1962-03-23)
recording of:
Excerpt from Tristan und Isolde, WWV 90: Akt III, Szene III. Liebestod. “Mild und leise wie er lächelt” (from 1962-03-21 until 1962-03-23)
composer:
Richard Wagner (composer) (from 1857-10 until 1859-08)
librettist:
Richard Wagner (composer) (from 1857-08-20 until 1857-09-18)
part of:
Tristan und Isolde, WWV 90: Akt III, Szene III. "Kurwenal! Hör'! Ein zweites Schiff"
Richard Wagner6:52

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ASIN:DE: B000002S2Z [info]