Star Trek: The Next Generation: The Ron Jones Project

~ Release by Ron Jones (see all versions of this release, 9 available)

Annotation

General

Film Score Monthly’s fifth box set is devoted to a single composer: Star Trek: The Next Generation—The Ron Jones Project is a mammoth, 14CD collection of 40 complete episode scores by Ron Jones for the first four years of Star Trek: The Next Generation (1987-1991), plus bonus tracks from Jones’s two-part “The Best of Both Worlds” (already available on CD) and two Interplay computer games, Starfleet Academy (1997) and Starfleet Command (1999).

Star Trek is one of the world’s most famous franchises, with over 40 years of television series and feature films. The second live-action series, Star Trek: The Next Generation, was the first to demonstrate that the show’s concept and ideals could translate to a new cast of characters. FSM’s box set is a huge leap forward in making available the series’ best music.

Several gifted composers worked on ST:TNG, including Ron Jones, who scored 42 episodes over the series’ first four seasons—including fan-favorites such as “Where No One Has Gone Before,” “11001001,” “Heart of Glory,” “Q Who,” “Who Watches the Watchers,” “The Defector,” “The Best of Both Worlds,” “Brothers” and “Final Mission.”

Jones distinguished himself with a dynamic and cinematic style, inspired by film music titans such as Jerry Goldsmith, John Williams and Bernard Herrmann, in which he sought to provide each and every episode with its own theme and sound. He diligently analyzed each story’s literary themes and characters in order to come up with exactly the right melody or orchestration. From his imaginative themes for Star Trek’s alien races, tender emotional scoring, cutting-edge electronics and magnificent “space opera” battle music, this is some of the best music ever written not just for Star Trek, but for television.

Visit FSM’s online notes—for free—to listen to sound clips and read commentary (featuring Ron Jones’s insights) for each episode. The physical box set features the 14 discs in three “clamshell” cases, with an illustrated 60-page booklet containing track lists and an introductory essay—all packaged in a sturdy gold slipcase.

Due to licensing restrictions, there will not be individual releases of the discs. (At $149.95, this box set contains over 16 hours of music—all in immaculate stereo—and costs the equivalent of $10.71 per disc.) At 5,000 units, it is limited, but there should be enough copies available for everyone who is interested.

Rarely has a labor of love on the part of the record company resulted in an album that will be of interest to so many fans, and yield so much listening pleasure. Ron Jones has fielded requests for these scores for over two decades (including from the CD producers), and finally they are all available—in their entirety. Please see the online notes and begin reading about this exceptional talent and his wonderful scores.

Packaging

The release consists of three fatboxes contained in a cardboard slipcase.
Fatbox 1 Media: 1-4
Fatbox 2 Media: 5-10
Fatbox 3 Media: 11-14

Codes, Numbers, Etc.

Unless otherwise noticed, the following may help to identify this release, however other (not yet listed) sets of that data may match this release as well and should be added below:

Set 1

Added by calestyo.

Medium 1

Matrix Number: 10774 - 21581D1 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 2

Matrix Number: 10774 - 21581D2 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 3

Matrix Number: 10774 - 21581D3 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 4

Matrix Number: 10774 - 21581D4 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 5

Matrix Number: 10774 - 21581D5 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 6

Matrix Number: 10774 - 21581D6 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 7

Matrix Number: 10774 - 21581D7 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 8

Matrix Number: 10774 - 21581D8 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 9

Matrix Number: 10774 - 21581D9 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 10

Matrix Number: 10774 - 21581D10 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 11

Matrix Number: 10774 - 21581D11 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 12

Matrix Number: 10774 - 21581D12 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 13

Matrix Number: 10774 - 21581D13 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium 14

Matrix Number: 10774 - 21581D14 083110
Master SID Code: IFPI LT05
Mould SID Code: IFPI A605
Stamper: none
Other Inscriptions Near The Hub: Rainbo CA
Rights Society (As Printed On The Medium): none
Label Code (As Printed On The Medium): none

Medium Groups

Media 1-4: Season One
Media 5-7: Season Two
Media 8-10: Season Three
Media 11-12: Season Four
Media 13-14: Alternates and Games

Annotation last modified on 2016-01-15 20:52 UTC.

Tracklist

| |
1▼CD: Season One (1987-1988)
#TitleRatingLength
1The Naked Now: Rendezvous with Tsiolkovsky (M11) / Impossible Happens (M12) / MFX 11 / The Frozen (M13)
bass:
Chuck Domanico (American bassist) (on 1987-08-20)
bassoon:
Jack Marsh (on 1987-08-20)
cello:
Marie Fera (on 1987-08-20), Raphael Kramer (on 1987-08-20) and David Shamban (on 1987-08-20)
clarinet:
Charles Boito (on 1987-08-20)
flute:
Louise DiTullio (on 1987-08-20) and James Walker (plays flute on Shirley Horn's album “Here’s to Live”) (on 1987-08-20)
harp:
Catherine Gotthofer (US harpist) (on 1987-08-20)
horn:
Vincent DeRosa (on 1987-08-20), Joe Meyer (French horn player) (on 1987-08-20) and Calvin Smith (Nashville-based french horn player) (on 1987-08-20)
membranophone:
Steve Schaeffer (drummer) (on 1987-08-20)
oboe:
Thomas Boyd (Session Musician) (on 1987-08-20)
percussion:
Brad Dutz (on 1987-08-20), Martin Leonard (Session Musician) (on 1987-08-20) and Steve Schaeffer (drummer) (on 1987-08-20)
synthesizer:
Steve Kaplan (Keyboards) (on 1987-08-20) and Richard Marvin (on 1987-08-20)
trombone:
John T. Johnson (tuba) (on 1987-08-20), Richard Nash (US jazz trombonist) (on 1987-08-20) and Lloyd Ulyate (on 1987-08-20)
trumpet:
Robert DiVall (on 1987-08-20) and Robert O’Donnell (on 1987-08-20)
tuba:
John T. Johnson (tuba) (on 1987-08-20)
violin:
Murray Adler (on 1987-08-20), Israel Baker (American violinist) (on 1987-08-20), Jacqueline Brand (on 1987-08-20), Bruce Dukov (on 1987-08-20), Julie Gigante (on 1987-08-20), Peter Kent (violinist) (on 1987-08-20), Kathleen Lenski (on 1987-08-20) and Sheldon Sanov (violinist) (on 1987-08-20)
conductor:
Ron Jones (American score composer) (on 1987-08-20)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-08-20)
recording of:
Impossible Happens (on 1987-08-20)
composer:
Ron Jones (American score composer)
part of:
Star Trek: The Next Generation (TV soundtrack)
recording of:
MFX 11 (on 1987-08-20)
composer:
Ron Jones (American score composer)
recording of:
Rendezvous with Tsiolkovsky (on 1987-08-20)
composer:
Ron Jones (American score composer)
part of:
Star Trek: The Next Generation (TV soundtrack)
recording of:
The Frozen (on 1987-08-20)
composer:
Ron Jones (American score composer)
part of:
Star Trek: The Next Generation (TV soundtrack)
3:31
2The Naked Now: Captain’s Log (M21) / Hot Head (M22) / Geordi Leaves (M23)
bass:
Chuck Domanico (American bassist) (on 1987-08-20)
bassoon:
Jack Marsh (on 1987-08-20)
cello:
Marie Fera (on 1987-08-20), Raphael Kramer (on 1987-08-20) and David Shamban (on 1987-08-20)
clarinet:
Charles Boito (on 1987-08-20)
flute:
Louise DiTullio (on 1987-08-20) and James Walker (plays flute on Shirley Horn's album “Here’s to Live”) (on 1987-08-20)
harp:
Catherine Gotthofer (US harpist) (on 1987-08-20)
horn:
Vincent DeRosa (on 1987-08-20), Joe Meyer (French horn player) (on 1987-08-20) and Calvin Smith (Nashville-based french horn player) (on 1987-08-20)
membranophone:
Steve Schaeffer (drummer) (on 1987-08-20)
oboe:
Thomas Boyd (Session Musician) (on 1987-08-20)
percussion:
Brad Dutz (on 1987-08-20), Martin Leonard (Session Musician) (on 1987-08-20) and Steve Schaeffer (drummer) (on 1987-08-20)
synthesizer:
Steve Kaplan (Keyboards) (on 1987-08-20) and Richard Marvin (on 1987-08-20)
trombone:
John T. Johnson (tuba) (on 1987-08-20), Richard Nash (US jazz trombonist) (on 1987-08-20) and Lloyd Ulyate (on 1987-08-20)
trumpet:
Robert DiVall (on 1987-08-20) and Robert O’Donnell (on 1987-08-20)
tuba:
John T. Johnson (tuba) (on 1987-08-20)
violin:
Murray Adler (on 1987-08-20), Israel Baker (American violinist) (on 1987-08-20), Jacqueline Brand (on 1987-08-20), Bruce Dukov (on 1987-08-20), Julie Gigante (on 1987-08-20), Peter Kent (violinist) (on 1987-08-20), Kathleen Lenski (on 1987-08-20) and Sheldon Sanov (violinist) (on 1987-08-20)
conductor:
Ron Jones (American score composer) (on 1987-08-20)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-08-20)
recording of:
Captain's Log (on 1987-08-20)
composer:
Ron Jones (American score composer)
part of:
Star Trek: The Next Generation (TV soundtrack)
recording of:
Geordi Leaves (on 1987-08-20)
composer:
Ron Jones (American score composer)
part of:
Star Trek: The Next Generation (TV soundtrack)
recording of:
Hot Head (on 1987-08-20)
composer:
Ron Jones (American score composer)
part of:
Star Trek: The Next Generation (TV soundtrack)
1:53
3The Naked Now: Longing for Sight (M24)
bass:
Chuck Domanico (American bassist) (on 1987-08-20)
bassoon:
Jack Marsh (on 1987-08-20)
cello:
Marie Fera (on 1987-08-20), Raphael Kramer (on 1987-08-20) and David Shamban (on 1987-08-20)
clarinet:
Charles Boito (on 1987-08-20)
flute:
Louise DiTullio (on 1987-08-20) and James Walker (plays flute on Shirley Horn's album “Here’s to Live”) (on 1987-08-20)
harp:
Catherine Gotthofer (US harpist) (on 1987-08-20)
horn:
Vincent DeRosa (on 1987-08-20), Joe Meyer (French horn player) (on 1987-08-20) and Calvin Smith (Nashville-based french horn player) (on 1987-08-20)
membranophone:
Steve Schaeffer (drummer) (on 1987-08-20)
oboe:
Thomas Boyd (Session Musician) (on 1987-08-20)
percussion:
Brad Dutz (on 1987-08-20), Martin Leonard (Session Musician) (on 1987-08-20) and Steve Schaeffer (drummer) (on 1987-08-20)
synthesizer:
Steve Kaplan (Keyboards) (on 1987-08-20) and Richard Marvin (on 1987-08-20)
trombone:
John T. Johnson (tuba) (on 1987-08-20), Richard Nash (US jazz trombonist) (on 1987-08-20) and Lloyd Ulyate (on 1987-08-20)
trumpet:
Robert DiVall (on 1987-08-20) and Robert O’Donnell (on 1987-08-20)
tuba:
John T. Johnson (tuba) (on 1987-08-20)
violin:
Murray Adler (on 1987-08-20), Israel Baker (American violinist) (on 1987-08-20), Jacqueline Brand (on 1987-08-20), Bruce Dukov (on 1987-08-20), Julie Gigante (on 1987-08-20), Peter Kent (violinist) (on 1987-08-20), Kathleen Lenski (on 1987-08-20) and Sheldon Sanov (violinist) (on 1987-08-20)
conductor:
Ron Jones (American score composer) (on 1987-08-20)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-08-20)
recording of:
Longing for Sight (on 1987-08-20)
composer:
Ron Jones (American score composer)
part of:
Star Trek: The Next Generation (TV soundtrack)
1:54
4The Naked Now: Change of Style (M31) / Suck Face (M32) / Collapsing Star (M33) / Wesley’s Takeover (M34)
bass:
Chuck Domanico (American bassist) (on 1987-08-20)
bassoon:
Jack Marsh (on 1987-08-20)
cello:
Marie Fera (on 1987-08-20), Raphael Kramer (on 1987-08-20) and David Shamban (on 1987-08-20)
clarinet:
Charles Boito (on 1987-08-20)
flute:
Louise DiTullio (on 1987-08-20) and James Walker (plays flute on Shirley Horn's album “Here’s to Live”) (on 1987-08-20)
harp:
Catherine Gotthofer (US harpist) (on 1987-08-20)
horn:
Vincent DeRosa (on 1987-08-20), Joe Meyer (French horn player) (on 1987-08-20) and Calvin Smith (Nashville-based french horn player) (on 1987-08-20)
membranophone:
Steve Schaeffer (drummer) (on 1987-08-20)
oboe:
Thomas Boyd (Session Musician) (on 1987-08-20)
percussion:
Brad Dutz (on 1987-08-20), Martin Leonard (Session Musician) (on 1987-08-20) and Steve Schaeffer (drummer) (on 1987-08-20)
synthesizer:
Steve Kaplan (Keyboards) (on 1987-08-20) and Richard Marvin (on 1987-08-20)
trombone:
John T. Johnson (tuba) (on 1987-08-20), Richard Nash (US jazz trombonist) (on 1987-08-20) and Lloyd Ulyate (on 1987-08-20)
trumpet:
Robert DiVall (on 1987-08-20) and Robert O’Donnell (on 1987-08-20)
tuba:
John T. Johnson (tuba) (on 1987-08-20)
violin:
Murray Adler (on 1987-08-20), Israel Baker (American violinist) (on 1987-08-20), Jacqueline Brand (on 1987-08-20), Bruce Dukov (on 1987-08-20), Julie Gigante (on 1987-08-20), Peter Kent (violinist) (on 1987-08-20), Kathleen Lenski (on 1987-08-20) and Sheldon Sanov (violinist) (on 1987-08-20)
conductor:
Ron Jones (American score composer) (on 1987-08-20)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-08-20)
recording of:
Change of Style (on 1987-08-20)
composer:
Ron Jones (American score composer)
part of:
Star Trek: The Next Generation (TV soundtrack)
recording of:
Collapsing Star (on 1987-08-20)
composer:
Ron Jones (American score composer)
part of:
Star Trek: The Next Generation (TV soundtrack)
recording of:
Suck Face (on 1987-08-20)
composer:
Ron Jones (American score composer)
part of:
Star Trek: The Next Generation (TV soundtrack)
recording of:
Wesley's Takeover (on 1987-08-20)
composer:
Ron Jones (American score composer)
part of:
Star Trek: The Next Generation (TV soundtrack)
1:46
5The Naked Now: No Control (M41) / Needing Love (M42AltA)
bass:
Chuck Domanico (American bassist) (on 1987-08-20)
bassoon:
Jack Marsh (on 1987-08-20)
cello:
Marie Fera (on 1987-08-20), Raphael Kramer (on 1987-08-20) and David Shamban (on 1987-08-20)
clarinet:
Charles Boito (on 1987-08-20)
flute:
Louise DiTullio (on 1987-08-20) and James Walker (plays flute on Shirley Horn's album “Here’s to Live”) (on 1987-08-20)
harp:
Catherine Gotthofer (US harpist) (on 1987-08-20)
horn:
Vincent DeRosa (on 1987-08-20), Joe Meyer (French horn player) (on 1987-08-20) and Calvin Smith (Nashville-based french horn player) (on 1987-08-20)
membranophone:
Steve Schaeffer (drummer) (on 1987-08-20)
oboe:
Thomas Boyd (Session Musician) (on 1987-08-20)
percussion:
Brad Dutz (on 1987-08-20), Martin Leonard (Session Musician) (on 1987-08-20) and Steve Schaeffer (drummer) (on 1987-08-20)
synthesizer:
Steve Kaplan (Keyboards) (on 1987-08-20) and Richard Marvin (on 1987-08-20)
trombone:
John T. Johnson (tuba) (on 1987-08-20), Richard Nash (US jazz trombonist) (on 1987-08-20) and Lloyd Ulyate (on 1987-08-20)
trumpet:
Robert DiVall (on 1987-08-20) and Robert O’Donnell (on 1987-08-20)
tuba:
John T. Johnson (tuba) (on 1987-08-20)
violin:
Murray Adler (on 1987-08-20), Israel Baker (American violinist) (on 1987-08-20), Jacqueline Brand (on 1987-08-20), Bruce Dukov (on 1987-08-20), Julie Gigante (on 1987-08-20), Peter Kent (violinist) (on 1987-08-20), Kathleen Lenski (on 1987-08-20) and Sheldon Sanov (violinist) (on 1987-08-20)
conductor:
Ron Jones (American score composer) (on 1987-08-20)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-08-20)
recording of:
Needing Love (The Naked Now (Star Trek: The Next Generation Episode)) (on 1987-08-20)
composer:
Ron Jones (American score composer)
recording of:
No Control (Star Trek: The Next Generation Episode: Where No One Has Gone Before) (on 1987-08-20)
composer:
Ron Jones (American score composer)
2:28
6The Naked Now: Troi’s Feelings (M43) / We’ll be Dead (M44)
bass:
Chuck Domanico (American bassist) (on 1987-08-20)
bassoon:
Jack Marsh (on 1987-08-20)
cello:
Marie Fera (on 1987-08-20), Raphael Kramer (on 1987-08-20) and David Shamban (on 1987-08-20)
clarinet:
Charles Boito (on 1987-08-20)
flute:
Louise DiTullio (on 1987-08-20) and James Walker (plays flute on Shirley Horn's album “Here’s to Live”) (on 1987-08-20)
harp:
Catherine Gotthofer (US harpist) (on 1987-08-20)
horn:
Vincent DeRosa (on 1987-08-20), Joe Meyer (French horn player) (on 1987-08-20) and Calvin Smith (Nashville-based french horn player) (on 1987-08-20)
membranophone:
Steve Schaeffer (drummer) (on 1987-08-20)
oboe:
Thomas Boyd (Session Musician) (on 1987-08-20)
percussion:
Brad Dutz (on 1987-08-20), Martin Leonard (Session Musician) (on 1987-08-20) and Steve Schaeffer (drummer) (on 1987-08-20)
synthesizer:
Steve Kaplan (Keyboards) (on 1987-08-20) and Richard Marvin (on 1987-08-20)
trombone:
John T. Johnson (tuba) (on 1987-08-20), Richard Nash (US jazz trombonist) (on 1987-08-20) and Lloyd Ulyate (on 1987-08-20)
trumpet:
Robert DiVall (on 1987-08-20) and Robert O’Donnell (on 1987-08-20)
tuba:
John T. Johnson (tuba) (on 1987-08-20)
violin:
Murray Adler (on 1987-08-20), Israel Baker (American violinist) (on 1987-08-20), Jacqueline Brand (on 1987-08-20), Bruce Dukov (on 1987-08-20), Julie Gigante (on 1987-08-20), Peter Kent (violinist) (on 1987-08-20), Kathleen Lenski (on 1987-08-20) and Sheldon Sanov (violinist) (on 1987-08-20)
conductor:
Ron Jones (American score composer) (on 1987-08-20)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-08-20)
recording of:
Troi's Feelings (on 1987-08-20)
composer:
Ron Jones (American score composer)
recording of:
We'll be Dead (on 1987-08-20)
1:12
7The Naked Now: Infection in Control (M51) / Running Out of Time (M52) / Horny Doctor (M53)
bass:
Chuck Domanico (American bassist) (on 1987-08-20)
bassoon:
Jack Marsh (on 1987-08-20)
cello:
Marie Fera (on 1987-08-20), Raphael Kramer (on 1987-08-20) and David Shamban (on 1987-08-20)
clarinet:
Charles Boito (on 1987-08-20)
flute:
Louise DiTullio (on 1987-08-20) and James Walker (plays flute on Shirley Horn's album “Here’s to Live”) (on 1987-08-20)
harp:
Catherine Gotthofer (US harpist) (on 1987-08-20)
horn:
Vincent DeRosa (on 1987-08-20), Joe Meyer (French horn player) (on 1987-08-20) and Calvin Smith (Nashville-based french horn player) (on 1987-08-20)
membranophone:
Steve Schaeffer (drummer) (on 1987-08-20)
oboe:
Thomas Boyd (Session Musician) (on 1987-08-20)
percussion:
Brad Dutz (on 1987-08-20), Martin Leonard (Session Musician) (on 1987-08-20) and Steve Schaeffer (drummer) (on 1987-08-20)
synthesizer:
Steve Kaplan (Keyboards) (on 1987-08-20) and Richard Marvin (on 1987-08-20)
trombone:
John T. Johnson (tuba) (on 1987-08-20), Richard Nash (US jazz trombonist) (on 1987-08-20) and Lloyd Ulyate (on 1987-08-20)
trumpet:
Robert DiVall (on 1987-08-20) and Robert O’Donnell (on 1987-08-20)
tuba:
John T. Johnson (tuba) (on 1987-08-20)
violin:
Murray Adler (on 1987-08-20), Israel Baker (American violinist) (on 1987-08-20), Jacqueline Brand (on 1987-08-20), Bruce Dukov (on 1987-08-20), Julie Gigante (on 1987-08-20), Peter Kent (violinist) (on 1987-08-20), Kathleen Lenski (on 1987-08-20) and Sheldon Sanov (violinist) (on 1987-08-20)
conductor:
Ron Jones (American score composer) (on 1987-08-20)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-08-20)
recording of:
Horny Doctor (on 1987-08-20)
recording of:
Infection in Control (on 1987-08-20)
composer:
Ron Jones (American score composer)
recording of:
Running Out of Time (on 1987-08-20)
2:39
8The Naked Now: Exploding Star (M54)
bass:
Chuck Domanico (American bassist) (on 1987-08-20)
bassoon:
Jack Marsh (on 1987-08-20)
cello:
Marie Fera (on 1987-08-20), Raphael Kramer (on 1987-08-20) and David Shamban (on 1987-08-20)
clarinet:
Charles Boito (on 1987-08-20)
flute:
Louise DiTullio (on 1987-08-20) and James Walker (plays flute on Shirley Horn's album “Here’s to Live”) (on 1987-08-20)
harp:
Catherine Gotthofer (US harpist) (on 1987-08-20)
horn:
Vincent DeRosa (on 1987-08-20), Joe Meyer (French horn player) (on 1987-08-20) and Calvin Smith (Nashville-based french horn player) (on 1987-08-20)
membranophone:
Steve Schaeffer (drummer) (on 1987-08-20)
oboe:
Thomas Boyd (Session Musician) (on 1987-08-20)
percussion:
Brad Dutz (on 1987-08-20), Martin Leonard (Session Musician) (on 1987-08-20) and Steve Schaeffer (drummer) (on 1987-08-20)
synthesizer:
Steve Kaplan (Keyboards) (on 1987-08-20) and Richard Marvin (on 1987-08-20)
trombone:
John T. Johnson (tuba) (on 1987-08-20), Richard Nash (US jazz trombonist) (on 1987-08-20) and Lloyd Ulyate (on 1987-08-20)
trumpet:
Robert DiVall (on 1987-08-20) and Robert O’Donnell (on 1987-08-20)
tuba:
John T. Johnson (tuba) (on 1987-08-20)
violin:
Murray Adler (on 1987-08-20), Israel Baker (American violinist) (on 1987-08-20), Jacqueline Brand (on 1987-08-20), Bruce Dukov (on 1987-08-20), Julie Gigante (on 1987-08-20), Peter Kent (violinist) (on 1987-08-20), Kathleen Lenski (on 1987-08-20) and Sheldon Sanov (violinist) (on 1987-08-20)
conductor:
Ron Jones (American score composer) (on 1987-08-20)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-08-20)
recording of:
Exploding Star (on 1987-08-20)
composer:
Ron Jones (American score composer)
2:15
9The Naked Now: Our Only Hope (M61) / Placing the Chips(M62) / One More Minute (M63) / Hypos (M64) / Repulsor Beam (M65)
bass:
Chuck Domanico (American bassist) (on 1987-08-20)
bassoon:
Jack Marsh (on 1987-08-20)
cello:
Marie Fera (on 1987-08-20), Raphael Kramer (on 1987-08-20) and David Shamban (on 1987-08-20)
clarinet:
Charles Boito (on 1987-08-20)
flute:
Louise DiTullio (on 1987-08-20) and James Walker (plays flute on Shirley Horn's album “Here’s to Live”) (on 1987-08-20)
harp:
Catherine Gotthofer (US harpist) (on 1987-08-20)
horn:
Vincent DeRosa (on 1987-08-20), Joe Meyer (French horn player) (on 1987-08-20) and Calvin Smith (Nashville-based french horn player) (on 1987-08-20)
membranophone:
Steve Schaeffer (drummer) (on 1987-08-20)
oboe:
Thomas Boyd (Session Musician) (on 1987-08-20)
percussion:
Brad Dutz (on 1987-08-20), Martin Leonard (Session Musician) (on 1987-08-20) and Steve Schaeffer (drummer) (on 1987-08-20)
synthesizer:
Steve Kaplan (Keyboards) (on 1987-08-20) and Richard Marvin (on 1987-08-20)
trombone:
John T. Johnson (tuba) (on 1987-08-20), Richard Nash (US jazz trombonist) (on 1987-08-20) and Lloyd Ulyate (on 1987-08-20)
trumpet:
Robert DiVall (on 1987-08-20) and Robert O’Donnell (on 1987-08-20)
tuba:
John T. Johnson (tuba) (on 1987-08-20)
violin:
Murray Adler (on 1987-08-20), Israel Baker (American violinist) (on 1987-08-20), Jacqueline Brand (on 1987-08-20), Bruce Dukov (on 1987-08-20), Julie Gigante (on 1987-08-20), Peter Kent (violinist) (on 1987-08-20), Kathleen Lenski (on 1987-08-20) and Sheldon Sanov (violinist) (on 1987-08-20)
conductor:
Ron Jones (American score composer) (on 1987-08-20)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-08-20)
recording of:
The Naked Now: Our Only Hope (M61) / Placing the Chips(M62) / One More Minute (M63) / Hypos (M64) / Repulsor Beam (M65) (on 1987-08-20)
composer:
Ron Jones (American score composer)
4:25
10The Naked Now: Ending (M66)
bass:
Chuck Domanico (American bassist) (on 1987-08-20)
bassoon:
Jack Marsh (on 1987-08-20)
cello:
Marie Fera (on 1987-08-20), Raphael Kramer (on 1987-08-20) and David Shamban (on 1987-08-20)
clarinet:
Charles Boito (on 1987-08-20)
flute:
Louise DiTullio (on 1987-08-20) and James Walker (plays flute on Shirley Horn's album “Here’s to Live”) (on 1987-08-20)
harp:
Catherine Gotthofer (US harpist) (on 1987-08-20)
horn:
Vincent DeRosa (on 1987-08-20), Joe Meyer (French horn player) (on 1987-08-20) and Calvin Smith (Nashville-based french horn player) (on 1987-08-20)
membranophone:
Steve Schaeffer (drummer) (on 1987-08-20)
oboe:
Thomas Boyd (Session Musician) (on 1987-08-20)
percussion:
Brad Dutz (on 1987-08-20), Martin Leonard (Session Musician) (on 1987-08-20) and Steve Schaeffer (drummer) (on 1987-08-20)
synthesizer:
Steve Kaplan (Keyboards) (on 1987-08-20) and Richard Marvin (on 1987-08-20)
trombone:
John T. Johnson (tuba) (on 1987-08-20), Richard Nash (US jazz trombonist) (on 1987-08-20) and Lloyd Ulyate (on 1987-08-20)
trumpet:
Robert DiVall (on 1987-08-20) and Robert O’Donnell (on 1987-08-20)
tuba:
John T. Johnson (tuba) (on 1987-08-20)
violin:
Murray Adler (on 1987-08-20), Israel Baker (American violinist) (on 1987-08-20), Jacqueline Brand (on 1987-08-20), Bruce Dukov (on 1987-08-20), Julie Gigante (on 1987-08-20), Peter Kent (violinist) (on 1987-08-20), Kathleen Lenski (on 1987-08-20) and Sheldon Sanov (violinist) (on 1987-08-20)
conductor:
Ron Jones (American score composer) (on 1987-08-20)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-08-20)
recording of:
The Naked Now: Ending (M66) (on 1987-08-20)
composer:
Ron Jones (American score composer)
0:52
11Where No One Has Gone Before: Log (M11) / Visitors (M12) / Concerned (M13) / Fly-By (M14) / Wes and the Traveler (M15)
bass:
Richard Feves and Milton Nadel (Session Musician)
bassoon:
David Riddles
cello:
Larry Corbett, Ernest Ehrhardt, Daniel Smith (cellist) and John Walz
clarinet:
Charles Boito
flute:
Louise DiTullio and Sheridon Stokes (American flautist, composer, and studio musician)
harp:
Catherine Gotthofer (US harpist)
horn:
Calvin L. Smith (Nashville-based french horn player), Vincent DeRosa and Joe Meyer (French horn player)
oboe:
Thomas Boyd (Session Musician)
percussion:
Brad Dutz and Martin Leonard (Session Musician)
synthesizer:
Michael Lang (Session Musician) and Richard Marvin
trombone:
William Booth (US trombonist), John T. Johnson (tuba), Charles Loper (American trombonist) and Richard Nash (US jazz trombonist)
trumpet:
Charles L. Davis (trumpet player) and George Burnette Dillon (Session Musician)
tuba:
John T. Johnson (tuba)
violin:
Israel Baker (American violinist), Pavel Farkas, Armen Garabedian, Berj Garabedian, Ezra Kliger, Dimitrie Leivici, Ralph Morrison, Sid Page, Stanley Plummer, Linda Rose, Daniel Shindaryov (Session Musician), Haim Shtrum, Ken Yerke and Shari Zippert (Violinist)
conductor:
Ron Jones (American score composer)
orchestrator:
Ron Jones (American score composer) and Mark McKenzie (US film composer/orchestrator)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-09-25)
recording of:
Where No One Has Gone Before: Log (M11) / Visitors (M12) / Concerned (M13) / Fly-By (M14) / Wes and the Traveler (M15)
composer:
Ron Jones (American score composer)
2:28
12Where No One Has Gone Before: The Test (M16) / Double Warp (M17) / Long Way from Home (M18)
bass:
Richard Feves and Milton Nadel (Session Musician)
bassoon:
David Riddles
cello:
Larry Corbett, Ernest Ehrhardt, Daniel Smith (cellist) and John Walz
clarinet:
Charles Boito
flute:
Louise DiTullio and Sheridon Stokes (American flautist, composer, and studio musician)
harp:
Catherine Gotthofer (US harpist)
horn:
Calvin L. Smith (Nashville-based french horn player), Vincent DeRosa and Joe Meyer (French horn player)
oboe:
Thomas Boyd (Session Musician)
percussion:
Brad Dutz and Martin Leonard (Session Musician)
synthesizer:
Michael Lang (Session Musician) and Richard Marvin
trombone:
William Booth (US trombonist), John T. Johnson (tuba), Charles Loper (American trombonist) and Richard Nash (US jazz trombonist)
trumpet:
Charles L. Davis (trumpet player) and George Burnette Dillon (Session Musician)
tuba:
John T. Johnson (tuba)
violin:
Israel Baker (American violinist), Pavel Farkas, Armen Garabedian, Berj Garabedian, Ezra Kliger, Dimitrie Leivici, Ralph Morrison, Sid Page, Stanley Plummer, Linda Rose, Daniel Shindaryov (Session Musician), Haim Shtrum, Ken Yerke and Shari Zippert (Violinist)
conductor:
Ron Jones (American score composer)
orchestrator:
Ron Jones (American score composer) and Mark McKenzie (US film composer/orchestrator)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-09-25)
recording of:
Where No One Has Gone Before: The Test (M16) / Double Warp (M17) / Long Way from Home (M18)
composer:
Ron Jones (American score composer)
2:43
13Where No One Has Gone Before: Long Distance (M21) / Dangerous Nonsense (M22)
bass:
Richard Feves and Milton Nadel (Session Musician)
bassoon:
David Riddles
cello:
Larry Corbett, Ernest Ehrhardt, Daniel Smith (cellist) and John Walz
clarinet:
Charles Boito
flute:
Louise DiTullio and Sheridon Stokes (American flautist, composer, and studio musician)
harp:
Catherine Gotthofer (US harpist)
horn:
Calvin L. Smith (Nashville-based french horn player), Vincent DeRosa and Joe Meyer (French horn player)
oboe:
Thomas Boyd (Session Musician)
percussion:
Brad Dutz and Martin Leonard (Session Musician)
synthesizer:
Michael Lang (Session Musician) and Richard Marvin
trombone:
William Booth (US trombonist), John T. Johnson (tuba), Charles Loper (American trombonist) and Richard Nash (US jazz trombonist)
trumpet:
Charles L. Davis (trumpet player) and George Burnette Dillon (Session Musician)
tuba:
John T. Johnson (tuba)
violin:
Israel Baker (American violinist), Pavel Farkas, Armen Garabedian, Berj Garabedian, Ezra Kliger, Dimitrie Leivici, Ralph Morrison, Sid Page, Stanley Plummer, Linda Rose, Daniel Shindaryov (Session Musician), Haim Shtrum, Ken Yerke and Shari Zippert (Violinist)
conductor:
Ron Jones (American score composer)
orchestrator:
Ron Jones (American score composer) and Mark McKenzie (US film composer/orchestrator)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-09-25)
recording of:
Where No One Has Gone Before: Long Distance (M21) / Dangerous Nonsense (M22)
composer:
Ron Jones (American score composer)
2:04
14Where No One Has Gone Before: Beyond Velocity (M23)
bass:
Richard Feves and Milton Nadel (Session Musician)
bassoon:
David Riddles
cello:
Larry Corbett, Ernest Ehrhardt, Daniel Smith (cellist) and John Walz
clarinet:
Charles Boito
flute:
Louise DiTullio and Sheridon Stokes (American flautist, composer, and studio musician)
harp:
Catherine Gotthofer (US harpist)
horn:
Calvin L. Smith (Nashville-based french horn player), Vincent DeRosa and Joe Meyer (French horn player)
oboe:
Thomas Boyd (Session Musician)
percussion:
Brad Dutz and Martin Leonard (Session Musician)
synthesizer:
Michael Lang (Session Musician) and Richard Marvin
trombone:
William Booth (US trombonist), John T. Johnson (tuba), Charles Loper (American trombonist) and Richard Nash (US jazz trombonist)
trumpet:
Charles L. Davis (trumpet player) and George Burnette Dillon (Session Musician)
tuba:
John T. Johnson (tuba)
violin:
Israel Baker (American violinist), Pavel Farkas, Armen Garabedian, Berj Garabedian, Ezra Kliger, Dimitrie Leivici, Ralph Morrison, Sid Page, Stanley Plummer, Linda Rose, Daniel Shindaryov (Session Musician), Haim Shtrum, Ken Yerke and Shari Zippert (Violinist)
conductor:
Ron Jones (American score composer)
orchestrator:
Ron Jones (American score composer) and Mark McKenzie (US film composer/orchestrator)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-09-25)
recording of:
Beyond Velocity
composer:
Ron Jones (American score composer)
1:48
15Where No One Has Gone Before: Billion Light Years Away (M31) / Targs, Cats, Imagination (M32)
bass:
Richard Feves and Milton Nadel (Session Musician)
bassoon:
David Riddles
cello:
Larry Corbett, Ernest Ehrhardt, Daniel Smith (cellist) and John Walz
clarinet:
Charles Boito
flute:
Louise DiTullio and Sheridon Stokes (American flautist, composer, and studio musician)
harp:
Catherine Gotthofer (US harpist)
horn:
Calvin L. Smith (Nashville-based french horn player), Vincent DeRosa and Joe Meyer (French horn player)
oboe:
Thomas Boyd (Session Musician)
percussion:
Brad Dutz and Martin Leonard (Session Musician)
synthesizer:
Michael Lang (Session Musician) and Richard Marvin
trombone:
William Booth (US trombonist), John T. Johnson (tuba), Charles Loper (American trombonist) and Richard Nash (US jazz trombonist)
trumpet:
Charles L. Davis (trumpet player) and George Burnette Dillon (Session Musician)
tuba:
John T. Johnson (tuba)
violin:
Israel Baker (American violinist), Pavel Farkas, Armen Garabedian, Berj Garabedian, Ezra Kliger, Dimitrie Leivici, Ralph Morrison, Sid Page, Stanley Plummer, Linda Rose, Daniel Shindaryov (Session Musician), Haim Shtrum, Ken Yerke and Shari Zippert (Violinist)
conductor:
Ron Jones (American score composer)
orchestrator:
Ron Jones (American score composer) and Mark McKenzie (US film composer/orchestrator)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-09-25)
recording of:
Billion Light Years Away
composer:
Ron Jones (American score composer)
recording of:
Targs, Cats, Imagination
composer:
Ron Jones (American score composer)
2:23
16Where No One Has Gone Before: Eine Kleine Nachtmusik (M33) / Waltz of the Chocolate Donut (M34) / Eine Kleine Nachtmusik (M35/M35A)
bass:
Richard Feves and Milton Nadel (Session Musician)
bassoon:
David Riddles
cello:
Larry Corbett, Ernest Ehrhardt, Daniel Smith (cellist) and John Walz
clarinet:
Charles Boito
flute:
Louise DiTullio and Sheridon Stokes (American flautist, composer, and studio musician)
harp:
Catherine Gotthofer (US harpist)
horn:
Calvin L. Smith (Nashville-based french horn player), Vincent DeRosa and Joe Meyer (French horn player)
oboe:
Thomas Boyd (Session Musician)
percussion:
Brad Dutz and Martin Leonard (Session Musician)
synthesizer:
Michael Lang (Session Musician) and Richard Marvin
trombone:
William Booth (US trombonist), John T. Johnson (tuba), Charles Loper (American trombonist) and Richard Nash (US jazz trombonist)
trumpet:
Charles L. Davis (trumpet player) and George Burnette Dillon (Session Musician)
tuba:
John T. Johnson (tuba)
violin:
Israel Baker (American violinist), Pavel Farkas, Armen Garabedian, Berj Garabedian, Ezra Kliger, Dimitrie Leivici, Ralph Morrison, Sid Page, Stanley Plummer, Linda Rose, Daniel Shindaryov (Session Musician), Haim Shtrum, Ken Yerke and Shari Zippert (Violinist)
conductor:
Ron Jones (American score composer)
orchestrator:
Ron Jones (American score composer) and Mark McKenzie (US film composer/orchestrator)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-09-25)
recording of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“ (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1787)
arrangement of:
Serenade no. 13 for Strings in G major, K. 525 „Eine kleine Nachtmusik“
recording of:
Waltz of the Chocolate Donut
composer:
Ron Jones (American score composer)
1:06
17Where No One Has Gone Before: Talk with Mom (M36)
bass:
Richard Feves and Milton Nadel (Session Musician)
bassoon:
David Riddles
cello:
Larry Corbett, Ernest Ehrhardt, Daniel Smith (cellist) and John Walz
clarinet:
Charles Boito
flute:
Louise DiTullio and Sheridon Stokes (American flautist, composer, and studio musician)
harp:
Catherine Gotthofer (US harpist)
horn:
Calvin L. Smith (Nashville-based french horn player), Vincent DeRosa and Joe Meyer (French horn player)
oboe:
Thomas Boyd (Session Musician)
percussion:
Brad Dutz and Martin Leonard (Session Musician)
synthesizer:
Michael Lang (Session Musician) and Richard Marvin
trombone:
William Booth (US trombonist), John T. Johnson (tuba), Charles Loper (American trombonist) and Richard Nash (US jazz trombonist)
trumpet:
Charles L. Davis (trumpet player) and George Burnette Dillon (Session Musician)
tuba:
John T. Johnson (tuba)
violin:
Israel Baker (American violinist), Pavel Farkas, Armen Garabedian, Berj Garabedian, Ezra Kliger, Dimitrie Leivici, Ralph Morrison, Sid Page, Stanley Plummer, Linda Rose, Daniel Shindaryov (Session Musician), Haim Shtrum, Ken Yerke and Shari Zippert (Violinist)
conductor:
Ron Jones (American score composer)
orchestrator:
Ron Jones (American score composer) and Mark McKenzie (US film composer/orchestrator)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-09-25)
recording of:
Talk with Mom
composer:
Ron Jones (American score composer)
2:06
18Where No One Has Gone Before: He’s Dying (M37) / Unknown Physiology (M41) / Encourage (M42) / Concentrate (M43) / No Choice (M51)
bass:
Richard Feves and Milton Nadel (Session Musician)
bassoon:
David Riddles
cello:
Larry Corbett, Ernest Ehrhardt, Daniel Smith (cellist) and John Walz
clarinet:
Charles Boito
flute:
Louise DiTullio and Sheridon Stokes (American flautist, composer, and studio musician)
harp:
Catherine Gotthofer (US harpist)
horn:
Calvin L. Smith (Nashville-based french horn player), Vincent DeRosa and Joe Meyer (French horn player)
oboe:
Thomas Boyd (Session Musician)
percussion:
Brad Dutz and Martin Leonard (Session Musician)
synthesizer:
Michael Lang (Session Musician) and Richard Marvin
trombone:
William Booth (US trombonist), John T. Johnson (tuba), Charles Loper (American trombonist) and Richard Nash (US jazz trombonist)
trumpet:
Charles L. Davis (trumpet player) and George Burnette Dillon (Session Musician)
tuba:
John T. Johnson (tuba)
violin:
Israel Baker (American violinist), Pavel Farkas, Armen Garabedian, Berj Garabedian, Ezra Kliger, Dimitrie Leivici, Ralph Morrison, Sid Page, Stanley Plummer, Linda Rose, Daniel Shindaryov (Session Musician), Haim Shtrum, Ken Yerke and Shari Zippert (Violinist)
conductor:
Ron Jones (American score composer)
orchestrator:
Ron Jones (American score composer) and Mark McKenzie (US film composer/orchestrator)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-09-25)
recording of:
Where No One Has Gone Before: He's Dying (M37) / Unknown Physiology (M41) / Encourage (M42) / Concentrate (M43) / No Choice (M51)
composer:
Ron Jones (American score composer)
2:41
19Where No One Has Gone Before: Center Your Thoughts (M52) / Warp Home (M53 tk 1)
bass:
Richard Feves and Milton Nadel (Session Musician)
bassoon:
David Riddles
cello:
Larry Corbett, Ernest Ehrhardt, Daniel Smith (cellist) and John Walz
clarinet:
Charles Boito
flute:
Louise DiTullio and Sheridon Stokes (American flautist, composer, and studio musician)
harp:
Catherine Gotthofer (US harpist)
horn:
Calvin L. Smith (Nashville-based french horn player), Vincent DeRosa and Joe Meyer (French horn player)
oboe:
Thomas Boyd (Session Musician)
percussion:
Brad Dutz and Martin Leonard (Session Musician)
synthesizer:
Michael Lang (Session Musician) and Richard Marvin
trombone:
William Booth (US trombonist), John T. Johnson (tuba), Charles Loper (American trombonist) and Richard Nash (US jazz trombonist)
trumpet:
Charles L. Davis (trumpet player) and George Burnette Dillon (Session Musician)
tuba:
John T. Johnson (tuba)
violin:
Israel Baker (American violinist), Pavel Farkas, Armen Garabedian, Berj Garabedian, Ezra Kliger, Dimitrie Leivici, Ralph Morrison, Sid Page, Stanley Plummer, Linda Rose, Daniel Shindaryov (Session Musician), Haim Shtrum, Ken Yerke and Shari Zippert (Violinist)
conductor:
Ron Jones (American score composer)
orchestrator:
Ron Jones (American score composer) and Mark McKenzie (US film composer/orchestrator)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-09-25)
recording of:
Center Your Thoughts (Star Trek: The Next Generation Episode: Where No One Has Gone Before)
composer:
Ron Jones (American score composer)
recording of:
Warp Home (Star Trek: The Next Generation Episode: Where No One Has Gone Before)
composer:
Ron Jones (American score composer)
2:51
20Where No One Has Gone Before: Ensign Wesley (M54)
bass:
Richard Feves and Milton Nadel (Session Musician)
bassoon:
David Riddles
cello:
Larry Corbett, Ernest Ehrhardt, Daniel Smith (cellist) and John Walz
clarinet:
Charles Boito
flute:
Louise DiTullio and Sheridon Stokes (American flautist, composer, and studio musician)
harp:
Catherine Gotthofer (US harpist)
horn:
Calvin L. Smith (Nashville-based french horn player), Vincent DeRosa and Joe Meyer (French horn player)
oboe:
Thomas Boyd (Session Musician)
percussion:
Brad Dutz and Martin Leonard (Session Musician)
synthesizer:
Michael Lang (Session Musician) and Richard Marvin
trombone:
William Booth (US trombonist), John T. Johnson (tuba), Charles Loper (American trombonist) and Richard Nash (US jazz trombonist)
trumpet:
Charles L. Davis (trumpet player) and George Burnette Dillon (Session Musician)
tuba:
John T. Johnson (tuba)
violin:
Israel Baker (American violinist), Pavel Farkas, Armen Garabedian, Berj Garabedian, Ezra Kliger, Dimitrie Leivici, Ralph Morrison, Sid Page, Stanley Plummer, Linda Rose, Daniel Shindaryov (Session Musician), Haim Shtrum, Ken Yerke and Shari Zippert (Violinist)
conductor:
Ron Jones (American score composer)
orchestrator:
Ron Jones (American score composer) and Mark McKenzie (US film composer/orchestrator)
recorded at:
Paramount Pictures Scoring Stage M in Los Angeles, California, United States (on 1987-09-25)
recording of:
Ensign Wesley (Star Trek: The Next Generation Episode: Where No One Has Gone Before)
composer:
Ron Jones (American score composer)
1:13
21Lonely Among Us: Taking Aboard Delegates (M11) / First Contact (M12) / What Happened (M13A) / Second Contact (M13B)
conductor:
Ron Jones (American score composer)
recording of:
First Contact (Star Trek: The Next Generation Episode Lonely Among Us)
composer:
Ron Jones (American score composer)
recording of:
Second Contact (Star Trek: The Next Generation Episode Lonely Among Us)
composer:
Ron Jones (American score composer)
recording of:
Taking Aboard Delegates (Star Trek: The Next Generation: Lonely Among Us)
composer:
Ron Jones (American score composer)
recording of:
What Happened (Star Trek: The Next Generation Episode Lonely Among Us)
composer:
Ron Jones (American score composer)
3:02
22Lonely Among Us: Not Herself (M14)
conductor:
Ron Jones (American score composer)
recording of:
Not Herself (Star Trek: The Next Generation: Lonely Among Us)
composer:
Ron Jones (American score composer)
2:27
23Lonely Among Us: Malfunction (M15) / Conference (M21) / Antican Deception (M22) / Systems Down (M23) / Mr. Singh’s Death (M24)
conductor:
Ron Jones (American score composer)
recording of:
Antican Deception (Star Trek: The Next Generation Episode Lonely Among Us)
composer:
Ron Jones (American score composer)
recording of:
Conference (Star Trek: The Next Generation Episode Lonely Among Us)
composer:
Ron Jones (American score composer)
recording of:
Malfunction (Star Trek: The Next Generation Episode Lonely Among Us)
composer:
Ron Jones (American score composer)
recording of:
Mr. Singh's Death (Star Trek: The Next Generation Episode Lonely Among Us)
composer:
Ron Jones (American score composer)
recording of:
Systems Down (Star Trek: The Next Generation Episode Lonely Among Us)
composer:
Ron Jones (American score composer)
2:37
24Lonely Among Us: Investigation (M31) / Feelings of Duality (M32) / Everything’s Fine (M33)
conductor:
Ron Jones (American score composer)
recording of:
Lonely Among Us: Investigation (M31) / Feelings of Duality (M32) / Everything's Fine (M33)
composer:
Ron Jones (American score composer)
2:14
25Lonely Among Us: Reverse Direction (M41) / Questions (M42)
conductor:
Ron Jones (American score composer)
recording of:
Lonely Among Us: Reverse Direction (M41) / Questions (M42)
composer:
Ron Jones (American score composer)
1:57
26Lonely Among Us: Officer’s Meeting (M43) / Alien Influence (M44) / Home Soon (M45)
conductor:
Ron Jones (American score composer)
recording of:
Lonely Among Us: Officer's Meeting (M43) / Alien Influence (M44) / Home Soon (M45)
composer:
Ron Jones (American score composer)
2:36
27Lonely Among Us: Riker’s Log (M51) / Entity and I (M52) / Transporting to Energy (M53)
conductor:
Ron Jones (American score composer)
recording of:
Entity and I (Star Trek: The Next Generation: Lonely Among Us)
composer:
Ron Jones (American score composer)
recording of:
Riker's Log (Star Trek: The Next Generation: Lonely Among Us)
composer:
Ron Jones (American score composer)
recording of:
Transporting to Energy (Star Trek: The Next Generation: Lonely Among Us)
composer:
Ron Jones (American score composer)
4:28
28Lonely Among Us: P for Picard (M54)
conductor:
Ron Jones (American score composer)
recording of:
P for Picard (Star Trek: The Next Generation: Lonely Among Us)
composer:
Ron Jones (American score composer)
2:12
29Lonely Among Us: Picard is Back (M55) / Leave It to Riker (M56)
conductor:
Ron Jones (American score composer)
recording of:
Leave It to Riker (Star Trek: The Next Generation: Lonely Among Us)
composer:
Ron Jones (American score composer)
recording of:
Picard is Back (Star Trek: The Next Generation: Lonely Among Us)
composer:
Ron Jones (American score composer)
1:03
2▼CD: Season One (1987-1988)
#TitleRatingLength
1The Battle: Stand By (M11) / Bok’s Deception (M12)
conductor:
Ron Jones (American score composer)
recording of:
The Battle: Stand By (M11) / Bok's Deception (M12)
composer:
Ron Jones (American score composer)
2:39
2The Battle: Med Scan (M13) / Ferengi Beam-Over (M14) / Hero of Maxia (M15) / The Gift (M16)
conductor:
Ron Jones (American score composer)
recording of:
The Battle: Med Scan (M13) / Ferengi Beam-Over (M14) / Hero of Maxia (M15) / The Gift (M16)
composer:
Ron Jones (American score composer)
2:45
3The Battle: Supplemental (M21) / Memories (M22)
conductor:
Ron Jones (American score composer)
recording of:
The Battle: Supplemental (M21) / Memories (M22)
composer:
Ron Jones (American score composer)
1:05
4The Battle: Caught Up (M23) / Stargazer (M24)
conductor:
Ron Jones (American score composer)
recording of:
The Battle: Caught Up (M23) / Stargazer (M24)
composer:
Ron Jones (American score composer)
1:15
5The Battle: Hello Old Friend (M25) / Old Quarters (M26) / Bad Dream (M27) / No Provocation (M28)
conductor:
Ron Jones (American score composer)
recording of:
The Battle: Hello Old Friend (M25) / Old Quarters (M26) / Bad Dream (M27) / No Provocation (M28)
composer:
Ron Jones (American score composer)
3:05
6The Battle: Confession (M31) / Try to Relax (M32) / Past Relived (M33)
conductor:
Ron Jones (American score composer)
recording of:
The Battle: Confession (M31) / Try to Relax (M32) / Past Relived (M33)
composer:
Ron Jones (American score composer)
3:06
7The Battle: Waves (M41) / Collecting an Old Debt (M42)
conductor:
Ron Jones (American score composer)
recording of:
The Battle: Waves (M41) / Collecting an Old Debt (M42)
composer:
Ron Jones (American score composer)
3:20
8The Battle: No Response (M51) / The Battle (M52)
conductor:
Ron Jones (American score composer)
recording of:
The Battle: No Response (M51) / The Battle (M52)
composer:
Ron Jones (American score composer)
1:46
9The Battle: Destroy the Sphere (M53)
conductor:
Ron Jones (American score composer)
recording of:
Destroy the Sphere
composer:
Ron Jones (American score composer)
1:35
10Datalore: Omicron Destination (M11) / Home Sweet Home (M12) / Welcome Home (M13)
conductor:
Ron Jones (American score composer)
recording of:
Datalore: Omicron Destination (M11) / Home Sweet Home (M12) / Welcome Home (M13)
composer:
Ron Jones (American score composer)
1:23
11Datalore: Omicron Arrival (M14) / Data’s Beginning (M15) / The Lab (M16)
conductor:
Ron Jones (American score composer)
recording of:
Datalore: Omicron Arrival (M14) / Data's Beginning (M15) / The Lab (M16)
composer:
Ron Jones (American score composer)
3:38
12Datalore: Data’s Brother (M17)
conductor:
Ron Jones (American score composer)
recording of:
Data's Brother
composer:
Ron Jones (American score composer)
1:15
13Datalore: Data’s Hope (M21) / Android Operation (M22) / Lore (M23) / Trick Question (M31) / Suspicion (M32)
conductor:
Ron Jones (American score composer)
recording of:
Datalore: Data's Hope (M21) / Android Operation (M22) / Lore (M23) / Trick Question (M31) / Suspicion (M32)
composer:
Ron Jones (American score composer)
2:56
14Datalore: Perfect Android (M33)
conductor:
Ron Jones (American score composer)
recording of:
Perfect Android
composer:
Ron Jones (American score composer)
3:12
15Datalore: Image (M41) / Bad Champagne (M42)
conductor:
Ron Jones (American score composer)
recording of:
Datalore: Image (M41) / Bad Champagne (M42)
composer:
Ron Jones (American score composer)
2:39
16Datalore: Deception (M43) / Crystal Entity (M44)
conductor:
Ron Jones (American score composer)
recording of:
Datalore: Deception (M43) / Crystal Entity (M44)
composer:
Ron Jones (American score composer)
2:44
17Datalore: No Answer (M51) / Wesley’s Opposition (M52) / Head Kick (M53)
conductor:
Ron Jones (American score composer)
recording of:
Datalore: No Answer (M51) / Wesley's Opposition (M52) / Head Kick (M53)
composer:
Ron Jones (American score composer)
1:45
18Datalore: Crystal Attacks (M54)
conductor:
Ron Jones (American score composer)
recording of:
Crystal Attacks
composer:
Ron Jones (American score composer)
1:41
19Datalore: Knock Out (M55) / Droid Battle (M56) / All is Well (M57)
conductor:
Ron Jones (American score composer)
recording of:
Datalore: Knock Out (M55) / Droid Battle (M56) / All is Well (M57)
composer:
Ron Jones (American score composer)
3:52
2011001001: Docking at Starbase 74 (M11) / Eyes (M12)
conductor:
Ron Jones (American score composer)
recording of:
Docking at Starbase 74
composer:
Ron Jones (American score composer)
2:24
2111001001: The Enhancement (M13)
conductor:
Ron Jones (American score composer)
recording of:
The Enhancement
composer:
Ron Jones (American score composer)
1:50
2211001001: Jazz (M14)
brushes, double bass and piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
conductor:
Ron Jones (American score composer)
recording of:
Jazz
composer:
John Beasley (American jazz pianist)
1:18
2311001001: Bynars (M21)
conductor:
Ron Jones (American score composer)
recording of:
Bynars
composer:
Ron Jones (American score composer)
0:30
2411001001: The Nearness of You (M22)
conductor:
Ron Jones (American score composer)
instrumental recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
4:11
2511001001: I Remember You (M23)
conductor:
Ron Jones (American score composer)
instrumental recording of:
I Remember You
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
2:13
2611001001: Abandon Ship (M24)
conductor:
Ron Jones (American score composer)
recording of:
Abandon Ship
composer:
Ron Jones (American score composer)
1:54
2711001001: Stealing the Enterprise (M31)
conductor:
Ron Jones (American score composer)
recording of:
Stealing the Enterprise
composer:
Ron Jones (American score composer)
3:26
2811001001: Isn’t it Romantic (M32)
conductor:
Ron Jones (American score composer)
instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
1:34
2911001001: Don’t Go (M33) / Regain Control (M34) / Weapons (M35)
conductor:
Ron Jones (American score composer)
recording of:
11001001: Don't Go (M33) / Regain Control (M34) / Weapons (M35)
composer:
Ron Jones (American score composer)
2:07
3011001001: Auto-Destruct (M41)
conductor:
Ron Jones (American score composer)
recording of:
Auto-Destruct
composer:
Ron Jones (American score composer)
2:30
3111001001: Help Us (M42) / Cancel Destruct (M51)
conductor:
Ron Jones (American score composer)
recording of:
11001001: Help Us (M42) / Cancel Destruct (M51)
composer:
Ron Jones (American score composer)
1:57
3211001001: Access the File (M52)
conductor:
Ron Jones (American score composer)
recording of:
Access the File
composer:
Ron Jones (American score composer)
1:31
3311001001: Back in Order (M53)
conductor:
Ron Jones (American score composer)
recording of:
Back in Order
composer:
Ron Jones (American score composer)
1:09
3411001001: Nearness of You and Ending (M54)
conductor:
Ron Jones (American score composer)
arranger:
Ron Jones (American score composer)
partial instrumental recording of:
The Nearness of You
lyricist:
Ned Washington (in 1938)
composer:
Hoagy Carmichael (in 1938)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK and Sony/ATV Music Publishing LLC (1995–2020)
1:24
3▼CD: Season One (1987-1988)
#TitleRatingLength
1When the Bough Breaks: Escape from Calculus (M10) / Myth Becomes Reality (M11)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: Escape from Calculus (M10) / Myth Becomes Reality (M11)
composer:
Ron Jones (American score composer)
2:24
2When the Bough Breaks: Aldean Log (M12) / Radue and Rashella (M13)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: Aldean Log (M12) / Radue and Rashella (M13)
composer:
Ron Jones (American score composer)
0:46
3When the Bough Breaks: Interesting Choices (M14)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: Interesting Choices (M14)
composer:
Ron Jones (American score composer)
1:11
4When the Bough Breaks: Scanning the Children (M15)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: Scanning the Children (M15)
composer:
Ron Jones (American score composer)
0:54
5When the Bough Breaks: The Trade (M16)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: The Trade (M16)
composer:
Ron Jones (American score composer)
2:03
6When the Bough Breaks: Act of Barbarity (M21) / Hand Shake (M22) / Regrets (M23)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: Act of Barbarity (M21) / Hand Shake (M22) / Regrets (M23)
composer:
Ron Jones (American score composer)
2:05
7When the Bough Breaks: New Parents (M24) / Keep them Talking (M25)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: New Parents (M24) / Keep them Talking (M25)
composer:
Ron Jones (American score composer)
2:41
8When the Bough Breaks: Custodian (M31) / Power Source (M32) / Tricorder Fun (M33) / Demonstration of Power (M34)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: Custodian (M31) / Power Source (M32) / Tricorder Fun (M33) / Demonstration of Power (M34)
composer:
Ron Jones (American score composer)
3:03
9When the Bough Breaks: Music Lesson (M41) / Mind Music (M42)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: Music Lesson (M41) / Mind Music (M42)
composer:
Ron Jones (American score composer)
1:32
10When the Bough Breaks: Log of Three Days (M43) / The Dolphin (M44)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: Log of Three Days (M43) / The Dolphin (M44)
composer:
Ron Jones (American score composer)
1:51
11When the Bough Breaks: Passive Resistance (M45)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: Passive Resistance (M45)
composer:
Ron Jones (American score composer)
2:24
12When the Bough Breaks: Diagnosis (M50) / Through the Hole (M51)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: Diagnosis (M50) / Through the Hole (M51)
composer:
Ron Jones (American score composer)
1:35
13When the Bough Breaks: Captain and Kids (M52) / Doomed by Technology (M53)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: Captain and Kids (M52) / Doomed by Technology (M53)
composer:
Ron Jones (American score composer)
4:05
14When the Bough Breaks: Attack of the Killer Fur Ball (M54)
conductor:
Ron Jones (American score composer) (on 1988-02-05)
recording of:
When the Bough Breaks: Attack of the Killer Fur Ball (M54)
composer:
Ron Jones (American score composer)
1:02
15Heart of Glory: Battle Signs (M11) / Possible Trap (M12)
conductor:
Ron Jones (American score composer) (on 1988-03-11)
recording of:
Heart of Glory: Battle Signs (M11) / Possible Trap (M12)
composer:
Ron Jones (American score composer)
2:24
16Heart of Glory: Questions (M13) / Geordi-Vision (M14)
conductor:
Ron Jones (American score composer) (on 1988-03-11)
recording of:
Heart of Glory: Questions (M13) / Geordi-Vision (M14)
composer:
Ron Jones (American score composer)
1:18
17Heart of Glory: The Corridor (M15)
conductor:
Ron Jones (American score composer) (on 1988-03-11)
recording of:
Heart of Glory: The Corridor (M15)
composer:
Ron Jones (American score composer)
1:56
18Heart of Glory: Looking for Life Signs (M16)
conductor:
Ron Jones (American score composer) (on 1988-03-11)
recording of:
Heart of Glory: Looking for Life Signs (M16)
composer:
Ron Jones (American score composer)
2:32
19Heart of Glory: Klingon Sting (M21) / Imminent Destruction (M22)
conductor:
Ron Jones (American score composer) (on 1988-03-11)
recording of:
Imminent Destruction
composer:
Ron Jones (American score composer)
recording of:
Klingon Sting
composer:
Ron Jones (American score composer)
1:53
20Heart of Glory: Keep You Posted (M23) / Damn (M24) / Klingon Death Ritual (M25) / Warp Me Babe (M31)
conductor:
Ron Jones (American score composer) (on 1988-03-11)
recording of:
Heart of Glory: Keep You Posted (M23) / Damn (M24) / Klingon Death Ritual (M25) / Warp Me Babe (M31)
composer:
Ron Jones (American score composer)
2:28
21Heart of Glory: A Klingon’s Feelings (M32)
conductor:
Ron Jones (American score composer) (on 1988-03-11)
recording of:
Heart of Glory: A Klingon’s Feelings (M32)
composer:
Ron Jones (American score composer)
2:54
22Heart of Glory: Moment of Decision (M33)
conductor:
Ron Jones (American score composer) (on 1988-03-11)
recording of:
Heart of Glory: Moment of Decision (M33)
composer:
Ron Jones (American score composer)
2:21
23Heart of Glory: Hostage (M41) / Not That Easy (M42) / Let’s Make a Phaser (M44)
conductor:
Ron Jones (American score composer) (on 1988-03-11)
recording of:
Hostage
composer:
Ron Jones (American score composer)
recording of:
Hostage
composer:
Ron Jones (American score composer)
recording of:
Let's Make a Phaser
composer:
Ron Jones (American score composer)
is based on:
The Klingon Battle (Star Trek: The Motion Picture)
3:02
24Heart of Glory: Making Demands (M45)
conductor:
Ron Jones (American score composer) (on 1988-03-11)
recording of:
Heart of Glory: Making Demands (M45)
composer:
Ron Jones (American score composer)
1:18
25Heart of Glory: What’s the Sit (M51) / Heart of Glory (M52)
conductor:
Ron Jones (American score composer) (on 1988-03-11)
recording of:
Heart of Glory: What's the Sit (M51) / Heart of Glory (M52)
composer:
Ron Jones (American score composer)
2:27
26Heart of Glory: Wouldn’t Be the Same (M53)
conductor:
Ron Jones (American score composer) (on 1988-03-11)
recording of:
Heart of Glory: Wouldn't Be the Same (M53)
composer:
Ron Jones (American score composer)
1:09
4▶CD: Season One (1987-1988)
5▶CD: Season Two (1988-1989)
6▶CD: Season Two (1988-1989)
7▶CD: Season Two (1988-1989)
8▶CD: Season Three (1989-1990)
9▶CD: Season Three (1989-1990)
10▶CD: Season Three (1989-1990) / Season Four (1990-1991)
11▶CD: Season Four (1990-1991)
12▶CD: Season Four (1990-1991)
13▶CD: Additional and Alternate Cues
14▶CD: Interplay Computer Games