Vokalmusik 2: Geistliche Chorwerke

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Tracklist

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1▼CD
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1„Tönet, ihr Pauken! Erschallet, Trompeten!“, Eingangschor aus der Kantate BWV 214
trumpet:
Ludwig Güttler (trumpet player), Kurt Sandau (trumpet player) and Heinz Stiefel
choir vocals:
Leipziger Universitätschor
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1733)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1733)
librettist:
[anonymous] (special purpose artist)
premiered at:
Zimmermannsches Kaffeehaus in Leipzig, Sachsen (Saxony), Germany (on 1733-12-07)
part of:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!"
Johann Sebastian Bach7:30
2„Jesu, meine Freunde“, Motette BWV 227
choir vocals:
Rostocker Motettenchor
orchestra:
Capella Fidicinia
conductor:
Hartwig Eschenburg (choir master and conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1983)
recording of:
Jesu, meine Freude, BWV 227 (from 1982 until 1983)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 227), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 227) and Bach Compendium (number: BC C 5)
Johann Sebastian Bach21:09
3„Der Herr hat Gut’s an uns getan“, Chor (No. 7) aus der Kantate „Preise, Jerusalem den Herrn“ BWV 119
trumpet:
Ludwig Güttler (trumpet player), Roland Rudolph (trumpet player), Kurt Sandau (trumpet player) and Heinz Stiefel
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1984)
recording of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn": VII. Coro "Der Herr hat Guts an uns getan" (in 1984)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1723-08-30)
part of:
Kantate, BWV 119 "Preise, Jerusalem, den Herrn"
Johann Sebastian Bach6:04
4„Lobet den Herrn, alle Heiden“, Motette BWV 230
choir vocals:
Rostocker Motettenchor
orchestra:
Capella Fidicinia
conductor:
Hartwig Eschenburg (choir master and conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1983)
recording of:
Lobet den Herrn, alle Heiden, BWV 230 (from 1982 until 1983)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 230) and Bach Compendium (number: BC C 6)
Johann Sebastian Bach6:11
5„Lobe den Herrn, meine Seele“, Kantate BWV 143: I. Chor: „Lobe den Herrn, meine Seele“
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1984-04 until 1984-05)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:16
6„Lobe den Herrn, meine Seele“, Kantate BWV 143: II. Choral: „Du Friedefürst, Herr Jesu Christ“
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1984-04 until 1984-05)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Sopran) "Du Friedefürst, Herr Jesu Christ"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach2:24
7„Lobe den Herrn, meine Seele“, Kantate BWV 143: III. Rezitativo: „Wohl dem, des Hülfe“
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1984-04 until 1984-05)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenor) "Wohl dem, des Hülfe der Gott Jakob ist"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach0:24
8„Lobe den Herrn, meine Seele“, Kantate BWV 143: IV. Aria: „Tausendfaches Unglück“
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1984-04 until 1984-05)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria "Tausendfaches Unglück, Schrecken"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach3:46
9„Lobe den Herrn, meine Seele“, Kantate BWV 143: V. Aria: „Der Herr ist König“
bass vocals:
Andreas Scheibner (bass-baritone)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1984-04 until 1984-05)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Der Herr ist König ewiglich"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach1:44
10„Lobe den Herrn, meine Seele“, Kantate BWV 143: VI. Aria: „Jesu, Retter deiner Herde“
tenor vocals:
Eberhard Büchner (tenor)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1984-04 until 1984-05)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenor) "Jesu, Retter deiner Herde"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach2:15
11„Lobe den Herrn, meine Seele“, Kantate BWV 143: VII. Chor: „Halleluja“
choir vocals:
Thomanerchor Leipzig
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Hans-Joachim Rotzsch (choral conductor and tenor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1984-04 until 1984-05)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Johann Sebastian Bach2:17
12„Singet dem Herrn ein neues Lied“, Motette BWV 225
choir vocals:
Rostocker Motettenchor
orchestra:
Capella Fidicinia
conductor:
Hartwig Eschenburg (choir master and conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1983)
recording of:
Singet dem Herrn ein neues Lied, BWV 225 (from 1982 until 1983)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1727)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV 225), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV 225) and Bach Compendium (number: BC C 1)
Johann Sebastian Bach13:41
13„Komm, Jesu, komm“, Motette BWV 229
choir vocals:
Rostocker Motettenchor
orchestra:
Capella Fidicinia
conductor:
Hartwig Eschenburg (choir master and conductor)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1982 until 1983)
recording of:
Komm, Jesu, komm, BWV 229 (from 1982 until 1983)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 229) and Bach Compendium (number: BC C 3)
Johann Sebastian Bach8:38
2▼CD
#TitleArtistRatingLength
1Ave verum KV 618
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Marcus Creed (conductor)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:31
2Venite populi KV 260 (248a)
baritone vocals:
Walton Grönroos (baritone)
choir vocals:
RIAS Chamber Chorus (German chamber choir)
contralto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Celina Lindsley (soprano)
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Marcus Creed (conductor)
recording of:
Offertorium, Venerabili sacramento for Chorus & Orchestra in D major, K. 248a/260: "Venite populi"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 248a), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 260), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 260) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 248a)
Wolfgang Amadeus Mozart5:00
3Laudate Dominum KV 339 (aus: „Vesperae solennes de confessore“)
choir vocals:
Jeunesses Musicales Chorus
soprano vocals:
Mária Zádori (soprano)
orchestra:
Budapest Philharmonic Orchestra
conductor:
Iván Fischer (conductor)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1780)
part of:
Vesperae solennes de confessore, K. 339
Wolfgang Amadeus Mozart4:12
4Inter natos mulierum KV 72 (74f)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Marcus Creed (conductor)
recording of:
Offertorium for Chorus & Orchestra in G major, K. 74f/72 "Inter natos mulierum"
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 72) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 74f)
Wolfgang Amadeus Mozart5:19
5Misericordias Domini KV 222 (205a)
baritone vocals:
Walton Grönroos (baritone)
choir vocals:
RIAS Chamber Chorus (German chamber choir)
contralto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Celina Lindsley (soprano)
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Berlin Radio Symphony Orchestra (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Marcus Creed (conductor)
recording of:
Misericordias Domini, K. 205a/222
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 222) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 205a)
Wolfgang Amadeus Mozart6:18
6Santa Maria, mater Dei KV 273
baritone vocals:
Walton Grönroos (baritone)
choir vocals:
RIAS Kammerchor (German chamber choir)
contralto vocals:
Gabriele Schreckenbach (contralto)
soprano vocals:
Celina Lindsley (soprano)
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) and Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Marcus Creed (conductor)
recording of:
Sancta Maria, mater Dei, K. 273
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1777)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 273), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 273) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 273)
Wolfgang Amadeus Mozart3:26
7Offertorium B-dur D. 963 („Intende voci orationis mea“)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus)
tenor vocals:
Peter Schreier (German tenor and conductor)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Dietrich Knothe (conductor)
recording of:
Offertorium "Intende voci", D. 963
composer:
Franz Schubert (composer) (in 1828-10)
Franz Schubert9:28
8Psalm 23 op. posth. 132 D. 706 („Gott ist mein Hirt“)
piano:
Bernd Casper (German pianist)
alto vocals:
Claudia Graswurm (alto) and Astrid Pilzecker (contralto)
soprano vocals:
Brigitte Domhardt (soprano) and Karin Pohl (soprano)
recording of:
Der 23. Psalm, D. 706
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer) (in 1820-12)
translator:
Moses Mendelssohn
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 706)
Franz Schubert5:10
9Stabat mater g-moll D. 175
choir vocals:
RIAS Kammerchor (German chamber choir)
conductor:
Marcus Creed (conductor)
performer:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
recording of:
Stabat Mater, D. 175
composer:
Franz Schubert (composer) (from 1815-04-04 until 1815-04-06)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 175)
Franz Schubert7:00
10Psalm 92 D. 953 (Hebräisch gesungen)
alto vocals:
Astrid Pilzecker (contralto)
baritone vocals:
Georg Christoph Biller (conductor)
bass vocals:
Karl-Heinz Schmieder (operatic bass)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus)
soprano vocals:
Christina Klopsch (soprano)
tenor vocals:
Ekkehard Wagner (tenor)
conductor:
Dietrich Knothe (conductor)
recording of:
Der 92. Psalm, D. 953
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer) (in 1828)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 953)
Franz Schubert4:53
11Tantum ergo Es-dur D. 962
alto vocals:
Astrid Pilzecker (contralto)
bass vocals:
Karl-Heinz Schmieder (operatic bass)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus)
soprano vocals:
Gisela Fetting (soprano)
tenor vocals:
Ekkehard Wagner (tenor)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–)
conductor:
Dietrich Knothe (conductor)
recording of:
Tantum ergo, D. 962
composer:
Franz Schubert (composer) (in 1828-10)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 962)
Franz Schubert5:39
12Magnificat C-dur D. 486 für Soli, Chor und Orchester
alto vocals:
Gabriele Schreckenbach (contralto)
bass vocals:
Walton Grönroos (baritone)
soprano vocals:
Celina Lindsley (soprano)
tenor vocals:
Werner Hollweg (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Marcus Creed (conductor)
recording of:
Magnificat in C major, D. 486
composer:
Franz Schubert (composer) (on 1816-09-25)
Franz Schubert8:37
13Chor der Engel D. 440 („Christ ist erstanden“)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus)
conductor:
Dietrich Knothe (conductor)
recording of:
Christ ist erstanden, D. 440
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 440)
Franz Schubert3:27
3▼CD: Motetten
#TitleArtistRatingLength
1Ave Maria
choir vocals:
Dresdner Kreuzchor
chorus master:
Martin Flämig
recording of:
Ave Maria, WAB 6 (for choir a cappella)
composer:
Anton Bruckner (Austrian composer) (in 1861)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 6)
Anton Bruckner3:28
2Locus iste
choir vocals:
Dresdner Kreuzchor
chorus master:
Martin Flämig
recording of:
Locus iste, WAB 23
composer:
Anton Bruckner (Austrian composer) (in 1869)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 23)
Anton Bruckner2:25
3Ecce sacerdos
organ:
Michael‐Christfried Winkler (organist)
trombone:
Hans Hombsch (trombonist), Hans Kästner (trombonist) and Manfred Zeumer (trombonist)
choir vocals:
Dresdner Kreuzchor
conductor:
Martin Flämig
recording of:
Ecce sacerdos magnus, WAB 13
composer:
Anton Bruckner (Austrian composer) (in 1885)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 13)
Anton Bruckner5:58
4Os justi meditabitur
choir vocals:
Dresdner Kreuzchor
chorus master:
Martin Flämig
recording of:
Os justi, WAB 30
composer:
Anton Bruckner (Austrian composer) (on 1879-07-18)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 30)
Anton Bruckner4:01
5Tota pulchra es Maria
organ:
Michael‐Christfried Winkler (organist)
choir vocals:
Dresdner Kreuzchor
tenor vocals:
Armin Ude (tenor)
chorus master:
Martin Flämig
recording of:
Tota pulchra es, WAB 46 (in E Phrygian mode)
composer:
Anton Bruckner (Austrian composer) (on 1878-03-30)
dedicated to:
Franz-Josef Rudigier
premiered at:
[concert] (1878-06-04)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 46)
Anton Bruckner4:28
6Christus factus est
choir vocals:
Dresdner Kreuzchor
chorus master:
Martin Flämig
recording of:
Christus factus est, WAB 11 (for choir a cappella)
composer:
Anton Bruckner (Austrian composer) (in 1884)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 11)
Anton Bruckner4:54
7Libera me, Domine
organ:
Michael‐Christfried Winkler (organist)
trombone:
Hans Hombsch (trombonist), Hans Kästner (trombonist) and Manfred Zeumer (trombonist)
choir vocals:
Dresdner Kreuzchor
chorus master:
Martin Flämig
recording of:
Libera me, WAB 22
composer:
Anton Bruckner (Austrian composer) (in 1854)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 22)
Anton Bruckner5:31
8Pange Lingua
choir vocals:
Dresdner Kreuzchor
chorus master:
Martin Flämig
recording of:
Pange lingua, WAB 31 (C major)
composer:
Anton Bruckner (Austrian composer)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 31)
Anton Bruckner6:08
9Laudate pueri op. 39 Nr. 2
organ:
Michael‐Christfried Winkler (organist)
choir vocals:
Dresdner Kreuzchor
conductor:
Martin Flämig
recording of:
Laudate pueri, op. 39 no. 2
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV B 30)
part of:
3 Motetten, op. 39
Felix Mendelssohn Bartholdy5:29
10Mitten wir im Leben sind op. 23 Nr. 3
choir vocals:
Dresdner Kreuzchor
conductor:
Martin Flämig
recording of:
Mitten wir im Leben sind, op. 23 no. 3
composer:
Felix Mendelssohn (composer)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV B 21)
part of:
Kirchenmusik, op. 23
Felix Mendelssohn Bartholdy7:21
11Hör mein Bitten (nach Psalm 55)
organ:
Michael‐Christfried Winkler (organist)
choir vocals:
Dresdner Kreuzchor
soprano vocals:
Ute Selbig (soprano)
conductor:
Martin Flämig
recording of:
Hör mein Bitten (Hymne für Sopranstimme, Chor und Orgel)
lyricist:
[anonymous] (special purpose artist)
composer:
Felix Mendelssohn (composer) (until 1844)
dedicated to:
Wilhelm Taubert
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV B 49)
Felix Mendelssohn Bartholdy10:42
12Veni domine op. 39 Nr. 1
organ:
Michael‐Christfried Winkler (organist)
choir vocals:
Dresdner Kreuzchor
conductor:
Martin Flämig
recording of:
Veni Domine, op. 39 no. 1
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV B 24)
part of:
3 Motetten, op. 39
Felix Mendelssohn Bartholdy3:34
13Richte mich, Gott op. 78 Nr. 2 (Psalm 43)
choir vocals:
Dresdner Kreuzchor
conductor:
Martin Flämig
recording of:
3 Psalms, op. 78: Psalm 43 “Richte mich, Gott”
composer:
Felix Mendelssohn (composer) (from 1843 until 1844)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV B 46)
part of:
3 Psalms, op. 78
Felix Mendelssohn Bartholdy3:30
14Ave Maria op. 23 Nr. 2
organ:
Michael‐Christfried Winkler (organist)
choir vocals:
Dresdner Kreuzchor
tenor vocals:
Ralph Eschrig (tenor)
conductor:
Martin Flämig
recording of:
Ave Maria, op. 23 no. 2
composer:
Felix Mendelssohn (composer) (in 1830)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV B 19)
part of:
Kirchenmusik, op. 23
Felix Mendelssohn Bartholdy5:53

Credits

Release

manufactured in:Germany
graphic design:Adam Backhausen (design/illustration)
part of:Classic Edition (Capriccio) (number: 16) (order: 16)
Discogs:https://www.discogs.com/release/8064155 [info]