British Music

~ Release by Simon Rattle (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Enigma Variations, op. 36: Theme (Andante)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: Theme (Andante) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:29
2Enigma Variations, op. 36: I. C.A.E. (The Composer's Wife)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: I. C.A.E. (L’istesso tempo) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Caroline Alice Elgar (English author, married to Edward Elgar)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:03
3Enigma Variations, op. 36: II. H.D.S-P. (Hew David Steuart-Powell)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: II. H.D.S-P. (Allegro) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Hew David Steuart Powell
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar0:49
4Enigma Variations, op. 36: III. R.B.T. (Richard Baxter Townshend)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: III. R.B.T. (Allegretto) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Baxter Townshend
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:27
5Enigma Variations, op. 36: IV. W.M.B. (William Meath Baker)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IV. W.M.B. (Allegro di molto) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
William Meath Baker
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar0:28
6Enigma Variations, op. 36: V. R.P.A. (Richard Penroes Arnold)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: V. R.P.A. (Moderato) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Richard Penrose Arnold
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:13
7Enigma Variations, op. 36: VI. Ysobel (Isabel Fitton)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VI. Ysobel (Andantino) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Isabel Fitton
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:20
8Enigma Variations, op. 36: VII. Troyte (Troyte Griffith)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VII. Troyte (Presto) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Arthur Troyte Griffith
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar1:03
9Enigma Variations, op. 36: VIII. W.N. (Winifred Norbury)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: VIII. W.N. (Allegretto) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Winifred Norbury
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:08
10Enigma Variations, op. 36: IX. Nimrod (A.J. Jaeger)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: IX. Nimrod (Adagio) (from 1993-08-28 until 1993-08-29)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Augustus J. Jaeger
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar4:21
11Enigma Variations, op. 36: X. Intermezzo: Dorabella (Dora Penny)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: X. Intermezzo: Dorabella (Allegretto) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Dora Penny
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:49
12Enigma Variations, op. 36: XI. G.R.S. (George Robertson Sinclair)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XI. G.R.S. (Allegro di molto) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
George Robertson Sinclair
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar0:56
13Enigma Variations, op. 36: XII. B.G.N. (Basil G. Nevinson)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XII. B.G.N. (Andante) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Basil George Nevinson
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar3:05
14Enigma Variations, op. 36: XIII. Romanza: *** (Lady Mary Lygon)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIII. Romanza (Moderato) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
dedicated to:
Lady Mary Lygon
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar2:58
15Enigma Variations, op. 36: XIV. Finale: E.D.U. (The Composer)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Variations on an Original Theme (‘Enigma’), op. 36: XIV. Finale: E.D.U. (Allegro) (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1899)
part of:
Variations on an Original Theme (‘Enigma’), op. 36
Sir Edward Elgar5:29
16Grania and Diarmid, op. 42: I. Incidental Music
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Grania and Diarmid, op. 42: I. Incidental Music (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1901)
part of:
Grania and Diarmid, op. 42
Sir Edward Elgar3:02
17Grania and Diarmid, op. 42: II. Funeral March
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1993-08-28 until 1993-08-29)
conductor:
Simon Rattle (conductor) (from 1993-08-28 until 1993-08-29)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1993-08-28 until 1993-08-29)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1993-08-28 until 1993-08-29)
recording of:
Grania and Diarmid, op. 42: II. Funeral March (from 1993-08-28 until 1993-08-29)
composer:
Edward Elgar (composer) (in 1901)
part of:
Grania and Diarmid, op. 42
Sir Edward Elgar6:52
18Falstaff, symphonic study in C minor, op. 68: I. Falstaff and Prince Henry
producer:
Simon Woods (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1992-04-24 until 1992-04-25)
conductor:
Simon Rattle (conductor) (from 1992-04-24 until 1992-04-25)
balance engineer:
Mike Hatch (engineer/editor) (from 1992-04-24 until 1992-04-25)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1992-04-24 until 1992-04-25)
recording of:
Falstaff, op. 68: I. Falstaff and Prince Henry (from 1992-04-24 until 1992-04-25)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Sir Edward Elgar3:14
19Falstaff, symphonic study in C minor, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep
producer:
Simon Woods (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1992-04-24 until 1992-04-25)
conductor:
Simon Rattle (conductor) (from 1992-04-24 until 1992-04-25)
balance engineer:
Mike Hatch (engineer/editor) (from 1992-04-24 until 1992-04-25)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1992-04-24 until 1992-04-25)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (from 1992-04-24 until 1992-04-25)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Sir Edward Elgar13:13
20Falstaff, symphonic study in C minor, op. 68: II. Dream Interlude
producer:
Simon Woods (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1992-04-24 until 1992-04-25)
conductor:
Simon Rattle (conductor) (from 1992-04-24 until 1992-04-25)
balance engineer:
Mike Hatch (engineer/editor) (from 1992-04-24 until 1992-04-25)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1992-04-24 until 1992-04-25)
partial recording of:
Falstaff, op. 68: II. Eastcheap – Gadshill – The Boar's Head. Revelry and sleep – Dream Interlude (Poco allegretto) (from 1992-04-24 until 1992-04-25)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Sir Edward Elgar2:29
21Falstaff, symphonic study in C minor, op. 68: III. Falstaff's march – The return through Gloucestershire
producer:
Simon Woods (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1992-04-24 until 1992-04-25)
conductor:
Simon Rattle (conductor) (from 1992-04-24 until 1992-04-25)
balance engineer:
Mike Hatch (engineer/editor) (from 1992-04-24 until 1992-04-25)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1992-04-24 until 1992-04-25)
partial recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (from 1992-04-24 until 1992-04-25)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Sir Edward Elgar4:18
22Falstaff, symphonic study in C minor, op. 68: III. Interlude: Gloucestershire. Shallow's orchard – The new king – The hurried ride to London
producer:
Simon Woods (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1992-04-24 until 1992-04-25)
conductor:
Simon Rattle (conductor) (from 1992-04-24 until 1992-04-25)
balance engineer:
Mike Hatch (engineer/editor) (from 1992-04-24 until 1992-04-25)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1992-04-24 until 1992-04-25)
partial recording of:
Falstaff, op. 68: III. Falstaff's March – The Return Through Gloucestershire – Interlude: Gloucestershire. Shallow's Orchard (Allegretto) – The New King – The Hurried Ride to London (from 1992-04-24 until 1992-04-25)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Sir Edward Elgar2:54
23Falstaff, symphonic study in C minor, op. 68: IV. King Henry V's progress – The repudiation of Falstaff, and his death
producer:
Simon Woods (producer)
orchestra:
City of Birmingham Symphony Orchestra (from 1992-04-24 until 1992-04-25)
conductor:
Simon Rattle (conductor) (from 1992-04-24 until 1992-04-25)
balance engineer:
Mike Hatch (engineer/editor) (from 1992-04-24 until 1992-04-25)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1992-04-24 until 1992-04-25)
recording of:
Falstaff, op. 68: IV. King Henry V's Progress – The Repudiation of Falstaff, and His Death (from 1992-04-24 until 1992-04-25)
composer:
Edward Elgar (composer) (in 1913)
part of:
Falstaff, op. 68 (Symphonic Study)
Sir Edward Elgar9:59
2▼CD
#TitleArtistRatingLength
1Violin Concerto in B minor, op. 61: I. Allegro
producer:
David Groves (classical music producer at EMI)
violin:
Nigel Kennedy (violinist) (from 1997-07-08 until 1997-07-10)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-07-08 until 1997-07-10)
conductor:
Simon Rattle (conductor) (from 1997-07-08 until 1997-07-10)
balance engineer:
Michael Sheady (engineer) (from 1997-07-08 until 1997-07-10)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-07-08 until 1997-07-10)
recording of:
Violin Concerto in B minor, op. 61: I. Allegro (from 1997-07-08 until 1997-07-10)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
Sir Edward Elgar18:11
2Violin Concerto in B minor, op. 61: II. Andante
producer:
David Groves (classical music producer at EMI)
violin:
Nigel Kennedy (violinist) (from 1997-07-08 until 1997-07-10)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-07-08 until 1997-07-10)
conductor:
Simon Rattle (conductor) (from 1997-07-08 until 1997-07-10)
balance engineer:
Michael Sheady (engineer) (from 1997-07-08 until 1997-07-10)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-07-08 until 1997-07-10)
recording of:
Violin Concerto in B minor, op. 61: II. Andante (from 1997-07-08 until 1997-07-10)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
Sir Edward Elgar14:29
3Violin Concerto in B minor, op. 61: III. Allegro molto - Cadenza - Allegro molto
producer:
David Groves (classical music producer at EMI)
violin:
Nigel Kennedy (violinist) (from 1997-07-08 until 1997-07-10)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-07-08 until 1997-07-10)
conductor:
Simon Rattle (conductor) (from 1997-07-08 until 1997-07-10)
balance engineer:
Michael Sheady (engineer) (from 1997-07-08 until 1997-07-10)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-07-08 until 1997-07-10)
recording of:
Violin Concerto in B minor, op. 61: III. Allegro molto — Cadenza (Accompagnata: Lento) - Allegro Molto (from 1997-07-08 until 1997-07-10)
composer:
Edward Elgar (composer) (from 1905 until 1910)
part of:
Violin Concerto in B minor, op. 61
Sir Edward Elgar21:31
4The Lark Ascending
producer:
David Groves (classical music producer at EMI) (in 1997-07) and Nigel Kennedy (violinist) (in 1997-07)
violin:
Nigel Kennedy (violinist) (from 1997-07-08 until 1997-07-10)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-07-08 until 1997-07-10)
conductor:
Sir Simon Rattle (Simon Rattle, conductor) (from 1997-07-08 until 1997-07-10)
balance engineer:
Michael Sheady (engineer) (from 1997-07-08 until 1997-07-10)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-07-08 until 1997-07-10)
recording of:
The Lark Ascending (for violin and orchestra) (from 1997-07-08 until 1997-07-10)
composer:
Ralph Vaughan Williams (English composer) (in 1914)
premiered at:
[concert] (1921-06-14)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1921-06-14)
arrangement of:
The Lark Ascending (for violin and piano)
Ralph Vaughan Williams17:39
3▼CD
#TitleArtistRatingLength
1Cello Concerto: I. Moderato
producer:
Simon Woods (producer)
cello:
Lynn Harrell (cellist) (on 1991-12-21)
orchestra:
City of Birmingham Symphony Orchestra (on 1991-12-21)
conductor:
Simon Rattle (conductor) (on 1991-12-21)
balance engineer:
Mike Hatch (engineer/editor) (on 1991-12-21)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (on 1991-12-21)
recording of:
Concerto for Cello and Orchestra: I. Moderato (on 1991-12-21)
composer:
William Walton (British composer and conductor) (in 1956)
part of:
Concerto for Cello and Orchestra
Sir William Walton9:00
2Cello Concerto: II. Allegro appassionato
producer:
Simon Woods (producer)
cello:
Lynn Harrell (cellist) (on 1991-12-21)
orchestra:
City of Birmingham Symphony Orchestra (on 1991-12-21)
conductor:
Simon Rattle (conductor) (on 1991-12-21)
balance engineer:
Mike Hatch (engineer/editor) (on 1991-12-21)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (on 1991-12-21)
recording of:
Concerto for Cello and Orchestra: II. Allegro appassionato (on 1991-12-21)
composer:
William Walton (British composer and conductor) (in 1956)
part of:
Concerto for Cello and Orchestra
Sir William Walton6:46
3Cello Concerto: III. Lento - Brioso - Allegro molto - Rapsodicamente - Adagio
producer:
Simon Woods (producer)
cello:
Lynn Harrell (cellist) (on 1991-12-21)
orchestra:
City of Birmingham Symphony Orchestra (on 1991-12-21)
conductor:
Simon Rattle (conductor) (on 1991-12-21)
balance engineer:
Mike Hatch (engineer/editor) (on 1991-12-21)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (on 1991-12-21)
recording of:
Concerto for Cello and Orchestra: III. Lento (on 1991-12-21)
composer:
William Walton (British composer and conductor) (in 1956)
part of:
Concerto for Cello and Orchestra
Sir William Walton13:57
4The Dream of Gerontius, op. 38: Part I. Prelude
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
recording of:
The Dream of Gerontius, op. 38: Part I, I. Prelude (cues 1–21) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar10:19
5The Dream of Gerontius, op. 38: Part I, I. Jesu, Maria – I am near to death (Gerontius)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:18
6The Dream of Gerontius, op. 38: Part I, II. So pray for me - Kyrie eleison - Holy Mary, pray for him (Gerontius, semi-chorus, chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part I, II. Jesu, Maria – I am near to death (cues 22–32) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:45
7The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (Gerontius, chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
recording of:
The Dream of Gerontius, op. 38: Part I, III. Rouse thee, my fainting soul (cues 33–39) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:50
8The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (Gerontius)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar4:53
9The Dream of Gerontius, op. 38: Part I, V. I can no more (Gerontius)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:09
10The Dream of Gerontius, op. 38: Part I, VI. Rescue him, O Lord (chorus, Gerontius, semi-chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:13
11The Dream of Gerontius, op. 38: Part I, VII. Novissima hora est (Gerontius)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part I, IV. Sanctus fortis, sanctus Deus (cues 40–67) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:33
12The Dream of Gerontius, op. 38: Part I, VIII. Proficiscere, anima Christiana (Priest)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:55
13The Dream of Gerontius, op. 38: Part I, IX. Go in the name of Angels (chorus, Priest, semi-chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:16
14The Dream of Gerontius, op. 38: Part I, X. Go forth upon thy journey (Priest, chorus, semi-chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part I, V. Proficiscere, anima Christiana (cues 68–78) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:19
4▼CD
#TitleArtistRatingLength
1The Dream of Gerontius, Op.38, Part II: Introduction
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:48
2The Dream of Gerontius, op. 38: Part II, I. I went to sleep (Soul of Gerontius)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:58
3The Dream of Gerontius, op. 38: Part II, II. Another marvel (Soul)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:18
4The Dream of Gerontius, op. 38: Part II, III. My work is done (Angel, Soul)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, I. I went to sleep (cues 1–15) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:15
5The Dream of Gerontius, op. 38: Part II, IV. It is a member of that family (Soul, Angel)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
recording of:
The Dream of Gerontius, op. 38: Part II, II. It is a member of that family (cues 16–28) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar6:02
6The Dream of Gerontius, op. 38: Part II, V. But hark! upon my senses (Soul)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:41
7The Dream of Gerontius, op. 38: Part II, VI. Low-born clods of brute earth (chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:48
8The Dream of Gerontius, op. 38: Part II, VII. Dispossessed, aside thrust (chorus, Angel)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:26
9The Dream of Gerontius, op. 38: Part II, VIII. The mind bold and indepent (chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, III. But hark! upon my sense comes a fierce hubbub (cues 29–54) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:15
10The Dream of Gerontius, op. 38: Part II, IX. I see not those false spirits (Soul)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:06
11The Dream of Gerontius, op. 38: Part II, X. There was a mortal (Angel)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:17
12The Dream of Gerontius, op. 38: Part II, XI. Praise to the Holiest (semi-chorus, chorus, Angel)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar2:43
13The Dream of Gerontius, op. 38: Part II, XII. The sound is like the rushing of the wind (Soul)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:16
14The Dream of Gerontius, op. 38: Part II, XIII. Glory to Him (chorus, semi-chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:30
15The Dream of Gerontius, op. 38: Part II, XIV. They sing of thy approaching agony (Angel, semi-chorus, Soul, chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, IV. I see not those false spirits (cues 55–70) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:49
16The Dream of Gerontius, op. 38: Part II, XV. But hark! a grand mysterious harmony (Soul)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:46
17The Dream of Gerontius, op. 38: Part II, XVI. And now on the threshold (Angel)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:24
18The Dream of Gerontius, op. 38: Part II, XVII. Praise to the Holiest (chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, V. But hark! a grand mysterious harmony (cues 71–101) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar6:53
19The Dream of Gerontius, op. 38: Part II, XVIII. Thy judgment now is near (Angel, Soul)
producer:
David R. Murray
mezzo-soprano vocals:
Dame Janet Baker (mezzo‐soprano and alto)
tenor vocals:
John Mitchinson (tenor)
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:15
20The Dream of Gerontius, op. 38: Part II, XIX. Jesu! By that shuddering dread (Angel of the Agony, Soul)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VI. Thy judgment now is near (cues 102–113) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar4:54
21The Dream of Gerontius, op. 38: Part II, XX. Be merciful, be gracious (semi-chorus, chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar0:56
22The Dream of Gerontius, op. 38: Part II, XXI. Praise to His Name! (Angel)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:16
23The Dream of Gerontius, op. 38: Part II, XXII. Take me away (Soul)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar3:17
24The Dream of Gerontius, op. 38: Part II, XXIII. Lord, Thou hast been our refuge (Angel, chorus, semi-chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
partial recording of:
The Dream of Gerontius, op. 38: Part II, VII. I go before my judge (cues 114–126) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar1:08
25The Dream of Gerontius, op. 38: Part II, XXIV. Softly and gently (Angel, chorus, semi-chorus)
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1986-09-06 until 1986-09-08)
conductor:
Simon Rattle (conductor) (from 1986-09-06 until 1986-09-08)
balance engineer:
Michael Sheady (engineer) (from 1986-09-06 until 1986-09-08)
recorded at:
University of Birmingham: Great Hall in Birmingham, West Midlands, England, United Kingdom (from 1986-09-06 until 1986-09-08)
recording of:
The Dream of Gerontius, op. 38: Part II, VIII. Softly and gently, dearly-ransomed soul (cues 127–137) (from 1986-09-06 until 1986-09-08)
composer:
Edward Elgar (composer) (in 1900)
part of:
The Dream of Gerontius, op. 38
Sir Edward Elgar7:02
26Pomp and Circumstance Marches, op. 39: March no. 4 in G major
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2002-04-14 until 2002-04-15)
conductor:
Simon Rattle (conductor) (from 2002-04-14 until 2002-04-15)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2002-04-14 until 2002-04-15)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2002-04-14 until 2002-04-15)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 4 in G major (from 2002-04-14 until 2002-04-15)
composer:
Edward Elgar (composer) (in 1907)
premiered at:
Queen’s Hall in London (Greater London), England, United Kingdom (on 1907-08-24)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar4:57
5▼CD
#TitleArtistRatingLength
1Symphony No. 1 in B flat minor: I: Allegro assai
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1990-10-21 until 1990-10-22)
conductor:
Simon Rattle (conductor) (from 1990-10-21 until 1990-10-22)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-10-21 until 1990-10-22)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1990-10-21 until 1990-10-22)
recording of:
Symphony no. 1: I. Allegro assai (from 1990-10-21 until 1990-10-22)
composer:
William Walton (British composer and conductor) (from 1931 until 1935)
part of:
Symphony no. 1
Sir William Walton14:23
2Symphony No. 1 in B flat minor: II: Presto, con malizia
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1990-10-21 until 1990-10-22)
conductor:
Simon Rattle (conductor) (from 1990-10-21 until 1990-10-22)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-10-21 until 1990-10-22)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1990-10-21 until 1990-10-22)
recording of:
Symphony no. 1: II. Presto, con malizia (from 1990-10-21 until 1990-10-22)
composer:
William Walton (British composer and conductor) (from 1931 until 1935)
part of:
Symphony no. 1
Sir William Walton6:04
3Symphony No. 1 in B flat minor: III: Andante con malinconia
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1990-10-21 until 1990-10-22)
conductor:
Simon Rattle (conductor) (from 1990-10-21 until 1990-10-22)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-10-21 until 1990-10-22)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1990-10-21 until 1990-10-22)
recording of:
Symphony no. 1: III. Andante con malinconia (from 1990-10-21 until 1990-10-22)
composer:
William Walton (British composer and conductor) (from 1931 until 1935)
part of:
Symphony no. 1
Sir William Walton11:11
4Symphony No. 1 in B flat minor: IV: Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso
producer:
David R. Murray
orchestra:
City of Birmingham Symphony Orchestra (from 1990-10-21 until 1990-10-22)
conductor:
Simon Rattle (conductor) (from 1990-10-21 until 1990-10-22)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1990-10-21 until 1990-10-22)
recorded at:
Warwick Arts Centre: Butterworth Hall in Coventry, West Midlands, England, United Kingdom (from 1990-10-21 until 1990-10-22)
recording of:
Symphony no. 1: IV. Maestoso - Brioso ed ardentemente - Vivacissimo - Maestoso (from 1990-10-21 until 1990-10-22)
composer:
William Walton (British composer and conductor) (from 1931 until 1935)
part of:
Symphony no. 1
Sir William Walton12:26
5Belshazzar's Feast: Thus Spake Isaiah
producer:
David R. Murray
baritone vocals:
Thomas Hampson (baritone) (from 1997-07-08 until 1997-10-27)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1997-07-08 until 1997-10-27) and The Cleveland Orchestra Chorus (from 1997-07-08 until 1997-10-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-07-08 until 1997-10-27)
conductor:
Simon Rattle (conductor) (from 1997-07-08 until 1997-10-27)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1997-07-08 until 1997-10-27)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-07-08 until 1997-10-27)
recording of:
Belshazzar’s Feast: I. Thus spake Isaiah (from 1997-07-08 until 1997-10-27)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton10:39
6Belshazzar's Feast: Babylon Was a Great City
producer:
David R. Murray
baritone vocals:
Thomas Hampson (baritone) (from 1997-07-08 until 1997-10-27)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1997-07-08 until 1997-10-27) and The Cleveland Orchestra Chorus (from 1997-07-08 until 1997-10-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-07-08 until 1997-10-27)
conductor:
Simon Rattle (conductor) (from 1997-07-08 until 1997-10-27)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1997-07-08 until 1997-10-27)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-07-08 until 1997-10-27)
recording of:
Belshazzar’s Feast: III. Babylon was a great city (from 1997-07-08 until 1997-10-27)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton8:59
7Belshazzar's Feast: Thus in Babylon, the Mighty City
producer:
David R. Murray
baritone vocals:
Thomas Hampson (baritone) (from 1997-07-08 until 1997-10-27)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1997-07-08 until 1997-10-27) and The Cleveland Orchestra Chorus (from 1997-07-08 until 1997-10-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-07-08 until 1997-10-27)
conductor:
Simon Rattle (conductor) (from 1997-07-08 until 1997-10-27)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1997-07-08 until 1997-10-27)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-07-08 until 1997-10-27)
recording of:
Belshazzar’s Feast: VI. Thus in Babylon the mighty city (from 1997-07-08 until 1997-10-27)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton3:11
8Belshazzar's Feast: And in That Same Hour as They Feasted
producer:
David R. Murray
baritone vocals:
Thomas Hampson (baritone) (from 1997-07-08 until 1997-10-27)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1997-07-08 until 1997-10-27) and The Cleveland Orchestra Chorus (from 1997-07-08 until 1997-10-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-07-08 until 1997-10-27)
conductor:
Simon Rattle (conductor) (from 1997-07-08 until 1997-10-27)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1997-07-08 until 1997-10-27)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-07-08 until 1997-10-27)
recording of:
Belshazzar’s Feast: VII. And in that same hour, as they feasted (from 1997-07-08 until 1997-10-27)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton1:45
9Belshazzar's Feast: Then Sing Aloud to God Our Strength: Lento - Allegro giocoso
producer:
David R. Murray
baritone vocals:
Thomas Hampson (baritone) (from 1997-07-08 until 1997-10-27)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1997-07-08 until 1997-10-27)
solo choir vocals:
The Cleveland Orchestra Chorus (from 1997-07-08 until 1997-10-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-07-08 until 1997-10-27)
conductor:
Simon Rattle (conductor) (from 1997-07-08 until 1997-10-27)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1997-07-08 until 1997-10-27)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-07-08 until 1997-10-27)
recording of:
Belshazzar’s Feast: VIII. Then sing aloud to God our strength (from 1997-07-08 until 1997-10-27)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton5:55
10Belshazzar's Feast: Then Sing Aloud to God Our Strength: Allegro
producer:
David R. Murray
baritone vocals:
Thomas Hampson (baritone) (from 1997-07-08 until 1997-10-27)
choir vocals:
City of Birmingham Symphony Orchestra Chorus (from 1997-07-08 until 1997-10-27) and The Cleveland Orchestra Chorus (from 1997-07-08 until 1997-10-27)
orchestra:
City of Birmingham Symphony Orchestra (from 1997-07-08 until 1997-10-27)
conductor:
Simon Rattle (conductor) (from 1997-07-08 until 1997-10-27)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 1997-07-08 until 1997-10-27)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (from 1997-07-08 until 1997-10-27)
recording of:
Belshazzar’s Feast: X. Then sing aloud to God our strength (reprise) (from 1997-07-08 until 1997-10-27)
composer:
William Walton (British composer and conductor)
part of:
Belshazzar’s Feast
Sir William Walton3:54
6▼CD
#TitleArtistRatingLength
1The Planets Suite for Orchestra, op. 32: I. Mars, the Bringer of War
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2006-03-15 until 2006-03-18)
conductor:
Simon Rattle (conductor) (from 2006-03-15 until 2006-03-18)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2006-03-15 until 2006-03-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2006-03-15 until 2006-03-18)
recording of:
The Planets, op. 32: I. Mars, the Bringer of War (from 2006-03-15 until 2006-03-18)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:25
2The Planets Suite for Orchestra, op. 32: I. Venus, the Bringer of Peace
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2006-03-15 until 2006-03-18)
conductor:
Simon Rattle (conductor) (from 2006-03-15 until 2006-03-18)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2006-03-15 until 2006-03-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2006-03-15 until 2006-03-18)
recording of:
The Planets, op. 32: II. Venus, the Bringer of Peace (from 2006-03-15 until 2006-03-18)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: II. Venus, the Bringer of Peace (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:59
3The Planets Suite for Orchestra, op. 32: I. Mercury, the Winged Messenger
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2006-03-15 until 2006-03-18)
conductor:
Simon Rattle (conductor) (from 2006-03-15 until 2006-03-18)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2006-03-15 until 2006-03-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2006-03-15 until 2006-03-18)
recording of:
The Planets, op. 32: III. Mercury, the Winged Messenger (from 2006-03-15 until 2006-03-18)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: III. Mercury, the Winged Messenger (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst4:02
4The Planets Suite for Orchestra, op. 32: I. Jupiter, the Bringer of Jollity
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2006-03-15 until 2006-03-18)
conductor:
Simon Rattle (conductor) (from 2006-03-15 until 2006-03-18)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2006-03-15 until 2006-03-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2006-03-15 until 2006-03-18)
recording of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (from 2006-03-15 until 2006-03-18)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: IV. Jupiter, the Bringer of Jollity (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst8:03
5The Planets Suite for Orchestra, op. 32: I. Saturn, the Bringer of Old Age
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2006-03-15 until 2006-03-18)
conductor:
Simon Rattle (conductor) (from 2006-03-15 until 2006-03-18)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2006-03-15 until 2006-03-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2006-03-15 until 2006-03-18)
recording of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (from 2006-03-15 until 2006-03-18)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: V. Saturn, the Bringer of Old Age (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst9:36
6The Planets Suite for Orchestra, op. 32: I. Uranus, the Magician
producer:
Stephen Johns (producer)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2006-03-15 until 2006-03-18)
conductor:
Simon Rattle (conductor) (from 2006-03-15 until 2006-03-18)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2006-03-15 until 2006-03-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2006-03-15 until 2006-03-18)
recording of:
The Planets, op. 32: VI. Uranus, the Magician (from 2006-03-15 until 2006-03-18)
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VI. Uranus, the Magician (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst6:04
7The Planets Suite for Orchestra, op. 32: I. Neptune, the Mystic
producer:
Stephen Johns (producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2006-03-15 until 2006-03-18)
conductor:
Simon Rattle (conductor) (from 2006-03-15 until 2006-03-18)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2006-03-15 until 2006-03-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2006-03-15 until 2006-03-18)
recording of:
The Planets, op. 32: VII. Neptune, The Mystic (revised ending for transition to Pluto) (from 2006-03-15 until 2006-03-18)
composer:
Gustav Holst (composer)
revised by:
Colin Matthews (English composer)
part of:
The Planets Suite extension (with “Pluto” by Colin Matthews)
revision of:
The Planets, op. 32: VII. Neptune, the Mystic
recording of:
The Planets, op. 32: VII. Neptune, the Mystic
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: VII. Neptune, the Mystic (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst7:02
8Pluto, the Renewer
producer:
Stephen Johns (producer)
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 2006-03-15 until 2006-03-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 2006-03-15 until 2006-03-18)
conductor:
Simon Rattle (conductor) (from 2006-03-15 until 2006-03-18)
balance engineer:
Mike Clements (sound engineer for classical recordings, AKA "Mr. Bear" in his early work) (from 2006-03-15 until 2006-03-18)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 2006-03-15 until 2006-03-18)
recording of:
Pluto, the Renewer (from 2006-03-15 until 2006-03-18)
composer:
Colin Matthews (English composer) (in 2000)
part of:
The Planets Suite extension (with “Pluto” by Colin Matthews)
Colin Matthews6:13
7▶CD
8▶CD
9▶CD
10▶CD
11▶CD

Credits

Release

ASIN:UK: B002HIEITC [info]