Ingvar Wixell Sings Verdi

~ Release by Ingvar Wixell (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Attila: Atto II. “Tregua è cogl’unni” … “Dagl’ immortali vertici”
baritone vocals:
Ingvar Wixell (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Attila: Atto II. N°10 “Dagl'immortali vertici” … “Chi vien?” (Ezio, Foresto, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
recording of:
Attila: Atto II. N°10 “Tregua è cogl'Unni … ” (Ezio)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto II
Giuseppe Verdi5:46
2Rigoletto: Atto II. “Cortigiani, vil razza dannata”
baritone vocals:
Ingvar Wixell (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Rigoletto: Atto II. Aria "Cortigiani, vil razza dannata" (Rigoletto)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi4:49
3La forza del destino: Atto III. “Morir! Tremenda cosa!” … “Urna fatale”
baritone vocals:
Ingvar Wixell (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
La forza del destino: Atto III, scena 2. “Morir! Tremenda cosa!” (Don Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi7:38
4Un ballo in maschera: Atto III. “Alzati; là tuo figlio” … “Eri tu che macchiavi quell’ anima”
baritone vocals:
Ingvar Wixell (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17b. Aria “Eri tu che macchiavi quell'anima” (Renato)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:48
5Otello: Atto III. “Vanne, la tua meta gia vedo” … “Credo in un dio crudel”
baritone vocals:
Ingvar Wixell (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Otello: Atto II. “Credo in un Dio crudel” (Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
recording of:
Otello: Atto II. “Vanne! La tua meta già vedo” (Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi4:55
6Il trovatore, Atto II. “Tutto è deserto” … “Il balen del suo sorriso”
baritone vocals:
Ingvar Wixell (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi4:29
7Don Carlo: Atto IV. “Son io, mio Carlo” … “Per me giunto”
baritone vocals:
Ingvar Wixell (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi9:01
8Falstaff: Atto II. “È sogno? O realtà?”
baritone vocals:
Ingvar Wixell (baritone)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Falstaff: Atto II, scena 1. “È sogno? o realtà?” (Ford) (Ford's monologue)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
Giuseppe Verdi4:27
9Un giorno di regno: Atto II. “Compagnoni di Parigi” … “Verrà pur troppo il giorno”
baritone vocals:
William Elvin (baritone), Vicente Sardinero (baritone) and Ingvar Wixell (baritone)
bass vocals:
Wladimiro Ganzarolli (bass-baritone)
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
Un giorno di regno: Atto I. N°4b Cavatina “Compagnoni di Parigi” … “Verrà pur troppo” (Cavaliere, coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno: Atto I
Giuseppe Verdi5:11
10Il trovatore: Atto II. “Tutto è deserto”
baritone vocals:
Ingvar Wixell (baritone)
bass vocals:
Nicolaï Ghiaurov (operatic bass)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte Luna, Ferrando)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi1:44
11Il trovatore: Atto II. “Il balen del suo sorriso” … “Qual suono! O ciel!”
baritone vocals:
Ingvar Wixell (baritone)
bass vocals:
Nicolaï Ghiaurov (operatic bass)
choir vocals:
London Opera Chorus
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Il trovatore: Atto II, Scena 2. “Il balen del suo sorriso” (Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi6:51
12Un ballo in maschera: Atto I. “Alla vita che t’arride”
baritone vocals:
Ingvar Wixell (baritone)
soprano vocals:
Sona Ghazarian (soprano)
tenor vocals:
José Carreras (Spanish tenor) and Robin Leggate (operatic tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 4b Cantabile “Alla vita che t'arride” (Renato)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi4:22
13Un ballo in maschera: Atto III. “Alzati; là tuo figlio”
baritone vocals:
Ingvar Wixell (baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17a. Scena “Alzati! Là, tuo figlio” (Renato)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:37
14Un ballo in maschera: Atto III. “Eri tu che macchiavi quell’anima”
baritone vocals:
Ingvar Wixell (baritone)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Colin Davis (English conductor)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17b. Aria “Eri tu che macchiavi quell'anima” (Renato)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:04