Talkin’ ’Bout Your Generation

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1Good Vibrations
tecnico di registrazione:
Bruce Botnick (dal 1966-02 al 1966-06), Chuck Britz (dal 1966-02 al 1966-06) e Larry Levine (dal 1966-02 al 1966-06)
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06), Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06) e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.3?:??
2Heart of Glass
assistente tecnico:
Grey Russell e Peter Coleman (British engineer & producer)
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore e tecnico di missaggio:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke (dal 1978-06 al 1978-07)
chitarra :
Frank Infante (dal 1978-06 al 1978-07) e Chris Stein (dal 1978-06 al 1978-07)
chitarra basso :
Nigel Harrison (dal 1978-06 al 1978-07)
tastiera :
Jimmy Destri (dal 1978-06 al 1978-07)
voce principale:
Deborah Harry (dal 1978-06 al 1978-07)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978, nel 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1978), Chrysalis Records, Inc. (not for release label use!) (nel 1978, nel 2001) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1979)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1978-06)
mixata presso:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Stati Uniti
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 47)
registrazione di:
Heart of Glass (dal 1978-06 al 1978-07)
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.7?:??
3American Pie
tecnico:
Tom Flye
banjo e chitarra acustica :
Don McLean (il 1971-05-26)
basso :
Bob Rothstein (il 1971-05-26)
batteria e percussione :
Roy Markowitz (il 1971-05-26)
chitarra elettrica :
David Spinozza (il 1971-05-26)
marimba e vibrafono :
Mike Mainieri (il 1971-05-26)
pianoforte :
Paul Griffin (American pianist, session musician) (il 1971-05-26)
pianoforte elettrico :
Ray Colcord (il 1971-05-26)
cori:
West 44th Street Rhythm and Noise Choir (il 1971-05-26)
voce:
Bob Rothstein (il 1971-05-26) e Don McLean (il 1971-05-26)
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (nel 1971) e United Artists Records (for bootlegs and counterfeit) (nel 1971)
registrazione parziale di:
American Pie (il 1971-05-26)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd e Yahweh Tunes, Inc.
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean5?:??
4Let’s Stick Together
assistente tecnico:
Nigel Walker (UK producer/engineer/guitarist) e Jon Walls
tecnico:
Steve Nye (producer, engineer and pianist) e John Punter
produttore:
Bryan Ferry e Chris Thomas (UK record producer / remixer)
armonica (a bocca) e tastiera :
Bryan Ferry (dal 1973 al 1976)
basso :
John Wetton (dal 1973 al 1976)
batteria :
Paul Thompson (Roxy Music drummer) (dal 1973 al 1976)
chitarra :
Chris Spedding (dal 1973 al 1976)
percussione :
Morris Pert (dal 1973 al 1976)
sassofono soprano :
Mel Collins (dal 1973 al 1976)
sassofono tenore :
Chris Mercer (British saxophonist) (dal 1973 al 1976)
sintetizzatore e violino :
Eddie Jobson (dal 1973 al 1976)
tromba :
Martin Drover (dal 1973 al 1976)
cori:
Vicki Brown (English pop, rock & contemporary classical singer) (dal 1973 al 1976), Doreen Chanter (dal 1973 al 1976), Helen Chappelle (dal 1973 al 1976), Jackie Sullivan (vocals & songwriter) (dal 1973 al 1976), Martha Walker (Vocalist) (dal 1973 al 1976) e Paddie McHugh (UK vocalist, in Kokomo, The Voice Squad, Arrival) (dal 1973 al 1976)
voce:
Bryan Ferry (dal 1973 al 1976)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1976), Virgin EG Records Ltd. (nel 1976) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1976, nel 1999)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito e Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (dal 1973 al 1976)
registrazione cover di:
Let’s Stick Together (dal 1973 al 1976)
paroliere e compositore:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
editore:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. e SBK/U Catalog (nel 1969)
Bryan Ferry3.35?:??
5Wild Thing
registrazione cover di:
Wild Thing
paroliere e compositore:
Chip Taylor (US singer/songwriter)
editore:
EMI Blackwood Music Inc., EMI Songs, EMI Songs Australia Pty. Ltd., EMI Songs Musikverlag GmbH e April Music (nel 1981)
The Troggs?:??
6Eagle Rock
basso :
Wayne Duncan (Australian musician)
batteria :
Gary Young (Australian drummer)
chitarra :
Ross Hannaford e Ross Wilson (Australian singer-songwriter, guitarist and producer)
voce:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1971), Sparmac (nel 1971), Wizard (Australian rock) (nel 1971), Wizard Records (Germany, hard-trance) (nel 1971) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1998)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 45)
registrazione di:
Eagle Rock
autore:
Ross Wilson (Australian singer-songwriter, guitarist and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Pty. Ltd.
Daddy Cool?:??
7You’re So Vain (LP version)
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (The Rolling Stones) (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group
Carly Simon4.55?:??
8I Hate the Music
esecutore:
John Paul Young (Australian pop singer)
registrazione di:
I Hate the Music
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son Pty. Ltd.
John Paul Young?:??
9I’ll Make You Happy
produttore:
Albert Productions (Australian recording and music publishing company) (nel 1966)
basso elettrico :
Dick Diamonde (nel 1966-08)
batteria :
Snowy Fleet (nel 1966-08)
chitarra elettrica e voce di accompagnamento:
Harry Vanda (Australian musician) (nel 1966-08) e George Young (Australian musician and producer) (nel 1966-08)
voce principale:
Stevie Wright (nel 1966-08)
diritti fonografici (℗) detenuti da:
J. Albert & Son Pty. Ltd. (nel 1966)
registrata presso:
Bill Armstrong Studios (later renamed AAV Studios) in Melbourne, Victoria, Australia (nel 1966-08)
registrazione di:
I'll Make You Happy (nel 1966-08)
autore:
Stevie Wright e George Young (Australian musician and producer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e J. Albert & Son Pty. Ltd.
The Easybeats?:??
10The House of the Rising Sun
produttore:
Mickie Most (English record producer)
batteria :
John Steel (English musician)
chitarra basso :
Chas Chandler
chitarra elettrica :
Hilton Valentine
organo :
Alan Price
voce principale:
Eric Burdon
diritti fonografici (℗) detenuti da:
Columbia (owned by Sony Music Entertainment, worldwide except JP; formerly owned by CBS between 1938–1990 within US/CA/MX) (nel 1964), Columbia Pictures Industries, Inc. (nel 1964) e EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964, nel 2002)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 11), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 122), BILLIONS CLUB e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 471)
registrazione di:
The House of the Rising Sun (Alan Price (The Animals) arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Alan Price
editore:
Al Gallico Music, EMI Music Publishing (do not use as a release label!), Keith Prowse, Keith Prowse Music Publishing Co. Ltd. e Universal/MCA Music Ltd. (not for release label use!)
arrangiamento di:
House of the Rising Sun
The Animals4.15?:??
11Love Really Hurts Without You
produttore:
Ben Findon (songwriter and producer)
voce:
Billy Ocean
direttore d'orchestra:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
diritti fonografici (℗) detenuti da:
GTO Records Ltd. (holding company - file no releases here!) (nel 1976) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1976)
registrazione di:
Love Really Hurts Without You
paroliere e compositore:
Ben Findon (songwriter and producer) e Leslie Sebastian Charles
editore:
Black Sheep Music Ltd. (publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing Ltd. (PRS‐affiliated)
Billy Ocean3.5?:??
12Rivers of Babylon
diritti fonografici (℗) detenuti da:
Hansa (nel 1988)
registrazione cover di:
Rivers of Babylon (Boney M. version)
paroliere:
Brent Dowe e Trevor McNaughton
compositore:
Brent Dowe, Frank Farian, Trevor McNaughton e George Reyam
editore:
Blue Mountain Music e FAR Music (publisher for Frank Farian)
si basa su:
Rivers of Babylon
Boney M.?:??
13April Sun in Cuba (album version)
registrazione di:
April Sun in Cuba
compositore:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd. e Essex Music of Australia Pty. Ltd.
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 10)
Dragon?:??
14Summer Love
registrazione di:
Summer Love
autore:
Garth Porter e Clive Shakespeare
editore:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Rondor Music e Universal Music Publishing MGB Australia
Sherbet?:??
15Bridge Over Troubled Water (album version)
registrazione di:
Bridge Over Troubled Water
paroliere:
Paul Simon (of Simon & Garfunkel)
compositore:
Paul Simon (of Simon & Garfunkel) (nel 1969)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Simon & Garfunkel?:??
16Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1973), RAK Records Ltd. (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.15?:??
17Help Is on Its Way
registrazione di:
Help Is on Its Way
paroliere e compositore:
Glenn Shorrock
editore:
Australian Tumbleweed Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tumbleweed Music Pty. Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd., WB Music Corp. (1929–2019) e Wheatley Music Pty Ltd.
Little River Band?:??
18Horror Movie
tecnico:
John French (Australian producer/engineer)
produttore:
Ross 'The Boss' Wilson (Australian singer-songwriter, guitarist and producer)
batteria :
Fred Strauks (nel 1974)
chitarra :
Bob “Bongo” Starkie (nel 1974) e Redmond Symons (nel 1974)
chitarra basso :
Greg Macainsh (nel 1974)
voce:
Fred Strauks (nel 1974), Greg Macainsh (nel 1974), Bob “Bongo” Starkie (nel 1974) e Redmond Symons (nel 1974)
voce principale:
Graeme 'Shirley' Strachan (nel 1974)
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Limited (nel 1990)
registrata presso:
T.C.S. Studios in Richmond, Melbourne, Victoria, Australia (nel 1974)
registrazione di:
Horror Movie (nel 1974)
paroliere e compositore:
Greg Macainsh
editore:
Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
Skyhooks?:??
19It’s Not Unusual
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Peter Sullivan (UK producer)
diritti fonografici (℗) detenuti da:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (nel 1965) e The Decca Record Company Limited (not a release label; for copyrights use only) (nel 1965)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 393)
registrazione di:
It’s Not Unusual
autore:
Gordon Mills (60s/70s UK producer and songwriter) e Les Reed
editore:
Leeds Music (conclusa), BMG Platinum Songs US, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Valley Music Ltd (publisher) e Universal Duchess Music Corp. (nel 1964)
Tom Jones4.5?:??
20Ben (single version)
registrazione di:
Ben
paroliere:
Don Black (English lyricist)
compositore:
Walter Scharf
editore:
Jobette Music (nel 1972)
parte di:
The 45th Academy Award for Best Original Song (numero: 2)
Michael Jackson?:??
2▼CD
#TitoloArtistaValutazioneDurata
1You’re the Voice
tecnico di registrazione e tecnico di missaggio:
Doug Brady (engineer)
programmazione degli strumenti:
Dave (Australian score composer), Jack e Ross
assistente tecnico:
Michael Wickow (engineer)
produttore:
Ross Fraser
basso senza tasti :
Roger McLachlan
chitarra :
Brett Garsed
sintetizzatore [Fairlight] e tastiera :
David Hirschfelder (Australian score composer)
voce di accompagnamento:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton e Sandy Weekes
voce principale:
Whispering Jack
arrangiatore:
John Farnham, Ross Fraser e David Hirschfelder (Australian score composer)
diritti fonografici (℗) detenuti da:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (nel 1986), BMG Australia Limited (not for release label use!) (nel 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1986), Wheatley Records Pty. Ltd. (nel 1986) e RCA/Ariola (nel 1987)
registrata presso e mixata presso:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 15)
registrazione di:
You’re the Voice
autore:
Andy Qunta, Keith Reid, Maggie Ryder e Chris Thompson (vocalist with Manfred Mann’s Earth Band)
editore:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing AB (Sweden)
John Farnham4.1?:??
299 Luftballons
tecnico:
Imre Sereg (nel 1982)
produttore:
Reinhold Heil (nel 1982) e Manfred Praeker (nel 1982)
tecnico di missaggio:
Udo Arndt (nel 1982)
basso elettrico :
Jürgen Dehmel (nel 1982)
batteria :
Rolf Brendel (nel 1982)
chitarra elettrica :
Carlo Karges (nel 1982)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
voce principale:
Nena Kerner (the person, performing solo since 1987) (nel 1982)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 1983)
registrata presso:
Spliff in Berlin, Germania (nel 1982)
mixata presso:
Audio-Studio in Berlin, Germania (nel 1982)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 73) e Cachitos Nochevieja 2022 (numero: 105)
registrazione di:
99 Luftballons (nel 1982)
paroliere:
Carlo Karges (nel 1982)
compositore:
Uwe Fahrenkrog-Petersen (nel 1982)
editore:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Musikverlag GmbH
sub-editore:
EMI Songs France (27, rue de Berri)
Nena4.1?:??
3Addicted to Love
produttore:
Bernard Edwards (American bassist and record producer)
tecnico di missaggio:
Eric Thorngren
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1985)
registrazione di:
Addicted to Love
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) e WC Music Corp.
Robert Palmer4.5?:??
4Love Is a Battlefield
produttore:
Neil Geraldo (multi-instrumentalist, songwriter, producer), Peter Coleman e Peter Coleman (British engineer & producer)
tecnico di missaggio:
Neil Giraldo (multi-instrumentalist, songwriter, producer) e Peter Coleman (British engineer & producer)
batteria :
Myron Grombacher
chitarra basso :
Roger Capps
chitarra elettrica :
Neil Giraldo (multi-instrumentalist, songwriter, producer)
tastiera :
Charles Giordano (American keyboardist and accordionist)
voce:
Pat Benatar
voce principale:
Pat Benatar
diritti fonografici (℗) detenuti da:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1983), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (nel 1983) e Chrysalis Records, Inc. (not for release label use!) (nel 1983, nel 1984)
registrata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti (nel 1983)
mixata presso:
MCA Whitney Recording Studios in Glendale, California, Stati Uniti
registrazione di:
Love Is a Battlefield
autore:
Mike Chapman (Australian producer and songwriter) e Holly Knight
editore:
BMG Gold Songs, BMG Music, BMG Music Pbl. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Island Music Ltd., Universal Music–MGB Songs, Warner Chappell, Warner/Chappell Music Ltd. (1996–2019), Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) e Zomba Music Publishing Ltd.
Pat Benatar4.1?:??
5Would I Lie to You? (Remastered version)
tecnico:
Adam Williams
produttore:
Dave Stewart (UK guitarist/singer for Eurythmics)
assistente tecnico di missaggio:
Don Smith (producer, engineer and mixer)
tecnico di missaggio:
Dave Stewart (UK guitarist/singer for Eurythmics) e Adam Williams
batteria :
Olle Romo (Swedish music producer, songwriter, and drummer)
chitarra basso :
Nathan East
organo :
Benmont Tench
sassofono :
Martin Dobson
strumenti elettronici e chitarra :
Dave Stewart (UK guitarist/singer for Eurythmics)
tromba :
Dave Plews
voce principale:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists)
diritti fonografici (℗) detenuti da:
BMG Records (UK) Limited (1987–1996) (nel 1985, nel 1991), EMI Music Australia (defunct holding company, not for release label use!) (nel 1985) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 2005)
parte di:
RuPaul’s Drag Race UK Lip Sync Performances (season 1) (numero: 3) e RuPaul’s Drag Race Lip Sync Performances (season 1) (numero: 4)
registrazione di:
Would I Lie to You?
autore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
BMG Music e Universal Music Publishers MGB Australia Pty Ltd
Eurythmics4.25?:??
6I Don’t Like Mondays
produttore:
Phil Wainman
arrangiatore archi :
Fiachra Trench
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1979)
registrata presso:
Phonogram Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
I Don’t Like Mondays di The Boomtown Rats
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 66)
registrazione di:
I Don’t Like Mondays
paroliere e compositore:
Johnnie Fingers e Bob Geldof
editore:
Campbell Connelly, Mushroom Music Pty. Ltd., Sewer Fire Hits Ltd, Zomba Enterprises, Inc. e Zomba Music Publishing Ltd.
The Boomtown Rats4?:??
7If I Could Turn Back Time (album version)
tecnico di registrazione e tecnico di missaggio:
Frank Wolf (engineer at Skyline Recording)
assistente tecnico:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) e Duane Seykora
tecnico aggiunto:
Guy Roche
produttore:
Guy Roche e Diane Warren (US songwriter)
batteria e tamburello :
Mark T. Williams
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra aggiunto:
Gene Black e Glenn Sciurba
chitarra basso :
John Pierce (US session bassist)
tastiera :
Alan Pasqua e Guy Roche
voce di accompagnamento:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain e Maria Vidal (American singer-songwriter)
voce principale:
Cher
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1989), The David Geffen Company (legal rights relating to Geffen Records) (nel 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrata presso:
Bill Schnee Studios in North Hollywood, Los Angeles, California, Stati Uniti e Criterion Studios in Los Angeles, California, Stati Uniti
mixata presso:
The Complex Studios in Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 386)
registrazione di:
If I Could Turn Back Time
paroliere e compositore:
Diane Warren (US songwriter)
editore:
EMI Music Publishing (do not use as a release label!) e Realsongs (nel 1989)
Cher3.75?:??
8She Drives Me Crazy
tecnico:
David Z. (producer/engineer David Rivkin)
co-produttore:
Fine Young Cannibals e David Z. (producer/engineer David Rivkin)
basso, drum machine e tastiera :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, chitarra e tamburello :
Andy Cox (of The Beat)
voce:
Roland Gift
diritti fonografici (℗) detenuti da:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (nel 1988) e London Records Ltd. (not release label) (nel 1989)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 77)
registrazione di:
She Drives Me Crazy (Fine Young Cannibals song)
autore:
Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
editore:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals4?:??
9Girls Just Want to Have Fun (album version)
assistente tecnico:
John Agnello (engineer & producer)
tecnico:
William Wittman
tecnico aggiunto:
John Jansen (US recording engineer and producer) e Rod O’Brien
produttore:
Rick Chertoff
produttore associato:
William Wittman
basso :
Eric Bazilian
batteria elettronica :
Anton Fig
chitarra elettrica :
Rick DiFonzo
sintetizzatore [synthesizers] e tastiera [keyboards] :
Rob Hyman
voce di accompagnamento:
Krystal Davis, Ellie Greenwich, Cyndi Lauper, Jules Shear, Maretha Stewart e Diane Wilson (vocals)
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1983), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983, nel 1994)
è stato produttore per:
Red Sox Music Productions, Inc.
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti
video musicali:
Girls Just Want to Have Fun di Cyndi Lauper
parte di:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 23), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 63)
registrazione di:
Girls Just Want to Have Fun
paroliere e compositore:
Robert Hazard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., Novelene Music, Sony Tunes, Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Tunes LLC (ASCAP) e Heroic Music (publisher) (nel 1983)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Cyndi Lauper4.1?:??
10Love Shack (single version)
produttore:
Don Was
edit di:
Love Shack di The B‐52s
registrazione di:
Love Shack
autore:
Kate Pierson, Fred Schneider (US singer‐songwriter, frontman of The B‐52s), Keith Strickland e Cindy Wilson
editore:
Man-Woman Together, Now!
The B‐52s3.65?:??
11Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.95?:??
12U Can’t Touch This
co-produttore:
James Earley e Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
produttore:
MC Hammer
tecnico di missaggio:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) e MC Hammer
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
campionamenti:
Super Freak di Rick James (US vocalist, multi‐instrumentalist, composer & producer)
registrazione di:
U Can’t Touch This
autore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) e Stanley Kirk Burrell
editore:
Bust‐It Publishing, EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music Co., Inc., Mushroom Music (Mushroom label’s publishing company), Stone City Music e Stone Diamond Music Corporation
si basa su:
Super Freak
MC Hammer4.1?:??
13Young Guns! (Go for It)
produttore:
Steve Brown (engineer/music producer) e George Michael
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1982)
registrazione di:
Young Guns (Go for It!)
paroliere e compositore:
George Michael
editore:
Morrison Leahy Music Ltd.
Wham!?:??
14Never Gonna Give You Up
programmazione degli strumenti:
Ian Curnow (nel 1986-10)
assistente tecnico:
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King e Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
tecnico:
Mark McGuire (UK producer/engineer)
tecnico aggiunto:
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) e Karen Hewitt
produttore:
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman e Waterman
tecnico di missaggio:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (il 1987-01-01)
batteria [drums] :
A Linn (Linn 9000) (nel 1986-10)
chitarra [guitars] :
Matt Aitken (nel 1986-10)
tastiera [keyboards] :
Matt Aitken (nel 1986-10) e Mike Stock (of Stock Aitken Waterman) (nel 1986-10)
voce di accompagnamento [backing vocals]:
Dee Lewis (nel 1986-10), Shirley Lewis (nel 1986-10), Mae McKenna (vocalist) (nel 1986-10) e Suzanne Rhatigan (nel 1986-10)
voce principale:
Rick (English singer, songwriter and radio personality) (nel 1986-10)
arrangiatore:
Gordon Jenkins
diritti fonografici (℗) detenuti da:
BMG Records (UK) Ltd. (1987–1996) (dal 1987 a oggi), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (nel 1987), Pete Waterman Ltd. (copyrights holder) (nel 1987) e PWL (nel 1987)
supporto a vario titolo:
PWL (incarico: original sound recordings made by)
registrata presso:
PWL Studio 1 (nel 1986-10), PWL Studio 2 (nel 1986-10) e PWL Studios (London) in London (Greater London), England, Regno Unito (nel 1986-10)
mixata presso:
PWL Studio 1 (il 1987-01-01) e PWL Studio 2 (il 1987-01-01)
video musicali:
Never Gonna Give You Up di Rick Astley (English singer, songwriter and radio personality)
parte di:
Cachitos Nochevieja 2022 (numero: 48) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 244)
registrazione di:
Never Gonna Give You Up (nel 1986-10)
autore:
Matt Aitken, Mike Stock (of Stock Aitken Waterman) e Pete Waterman
editore:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. e Terrace Music (nel 1987)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.4?:??
15Karma Chameleon
tecnico:
Simon Frith, Simon Humphrey, Gordon Milne (engineer) e Mike Ross‐Trevor (engineer)
produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
armonica (a bocca) ospite :
Judd Lander (nel 1983)
batteria e percussione :
Jon Moss (nel 1983)
chitarra , pianoforte , sitar , sitar elettrico e tastiera :
Roy Hay (Member of Culture Club and composer for film and television) (nel 1983)
chitarra basso :
Mikey Craig (Culture Club bassist) (nel 1983)
tastiera ospite :
Phil Pickett (songwriter, producer, keyboard player) (nel 1983)
voce di accompagnamento:
Helen Terry (UK singer) (nel 1983)
voce principale:
Boy George (nel 1983)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1983, nel 2002, nel 2003)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito (nel 1983) e Red Bus Studios in London (Greater London), England, Regno Unito (nel 1983)
video musicali:
Karma Chameleon di Culture Club (English pop group)
registrazione di:
Karma Chameleon (nel 1983)
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss e Phil Pickett (songwriter, producer, keyboard player)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e BMG VM Music Ltd. (dal 2013-05 a oggi)
Culture Club4?:??
16Footloose (album version)
produttore:
Lee DeCarlo e Kenny Loggins
batteria :
Tris Imboden
chitarra :
Buzz Feiten
chitarra basso :
Nathan East
percussione :
Michael Boddicker e Paulinho da Costa (Brazilian percussionist)
sintetizzatore basso :
Michael Boddicker
strumenti:
Michael Boddicker
tastiera :
Neil Larsen e Steven Wood (US soundtrack composer, member of Honk)
voce di accompagnamento:
Marilyn Dorman, Richey Washington e Steven Wood (US soundtrack composer, member of Honk)
voce principale:
Kenny Loggins
remixer:
Humberto Gatica
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1984), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1984), Sony BMG Music Entertainment Inc. (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Footloose
paroliere:
Dean Pitchford
compositore:
Kenny Loggins
editore:
BMG Music Ltd., BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Ensign Music LLC, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Island Music (Island Music Ltd.), Milk Money Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Harmony, Sony/ATV Melody, Sony/ATV Music Publishing Ltd. e Universal Music Publishers MGB Australia Pty Ltd
parte di:
The 57th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1984 nominee)
Kenny Loggins4.1?:??
17I Touch Myself
assistente tecnico:
Chris Albert (US engineer) e Vince Caro (engineer, music editor, producer)
produttore:
Divinyls (Australian rock band), Howard Shore (Canadian score composer) e David Tickle
diritti fonografici (℗) detenuti da:
Virgin Records America, Inc. (for copyrights use only; for release labels, please refer to either “Virgin” or “Virgin America”) (nel 1989, nel 1990) e Virgin Records (imprint + company, only for releases with Virgin RECORDS logo) (nel 1990)
registrata presso:
BMG Recording Studios in Theater District, New York, New York, Stati Uniti
remixata presso:
Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 54) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 326)
registrazione di:
I Touch Myself
paroliere e compositore:
Christina Amphlett, Mark McEntee, Tom Kelly (songwriter) e William Steinberg
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing Australia Pty Ltd. e Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019‐05‐16)
Divinyls3.5?:??
18Live It Up
tecnico:
Thom Panunzio
produttore:
Richard Gottehrer (American songwriter and music executive)
diritti fonografici (℗) detenuti da:
Syray Pty. Limited (Australian record company copyright holder and distributor) (nel 1984), Sony Music Productions Pty. Ltd. (for copyrights use only) (nel 1986) e Festival Records (Australian) (nel 1999)
registrata presso:
Rhinoceros Studios in Sydney, New South Wales, Australia
registrazione di:
Live It Up
paroliere e compositore:
Greedy Smith (Australian musician and songwriter with Mental As Anything)
editore:
Syray Music e Universal Music Publishing (use ONLY if no country‐specific information is available)
Mental as Anything3.25?:??
19I Got You
registrazione di:
I Got You
paroliere e compositore:
Neil Finn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Mushroom Music (Mushroom label’s publishing company)
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 11)
Split Enz?:??
3▼CD
#TitoloArtistaValutazioneDurata
1There You Go (album version)
tecnico di registrazione:
She’kspere
produttore:
Kevin “She’kspere” Briggs
assistente tecnico di missaggio:
Steve MacAuley (engineer)
tecnico di missaggio:
Kevin “KD” Davis (US producer/engineer “KD” Davis)
voce di accompagnamento:
Kandi Burruss (US R&B singer-songwriter, actress & record producer Kandi Burruss)
voce di accompagnamento e voce principale:
P!nk (American singer/songwriter)
arrangiatore voci:
Kandi Burruss (US R&B singer-songwriter, actress & record producer Kandi Burruss)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1999)
registrata presso:
Triangle Sound Studios in Atlanta, Georgia, Stati Uniti
mixata presso:
Larrabee Sound Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, Stati Uniti
video musicali:
There You Go di P!nk (American singer/songwriter)
registrazione di:
There You Go (nel 2000)
paroliere e compositore:
Alecia Moore (American singer/songwriter), Kandi Burruss (US R&B singer-songwriter, actress & record producer Kandi Burruss) e Kevin Briggs
editore:
Air Control Music, Inc., EMI April Music Inc., Hitco South e Kandacy Music Inc.
P!nk3.353:24
2Alive
registrazione di:
Alive
autore:
Natalie Bassingthwaighte, Arnthor Birgisson e Andrew Frampton
Natalie Bassingthwaighte3:32
3All the Small Things
tecnico di registrazione:
Sean O’Dwyer (US producer & engineer)
assistente tecnico:
Darrell Harvey (engineer), John Nelson (engineer) e Robert Read (engineer)
produttore:
Jerry Finn
tecnico di missaggio:
Tom Lord‐Alge
batteria :
Travis “Fuck Boy” Barker (American producer and drummer of blink-182)
chitarra e voce principale:
Tom “Hot Pants” DeLonge
chitarra basso e voce di accompagnamento:
Mark “Fish Guts” Hoppus
tastiera :
Roger Joseph Manning Jr. (American keyboardist and singer/songwriter)
arrangiatore:
blink‐182
tecnico di batteria:
Mike Fasano (drummer, drum tech)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1999), MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1999), MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 2000), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
mixata presso:
South Beach Studios in Miami Beach, Florida, Stati Uniti
video musicali:
All the Small Things (music video) di blink‐182
parte di:
BILLIONS CLUB, Indie 88: Top 500 Indie Rock Songs (numero: 59) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 365)
registrazione di:
All the Small Things
autore:
Tom DeLonge e Mark Hoppus
editore:
Fun With Goats (conclusa), Beat Poet Music, EMI April Music Inc., HMNIM Music, Jolly Old Saint Dick e Kobalt Songs Music Publishing (USA, ASCAP affiliated)
blink‐18242:48
4…Baby One More Time
tecnico di registrazione, produttore e tecnico di missaggio:
Max Martin (Swedish record producer) e Rami (Swedish record producer and songwriter)
chitarra :
Johan Carlberg
chitarra basso :
Tomas Lindberg (Swedish bass player)
voce di accompagnamento:
Nana Hedin (Swedish singer; also known as Na Na and Nana d’Aquini), Max Martin (Swedish record producer) e Britney Spears
voce principale:
Britney Spears
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1998) e Zomba Recording LLC (nel 1999)
mixata per e è stato produttore per:
Cheiron Productions
registrata presso e mixata presso:
Cheiron Studios in Stockholm, Stockholms län (Stockholm county), Svezia
video musicali:
…Baby One More Time di Britney Spears, …Baby One More Time (official music video) di Britney Spears, …Baby One More Time (Angle 1) di Britney Spears e …Baby One More Time (Angle 2) di Britney Spears
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 12), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 205) e BILLIONS CLUB
registrazione di:
…Baby One More Time
paroliere e compositore:
Max Martin (Swedish record producer)
editore:
Grantsville Publishing Ltd., Imagem, MXM Music AB, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc. e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
parte di:
Freaky Friday (2003)
Britney Spears3.83:31
5Burn
programmazione:
Jonas Jeberg (nel 2008)
produttore:
Cutfather (nel 2008) e Jonas Jeberg (nel 2008)
produttore aggiunto:
Audius Mtawarira (nel 2008)
tecnico di missaggio:
Mads Nilsson (nel 2008)
strumenti:
Jonas Jeberg (nel 2008)
registrazione di:
Burn (nel 2008)
autore:
Taj Jackson, Jonas Jeberg e Mich Hansen
Jessica Mauboy32:53
6Anthem for the Year 2000 (album version)
registrazione di:
Anthem for the Year 2000
paroliere e compositore:
Daniel Johns
Silverchair43:40
7Malibu
tecnico di missaggio:
Chris Lord‐Alge
diritti fonografici (℗) detenuti da:
Geffen Records, Inc. (company credits only; do NOT use as release label) (nel 1998)
registrazione di:
Malibu
autore:
Billy Corgan, Eric Erlandson e Courtney Love (US rock vocalist, widow to Kurt Cobain)
editore:
Universal Music Publishing (use ONLY if no country‐specific information is available)
Hole3.653:51
8Teenage Dirtbag (clean album version)
tecnico di registrazione e produttore:
Philip A. Jimenez e Wheatus
tecnico di missaggio:
David Thoener
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 2000)
registrazione di:
Teenage Dirtbag
paroliere e compositore:
Brendan B. Brown (Wheatus singer/guitarist)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Blackwood Music Inc. (nel 2000) e Montauk Mantis Productions (nel 2000)
Wheatus2.54:03
9You Get What You Give
produttore:
Gregg Alexander
basso :
John Pierce (US session bassist)
chitarra :
Gregg Alexander e Rusty Anderson
membranofono :
Gary Ferguson (Session drummer)
percussione :
Juliet Prater
pianoforte :
Rick Nowels
arrangiatore:
Gregg Alexander
arrangiatore voci aggiunto:
Richard Podolor
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1998)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 390) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 453)
registrazione di:
You Get What You Give
autore:
Gregg Alexander e Rick Nowels
editore:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. e Grosse Point Harlem
New Radicals4.654:59
10Zombie (album version)
assistente tecnico e assistente produttore:
Julie Gardiner (engineer)
tecnico e produttore:
Stephen Street (famous producer, songwriter)
batteria e percussione :
Fergal Lawler
chitarra acustica e chitarra elettrica :
Noel Hogan e Dolores O’Riordan
chitarra basso :
Mike Hogan (bassist for The Cranberries)
tastiera e voce principale:
Dolores O’Riordan
voce di accompagnamento:
Noel Hogan
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (American holding company, not normally a release label), Island Records, Inc. (US, Island holding) (nel 1994), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1994) e Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2002)
registrata presso:
The Manor in Oxfordshire, England, Regno Unito (dal 1993-11 al 1994-08) e The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1993-11 al 1994-08)
mixata presso:
The Manor in Oxfordshire, England, Regno Unito e The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Regno Unito
parte di:
triple j’s Hottest 100 (Australian annual music listener poll) (numero: 1994) e Indie 88: Top 500 Indie Rock Songs (numero: 234)
registrazione di:
Zombie
paroliere e compositore:
Dolores O’Riordan
editore:
Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017) e Universal–Songs of PolyGram International, Inc.
The Cranberries4.25:07
11I’m Outta Love (album version)
programmazione:
Louis Biancaniello (nel 2000)
produttore:
Louis Biancaniello e Sam Watters
tecnico di missaggio:
Louis Biancaniello e David Frazier (engineer)
batteria [drums] :
Louis Biancaniello (nel 2000) e Sam Watters (nel 2000)
chitarra [guitars] :
Vernon Black (nel 2000)
tastiera [all keyboards] :
Louis Biancaniello (nel 2000)
voce di accompagnamento:
Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”) (nel 2000) e Sam Watters (nel 2000)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1999, nel 2000) e Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 2000)
è stato produttore per:
Breakthrough Entertainment
registrata presso:
Homesite 13 in Novato, California, Stati Uniti (nel 2000)
mixata presso:
Homesite 13 in Novato, California, Stati Uniti
video musicali:
I’m Outta Love di Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
versioni a cappella:
I'm Outta Love (a cappella) di Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
versioni strumentali:
I'm Outta Love (instrumental) di Anastacia (USA pop singer from Chicago, IL, best known for “I’m Outta Love”)
registrazione di:
I’m Outta Love (nel 2000)
paroliere:
Anastacia Newkirk (USA pop singer from Chicago, IL, best known for “I’m Outta Love”), Louis Biancaniello e Sam Watters
compositore:
Louis Biancaniello e Sam Watters
editore:
Breakthrough Creations, EMI April Music Inc., Poho Productions, S. M. Y. Publishing, Sony/ATV Tunes LLC (ASCAP) e Universal Music Corp. (USA, affiliated with ASCAP)
Anastacia3.84:04
12Everybody (Backstreet’s Back) (extended version)
tecnico:
Tommie Hicks Jr. e Joe Smith (US recording/mixing engineer)
produttore:
Max Martin (Swedish record producer) e Denniz PoP
altra voce:
Bonnie Brewster, Andrea M. Majied e Susan McCall
diritti fonografici (℗) detenuti da:
Zomba Recording Corporation (not strictly a label - avoid adding releases here) (nel 1997)
registrazione di:
Everybody (Backstreet’s Back)
autore:
Max Martin (Swedish record producer) e Denniz PoP
editore:
Maratone AB (conclusa), MXM Music AB (conclusa), Grantsville Publishing Ltd., GV-Maratone, GV-MXM, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Zomba Enterprises, Inc., Zomba Music Publishers Limited (UK subsidiary of Zomba Music Publishing) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Backstreet Boys4.14:47
13Genie in a Bottle
tecnico di registrazione:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner e Mario Luccy
programmazione:
Guy Roche
tecnico:
Paul Arnold (engineer) e Ryan James Freeland
produttore:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner e Guy Roche
tecnico di missaggio:
Dave Way
tecnico di missaggio aggiunto:
Michael Huff
batteria [drums] e tastiera [keyboards] :
David Frank (American keyboardist, producer, writer; The System)
batteria [drums] aggiunto e tastiera [keyboards] aggiunto:
Steve Kipner
chitarra :
John Goux e Bruce Watson (member of Big Country)
tamburello :
Matt Laug
voce di accompagnamento:
Christina Aguilera e Shelly Peiken
arrangiatore:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner, Pam Sheyne e Guy Roche
arrangiatore voci:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner e Pam Sheyne
arrangiatore voci aggiunto:
Christina Aguilera
video musicali:
Genie in a Bottle di Christina Aguilera
parte di:
The Downloader’s Music Source Book (numero: 264) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 228)
registrazione di:
Genie in a Bottle
autore:
David Frank (American keyboardist, producer, writer; The System), Steve Kipner e Pam Sheyne
editore:
AppleTreeSongs Ltd., EMI April Music Inc., EMI Music Publishing (ASCAP), EMI Music Publishing Ltd. (PRS‐affiliated), Griff Griff Music, Mother’s Finest Songs (ASCAP-affiliated), Muso Music, Stephen A. Kipner Music e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Christina Aguilera3.953:38
14I Want You Back (radio edit)
produttore:
Max Martin (Swedish record producer) e Denniz PoP
voce:
Lance Bass, JC Chasez, Joey Fatone, Chris Kirkpatrick, *NSYNC (US boy band) e Justin Timberlake
diritti fonografici (℗) detenuti da:
Trans Continental Records, Inc. (nel 1997) e Trans Continental Records, Inc. (nel 1998)
registrazione di:
I Want You Back
autore:
Max Martin (Swedish record producer) e Denniz PoP
editore:
BMG Music Publishing Ltd. e Cheiron Songs
*NSYNC4.353:21
15As I Lay Me Down (album version)
voce:
Sophie B. Hawkins
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1994)
registrazione di:
As I Lay Me Down
paroliere e compositore:
Sophie B. Hawkins
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Sophie B. Hawkins54:08
16All Star
supporto artisti & repertorio (A&R):
Tom Whalley
assistente tecnico:
Trevor Adkinson (engineer for Smash Mouth)
tecnico, produttore e tecnico di missaggio:
Eric Valentine (Eric Dodd, producer and instrumentalist)
editor aggiunto:
Jacquire King
batteria :
Kevin Coleman
chitarra :
Greg Camp
chitarra basso :
Paul De Lisle
strumenti elettronici :
Mark Camp (Smash Mouth collaborator) e Chris Racine
tastiera :
Michael Klooster
tastiera aggiunto:
Eric Valentine (Eric Dodd, producer and instrumentalist)
voce di accompagnamento:
Greg Camp e Paul De Lisle
voce principale:
Steve Harwell
video musicali:
All Star di Smash Mouth (US rock band from San Jose, CA)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 339)
registrazione di:
All Star
paroliere e compositore:
Greg Camp
editore:
Songs by Greg Camp, Spirit One Music, Squish Moth Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Smash Mouth4.63:21
17Waterfalls (single edit)
registrazione di:
Waterfalls
autore:
Marqueze Ethridge, Lisa “Left Eye” Lopes e Organized Noize (Atlanta hip-hop production group)
editore:
BELT STAR MUSIC, Hitco Music, Organized Noize Music, Pebbitone Music, Red Light & Incense Music, Stiff Shirt Music, Inc., TIZBIZ Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
TLC4:17
18Mouth
altra voce [percussion]:
Jason Catherine
diritti fonografici (℗) detenuti da:
BMG Australia (use with caution, be prepared to prove your edit!) (nel 1994), Gotham Records (AU label associated with John Farnham) (nel 1994) e Gotham Multimedia (nel 1995)
registrazione di:
Mouth
autore:
Merril Bainbridge
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing (do not use as a release label!)
Merril Bainbridge43:25
19Tubthumping
diritti fonografici (℗) detenuti da:
Chumbawamba (nel 1997)
edit di:
Tubthumping (album version) di Chumbawamba
registrazione di:
Tubthumping
editore:
Chumbawamba (nel 1997)
autore:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) e Boff Whalley
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Leosong (publisher) (nel 1997)
Chumbawamba43:22

Accreditamenti

Pubblicazione

distribuito da:Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009)
copyright (©) detenuto da:Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (nel 2009)
Discogs:https://www.discogs.com/release/14547884 [info]